On a sultry summer night in the Cotswolds, Nathaniel and Katherine Gye are guests at a Civil War fancy-dress party. The theme of the occasion is apt because Tripletree, the Jacobean manor house where the event is being held, is steeped in history and enjoys a colourful past. But at the end of a glittering evening tragedy strikes when the body of a woman is dragged from the lake. As he tries to unravel the truth about the woman's death, Nathaniel Gye, paranormal investigator, finds himself drawn back to the 17th century and the time when the hill above Tripletree manor was the place where the gallows once stood...
This is the true story of a nine year old boy who, at the height of the Birmingham blitz, is transported from his 'all mod cons' city home to the safety of a house in a remote south Staffordshire hamlet. There he finds himself living in domestic and sanitary conditions that has remained unaltered for over a thousand years.
The phrase "popular music revolution" may instantly bring to mind such twentieth-century musical movements as jazz and rock 'n' roll. In Sounds of the Metropolis, however, Derek Scott argues that the first popular music revolution actually occurred in the nineteenth century, illustrating how a distinct group of popular styles first began to assert their independence and values. He explains the popular music revolution as driven by social changes and the incorporation of music into a system of capitalist enterprise, which ultimately resulted in a polarization between musical entertainment (or "commercial" music) and "serious" art. He focuses on the key genres and styles that precipitated musical change at that time, and that continued to have an impact upon popular music in the next century. By the end of the nineteenth century, popular music could no longer be viewed as watered down or more easily assimilated art music; it had its own characteristic techniques, forms, and devices. As Scott shows, "popular" refers here, for the first time, not only to the music's reception, but also to the presence of these specific features of style. The shift in meaning of "popular" provided critics with tools to condemn music that bore the signs of the popular-which they regarded as fashionable and facile, rather than progressive and serious. A fresh and persuasive consideration of the genesis of popular music on its own terms, Sounds of the Metropolis breaks new ground in the study of music, cultural sociology, and history.
In his longest and most ambitious poem, Derek Walcott reaches beyond an evocative portrayl of his native West Indies to create a moving elegy on himself and on man. The fascinating and complex matrix of the author's life is illuminated with our candor, verve, and strength. Over four thousand lines of verse are grouped into four parts. He evokes scenes of his divided childhood, in which children live in shacks while fine khaki-clothed Englishmen drink tea. He depicts the influence of three intimate friends, including his first love, Anna, on his emergence as a man and artist. He chronicles the mixed remorse and resolution of maturity. He recalls of his youth: "We were blessed with a virginal, unpainted world / with Adam's task of giving things their names..." Yet in retrospect he acknowledges the irony of his artistic reliance on metaphor to transform reality--his search for "another life" When the author's most recent collection of poetry, The Gulf, was published, Selden Rodman wrote in The New York Times Book Review: "Now, with the publication of his fourth book of verse, Walcott's stature in the front rank of all contemporary poets using English should be apparent." Chad Walsh in Book World said: "I am convinced one of the half-dozen most imporant poets now writing in English. He may prove to be the best." Another Life helps to fulfill this prophecy.
Rock Springs, Kentucky. A backwater miles from civilisation, but so far upstream that the riverboats can go no further, and with plenty of farmland there for the taking. Among the pioneers who choose to build their homes here are the Hudds and the Killicks, two families destined to spend the next century despising one another. Kentucky Blues is a powerful, unsentimental depiction of life through several generations, widely considered to be Robinson's most ambitious work. Told with his trademark dark humour, it is an epic tale of one small community's journey from its foundation in the 1820s, through the Civil War and the abolition of slavery, to the dawn of the modern age.
This six-volume anthology documents the history of women's drama throughout the 18th century, starting with the emergence in 1695-6 of the second generation of women dramatists to Aphra Benn. It includes the work of Catherine Trotter, Mary Pix, Eliza Haywood and Elizabeth Griffith.
