This title was first published in 2001. Explaining and defending a Heideggarian account of the self and our knowledge of the world, this book addresses the fundamental issues of selfhood and the elemental question of what it means to be human. The author vcritically examines theories of the self derived from two distinct schools of thought: Descartes, Hume, Kant, Sartre and Stirner representing a tradition which has dominated Western philosophy since Descartes; Heidegger and Laing representing a radical departure from the tradition. The author focuses on two key philosophical problems throughout: the problem of knowledge and the problem of identity. The author argues that ultimately Heidegger does no more than echo Stirner's empty egoism and provides a bleak, inescapable heroism for the individual.
In response to the fear that the Nazis were developing an atomic bomb, the US government through the OSS (forerunner of the CIA) commissioned a super-secret mission to evaluate the status of German science and to assess their progress in the area of nuclear fission. So what were the Germans really up to? The German scientists were all great minds capable of reaching the same conclusions as the American team. Were they morally against the bomb's development or did they just not understand the technical problems and concluded its development was not feasible? We may never know, because they publicly denied the possibility that such a bomb could be built, even after learning about Hiroshima and Nagasaki. US Army Captain Robert Brock makes a personal promise to President Franklin Delano Roosevelt to destroy all evidence that the Germans have actually perfected the design for an atomic bomb. The "favor" takes him to Greece, Italy, France, and into Germany itself, as ALSOS races to prevent the Third Reich from using their weapon of mass destruction. Go along for a fast-paced ride as Brock delivers whatever it takes to make good on his promise, offered as a favor to FDR.
The Glasites or Sandemanians were a branch of the church with their roots in Scotland, but who spread much wider. This study seeks to explore their distinctives, both of theology and practice, and to place them in a wider context. The examination of a small sect serves to illuminate the wider story, and this particular community nurtured within it several eminent thinkers whose influence has been of deep importance—not the least, the scientific pioneer Michael Faraday. In exploring both their growth and their decline, the author seeks to convey something of the flavor of this part of the church and to consider what their legacy is.
While historians have devoted an enormous amount of attention to documenting how African Americans gained access to formal politics in the mid-1960s, very few have scrutinized what happened next, and the small body of work that does consider the aftermath of the civil rights movement is almost entirely limited to the Black Power era. In Rumor, Repression, and Racial Politics, Derek Musgrove pushes much further, presenting a powerful new historical framework for understanding race and politics between 1965 and 1996. He argues that in order to make sense of this recent period, we need to examine the harassment of black elected officials - the ways black politicians were denied access to seats they'd won in elections or, after taking office, were targeted in corruption probes. Musgrove's aim is not to evaluate whether individual allegations of corruption had merit, but to establish what the pervasive harassment of black politicians has meant, politically and culturally, over the course of recent American history. It's a story that takes him from California to Michigan to Alabama, and along the way covers a fascinating range of topics: Watergate, the surveillance state, the power of conspiracy theories, the plunge in voter turnout, and even the strange political campaigns of Lyndon LaRouche"--Provided by publisher.
With her striking looks, the raven-haired, dark eyed Ruth Roman had an air of sophistication that made her seem sexy yet wholesome. She had to strive harder than most to establish herself as a leading actress in Hollywood during its glory years and finally broke through in 1949 with her role in Champion. As one of the last Warner Bros. contract players, she appeared in Alfred Hitchcock's classic Strangers on a Train. Seen at her best in strong parts, such as the ambitious Ronda Castle in Anthony Mann's The Far Country or as a modern-day Lady Macbeth, she enjoyed a varied career as a freelancer before re-inventing herself as a character actress of note on television. A remarkable return to the screen in the bizarre psycho-horror The Baby (1973) assured her of cult status. This is the first book dedicated to a committed but often undervalued actress who is fondly remembered by fans of classic film. More than a biography, it seeks to contextualize the actress within her own time, illuminate her Hollywood experience and celebrate her extensive career.
