The writer of alternate history asks “what if?” What if one historical event were different, what would the world look like today? In a similar way, the postmodern philosopher of history suggests that history is literature, or that if we read certain historical details differently we would get a distinctly different interpretation of past events. While the science fiction alternate history means to illuminate the past, to increase our understanding of past events, however, the postmodern approach to history typically suggests that such understanding is impossible. To the postmodern philosopher, history is like literature in that it does not offer the reader access to the past, but only an interesting story. Building on criticism that suggests personal psychological reasons for this obscuring the past, and using a literary theory of readership, this book challenges the postmodern approach to history. It channels the speculative power of science fiction to read the works of postmodern philosophy of history as alternate histories themselves, and to map the limits and pathology of their forgetful reading of the past.
Documenting the rise of the accountancy profession in Britain the authors of this volume focus on the individual - the professional accountant - and adopt an economic determinist analysis to explain why such a rise has occurred.
Forty years ago, a South African rugby tour in the United States became a crucial turning point for the nation’s burgeoning protests against apartheid and a test of American foreign policy. In Flashpoint: How a Little-Known Sporting Event Fueled America's Anti-Apartheid Movement, Derek Charles Catsam tells the fascinating story of the Springbok’s 1981 US tour and its impact on the country’s anti-apartheid struggle. The US lagged well behind the rest of the Western world when it came to addressing the vexing question of South Africa’s racial policies, but the rugby tour changed all that. Those who had been a part of the country’s tiny anti-apartheid struggle for decades used the visit from one of white South Africa’s most cherished institutions to mobilize against both apartheid sport and the South African regime more broadly. Protestors met the South African team at airports, chanted outside their hotels, and courted arrests at matches, which ranged from the bizarre to the laughable, with organizers going to incredible lengths to keep their locations secret. In telling the story of how a sport little appreciated in the United States nonetheless became ground zero for the nation’s growing anti-apartheid movement, Flashpoint serves as a poignant reminder that sports and politics have always been closely intertwined.
Three plays by the Nobel-laureate Derek Walcott, brought together for the first time in The Haitian Trilogy In the history plays that comprise The Haitian Trilogy--Henri Christophe, Drums and Colours and The Haytian Earth--Derek Walcott, recipient of the Nobel Prize in Literature, uses verse to tell the story of his native West Indies as a four-hundred-year cycle of war, conquest and rebellion. In Henri Christophe and The Haytian Earth, Walcott re-casts the legacy of Haiti's violent revolutionaries--led by Toussaint L'Ouverture, Jean Jacques Dessalines and Henri Christophe--whose rebellion established the first black state in the Americas, but whose cruelty becomes a parable of racial pride and corruption. Drums and Colours, commissioned in 1958 to celebrate the first parliament in Trinidad, is a grand pageant linking the lives of complex, ambiguous heroes: Columbus and Raleigh; Toussaint; and George William Gordon, a martyr of the constitutional era. From Henri Christophe's high style to the bracing vernacular of The Haytian Earth, to the epic scale and scope of Drums and Colours, in these plays Walcott, one of our most celebrated poets, carved a place in the modern theater for the history of the West Indies, and a sounding room for his own maturing voice.
A historical reevaluation of the relationship between Jews, miltary service, and war Jews and the Military is the first comprehensive and comparative look at Jews' involvement in the military and their attitudes toward war from the 1600s until the creation of the state of Israel in 1948. Derek Penslar shows that although Jews have often been described as people who shun the army, in fact they have frequently been willing, even eager, to do military service, and only a minuscule minority have been pacifists. Penslar demonstrates that Israel's military ethos did not emerge from a vacuum and that long before the state's establishment, Jews had a vested interest in military affairs. Spanning Europe, North America, and the Middle East, Penslar discusses the myths and realities of Jewish draft dodging, how Jews reacted to facing their coreligionists in battle, the careers of Jewish officers and their reception in the Jewish community, the effects of World War I on Jewish veterans, and Jewish participation in the Spanish Civil War and World War II. Penslar culminates with a study of Israel's War of Independence as a Jewish world war, which drew on the military expertise and financial support of a mobilized, global Jewish community. He considers how military service was a central issue in debates about Jewish emancipation and a primary indicator of the position of Jews in any given society. Deconstructing old stereotypes, Jews and the Military radically transforms our understanding of Jews' historic relationship to war and military power.