By the fourteenth century Winchester had lost its former eminence, but in trades, manufactures, and population, as well as by virtue of its administrative and ecclesiastical role, the city was still one of the major provincial centres in England. This Survey is based on a reconstruction of the histories of the houses, plots, gardens, and fields in the city and suburbs between c. 1300 and c. 1540, although in many instances both earlier and later periods are also covered. The reconstruction takes the form of a gazetteer (Part ii) of 1,128 histories of properties, together with accounts of 56 parish churches and the international fair of St. Giles, all illustrated by detailed maps. There is also a biographical register (Part iii) concerning more than 8,000 property-holders, most of whom lived in Winchester. This is the first time that it has been possible to piece together such a precise and detailed picture of both the topography and the inhabitants of a medieval town. Part i of the book contains a full discussion of the significance of this material and, in a manner relevant to an understanding of life in medieval towns in general, describes and defines such matters as the evolution of the physical environment, housing, land-tenure, property values, the parochial structure, the practice and organization of trades, and the ways in which the citizens of Winchester adapted to the declining status of their city.
Wigston Magna, in the heart of tranquil Leicestershire, was transformed from a peaceful existence in August 1914, as war-clouds swept across the skies of Europe. This village, the home of farming folk and framework knitters, suddenly witnessed its young men leaving, in vast numbers, to answer the call of King and Country. Greater demands were placed upon those who remained as the factories and farms responded to the needs of a wartime nation. A unique presence was the Glen Parva Barracks, the Regimental Depot of the Leicestershire Regiment, where tens of thousands of recruits and conscripted men received their basic training to prepare them for war. This is the story of Wigston in the First World War, the men who fought on the frontline – one of whom was awarded the Victoria Cross – and those who served on the Home Front during ‘the war to end all wars’.
In 1976, at age 50, Derek L. Jensen of London joined the Americans on a 4,250-mile (6838-km) bicycle ride across the USA to celebrate their bicentennial. The trail from Oregon to Virginia, and the event itself, were named Bikecentennial '76. In 1982, Derek and a Dutch friend from Bikecentennial crossed South America over the Andes, from Lima, Peru, to Rio de Janeiro, Brazil. Two years later he rode his bicycle from Vancouver, British Columbia, to Anchorage, Alaska, along a route that crossed the Arctic Circle. Mad Dogs and an Englishman is a narrative of those three arduous journeys. Derek, a gregarious Cockney, recalls chance meetings with eccentric locals and fellow cyclists, several of whom changed his life. He describes exotic locations, along with all the exhilarations and difficulties of international bicycle touring. The title refers to a dangerous encounter in a remote setting on one of the tours.
This six-volume anthology documents the history of women's drama throughout the 18th century, starting with the emergence in 1695-6 of the second generation of women dramatists to Aphra Benn. It includes the work of Catherine Trotter, Mary Pix, Eliza Haywood and Elizabeth Griffith.
When Sybil and Blanche Le Fleur were growing up in idyllic Burma in the 1920s and '30s, little did they realise the changes and challenges that they would face during their lives. With the death of first their mother and then their father, they had to cope with enormous personal tragedy, including the loss of all their family wealth. Then the Japanese bombed Rangoon on 23 December 1941. Sybil managed to get out of the city, but there was no way for her to return to her sister, or even to know if Blanche was still alive, as the death toll was so high. While Sybil escaped from Burma and settled in Scotland after marrying a Scottish soldier, Blanche lived for over three years under Japanese occupation. After leaving for India in 1958, Blanche made a new life while still thinking of and praying for her sister. Decades later, a chance set of circumstances led to the discovery by Sybil's son that Blanche was alive and living in India. Torn Apart is the heart-rending, inspirational account of how the Le Fleur sisters lived separate lives for more than 65 years before an emotional reunion brought them together again in 2007.