Mapplethorpe and the Flower: Radical Sexuality and the Limits of Control is the first dedicated book-length critical study of the late artist Robert Mapplethorpe's flower photographs. The book is an interdisciplinary investigation into the symbolism of the flower as envisioned by a photographer whose production was mired in controversy – triggered in large part by his thematic exploration of radical sexuality and queer subcultural life. Mapplethorpe came into international prominence due to the public response to his polarizing retrospective exhibition, The Perfect Moment (1989-1990), a ground breaking collection of images exploring three largely traditional genres of photography: the still life, the portrait, and the human figure. If there is one characteristic that unifies the artist's approach to these genres, however, it is his meticulous attention to the materiality of the photograph as object. Mapplethorpe was a dedicated formalist, committed to locating what is most beautiful about his chosen subject-producing work under carefully controlled studio conditions that enabled the development of a unique and singular aesthetic vision. Bearing this in mind, Mapplethorpe and the Flower is dedicated to unpacking how the artist's unique brand of formal sophistication and discipline, combined with his conceptual bravado, interpenetrates all of his photographs – and reaches its formal and conceptual maturation in his flower images. There has been significant critical attention paid to the artist's more notorious photographs, namely the S&M imagery, and his now infamous persona as provocateur and sexual renegade. Fixation on this dimension of the artist's mythology overshadows the formal details and interlocking representational and political commitments crosscutting the artist's oeuvre. Mapplethorpe and the Flower is a recuperative effort: one that seeks to locate persistent threads running through the artist's seemingly disparate aesthetic and conceptual investigations.
This thoroughly revised edition of "Baseball's Best 1,000" includes updated listings plus new players, rankings, and photographs, all in a handier format that makes it a terrific pocket reference. A must-have book for baseball fans obsessed with stats, quick facts, and the age-old debates over who the best players are and why, "Baseball's Best 1,000" showcases the lives, legends, and lore of the game's top players, ranked in order. Sportswriter Derek Gentile has pared down the total list of players--tens of thousands of them--to an elite ranking of the thousand greatest, based on criteria including lifetime stats; player durability and consistency; All-Star participation; MVP, Gold Glove, and Cy Young awards; individual statistical championships; personal and professional contributions to the game; sportsmanship; and election to the Hall of Fame. Each entry includes positions played, teams played for, years played, lifetime stats, and a biography of the player featuring his great moments and little-known facts. *New players include Curt Schilling, Mike Mussina, and Manny Ramirez. *Barry Bonds has moved up from Number 19 to Number 6. *Roger Clemens has moved from Number 33 into the top 20. *Dozens of Negro League players are here, as well as rankings of the best Japanese players, women players, and "prehistoric" players (from the time before stats were formally recorded).
The purchase of this ebook edition does not entitle you to receive access to the Connected eBook on CasebookConnect. You will need to purchase a new print book to get access to the full experience including: lifetime access to the online ebook with highlight, annotation, and search capabilities, plus an outline tool and other helpful resources. Written by Derek Black, one of the nation’s foremost experts in education law and policy, and Education Law Association’s 2015 Goldberg Award for Most Significant Publication in Education Law recipient, this third edition casebook develops Education Law through the themes of equality, fairness, and reform. The book focuses on the laws of equal educational opportunity for various disadvantaged student populations, recent reform movements designed to improve education, and the general constitutional rights that extend to all students. New to the Third Edition: Updates on litigation regarding the fundamental right to education, school funding, and their intersection with COVID-19 issues New cases and analysis on the rights of LGBTQ youth, including Bostock v. Clayton County Department of Education’s new regulatory structure for investigating and resolving sexual harassment claims Two new U.S. Supreme Court special education cases defining the meaning of “free and appropriation public education” and the intersection of Rehabilitation Act with the Individuals with Disabilities in Education Act New cases on student walkouts and protests New U.S. Supreme Court case, Espinoza v. Montana, on vouchers and the free exercise of religion New analysis and