Towns are often seen as an object, or at most a collection of objects, however this objectification of the town creates issues with the way we perceive it. Towns are contextual and ecological, they are not static, but sit in dynamic equilibrium with the forces that their hinterland, and more so globalisation, press onto them. Macclesfield is no different. This book provides a snapshot view, a single frame in the real life movie that is Macclesfield’s future and past. This frame shows a town in transition: at a crossroads. In its past, Macclesfield has continually engaged with global forces, that have at times threatened its very existence, and at other created a boom-time. This book aims to present the background and benchmark to that process. In collating a range of indicators (social, spatial and geographic), we provide the first steps in creating trajectories that create new futures for Macclesfield. Towns have always been a place for public debate, and this must continue if towns are to flourish in the new Century.
The city is changing: no longer is it an aesthetic creation, nor purely an industrial powerhouse. It is becoming a living, breathing super-organism, with a myriad of multiple, competing functions enabling the city to dwell within its particular ecology. As a super-organism, the future city will be defined more by its metabolism, than purely its primary function or spatial form. These biospheric flows of energy and materials will drive the new city and create new synergies for living. This book develops the composition of the evolutionary and the city through architectural and landscape insertions in the Greengate area of Salford, Manchester UK. These designs will engage with the idea of the city as biotic and as a host for biota as well as humans. These new ‘natural’ landscapes will be resilient, through new biodiversity that not only provides a productive landscape, but also links and extends the city’s function and liveability. We have been wrong to force designs on the city: as a superorganism, the new city will be born, not made.
In Women and the Historical Enterprise in America, Julie Des Jardins explores American women's participation in the practice of history from the late nineteenth century through the end of World War II, a period in which history became professionalized as an increasingly masculine field of scientific inquiry. Des Jardins shows how women nevertheless transformed the profession during these years in their roles as writers, preservationists, educators, archivists, government workers, and social activists. Des Jardins explores the work of a wide variety of women historians, both professional and amateur, popular and scholarly, conservative and radical, white and nonwhite. Although their ability to earn professional credentials and gain research access to official documents was limited by their gender (and often by their race), these historians addressed important new questions and represented social groups traditionally omitted from the historical record, such as workers, African Americans, Native Americans, and religious minorities. Assessing the historical contributions of Mary Beard, Zora Neale Hurston, Angie Debo, Mari Sandoz, Lucy Salmon, Mary McLeod Bethune, Dorothy Porter, Nellie Neilson, and many others, Des Jardins argues that women working within the broadest confines of the historical enterprise collectively brought the new perspectives of social and cultural history to the study of a multifaceted American past. In the process, they not only developed the field of women's history but also influenced the creation of our national memory in the twentieth century.
This publication is issued in conjunction with the 1998 exhibition of the same name held at The Metropolitan Museum of Art in New York and scheduled for venues in England and France. Burnes-Jones (1833-1898) created a style that had widespread influence on both British and European art--a narrative style derived from medieval legend and fused with the influence of Italian Renaissance masters, a style that ceded popularity to a growing taste for abstraction at the end of the 19th century. Now Burne-Jones's star has risen again, and this catalogue contains full discussion of his life and work and representation of his prodigious output of drawings and paintings. 9.5x12.5"Annotation copyrighted by Book News, Inc., Portland, OR
The city is changing: no longer is it an aesthetic creation, nor purely an industrial powerhouse. It is becoming a living, breathing super-organism, with a myriad of multiple, competing functions enabling the city to dwell within its particular ecology. As a super-organism, the future city will be defined more by its metabolism, than purely its primary function or spatial form. These biospheric flows of energy and materials will drive the new city and create new synergies for living. This book develops the composition of the evolutionary and the city through architectural and landscape insertions in the Greengate area of Salford, Manchester UK. These designs will engage with the idea of the city as biotic and as a host for biota as well as humans. These new ‘natural’ landscapes will be resilient, through new biodiversity that not only provides a productive landscape, but also links and extends the city’s function and liveability. We have been wrong to force designs on the city: as a superorganism, the new city will be born, not made.
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