Designed as a source for enthusiasts of British horror films, this guide reveals the shooting locations of more than 100 films released between 1932 and 2006, from The Abominable Doctor Phibes (1971) to Witchfinder General (1968). Each entry includes cast/crew credits, a brief plot synopsis, and a description of the film's in-studio or on-site shooting locations; many include modern day photographs of the sites. Separate chapters provide in-depth accounts of individual locations. For the studio locations, the writeups include a complete list of the films produced at each studio and a brief description of the studio's historical development. Accounts of the on-site locations feature an in-depth physical description of the location and any available information on its present purpose and ownership.
Designed as a source for enthusiasts of British horror films, this guide reveals the shooting locations of more than 100 films released between 1932 and 2006, from The Abominable Doctor Phibes (1971) to Witchfinder General (1968). Each entry includes cast/crew credits, a brief plot synopsis, and a description of the film's in-studio or on-site shooting locations; many include modern day photographs of the sites. Separate chapters provide in-depth accounts of individual locations. For the studio locations, the writeups include a complete list of the films produced at each studio and a brief description of the studio's historical development. Accounts of the on-site locations feature an in-depth physical description of the location and any available information on its present purpose and ownership.
This work is a sedulous enquiry into the intertextual practice of Maryse Condé in Moi, Tituba, sorcière... noire de Salem (1986), Traversée de la mangrove (1989) and La Migration des coeurs (1995), the texts of her oeuvre in which the practice is the most elaborate and discursively significant. Arguing that no satisfactory reading of these novels is possible without due intertextual reference and interpretation, the author analyses salient intertexts which flesh out and, in the case of Traversée de la mangrove, shed considerable new light on meaning and authorial discourse. Whether it be in respect of canonical (William Faulkner, Emily Brontë, Nathaniel Hawthorne), postcolonial (Aimé Césaire, Jacques Roumain) or other (Anne Hébert, Saint-John Perse) writers, the author explores Condé's intertextual choices not only around such themes as identity, resistance, métissage and errance, but also through the dialectics of race-culture, male-female, centre-periphery, and past-present. As both textual symbol and enactment of an increasingly creolised world, intertextuality constitutes a pervasively powerful force in Condé's writing the elucidation of which is indispensable to evaluating the significance of this unique fictional oeuvre.
Documenting the rise of the accountancy profession in Britain the authors of this volume focus on the individual - the professional accountant - and adopt an economic determinist analysis to explain why such a rise has occurred.
Derek Hand's A History of the Irish Novel is a major work of criticism on some of the greatest and most globally recognisable writers of the novel form. Writers such as Laurence Sterne, James Joyce, Elizabeth Bowen, Samuel Beckett and John McGahern have demonstrated the extraordinary intellectual range, thematic complexity and stylistic innovation of Irish fiction. Derek Hand provides a remarkably detailed picture of the Irish novel's emergence in the seventeenth and eighteenth centuries. He shows the story of the genre is the story of Ireland's troubled relationship to modernisation. The first critical synthesis of the Irish novel from the seventeenth century to the present day, this is a major book for the field, and the first to thematically, theoretically and contextually chart its development. It is an essential, entertaining and highly original guide to the history of the Irish novel.
This is the HARDBACK edition. MGM British Studios: Hollywood in Borehamwood tells the story behind England's biggest film studio. Based in Borehamwood, Hertfordshire, England, between 1948-1970, it played host to some of the biggest names in Hollywood's history, and over 150 classic movies from the golden age of cinema were produced on its sound stages. From Under Capricorn (1949) directed by Alfred Hitchcock; to Mogambo (1953) Starring Clark Gable, Ava Gardner and Grace Kelly; from Where Eagles Dare (1968) starring Richard Burton and Clint Eastwood; to 2001 (1968) directed by Stanley Kubrick; this book tells the story of their making, from behind the scenes. Featuring many never before seen photographs, and hundreds of memories from those who worked at MGM British, both in-front of, and behind the camera, this is a nostalgic trip through an important era in British film studio history. Derek Pykett spent many years of his life as a professional actor, working in theatre, television and films, and making his first movie appearance in what is now regarded as a classic, The Princess Bride (1986) directed by Rob Reiner. In 2001 he founded his own theatre company, Theatre Macabre, specialising in horror and fantasy. Shows produced include Dracula, Jack the Ripper and Witchfinder General. More recent years have seen him produce and direct documentaries for DVD, including AMICUS: House of Horrors (Alpha Home Entertainment, USA). Previously published work as an author includes, Michael Ripper Unmasked (Midnight Marquee, USA) and British Horror Film Locations (McFarland, USA). Derek and his partner Ruth live in England, and they have three dogs - Lucy, Willow and Woolly.
MGM British Studios: Hollywood in Borehamwood tells the story behind England's biggest film studio. Based in Borehamwood, Hertfordshire, England, between 1948-1970, it played host to some of the biggest names in Hollywood's history, and over 150 classic movies from the golden age of cinema were produced on its sound stages. From Under Capricorn (1949) directed by Alfred Hitchcock; to Mogambo (1953) Starring Clark Gable, Ava Gardner and Grace Kelly; from Where Eagles Dare (1968) starring Richard Burton and Clint Eastwood; to 2001 (1968) directed by Stanley Kubrick; this book tells the story of their making, from behind the scenes. Featuring many never before seen photographs, and hundreds of memories from those who worked at MGM British, both in-front of, and behind the camera, this is a nostalgic trip through an important era in British film studio history. Derek Pykett spent many years of his life as a professional actor, working in theatre, television and films, and making his first movie appearance in what is now regarded as a classic, The Princess Bride (1986) directed by Rob Reiner. In 2001 he founded his own theatre company, Theatre Macabre, specialising in horror and fantasy. Shows produced include Dracula, Jack the Ripper and Witchfinder General. More recent years have seen him produce and direct documentaries for DVD, including AMICUS: House of Horrors (Alpha Home Entertainment, USA). Previously published work as an author includes, Michael Ripper Unmasked (Midnight Marquee, USA) and British Horror Film Locations (McFarland, USA). Derek and his partner Ruth live in England, and they have three dogs - Lucy, Willow and Woolly.
Whatever the size of his role, Michael Ripper made an indelible impression on cinema audiences with his charm and ready wit. This book details the life and work of this veratile and much-loved character actor.
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