updates on the Every Student Succeeds Act New materials on the U.S. Supreme Court’s decision striking down mandatory teacher union fees Professors and student will benefit from: Efficient presentation of cases—to permit more comprehensive inclusion of case law and issues Problems—which can be modified for group exercises, in-class discussion, or out-of-class writing assignments Contextualization and situation of case law in the broader education world—by including edited versions of federal policy guidelines, seminal law review articles, social science studies, and organization reports and studies Careful editing of cases and secondary sources—for ease of reading and comprehension Narrative introductions to every chapter, major section, and case—synthesize and foreshadow the material to improve student comprehension and retention Teaching materials Include: Teacher’s Manual
Hot on the heels of Killing at its Very Extreme, Dublin: October 1917 – November 1920, Someone Has to Die for This, Dublin: November 1920 – July 1921 wrenches the reader into the final frenetic months of Dublin's War of Independence, in uncompromising, unflinching, and unprecedented detail. The reader will follow in the footsteps of IRA assassination units on Bloody Sunday, witness the hellish conditions in Croke Park, taste the gripping tension that stalked the city as intelligence services battled it out over the winter, while equally clandestine peace feelers were set in play. The pressure ratchets up in 1921 as surging IRA Active Service Units take the fight to the Auxiliaries, police and military in Dublin. Swathes of the country erupt into violent attacks and barbarous reprisals. Killings escalate in daily ambushes. Prison escapes are vividly detailed, as are the Mountjoy hangings. Shuttle diplomacy intensifies as a settlement is desperately sought, but fault lines develop among the Republican leadership. Street-battles paralyse the city with civilians bearing a brutal burden; the IRA relentlessly presses on. The devastating Custom House attack precedes the war's ferocious final weeks, culminating in a near bloodbath that almost scuppered the truce. Experience these breathtaking events through the eyes of their participants. This is an unforgettable story, its style providing long-overdue justice.
This study applies lessons learned from air mobility’s pivotal role in Field Marshal Sir William Slim’s World War II Burma campaign to contemporary air mobility operations. The author begins by tracing the evolution of air mobility from its pre-World War I roots to the Second World War, noting how its development proceeded despite the lack of coherent, codified doctrine. Next the author assesses Slim’s Burma campaign and how the key elements of organization, training and leadership, apart from air mobility, proved critical to Allied victory. Building upon this, the discussion turns to air mobility’s contributions to Slim’s joint campaign. From this analysis, the author identifies the tenets of air superiority, organization and air mobility normalization as being critical and enduring airpower lessons from the Burma theater. The closing chapters offer a primer on contemporary mobility operations before arguing that modern air mobility practitioners must account for five key essentials: superiority across the air and space domains; proper organization that promotes relationship building at the operational level of war; normalization of the complete air mobility supply chain and its accompanying idea of “air mobility mindedness”; training focused on increased interoperability; and the vital role of leadership.
This bibliography was commissioned by the English Goethe Society as a contribution to the celebration in 1999 of the 250th anniversary of Goethes birth. It sets out to record translations of his works into English that have been published in the twentieth century, up to and including material published in that anniversary year. It aims to serve as wide a constituency as possible, be it as a simple reference tool for tracing a translation of a given work or as a documentary source for specialized studies of Goethe reception in the English-speaking world. The work records publications during the century, not merely translations that originated during this period. It includes numerous reprintings of older material, as well as some belated first publications of translations from the nineteenth century. It shows how frequent and how long enduring was the recourse of publishers and anthologists to a Goethe Victorian in diction, a signal factor in perceptions and misperceptions. Derek Glass was putting the finishing touches to the bibliography at the time of his sudden death in March 2004. Colleagues at Kings College London have edited the final manuscript, which is now published jointly by the English Goethe Society and the Modern Humanities Research Association both as a worthy commemoration of Goethes anniversary and as a tribute to Derek himself.