In this unique examination of education for citizenship, Derek Heater covers two and a half millennia of history encompassing every continent. Education for citizenship is considered from its classical origins through to ideas of world citizenship and multiculturalism which are relevant today. The book reveals the constants of motives, policies, recommendations and practices in this field and the variables determined by political, social and economic circumstances, which in turn illustrate the reasons behind education for citizenship today. Sections covered include: * Classical origins * The age of rebellions and revolutions * Education for liberal democracy * Totalitarianism and transitions * Multiple citizenship education. A History of Education for Citizenship will be of interest to teachers and students of citizenship, particularly those concerned with citizenship education. It will also be of interest to those working in the field of politics of education and history of education.
With her striking looks, the raven-haired, dark eyed Ruth Roman had an air of sophistication that made her seem sexy yet wholesome. She had to strive harder than most to establish herself as a leading actress in Hollywood during its glory years and finally broke through in 1949 with her role in Champion. As one of the last Warner Bros. contract players, she appeared in Alfred Hitchcock's classic Strangers on a Train. Seen at her best in strong parts, such as the ambitious Ronda Castle in Anthony Mann's The Far Country or as a modern-day Lady Macbeth, she enjoyed a varied career as a freelancer before re-inventing herself as a character actress of note on television. A remarkable return to the screen in the bizarre psycho-horror The Baby (1973) assured her of cult status. This is the first book dedicated to a committed but often undervalued actress who is fondly remembered by fans of classic film. More than a biography, it seeks to contextualize the actress within her own time, illuminate her Hollywood experience and celebrate her extensive career.
Black Americans in the Jim Crow South could not escape the grim reality of racial segregation, whether enforced by law or by custom. In Freedom's Main Line: The Journey of Reconciliation and the Freedom Rides, author Derek Charles Catsam shows that courtrooms, classrooms, and cemeteries were not the only front lines in African Americans' prolonged struggle for basic civil rights. Buses, trains, and other modes of public transportation provided the perfect means for civil rights activists to protest the second-class citizenship of African Americans, bringing the reality of the violence of segregation into the consciousness of America and the world. In 1947, nearly a decade before the Supreme Court voided school segregation in Brown v. Board of Education, sixteen black and white activists embarked on a four-state bus tour, called the Journey of Reconciliation, to challenge discrimination in busing and other forms of public transportation. Although the Journey drew little national attention, it set the stage for the more timely and influential 1961 Freedom Rides. After the Supreme Court's 1960 ruling in Boynton v. Virginia that segregated public transportation violated the Interstate Commerce Act, the Congress of Racial Equality (CORE) and other civil rights groups organized the Freedom Rides to test the enforcement of the ruling in buses and bus terminals across the South. Their goal was simple: "to make bus desegregation," as a CORE press release put it, "a reality instead of merely an approved legal doctrine." Freedom's Main Line argues that the Freedom Rides, a turning point in the Civil Rights Movement, were a logical, natural evolution of such earlier efforts as the Journey of Reconciliation, their organizers following models provided by previous challenges to segregation and relying on the principles of nonviolence so common in the larger movement. The impact of the Freedom Rides, however, was unprecedented, fixing the issue of civil rights in the national consciousness. Later activists were often dubbed Freedom Riders even if they never set foot on a bus. With challenges to segregated transportation as his point of departure, Catsam chronicles black Americans' long journey toward increased civil rights. Freedom's Main Line tells the story of bold incursions into the heart of institutional discrimination, journeys undertaken by heroic individuals who forced racial injustice into the national and international spotlight and helped pave the way for the landmark Civil Rights Act of 1964.
