This vivid story from an Anglo-Irish-American veteran of World War II tells firsthand of the terror and hardship of the Battle of Britain and the Blitz on London and the bravery of the British during those eighteen months when they stood alone against Germany and Italy. Tapping into the memories etched deeply into his mind while a young man, McCarthy tells of his coming of age in war-torn London. His unique perspective as an Irishman born in Wales, raised in London, and immigrated to the United States offers a truly unique voice in the narrative of World War II.
This vivid story from an Anglo-Irish-American veteran of World War II tells firsthand of the terror and hardship of the Battle of Britain and the Blitz on London and the bravery of the British during those eighteen months when they stood alone against Germany and Italy. Tapping into the memories etched deeply into his mind while a young man, McCarthy tells of his coming of age in war-torn London. His unique perspective as an Irishman born in Wales, raised in London, and immigrated to the United States offers a truly unique voice in the narrative of World War II.
Harry S. Truman once said, "Ours is a nation of many different groups, of different races, of different national origins." And yet, the debate over what it means--and what it takes--to be an American remains contentious. Nationalist solidarity, many claim, requires a willful blending into the assimilationist alloy of these United States. Others argue that the interests of both nation and individual are best served by allowing multiple traditions to flourish--a salad bowl of identities and allegiances, rather than a melting pot. Tracing how Americans have confronted and relinquished, but mostly clung to group identities over the past century, Desmond King here debunks one of the guiding assumptions of American nationhood, namely that group distinction and identification would gradually dissolve over time, creating a "postethnic" nation. Over the course of the twentieth century, King shows, the divisions in American society arising from group loyalties have consistently proven themselves too strong to dissolve. For better or for worse, the often-disparaged politics of multiculturalism are here to stay, with profound implications for America's democracy. Americans have now entered a post-multiculturalist settlement in which the renewal of democracy continues to depend on groups battling it out in political trenches, yet the process is ruled by a newly invigorated and strengthened state. But Americans' resolute embrace of their distinctive identities has ramifications not just internally and domestically but on the world stage as well. The image of one-people American nationhood so commonly projected abroad camouflages the country's sprawling, often messy diversity: a lesson that nation-builders worldwide cannot afford to ignore as they attempt to accommodate ever-evolving group needs and the demands of individuals to be treated equally. Spanning the entire twentieth century and encompassing immigration policies, the nationalistic fallout from both world wars, the civil rights movement, and nation-building efforts in the postcolonial era, The Liberty of Strangers advances a major new interpretation of American nationalism and the future prospects for diverse democracies.
Lusane argues that "the federal drug war being waged in the nation's capital is parallel to that waged against other communities nationwide and worldwide."--SF Bay Guardian
This book is the first comprehensive analysis of eugenics in North America focused on the second half of the twentieth century. Based on new research, Randall Hansen and Desmond King show why eugenic sterilization policies persisted after the 1940s in the United States and Canada. Through extensive archival research, King and Hansen show how both superintendents at homes for the 'feebleminded' and pro-sterilization advocates repositioned themselves after 1945 to avoid the taint of Nazi eugenics. Drawing on interviews with victims of sterilization and primary documents, this book traces the post-1940s development of eugenic policy and shows that both eugenic arguments and committed eugenicists informed population, welfare, and birth control policy in postwar America. In providing revisionist histories of the choice movement, the anti-population growth movement, and the Great Society programs, this book contributes to public policy and political and intellectual history.
This book offers the first critical reassessment of an artist whose mature oeuvre constitutes a rich and often disquieting critique that is equal parts wit, seduction, and bite. Honorae Sharrer (1920-2009) was a major figure in the years surrounding World War II, though her commitment to leftist ideals and an alternate trajectory of surrealism put her at increasing odds with the political and artistic climate of the time"--
Most of us know bits and pieces of our history but would like to be more sure of how it all fits together. The trick is to find a history that is so absorbing you will want to read it from beginning to end. With this book, Desmond Morton, one of Canada’s most noted and highly respected historians, shows how the choices we can make at the dawn of the 21st century have been shaped by history. Morton is keenly aware of the links connecting our present, our past, and our future, and in one compact and engrossing volume he pulls off the remarkable feat of bringing it all together – from the First Nations before the arrival of the Europeans to the failure of the Charlottetown accord and Jean Chretien’s third term as prime minister. His acute observations on the Diefenbaker era, the effects of the post-war influx of immigrants, the flag debate, the baby boom, the Trudeau years and the constitutional crisis, the Quebec referendum, and the rise of the Canadian Alliance all provide an invaluable background to understanding the way Canada works today.
The Dictionary of the Old Testament: Pentateuch' is the first in a four-volume series covering the text of the Old Testament. Following in the tradition of the four award-winning IVP dictionaries focused on the New Testament and its background, this encyclopedic work is characterized by close attention to the text of the Old Testament and the ongoing conversation of contemporary scholarship. In exploring the major themes and issues of the Pentateuch, it informs and challenges its readers with authoritative overviews, detailed examinations and new insights from the world of the ancient Near East. The 'Dictionary of the Old Testament: Pentateuch' is designed to be your first stop in the study and research of the Pentateuch, on which the rest of the Bible is built.