Houdini and beyond: a historic magical mystery tour of the great showmen who inspired the likes of David Blaine, Penn & Teller, and Siegfried & Roy. Today, Harry Houdini stands as the most famous illusionist and escape artist in history. But from the late nineteenth century to early twentieth century, magicians and escapologists who inspired—and were inspired by—Houdini packed vaudeville houses and local theaters across the globe. The Great Illusionists reveals the careers, lives, and sometimes shocking on-stage deaths of the greatest showmen to ever wow the world. In addition to the astounding accomplishments of Houdini, marvel at the feats of Jean-Eugène Robert-Houdin, the “Father of Modern Conjuring”; the Davenport Brothers, music hall mediums and devotees of the Spiritualist movement; the “Dean of American Magicians” Harry Kellar; master illusionists, the Great Raymond, David Devant, the Great Lafayette, and Chung Ling Soo; the novelty performances of The Human Fly and Datas, “The Living Encyclopedia”; and many more. From vanishing acts and public seances to harrowing bullet-tricks and psychic wizardry, The Great Illusionists brings to life a unique history of entertainment.
A significant examination of how athletes have fought for inclusion and equality on and off the playing field, despite calls for them to “stick to sports.” The claim that sports are—or ought to be—apolitical has itself never been an apolitical position. Rather, it is a veiled attempt to control which politics are acceptable in the athletic realm, a designation intricately linked to issues of race, gender, ethnicity, and more. In Don't Stick to Sports: The American Athlete’s Fight against Injustice, Derek Charles Catsam carefully explores this disparity. He looks at how, throughout recent sports history in the United States, minority athletes have had to fight every step of the way for their right to compete, and how they continue to fight for equity today. From African Americans and women to LGBTQ+ and religious minorities, Catsam shows how these athletes have taken a stand to address the underlying injustices in sports and society despite being told it’s not their place to do so. While it’s impossible for a single book to tell the entire history of exclusion in the sporting world, Don’t Stick to Sports looks at key moments from the World War I era to the present to shatter the myth of sports as a meritocracy, of sports-as-equalizer, highlighting the reality as something far more complicated—of sports as a malleable world where exclusion and inclusion are rarely straight-forward.
In 1955, Clyde Kennard, a decorated army veteran, was forced to cut short the final year of his studies at the University of Chicago and return home to Mississippi due to family circumstances, where Kennard made the decision to complete his education. Yet still on the eve of the civil rights movement in America, Kennard's decision would be one of the first serious attempts to integrate any public school at the college level in the state. The Life and Times of Clyde Kennard tells the true story of Kennard's efforts to complete his further education at Mississippi Southern College (now the University of Southern Mississippi) against the backdrop of the institutionalized social order of the times and the prevailing winds of change attempting to blow that social order away. As Meredith's admission to "Ole Miss" became more widely known at the time, Kennard became the forgotten man. Author Derek R. King shares his extensive research into Kennard's life, and touches on key events that shaped those times.
Black Americans in the Jim Crow South could not escape the grim reality of racial segregation, whether enforced by law or by custom. In Freedom's Main Line: The Journey of Reconciliation and the Freedom Rides, author Derek Charles Catsam shows that courtrooms, classrooms, and cemeteries were not the only front lines in African Americans' prolonged struggle for basic civil rights. Buses, trains, and other modes of public transportation provided the perfect means for civil rights activists to protest the second-class citizenship of African Americans, bringing the reality of the violence of segregation into the consciousness of America and the world. In 1947, nearly a decade before the Supreme Court voided school segregation in Brown v. Board of Education, sixteen black and white activists embarked on a four-state bus tour, called the Journey of Reconciliation, to challenge discrimination in busing and other forms of public transportation. Although the Journey drew little national attention, it set the stage for the more timely and influential 1961 Freedom Rides. After the Supreme Court's 1960 ruling in Boynton v. Virginia that segregated public transportation violated the Interstate Commerce Act, the Congress of Racial Equality (CORE) and other civil rights groups organized the Freedom Rides to test the enforcement of the ruling in buses and bus terminals across the South. Their goal was simple: "to make bus desegregation," as a CORE press release put it, "a reality instead of merely an approved legal doctrine." Freedom's Main Line argues that the Freedom Rides, a turning point in the Civil Rights Movement, were a logical, natural evolution of such earlier efforts as the Journey of Reconciliation, their organizers following models provided by previous challenges to segregation and relying on the principles of nonviolence so common in the larger movement. The impact of the Freedom Rides, however, was unprecedented, fixing the issue of civil rights in the national consciousness. Later activists were often dubbed Freedom Riders even if they never set foot on a bus. With challenges to segregated transportation as his point of departure, Catsam chronicles black Americans' long journey toward increased civil rights. Freedom's Main Line tells the story of bold incursions into the heart of institutional discrimination, journeys undertaken by heroic individuals who forced racial injustice into the national and international spotlight and helped pave the way for the landmark Civil Rights Act of 1964.
