Spanning Duffy's career from her early development & involvement with the Liverpool poets in the 1970s, through to the poet's most recent collection, Rees-Jones acknowledges the important of her popular appeal but also makes a case for Duffy as a serious & important poet who engages with key issues of gender & identity.
Shortlisted for the T.S. Eliot Prize Poetry Book Society Recommendation Named after the Greek muse of lyric poetry, Erato combines documentary-style prose narratives with the passionate lyric poetry for which Rees-Jones is renowned. Here as she experiments with form, particularly the sonnet, Rees-Jones questions the value of the poet and poetry itself. What is the difference, asks one poem, between a sigh and a song? Erato's themes are manifold but focus especially on personal loss, desire and recovery, in the context of a world in which wars and displacement of people has become a terrifying norm. In its narrative of transformations, the invocation of Erato also carries with it a sense of errata and erasure. As stories and ideas are repeated, and recurring imagery – of fires, bees, birds – is continually reframed, we are asked to replay, rethink, rename. How do we step out from the 'perpetual loop' of trauma? And how do we process painful change? Bewilderment by ongoing historical tragedy is countered by the Rees-Jones's close attention to immediate or remembered experience, and the importance of the body, whether lying awake with a sleepless child, felling a backyard tree, walking the encampments of refugees in Paris, or the dreamlike conversation she has with the radio about bombs and drones. Erato includes elegies for family members and close friends, including an impressive and moving long poem 'I.M.', and the autobiographical 'Caprice' in which Rees-Jones explores with musical abandon 'the scribble-mess' of self, and the 'grainy, atomized emotion coursing through in middle age'.
Roger McGough, Levi Tafari, Willy Russell, Terence Davies, James Hanley, George Garrett, J.G. Farrell, Brian Patten, Adrian Henri, Beryl Bainbridge, Jimmy McGovern, Alan Bleasdale, Helen Forrester, Lyn Andrews, Margaret Murphy, Clive Barker, Ramsey Campbell... no matter what the genre Liverpool seems to have generated some of the most provocative and interesting writers of the last seventy-five years. Intended to mark and celebrate Liverpool’s 800th birthday in 2007 and its status as European City of Culture in 2008, this collection of essays and interviews addresses the wide range of writing that has emerged from Liverpool from the 1930s to the present day. It asks if there is a distinctive Liverpool voice, and if so, how it might be identified. Featuring interviews with Liverpool-born film director and novelist, Terence Davies, (Distant Voices, Still Lives, The Long Day Closes and The House of Mirth), Roger McGough, Willy Russell and Levi Tafari along with contributions from leading cultural critics such as former NME journalist and Mojo magazine founder Paul Du Noyer and award-winning poet George Szirtes, Liverpool Writing will be of interest to readers fascinated by the influences on and of the city dubbed ‘the Centre of the Creative Universe’.
Spanning Duffy's career from her early development & involvement with the Liverpool poets in the 1970s, through to the poet's most recent collection, Rees-Jones acknowledges the important of her popular appeal but also makes a case for Duffy as a serious & important poet who engages with key issues of gender & identity.
Roger McGough, Levi Tafari, Willy Russell, Terence Davies, James Hanley, George Garrett, J.G. Farrell, Brian Patten, Adrian Henri, Beryl Bainbridge, Jimmy McGovern, Alan Bleasdale, Helen Forrester, Lyn Andrews, Margaret Murphy, Clive Barker, Ramsey Campbell... no matter what the genre Liverpool seems to have generated some of the most provocative and interesting writers of the last seventy-five years. Intended to mark and celebrate Liverpool’s 800th birthday in 2007 and its status as European City of Culture in 2008, this collection of essays and interviews addresses the wide range of writing that has emerged from Liverpool from the 1930s to the present day. It asks if there is a distinctive Liverpool voice, and if so, how it might be identified. Featuring interviews with Liverpool-born film director and novelist, Terence Davies, (Distant Voices, Still Lives, The Long Day Closes and The House of Mirth), Roger McGough, Willy Russell and Levi Tafari along with contributions from leading cultural critics such as former NME journalist and Mojo magazine founder Paul Du Noyer and award-winning poet George Szirtes, Liverpool Writing will be of interest to readers fascinated by the influences on and of the city dubbed ‘the Centre of the Creative Universe’.
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