Claire Trevor (1910-2000) is best remembered as the alluring blonde femme fatale in such iconic noir films as Murder, My Sweet (1944) and Raw Deal (1948). Yet she was a versatile performer who brought rare emotional depth to her art. She was effective in a range of diverse roles, from an outcast prostitute in John Ford's classic Stagecoach (1939) to the ambitious tennis mother in Hard, Fast and Beautiful (1951) to the embittered wife of a landowner in William Wellman's overlooked gem My Man and I (1952). Nominated for three Oscars, she deservedly won Best Supporting Actress for her portrayal of Gaye Dawn, a gangster's broken-down moll in Key Largo (1948). The author covers her life and career in detail, recognizing her as one of the finest actresses of her generation.
Through six articles written at intervals of about a decade between 1960 and 2020, the book provides an account of the author’s developing political awareness during the period in the context of political events and changes. In this way the book illustrates the social origins of political attitudes, while, at the same time, the articles raise questions about the increasing dominance of political discourse in society. The book suggests that politics is now excessively managed by political professionals and that the challenge for reviving democratic participation is to restore the social dimension of state membership.
First published in 1972, Goethe presents a biography looking at one of the few great Europeans to be universally recognized as a hero of culture, and in the light of modern sociological thought puts the hero into his background, human, social and political. Goethe is seen in the context of his times- not as the Great Poet or the Great Lover but as the worried contemporary of the French Revolution and Napoleon. The author is much more interested than most biographers in the mature Goethe and the problems of the poet’s old age. This stems from his intense preoccupation with Goethe’s friend and biographer Eckermann, whose Conversations (for which Eckermann is ranked by many with Boswell) he is re-editing. This is an interesting read for scholars of German language & literature and European literature.
The intense psychological portrait of a hitman—the anti-Jason Bourne—as he stalks his prey from Boston to LA. He wants you to know him, maybe even admire him, but only for his excellence in his craft. Perhaps he was even born for it. "A natural killer," his mentor—a middleman named Vespucci—said he was. He proved it with his first professional hit: a Fifth Circuit Court judge in Boston, executed with a sheet of Saran Wrap in the stairwell of her own courthouse. He's proved his merit often, usually with a Glock semiautomatic, but he's improvised too, with his bare hands, the heel of a shoe, knives, even a sewing machine. He is the consummate assassin, at the top of his form, immune to the psychological strains of his chosen profession. He is what the Russians call a Silver Bear. He calls himself Columbus. It's the name Vespucci gave him, ten years ago, when he discovered a dark, new world of fences, clients, marks, jobs, jack. Not that his real name meant much to him anyway. He never knew his father or his mother, a prostitute who became dangerously involved back in the seventies with an earnest young congressman named Abe Mann, then a rising star in the Democratic Party. The magnetic Abe Mann has since become the Speaker of the House. He is currently running for the Democratic nomination in an exhausting presidential campaign, weaving his way across the country. Columbus is not far behind. But as he pieces together his past and prepares the seamless assassination of his mark, the criminal underworld he has always ruled begins unraveling violently around him.
This bibliography was commissioned by the English Goethe Society as a contribution to the celebration in 1999 of the 250th anniversary of Goethes birth. It sets out to record translations of his works into English that have been published in the twentieth century, up to and including material published in that anniversary year. It aims to serve as wide a constituency as possible, be it as a simple reference tool for tracing a translation of a given work or as a documentary source for specialized studies of Goethe reception in the English-speaking world. The work records publications during the century, not merely translations that originated during this period. It includes numerous reprintings of older material, as well as some belated first publications of translations from the nineteenth century. It shows how frequent and how long enduring was the recourse of publishers and anthologists to a Goethe Victorian in diction, a signal factor in perceptions and misperceptions. Derek Glass was putting the finishing touches to the bibliography at the time of his sudden death in March 2004. Colleagues at Kings College London have edited the final manuscript, which is now published jointly by the English Goethe Society and the Modern Humanities Research Association both as a worthy commemoration of Goethes anniversary and as a tribute to Derek himself.