As Charlton Heston put it: ‘There’s a temptingly simple definition of the epic film: it’s the easiest kind of picture to make badly.’ This book goes beyond that definition to show how the film epic has taken up one of the most ancient art-forms and propelled it into the modern world, covered in twentieth-century ambitions, anxieties, hopes and fantasies. This survey of historical epic films dealing with periods up to the end of the Dark Ages looks at epic form and discusses the films by historical period, showing how the cinema reworks history for the changing needs of its audience, much as the ancient mythographers did. The form’s main aim has always been to entertain, and Derek Elley reminds us of the glee with which many epic films have worn their label, and of the sheer fun of the genre. He shows the many levels on which these films can work, from the most popular to the specialist, each providing a considerable source of enjoyment. For instance, spectacle, the genre’s most characteristic trademark, is merely the cinema’s own transformation of the literary epic’s taste for the grandiose. Dramatically it can serve many purposes: as a resolution of personal tensions (the chariot race in Ben-Hur), of monotheism vs idolatry (Solomon and Sheba), or of the triumph of a religious code (The Ten Commandments). Although to many people Epic equals Hollywood, throughout the book Elley stresses debt to the Italian epics, which often explored areas of history with which Hollywood could never have found sympathy. Originally published 1984.
This book is an oral history of the auditing profession in Britain from 1920s to the present day based on extended extracts from interviews with 77 past and present practitioners. Those interviewed ranged from a nonagenarian who qualified in the 1920s, to active contemporaries, from sole practitioners to the present day heads of the Big Five accounting firms. The often candid interviews uncover a surprising variety of experience and opinions and allow a group of often fascinating individuals to tell their own stories.
Designed as a source for enthusiasts of British horror films, this guide reveals the shooting locations of more than 100 films released between 1932 and 2006, from The Abominable Doctor Phibes (1971) to Witchfinder General (1968). Each entry includes cast/crew credits, a brief plot synopsis, and a description of the film's in-studio or on-site shooting locations; many include modern day photographs of the sites. Separate chapters provide in-depth accounts of individual locations. For the studio locations, the writeups include a complete list of the films produced at each studio and a brief description of the studio's historical development. Accounts of the on-site locations feature an in-depth physical description of the location and any available information on its present purpose and ownership.
The strength of the right-to-die movement was underscored as early as 1991, when Derek Humphry published Final Exit, the movement's call to arms that inspired literally hundreds of thousands of Americans who wished to understand the concepts of assisted suicide and the right to die with dignity. Now Humphry has joined forces with attorney Mary Clement to write Freedom to Die, which places this civil rights story within the framework of American social history. More than a chronology of the movement, this book explores the inner motivations of an entire society. Reaching back to the years just after World War II, Freedom to Die explores the roots of the movement and answers the question: Why now, at the end of the twentieth century, has the right-to-die movement become part of the mainstream debate? In a reasoned voice, which stands out dramatically amid the vituperative clamoring of the religious right, the authors examine the potential dangers of assisted suicide - suggesting ways to avert the negative consequences of legalization - even as they argue why it should be legalized.
Brian Donlevy (1901-1972) was an underrated film actor with surprising range and a little-heralded gift for comedy. Often typecast as a villain, he played the definitive bad guy in such films as Destry Rides Again, Union Pacific and Beau Geste (all in 1939). He showed his versatility in the title role of Preston Sturges' political satire The Great McGinty (1940) and impressed both New York critics and the Soviet government as the cooly authoritative Major Caton in Wake Island (1942). Donlevy was fondly remembered as globe-trotting U.S. Special Agent Steve Mitchell in the television series Dangerous Assignment (1952) and as Professor Quatermass in two acclaimed science fiction films. This first ever biography of Donlevy covers his colorful early life as a boy soldier, his years playing comedy roles on Broadway and his long career in Hollywood.
