An ordinary Australian mum caught in the drama of an African civil war. Maggie, with her family, join SudanAID, an organisation working with refugees in southern Sudan. Maggie’s role is to manage their guesthouse in Nairobi, Kenya. As the civil war escalates, SudanAID’s projects are abandoned, and the Sudanese Government threatens to expel the organisation for collaborating with the rebels. Against this backdrop Maggie relates the heartwarming, the horrific and the humorous stories of the everyday dramas in the lives of her family, co-workers, and guests, both expatriate and national. As her understanding of the African culture grows, she learns the values of tolerance and acceptance and finds the inner strength to come to grips with two critical events that bring SudanAID to its knees.
Nyaloka is my story. In the early 1990s, I left Australia to marry Okeyo, a Kenyan national. Along my 3 year journey, I learnt about the Luo culture and the art of surviving on a remote farm in Western Kenya and how to navigate the cultural divides. Okeyo’s family welcomed me with open arms, despite my inability to carry jerry cans of river water on my head. My husband was a sound technician and video photographer. We made a living managing a video lending library and producing documentaries for organisations to raise funds from US or Europe for their relief and development projects. The highlight being a trip to a Tanzanian refugee camp after the Rwandan genocide. Nyaloka, my African name, had many misadventures and met many colourful characters along the way, and experienced first-hand the joys and sorrows of everyday life in rural Kenya. Desley Allen writes about her experiences and the people she encountered in Kenya over a 10 year period during the 1980s/90s. Recently she published her first book, TIA: This is Africa. It follows the life of an ordinary Australian mother caught up in the drama of an African civil war. Now retired, Desley lives on the Sunshine Coast with her husband after travelling the Grey Nomad trail around Australia for 3 years in a caravan. She enjoys swimming, walking, and pottering about in her Australian native garden.
Everyone knows Mrs Danvers as a byword for menace in Hitchcock's Rebecca and as a poster girl for lesbians in the movies. But only dedicated fans know her brilliant creator. This book tells Judith Anderson's life story for the first time. It recovers her career as one of the great stars of stage and television and an important character actress in film. Born in Adelaide, Australia, in 1897, brought up by a determined single mother, she parlayed her rich, velvety voice and ability to give reality to strong emotional roles into stardom on Broadway in the 1920s. Not a conventional beauty, she was alluring, with her beautiful body, perfect dress sense, and striking, volatile personality. After playing glamorous roles, she was recognised as a Leading Lady of the American Stage under the direction of Guthrie McClintic in Hamlet and co-starring with Laurence Olivier and Maurice Evans in Macbeth. Her reputation as a great actress was confirmed by her landmark performance in 1947 in the ancient Greek Medea, adapted for her by her friend, poet Robinson Jeffers. In a long career, she appeared in Medea again in 1982 at the age of 85, playing the Nurse to fellow-Australian Zoe Caldwell's Medea. Ambitious and driven, Anderson toured extensively, made numerous highly praised appearances on television, and, after her unforgettable role as Mrs Danvers, was a sought-after character actress in film, playing her last role as Vulcan High Priestess in Star Trek III at the age of 87. She won many awards and was made a Dame Commander of the British Empire in 1960 and Companion of the Order of Australia just before her death in 1992. She had a stormy private life and two short marriages, which, she remarked, were 'much too long.
Elsie Clews Parsons was a pioneering feminist, an eminent anthropologist, and an ardent social critic. In Elsie Clews Parsons, Desley Deacon reconstructs Parsons's efforts to overcome gender biases in both academia and society. "Wonderfully illuminating. . . . Parsons's work resonates strikingly to current trends in anthropology."—George W. Stocking, Jr., Journal of the Royal Anthropological Institute "This is the biography of a woman so interesting and effective—a cross between Margaret Mead and Georgia O'Keeffe. . . . A nuanced portrait of this vivid woman."—Tanya Luhrmann, New York Times Book Review "A marvelous new book about the life of Elsie Clews Parsons. . . . It's as though she is sitting on the next rock, a contemporary struggling with the same issues that confront women today: how to combine work, love and child-rearing into one life."—Abigail Trafford, Washington Post "Parsons's splendid life and work continue to illuminate current puzzles about acculturation and diversity."—New Yorker
Disasters are increasing in frequency and intensity across the world, causing significant destruction to individuals and communities. Yet many social workers are ill-prepared for the demands of this field of practice. This book discusses the role of social workers in disaster work, including in disaster-preparedness, during the disaster and in post-disaster practice. It addresses the complexities of social work disaster practice, noting the need for social workers to understand the language of trauma and to respond effectively. The authors discuss disaster theory and practice, drawing out elements of practice at macro-, meso- and micro-levels and at various stages of the disaster. They examine the factors that shape vulnerability in disasters and draw out the possibility of post-traumatic growth. The final section discusses strategies for self-care in disaster practice, noting the organisational and personal strategies that can be adopted to facilitate the wellbeing of workers in the field. With real-life case studies from top scholars in the field, this book is essential reading for social work practitioners working in the field of disaster practice, as well as social work students and academics. It will also be useful to other health professionals who wish to understand this field of practice.
An ordinary Australian mum caught in the drama of an African civil war. Maggie, with her family, join SudanAID, an organisation working with refugees in southern Sudan. Maggie’s role is to manage their guesthouse in Nairobi, Kenya. As the civil war escalates, SudanAID’s projects are abandoned, and the Sudanese Government threatens to expel the organisation for collaborating with the rebels. Against this backdrop Maggie relates the heartwarming, the horrific and the humorous stories of the everyday dramas in the lives of her family, co-workers, and guests, both expatriate and national. As her understanding of the African culture grows, she learns the values of tolerance and acceptance and finds the inner strength to come to grips with two critical events that bring SudanAID to its knees.
In 1986, Peggy and Dave Walker and their two children, newly recruited aid-workers for a relief and development organisation based in Southern Sudan, arrive from Australia to work at SudanAID's headquarters in Nairobi, Kenya. The organisation is struggling to survive as the Sudanese civil war accelerates and the rebels gain more territory forcing vital projects to be abandoned. The Sudanese government threatens to expel SudanAID from the country accusing them of collaborating with the rebel army. Against this backdrop, Peggy relates the heartwarming, the horrific and the humorous stories of the every day dramas in the lives of her family and co-workers, both expatriate and national. As her understanding of living in the African culture grows, Peggy learns the values of tolerance and acceptance and finds the inner strength to deal with two critical events that subsequently bring SudanAID to its knees.
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