The Sabaki languages form a major Bantu subgroup and are spoken by 35 million East Africans in Somalia, Kenya, Tanzania, Mozambique, and the Comoro Islands. The authors provide a historical/comparative treatment of Swahili (and other Sabaki languages), an account of the relationship of Swahili to Sabaki and to other Bantu languages, and some data on contemporary Sabaki languages. Data sets, appendices, maps, and figures present essential information on phonology, lexical makeup, and tense/aspect morphology. The final chapter is a synthesis describing the linguistic and historical relationship of the Sabaki dialects to each other and to hypothetical proto-stages.
Derek Taira argues that during the territorial period many Hawaiians neither subscribed nor succumbed to public schools' aggressive efforts to assimilate and Americanize but instead engaged with American education to envision and support an alternate future.
Best known for his unique musical style and blindingly fast hybrid picking technique, English guitarist Albert Lee is often referred to within the music industry as the "guitar player's guitar player," renowned for his work across several genres of music and for the respect that he has garnered from other industry giants. This comprehensive biography tells the entire story of Lee's long career and personal experiences, beginning with his upbringing in south London and his early experimentations with skiffle music (the British equivalent of American rockabilly). It covers Lee's career in Chris Farlowe's Thunderbirds and the British rock and country group Heads, Hands, and Feet, his move to the United States in the 1970s and his subsequent work with Eric Clapton, the Crickets, Emmylou Harris and the Hot Band, the Everly Brothers, and, more recently, with Bill Wyman and with Hogan's Heroes. Lee's career is set against the background of changes in popular music and shows how he, as a British artist with nomadic Romany roots, has influenced traditionally "American" musical genres. The work includes 66 photographs, many from Lee's personal collection, two appendices, and an extensive bibliography.
An e-original omnibus of three suspense novels by the Barry Award-nominated novelist and co-screenwriter of Wanted, 3:10 to Yuma and The Double. He calls himself Columbus. His real name never meant much to him anyway. He never knew his father, an earnest young congressman and rising star in the Democratic Party named Abe Mann, or his mother, a prostitute whose involvement with Mann would prove dangerous. All Columbus cares about is his next target. A hit man who quickly made a name for himself as one of the best in his profession, you can be sure he'll fulfill whatever contract's been given him. Even if those who put out the hit have other plans in mind. In THE COLUMBUS TRILOGY, the first three novels by Barry Award-nominated author Derek Haas, Columbus squares off against the shadow of his father, Czech crime lords, drug dealers, a prostitution ring, and more, in three acclaimed suspense novels by a rising master of the genre.
Providing an overview of the formative years of a junior doctor’s career, The Foundation Programme at a Glance consolidates the generic and condition-specific skills required to excel in this stage of training. Taking a simple and holistic approach to providing support for junior doctors, it integrates text and image content to suit all learning styles. Sections include advice on making the most of your training, tips on good clinical practice, communication, and common presentations and conditions. Edited by the National Director and Deputy National Director of the UK Foundation Programme, each section is written by experts in their respective fields, presenting insights into the programme with unrivalled authority. The Foundation Programme at a Glance: • Uses diagrams, line drawings and flow charts to clearly illustrate concepts • Follows the current Foundation Programme curriculum • Integrates theory and practice This comprehensive and practical volume contains all the vital information you need to reach excellence during the foundation years, and to get the most out of your time on the programme.