Billy Palmer grew up in a sleepy rural village, but his dreams were always for something else, something beyond the world he knew. As a child, this desire for the unexplored got him into trouble, as a teenager it drove him to adventure, and as an adult it propels him across the Atlantic to the dazzling lights of Manhattan, where the excitement he's craved seems finally to come within his grasp, but at what price? Engaging, evocative and flawlessly paced, The Billy Palmer Chronicles is a pitch-perfect tale of one man's search for the life he's imagined.
Do you remember Melba chocolate, spud guns, Embassy records, pick 'n' mix, broken biscuits, Homemaker china, Californian Poppy perfume, and Ladybird children's clothes? Then you will love the book that brings these, and many other memories, flooding back. The Wonder of Woolies is a celebration of that great British store - Woolworth's - in the words of people who worked and shopped there. In addition to memories from every corner of Britain, the book describes the rise of the '3d and 6d store' king, Frank Winfield Woolworth, and some of the dramatic events that marked Woolworth's history, such as the bombing of the Deptford store in 1944.
Derek Pritchett’s account of earlier generations of his own family and extended family is meant especially to pass on information about common grandparents and their ancestors to the generation now being born and raised. Derek’s stories span the generations and therefore reflect how our ancestors had to struggle so hard against the rigours of war situations, economic recessions and adverse living conditions to make progress in their search for a better life for themselves and their descendants. He also includes in this list the coronavirus pandemic which affects us all! Derek’s conclusion includes that an interesting part of the progress attained by our families over all this time has been the fact that the process has not been a ruthless pursuit of personal wealth, but a simple desire to achieve a better standard of living in general for all family members and in many cases, help others to progress at the same time.
Set in 1955, North London, this is a romance between 3 separate couples and their friendship over a two year period. But a strange neighbour who moves into a house next door to the central couple begins to disrupt their lives and cause problems that come to a head changing their lives.
In the Catholic countries of seventeenth- and early eighteenth-century Europe, communities of monks and nuns were growing in number and wealth. By 1750 there were at least 25,000 communities containing at least 350,000 inmates. They constructed vast buildings, dominated education, and played a large part in the practice and patronage of learning, music, and the arts. They also fulfilled an amazing variety of political, economic and social roles, notably in providing career opportunities for women. Yet many accounts of the period ignore them altogether. Prosperity and Plunder recovers this forgotten dimension of European history, assesses the importance of monasteries across Catholic Europe, and compares their position in different countries. It goes on to explain the almost complete destruction of the monasteries between 1750 and 1815 through reforming rulers, 'Enlightenment', and the French Revolution, and asks how much society gained and lost in the process.
From the Nobel laureate Derek Walcott, a book-length poem on two educations in painting, a century apart "Between me and Venice the thigh of a hound; my awe of the ordinary, because even as I write, paused on a step of this couplet, I have never found its image again, a hound in astounding light." Tiepolo's Hound joins the quests of two Caribbean men: Camille Pissarro--a Sephardic Jew born in 1830 who leaves his native St. Thomas to follow his vocation as a painter in Paris--and the poet himself, who longs to rediscover a detail--"a slash of pink on the inner thigh / of a white hound"--of a Venetian painting encountered on an early visit from St. Lucia to New York. Both journeys take us through a Europe of the mind's eye, in search of a connection between the lost, actual landscape of a childhood and the mythical landscape of empire. Published with twenty-five full-color reproductions of Derek Walcott's own paintings, the poem is at once the spiritual biography of a great artist in self-imposed exile, a history in verse of Impressionist painting, and a memoir of the poet's desire to catch the visual world in more than words.