Alec Wilder wrote songs and lyrics of unsurpassed beauty and originality, and his work won the respect and admiration of such important musical figures as Frank Sinatra, Peggy Lee, Mitch Miller, Gunther Schuller, and many others. Yet Wilder seemed almost to court obscurity. Both in the music he composed and in the way he lived his life, Wilder valued the unique and eccentric over the established and easily acceptable. And though he authored the definitive American Popular Song--which critics praised as "singular" (Studs Terkel), "pioneering" (Whitney Balliett), "rewarding" (Milton Babbitt), and "a joy to anyone who really cares about American popular music" (Max Morath)--his own contribution to that music has remained, until now, too little known and far too little appreciated. Desmond Stone's engaging and lively biography brings Alec Wilder's life and music into the spotlight where it belongs. Ranging from Wilder's childhood in Rochester, New York, to his rise as a major writer of popular songs in the 1940s, to his relationships with Frank Sinatra and the cabaret singer Mabel Mercer, Stone gives us rich insight into the creative process and profound influence of this highly unorthodox composer. We see the impulses and musical concerns that led to such standards as "I'll Be Around" and "It's So Peaceful in the Country." We also get an inside view of how he wrote his monumental American Popular Song, which remains the most significant study of America's great songwriters. More important, we get a vivid sense of a haunting, incorruptible melodist whose unique personality was mirrored in his music. Man and composer dared to be different. When Wilder in the late 1930s wrote his famous Octets, the music world did not know what to make of these irreverent, highly original pieces. Yet they had a seminal influence on jazz chamber music in America. Wilder would go on to compose hundreds of instrumental numbers. Whether he was writing concert pieces for an unprecedented and highly unusual group of instruments, or mixing jazz, classical, and popular idioms in a single song, or dashing off a sonata for a friend, Wilder followed the dictates of his own creativity rather than the expectations of the musical establishment. Such independence and unpredictability earned him the hostility of many critics but the enduring respect of the musicians he wrote for. Here then is a fascinating private portrait of a man who lived a nomad's life, who loved riding trains so much he kept a timetable in his pocket at all times, a man whose only home was a small room he maintained at the Algonquin Hotel in Manhattan (where he often held court in the lobby), a man with a serious drinking problem as well as the kindest and most generous of friends. Essential reading for anyone interested in American popular music, Alec Wilder in Spite of Himself provides a much needed account of this complex, colorful, and highly original life.
This lavishly illustrated and comprehensive volume is the first devoted entirely to the subject of Irish furniture and woodwork. It provides a detailed survey—encompassing everything from medieval choir stalls to magnificent drawing-room suites for the great houses—from earliest times to the end of the eighteenth century. The first part of the book presents a chronological history, illustrated with superb examples of Irish furniture and interior carving. In a lively text, the Knight of Glin and James Peill consider a broad range of topics, including a discussion of the influence of Irish craftsmen in the colonies of America. The second part of the book is a fascinating pictorial catalogue of different types of surviving furniture, including chairs, stools, baroque sideboards, elegant tea and games tables, bookcases, and mirrors. The book also features an index of Irish furniture-makers and craftsmen of the eighteenth century, compiled from Dublin newspaper advertisements and other contemporary sources.
From Shamu the dancing whale at Sea World to Hawaiian lu'au shows, Staging Tourism analyzes issues of performance in a wide range of tourist venues. Jane C. Desmond argues that the public display of bodies—how they look, what they do, where they do it, who watches, and under what conditions—is profoundly important in structuring identity categories of race, gender, and cultural affiliation. These fantastic spectacles of corporeality form the basis of hugely profitable tourist industries, which in turn form crucial arenas of public culture where embodied notions of identity are sold, enacted, and debated. Gathering together written accounts, postcards, photographs, advertisements, films, and oral histories as well as her own interpretations of these displays, Desmond gives us a vibrant account of U.S. tourism in Waikiki from 1900 to the present. She then juxtaposes cultural tourism with "animal tourism" in the United States, which takes place at zoos, aquariums, and animal theme parks. In each case, Desmond argues, the relationship between the viewer and the viewed is ultimately based on concepts of physical difference harking back to the nineteenth century.
This book describes the social and economic conditions in Ireland in the second half of the 19th century, that is after the Great Famine. Though the famine severely affected the under-developed parts of Ireland, it did not greatly affect the Irish economy as a whole . On the contrary, an ever-increasing output was now spread over a falling population. GDP per capita went on rising, and people had more money to spread. The Government, the economy, agricultural and industrial, the churches, the educational system, medicine, the arts, the music, and the sports are described.
This paper develops an analytical framework to examine the Brazilian economy. A macro economic projection model is developed based on a consistency framework for 1980. After 1980, the economy began to show many serious weaknesses, unemployment rose rapidly, the current account deteriorated, & the external debt rose to over US$90 billion by 1983. The projections suggest that even relatively strong growth rates of around 6% per annum, although large enough to support the absorption of increases in the labor force, will not be sufficient to reduce the pool of unemployed that has accumulated during the recession. The recent performance in the merchandise balance of Brazil has been quite strong but it is essential to maintain this highly favourable balance if the current account, & the debt servicing required is to remain within acceptable limits. This implies that import expansion should be strongly conditioned by a favourable export performance. The multi-sectoral nature of the model provides considerable insight into analyzing which sectors may be most appropriate for various initiatives & where one may expect unfavourable consequences. The paper indicates which policy instruments may be appropriate for various goals but the choice & blend will in the end be a political decision.
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