A debut that combines historical nonfiction with travel books, for fans of Bill Bryson and Tony Horwitz, In Pursuit of Jefferson is the story of an American on a journey through Europe, following the epic trail of Thomas Jefferson. A controversial founding father. A man ready for a change. And a completely unique trip through Europe. In 1784, Thomas Jefferson was a broken man. Reeling from the loss of his wife and stung from a political scandal during the Revolutionary war, he needed to remake himself. To do that, he traveled. Wandering through Europe, Jefferson saw and learned as much as he could, ultimately bringing his knowledge home to a young America. There, he would rise to power and shape a nation. More than two hundred years later, Derek Baxter, a devotee of American history, stumbles on an obscure travel guide written by Jefferson—Hints for Americans Traveling Through Europe—as he's going through his own personal crisis. Who better to offer advice than a founding father himself? Using Hints as his roadmap, Baxter follows Jefferson through six countries and countless lessons. But what Baxter learns isn't always what Jefferson had in mind, and as he comes to understand Jefferson better, he doesn't always like what he finds. In Pursuit of Jefferson is at once the story of a life-changing trip through Europe, an unflinching look at a founding father, and a moving personal journey. With rich historical detail, a sense of humor, and boundless heart, Baxter explores how we can be better moving forward only by first looking back.
This new textbook is the definitive evidence-based resource for pediatric critical care. It is the first ostensibly evidence-based pediatric critical care textbook and will prove an invaluable resource for critical care professionals across the globe.
When a popular British evangelical leader appeared to denounce the idea that God was punishing Christ in our place on the cross as a twisted version of events, morally dubious, and a huge barrier to faith that should be rejected in favour of preaching only that God is love, major controversy was stirred. Many thought the idea of penal substitution was at the heart of the evangelical understanding of the cross, if not the only legitimate interpretation of the death of Christ. Yet for some time less popular evangelical theologians had been calling this traditional interpretation of the atonement into question. So, is the traditional evangelical view of penal substitution the biblical explanation of Christ's death or one of many? Is it the non'negotiable heart of evangelical theology or a time bound explanation that has outlived its usefulness? What does the cross say about the character of God, the nature of the law and sin, the meaning of grace, and our approach to missions?
Hauptmann Rolf Leutnart is a German staff officer with the famed Afrika Korps and is General Erwin Rommels favorite interpreter, fluent in Italian, French, and English. Leutnart is assigned as the primary translator for both Italian and German senior officers. While in Tunisia, Rolf meets and falls in love with Lorena Sebesta, an Italian Red Cross nurse. For her, however, the attraction is difficult, since she despises uniforms and especially Germans. However, the relationship grows and soon develops into a torrid love affair. Later, Rolf is approached by several shadowy figures, who hint at things more sinister and possibly supernatural in Rolfs background. He is tied to a birthmark in the shape of a wolfs head, a secret society known only as the Red Pyramid, and an ancient curse from Egypt that has awaited his arrival for 5,000 years. Here is a tale of love across time, challenged by the past, present and future. These characters interact amidst World War II, fighting for the Axis, the eventual losers of this terrible war. Yet they are human, caught up in the questions of right and wrong, evil faced off against good. The choices they make have personal and global impact.
Dmitri Shostakovich (1906-75) was one of the greatest composers of the 20th century, as well as the first major Soviet composer. In the fourth edition of Dmitri Shostakovich Catalogue: The First Hundred Years and Beyond, Derek C. Hulme names and describes all known musical compositions of the Russian composer. More than 175 major works are annotated and discussed, including such comprehensive details as titles and subtitles, dates of composition, instrumentation, and duration; information on dedications and premieres; arrangements by the composer and others; publication details; notes on bibliographical references and the location of the autograph score; and comprehensive chronological lists of vinyl, compact disc, and visual recordings. The entries are presented chronologically and by opus number, while indexes of names and compositions provide full accessibility. Several appendixes supplement the volume, guiding readers to further information in published sources and providing information on the composer's film, radio, television, and theatre productions; his abandoned projects and obscure works; and his recordings, including box sets and special USSR recordings. An appendix also discusses the monogram DSCH, a musical motif based on his name that permeates his compositions. This new edition also includes a comprehensive chronological chart of Shostakovich's works and historical events and several plates of memorabilia.