First published in 1989, The Singing Bourgeois challenges the myth that the 'Victorian parlour song' was a clear-cut genre. Derek Scott reveals the huge diversity of musical forms and styles that influenced the songs performed in middle class homes during the nineteenth century, from the assimilation of Celtic and Afro-American culture by songwriters, to the emergence of forms of sacred song performed in the home. The popularity of these domestic songs opened up opportunities to women composers, and a chapter of the book is dedicated to the discussion of women songwriters and their work. The commercial success of bourgeois song through the sale of sheet music demonstrated how music might be incorporated into a system of capitalist enterprise. Scott examines the early amateur music market and its evolution into an increasingly professionalized activity towards the end of the century. This new updated edition features an additional chapter which provides a broad survey of music and class in London, drawing on sources that have appeared since the book's first publication. An overview of recent research is also given in a section of additional notes. The new bibliography of nineteenth-century British and American popular song is the most comprehensive of its kind and includes information on twentieth-century collections of songs, relevant periodicals, catalogues, dictionaries and indexes, as well as useful databases and internet sites. The book also features an accompanying CD of songs from the period.
This established introductory textbook provides students with a full overview of British social policy and social ideas since the late 18th century. It is the essential starting point for anyone learning about how and why Britain created the first welfare state, and its development into the 21st century. Offering a comprehensive historical survey, this book analyses the emergence of the first welfare state, its later adaptations in the light of changing socio-political climates, and takes the story up to the present day, with discussion of the Coalition and Theresa May's early Prime Ministership, and an overview conclusion that identifies key issues in modern British social history. Building on the strong foundations of the prior editions, The Evolution of the Welfare State Sixth Edition has been updated to include: - New intersectional viewpoints on welfare, such as the role of gender - Expanded coverage of the post-1948 period - Updated methodological perspectives in the light of the latest research Ideal for undergraduate and postgraduate students, this is an essential resource for all interested in the British welfare state and social history.
Never before available in the U.S., the final episode in the Factory Series is another unrelenting investigation with the nameless detective into the black soul of Thatcher’s England. The fifth and final book in the author’s acclaimed Factory Series was published just after Derek Raymond’s death, and so didn’t get the kind of adulatory attention the previous four titles in the series got. The book has been unavailable for so long that many of Derek Raymond’s rabid fans aren’t even aware there is a fifth book. But Dead Man Upright may be the most psychologically probing book in the series. Unlike the others, it’s not so much an investigation into the identity of a killer, but a chase to catch him before he kills again. Meanwhile, the series’ hero—the nameless Sargent from the “Unexplained Deaths” department—is facing more obstacles in the department, due to severe budget cutbacks, than he’s ever faced before. However, this time, the Sargent knows the identity of the next victim of the serial killer in question. But even the Sargent’s brutally blunt way of speaking can’t convince the besotted victim, and he’s got to convince a colleague to go against orders and join him in the attempt to catch the killer... before it’s too late.
It's 1953, and Luis Cabrillo has burned through the small fortune he earned from both British and German Intelligence in WW2. Now he has only his wits, his confidence, and his dazzling skills at lying and cheating to rely on. Teaming up with Julie Conroy (a corker of a New Yorker), he follows his wartime instincts and goes where arrogance breeds wealth: to Washington D.C. and Senator Joe McCarthy, high priest of America's holy war on Red treachery. Joe's problem is a sudden shortage of treachery. Luis can help him out, but for dollars. Big dollars. And when the C.I.A. gets into the act, followed by the K.G.B., F.B.I., M.I.6. and the Mafia, it makes for an explosive mixture ripe for a spark. In Red Rag Blues Derek Robinson lends his signature wit to the hysteria and paranoia of the McCarthy years, toying with the notion that the world's most powerful nation is occasionally its most stupid.
This book charts the piano's accession from musical curiosity to cultural icon, examining the instrument itself in its various guises as well as the music written for it. Both the piano and piano music were very much the product of the intellectual, cultural and social environments of the period and both were subject to many influences, directly and indirectly. These included character (individualism), the vernacular ('folk/popular') and creativity (improvisation), all of which are discussed generally and with respect to the music itself. Derek Carew surveys the most important pianistic genres of the period (variations, rondos, and so on), showing how these changed from their received forms into vehicles of Romantic expressiveness. The piano is also looked at in its role as an accompanying instrument. The Mechanical Muse will be of interest to anyone who loves the piano or the period, from the non-specialist to the music postgraduate.