This book is the first text to provide a comprehensive assessment of the application of fundamental principles of dissolution and drug release testing to poorly soluble compounds and formulations. Such drug products are, vis-à-vis their physical and chemical properties, inherently incompatible with aqueous dissolution. However, dissolution methods are required for product development and selection, as well as for the fulfillment of regulatory obligations with respect to biopharmaceutical assessment and product quality understanding. The percentage of poorly soluble drugs, defined in classes 2 and 4 of the Biopharmaceutics Classification System (BCS), has significantly increased in the modern pharmaceutical development pipeline. This book provides a thorough exposition of general method development strategies for such drugs, including instrumentation and media selection, the use of compendial and non-compendial techniques in product development, and phase-appropriate approaches to dissolution development. Emerging topics in the field of dissolution are also discussed, including biorelevant and biphasic dissolution, the use on enzymes in dissolution testing, dissolution of suspensions, and drug release of non-oral products. Of particular interest to the industrial pharmaceutical professional, a brief overview of the formulation and solubilization techniques employed in the development of BCS class 2 and 4 drugs to overcome solubility challenges is provided and is complemented by a collection of chapters that survey the approaches and considerations in developing dissolution methodologies for enabling drug delivery technologies, including nanosuspensions, lipid-based formulations, and stabilized amorphous drug formulations.
Nostalgic black-and-white and period color photos depict the legendary Army Air Corps and Air Force jacket as worn by airmen in World War II and the Korean War. Anecdotes and a history of the jacket's service are accompanied by marvelous images of the hand-painted art that more often than not adorned the backs of these garments. *This is a paperback re-issue of Hell Bent for Leather.*
“For vividness and a sense of the overall flow of the battle . . . The Narrow Margin is excellent for the British side.”—Air & Space Magazine The Battle of Britain saved the country from invasion. If the RAF had been defeated all the efforts of the British Army and the Royal Navy would hardly have averted defeat in the face of complete German air superiority. With all Europe subjugated, Germany and Japan would later have met on the borders of India. This remarkable book traces the varied fortunes of the Royal Air Force in the 1930s, and shows how it readied itself for the mighty German onslaught in the summer of 1940 and won a great victory by the narrowest margins. It provides a comprehensive account of the Battle of Britain, including the day-by-day summaries of the battle. It is illustrated with photographs and maps, an appendix of the aircraft used by the Royal Air Force and by the Luftwaffe with schematic drawings, also a list of all pilots who flew in the Battle of Britain from July 10 to October 31, 1940. The authors are military aviation experts and The Narrow Margin has been published in translation in France and around the world. They also wrote A Summer for Heroes and Jane’s World Aircraft Recognition Handbook. “This book became the most used reference work on the Battle of Britain and formed the basis for the major feature film on the Battle . . . this entertaining book was soon accepted as the definitive title on its subject.”—Aeroplane “Most enlightening and useful . . . Unreservedly recommended.”—Military Aircraft Monthly
Brilliant, beautiful, difficult and doomed, Iris Wilkinson (known as the writer Robin Hyde) led a short, tumultuous and incredibly productive life. Here her story is told for the first time in a dramatic and deeply moving narrative. Researched by both authors from 1965 to 1971, it was written in a first draft by Iris Wilkinson's friend, Gloria Rawlinson; since Rawlinson's death in 1995 it has been revised and completed by Derek Challis, Wilkinson's son. It includes appalling accounts of hidden pregnancies, harsh experience as a solo mother, dependence on drugs, intimate acquaintance with sexism and poverty, mental breakdown, and a perilous trip to China in wartime. There are deep friendships and hurtful betrayals. Always there is a dedicated and determined commitment to writing. ..."--Jacket.