Uncovers a world of forgotten triumphs of musical theatre that shine a light on major social topics. This book is also available as Open Access on Cambridge Core.
This classic and eminently readable work provides a full critical introduction to the complete Canterbury Tales. Essential reading for students of Chaucer.
A sweeping history of a twentieth-century Prague torn between fascism, communism, and democracy—with lessons for a world again threatened by dictatorship Postcards from Absurdistan is a cultural and political history of Prague from 1938, when the Nazis destroyed Czechoslovakia’s artistically vibrant liberal democracy, to 1989, when the country’s socialist regime collapsed after more than four decades of communist dictatorship. Derek Sayer shows that Prague’s twentieth century, far from being a story of inexorable progress toward some “end of history,” whether fascist, communist, or democratic, was a tragicomedy of recurring nightmares played out in a land Czech dissidents dubbed Absurdistan. Situated in the eye of the storms that shaped the modern world, Prague holds up an unsettling mirror to the absurdities and dangers of our own times. In a brilliant narrative, Sayer weaves a vivid montage of the lives of individual Praguers—poets and politicians, architects and athletes, journalists and filmmakers, artists, musicians, and comedians—caught up in the crosscurrents of the turbulent half century following the Nazi invasion. This is the territory of the ideologist, the collaborator, the informer, the apparatchik, the dissident, the outsider, the torturer, and the refugee—not to mention the innocent bystander who is always looking the other way and Václav Havel’s greengrocer whose knowing complicity allows the show to go on. Over and over, Prague exposes modernity’s dreamworlds of progress as confections of kitsch. In a time when democracy is once again under global assault, Postcards from Absurdistan is an unforgettable portrait of a city that illuminates the predicaments of the modern world.
As Charlton Heston put it: ‘There’s a temptingly simple definition of the epic film: it’s the easiest kind of picture to make badly.’ This book goes beyond that definition to show how the film epic has taken up one of the most ancient art-forms and propelled it into the modern world, covered in twentieth-century ambitions, anxieties, hopes and fantasies. This survey of historical epic films dealing with periods up to the end of the Dark Ages looks at epic form and discusses the films by historical period, showing how the cinema reworks history for the changing needs of its audience, much as the ancient mythographers did. The form’s main aim has always been to entertain, and Derek Elley reminds us of the glee with which many epic films have worn their label, and of the sheer fun of the genre. He shows the many levels on which these films can work, from the most popular to the specialist, each providing a considerable source of enjoyment. For instance, spectacle, the genre’s most characteristic trademark, is merely the cinema’s own transformation of the literary epic’s taste for the grandiose. Dramatically it can serve many purposes: as a resolution of personal tensions (the chariot race in Ben-Hur), of monotheism vs idolatry (Solomon and Sheba), or of the triumph of a religious code (The Ten Commandments). Although to many people Epic equals Hollywood, throughout the book Elley stresses debt to the Italian epics, which often explored areas of history with which Hollywood could never have found sympathy. Originally published 1984.
Acclaimed as a magisterial, classic work, A Social History of English Cricket is an encyclopaedic survey of the game, from its humble origins all the way to modern floodlit finishes. But it is also the story of English culture, mirrored in a sport that has always been a complex repository of our manners, hierarchies and politics. Derek Birley’s survey of the impact on cricket of two world wars, Empire and ‘the English caste system’, will, contends Ian Wooldridge, ‘teach an intelligent child of twelve more about their heritage than he or she will ever pick up at school.’ In just under 400 pages Birley takes us through a rich historical tapestry: how the game was snatched from rustic obscurity by gentlemanly gamblers; became the height of late eighteenth century metropolitan fashion; was turned into both symbol and synonym for British imperialism; and its more recent struggle to dislodge the discomforting social values preserved in the game from its imperial heyday. Superbly witty and humorous, peopled by larger-than-life characters from Denis Compton to Ian Botham, and wholly forswearing nostalgia, A Social History of English Cricket is a tour-de-force by one of the great writers on cricket.