As ice retreated from Britain 15,000 years ago, a host of large mammals including reindeer, wild horses, wooly mammoths, moose, wolves, brown bears, lynxes and wolverines established itself in Britain. The largest surviving wild land mammal today, the red deer, the largest contemporary land carnivore, the badger and another 65 or so extant wild mammals included about a quarter of the wild mammals that have been introduced in the last 15,000 years. The contemporary fauna, however, is largely dominated by domestic animals, such as cattle, sheep, pigs and humans. This book explores the fate of the large extinct species, as well as how, why, and when the introduced species appeared.
A little book of traditional folk ballads from the English speaking world. A portable pocket book handy to keep in your pocket or handbag for easy use at folk clubs, festivals, concerts, schools or just to have with you.
Was the experience of poetry—or a cultural practice we now call poetry—continuously available across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson's Works and the death of Shakespeare in 1616? How did the pleasure afforded by the crafting of language into memorable and moving rhythmic forms play a part in the lives of hearers and readers in Ancient Greece and Rome, Europe during Late Antiquity and the Middle Ages, and Britain during the Renaissance? In tackling these questions, this book first examines the evidence for the performance of the Iliad and the Odyssey and of Ancient Greek lyric poetry, the impact of the invention of writing on Alexandrian verse, the performances of poetry that characterized Ancient Rome, and the private and public venues for poetic experience in Late Antiquity. It moves on to deal with medieval verse, exploring the oral traditions that spread across Europe in the vernacular languages, the place of manuscript transmission, the shift from roll to codex and from papyrus to parchment, and the changing audiences for poetry. A final part investigates the experience of poetry in the English Renaissance, from the manuscript verse of Henry VIII's court to the anthologies and collections of the late Elizabethan era. Among the topics considered in this part are the importance of the printed page, the continuing significance of manuscript circulation, the performance of poetry in pageants and progresses, and the appearance of poets on the Elizabethan stage. In tracking both continuity and change across these many centuries, the book throws fresh light on the role and importance of poetry in western culture.
What it was like to grow up in 1980s Britain, from the Cold War to Duran Duran. This book combines memories, original documents and photos from that time.
Widely acclaimed when first published, this lively social history of Hogarth's England went into a second edition with a new preface and updated notes and guide to further reading. 'This panorama of eighteenth-century English life ...Methodists and melancholia, village cricketers versified to glory and homosexuals pilloried to death, he has an eye and a word for everything in the pullulating scene.' THE SUNDAY TIMES 'Social history is ever flourishing, but the number of really original contributions is relatively small. Mr. Jarrett's book is one of this number; he is an historian of established reputation in general history who sets out to describe the eighteenth-century scene from his own examination of original sources.' ECONOMIST 'Jarrett's comprehensive learning, his graceful style, and his instinct for the telling detail make this an excellent book to dip into, to read in installments and to keep for reference.'NEW YORKER 'Jarrett digs deep into the diaries, letters, memoirs of the period, gives anecdote and incident as a counterpoint to the illustrations, examines the age's attitude toward children and education, the role of women, marriage, pleasures, politics, life and death ...A brilliant study.' LOS ANGELES TIMES
Originally published in 1970, John Lydgate sets out to restore a sense of perspective to the work of Lydgate, not by attributing a spurious modernity as a precursor of the Renaissance, but by accepting the fact that he is fundamentally medieval. The book analyses Lydgate’s background in literary tradition and compares this with Chaucer’s work. The book looks at Lydgate as a professional craftsman and examines how his work adapted to the demands and occasions of his age. Without over-valuing the poetry, this approach makes it possible to discriminate with increased objectivity between the more and less worthwhile and to distinguish the unexpectedly large number of poems in which craftsman-like competence rises to rhetorical artistry of a high order. In accepting Lydgate as the epitome of his age, the book also provides a diagram of the medieval poetic mind in its basic form and suggests the usefulness of Lydgate as a source book for the understanding of medieval literature.
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