Uncovers a world of forgotten triumphs of musical theatre that shine a light on major social topics. This book is also available as Open Access on Cambridge Core.
Unvarnishing Reality draws original insight to the literature, politics, history, and culture of the cold war by closely examining the themes and goals of American and Russian satirical fiction. As Derek C. Maus illustrates, the paranoia of nuclear standoff provided a subversive storytelling mode for authors from both nations—including Thomas Pynchon, Robert Coover, John Barth, Walker Percy, Don DeLillo, Kurt Vonnegut Jr., Vasily Aksyonov, Yuz Aleshkovsky, Alexander Zinoviev, Vladimir Voinovich, Fazil Iskander, and Sasha Sokolov. Maus surveys the background of each nation's culture, language, sociology, politics, and philosophy to map the foundation on which cold war satire was built. By highlighting common themes of utopianism, technology, and propaganda, Maus effectively shows the ultimate motive of satirists on both sides was to question the various forces contributing to the cold war and to expose the absurdity of the continuous tension that pulsed between the United States and the Soviet Union for nearly half a century. Although cold war literature has been studied extensively, few critics have focused so keenly on comparisons of satirical fictions by Russian and American writers that condemn and subvert the polarizing ideologies inherent in superpower rivalry. Such a comparison reveals thematic and structural similarities that transcend specific national and cultural origins. In considering these works together, Maus locates a thoroughgoing humanistic refutation of the cold war and its operative doctrines as well as a range of proposed alternatives. Just as the cold war combatants ultimately reconciled in 1991 with the fall of the Soviet Union, Maus seeks to bring these two literary canons together now. Their thematic scope transcends cultural differences, and, as Maus demonstrates, these writers saw that there was not only the atomic bomb to fear, but also the dangers of complete national militarization and the constant polarizing threat of emergency. Thus their cold war critiques still resonate today and invite further comparative studies such as this one.
Emerging from a radical pedagogical tradition, Education and the Production of Space deepens and extends Henri Lefebvre’s insights on revolutionary praxis by revealing the intimate relationship between education and the production of space. Synthesizing educational theory, Marxist theory, and critical geography, the book articulates a revolutionary political pedagogy, one that emerges as a break from within—and against—critical pedagogy. Ford investigates the role of space in the context of emerging social movements and urban rebellions, with a focus on the Baltimore Rebellion of 2015, and shows how processes of learning, studying, and teaching can help us produce space differently, in a manner aligned with our needs and desires.
When news of the war broke out in 1914, nothing could prepare the citizens of Aberdeen for the changes that would envelop their city over the next four years. The story of Aberdeen in the Great War is both an interesting and intriguing one. The city played a key role in the deployment of troops to Northern Europe and also supplied vital munitions. Local men responded keenly to recruitment drives, and thousands of soldiers were billeted in the city before being sent off to fight the enemy overseas. The city also played a vital role in caring for the many wounded soldiers who returned from the Front. The effect of the war on Aberdeen was great. By the end of the conflict, there wasn't a family in Aberdeen who hadn't lost a son, father, nephew, uncle or brother. There were tremendous celebrations in the streets as the end of the war was announced, but the effects of the war lasted for years to come. This is a powerful account of a city that showed great courage and determination in a time of adversity. It ensures that Aberdeen's people, who lived through the four intense years of conflict, are remembered for their immense contribution to the war effort.
Masterful.” —The Guardian "Propulsive." —The Wall Street Journal "Leebaert has done the near impossible—crafted a fresh and challenging portrait of the man and his inner circle.”— Richard Norton Smith, author of An Uncommon Man, former director of the Hoover, Eisenhower, Reagan, and Ford presidential libraries. “A fascinating and absorbing analysis of FDR’s brilliantly chosen team of four courageous and creative men and women.”—Susan Dunn, author of 1940: FDR, Willkie, Lindbergh, Hitler—the Election Amid the Storm, Massachusetts Professor of Humanities, Williams College. Drawing on new materials, Unlikely Heroes constructs an entirely fresh understanding of FDR and his presidency by spotlighting the powerful, equally wounded figures whom he raised up to confront the Depression, then to beat the Axis. Only four people served at the top echelon of President Franklin Roosevelt's Administration from the frightening early months of spring 1933 until he died in April 1945, on the cusp of wartime victory. These lieutenants composed the tough, constrictive, long-term core of government. They built the great institutions being raised against the Depression, implemented the New Deal, and they were pivotal to winning World War II. Yet, in their different ways, each was as wounded as the polio-stricken titan. Harry Hopkins, Harold Ickes, Frances Perkins, and Henry Wallace were also strange outsiders. Up to 1933, none would ever have been considered for high office. Still, each became a world figure, and it would have been exceedingly difficult for Roosevelt to transform the nation without them. By examining the lives of these four, a very different picture emerges of how Americans saved their democracy and rescued civilization overseas. Many of the dangers that they all overcame are troublingly like those America faces today.
Claire Trevor (1910-2000) is best remembered as the alluring blonde femme fatale in such iconic noir films as Murder, My Sweet (1944) and Raw Deal (1948). Yet she was a versatile performer who brought rare emotional depth to her art. She was effective in a range of diverse roles, from an outcast prostitute in John Ford's classic Stagecoach (1939) to the ambitious tennis mother in Hard, Fast and Beautiful (1951) to the embittered wife of a landowner in William Wellman's overlooked gem My Man and I (1952). Nominated for three Oscars, she deservedly won Best Supporting Actress for her portrayal of Gaye Dawn, a gangster's broken-down moll in Key Largo (1948). The author covers her life and career in detail, recognizing her as one of the finest actresses of her generation.
As the nation commits itself to a renewed military effort in Afghanistan, Georgetown foreign relations professor Leebaert explains why we have so often stumbled in our foreign policy. He analyzes the follies and failures of "emergency men, " the political appointees, intellectuals, and policy entrepreneurs of the national security establishment, from the Best and Brightest architects of the Vietnam debacle to the neo-con masterminds of the Iraq War.
Liturgical Subjects examines the history of the self in the Byzantine Empire, challenging narratives of Christian subjectivity that focus only on classical antiquity and the Western Middle Ages. As Derek Krueger demonstrates, Orthodox Christian interior life was profoundly shaped by patterns of worship introduced and disseminated by Byzantine clergy. Hymns, prayers, and sermons transmitted complex emotional responses to biblical stories, particularly during Lent. Religious services and religious art taught congregants who they were in relation to God and each other. Focusing on Christian practice in Constantinople from the sixth to eleventh centuries, Krueger charts the impact of the liturgical calendar, the eucharistic rite, hymns for vigils and festivals, and scenes from the life of Christ on the making of Christian selves. Exploring the verse of great Byzantine liturgical poets, including Romanos the Melodist, Andrew of Crete, Theodore the Stoudite, and Symeon the New Theologian, he demonstrates how their compositions offered templates for Christian self-regard and self-criticism, defining the Christian "I." Cantors, choirs, and congregations sang in the first person singular expressing guilt and repentence, while prayers and sermons defined the collective identity of the Christian community as sinners in need of salvation. By examining the way models of selfhood were formed, performed, and transmitted in the Byzantine Empire, Liturgical Subjects adds a vital dimension to the history of the self in Western culture.
Exposing the roots of racial unrest that consistently harm Black communities In Slow and Sudden Violence, Derek Hyra links police violence to an ongoing cycle of racial and spatial urban redevelopment repression. By delving into the real estate histories of St. Louis and Baltimore, he shows how housing and community development policies advance neighborhood inequality by segregating, gentrifying, and displacing Black communities. Repeated decisions to “upgrade” the urban fabric and uproot low-income Black populations have resulted in pockets of poverty inhabited by people experiencing displacement trauma and police surveillance. These interconnected sets of divestments and accumulated frustrations have contributed to eruptions of violence in response to tragic, unjust police killings. To confront American unrest, Hyra urges that we end racialized policing, stop Black community destruction and displacement, and reduce neighborhood inequality.
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