First published in 1989, The Singing Bourgeois challenges the myth that the 'Victorian parlour song' was a clear-cut genre. Derek Scott reveals the huge diversity of musical forms and styles that influenced the songs performed in middle class homes during the nineteenth century, from the assimilation of Celtic and Afro-American culture by songwriters, to the emergence of forms of sacred song performed in the home. The popularity of these domestic songs opened up opportunities to women composers, and a chapter of the book is dedicated to the discussion of women songwriters and their work. The commercial success of bourgeois song through the sale of sheet music demonstrated how music might be incorporated into a system of capitalist enterprise. Scott examines the early amateur music market and its evolution into an increasingly professionalized activity towards the end of the century. This new updated edition features an additional chapter which provides a broad survey of music and class in London, drawing on sources that have appeared since the book's first publication. An overview of recent research is also given in a section of additional notes. The new bibliography of nineteenth-century British and American popular song is the most comprehensive of its kind and includes information on twentieth-century collections of songs, relevant periodicals, catalogues, dictionaries and indexes, as well as useful databases and internet sites. The book also features accompanying downloadable resources of songs from the period.
This volume describes the claustrophobic atmosphere, in which Joseph was trained to rule, and his attempts after 1765 as co-regent with his formidable mother.
Star of stage, screen and television, and one of only two people to be awarded two Knighthoods, Sir Derek Jacobi is one of Britain’s most distinguished actors. ‘If you want to be an actor, don’t. If you need to be an actor, do.’
With a foreword from Christopher Sabat and Sean Schemmel, Dragon Soul: 30 Years of Dragon Ball Fandom is a grand celebration of the world's greatest anime and manga and it's momentous 30th Anniversary. Join me on a global adventure in search of the 7 dragon balls, as we head west toward Japan, the birthplace of Dragon Ball. Along the way we'll meet 81 fans from 25 countries who will share their Dragon Ball story. From artists to authors, collectors to philosophers, we'll hear their Dragon Soul and discover how Dragon Ball changed their lives. Includes over 100 images. We'll meet such famous fans as Lawrence Simpson (MasakoX) from Team Four Star, Malik from Dragon Ball New Age, Salagir from Dragon Ball Multiverse, MMA fighter Marcus Brimage, YouTube celebrities SSJGoshin4, Nelson Junior (Casa do Kame), and film critic Chris Stuckmann, famous cosplayers "Living Ichigo," Atara Collis, and Jah'lon Escudero, the creators of Dragon Ball Z: Light of Hope, Twitter star @Goku, authors Patrick Galbraith, Nestor Rubio, and Vicente Ramirez, and dozens more. Joining us will be 27 professionals from 7 countries, including American voice actors Chris Sabat (Vegeta), Sean Schemmel (Goku), Chris Ayres (Freeza), Chris Rager (Mister Satan), Mike McFarland (Master Roshi), Chuck Huber (Android 17), Kyle Hebert (Son Gohan), Jason Douglas (Beerus), Chris Cason (Tenshinhan), FUNimation employees Justin Rojas, Adam Sheehan, and Rick Villa, Dragon Ball Z composer Bruce Faulconer, Dragon Ball manga editor Jason Thompson, Canadian voice actors Peter Kelamis (Goku) and Brian Drummond (Vegeta), Latin American voice actors Mario Castaneda (Goku), Rene Garcia (Vegeta), Eduardo Garza (Krillin), French voice actor Eric Legrand (Vegeta), French journalist Olivier Richard, Spanish voice actors Jose Antonio Gavira (Goku), Julia Oliva (Chichi), and manga editor David Hernando, Danish voice actors Caspar Philllipson (Goku) and Peter Secher Schmidt (Freeza), and Brazilian voice actor Wendel Bezerra (Goku). Gather your belongings, jump on your magic cloud, and embark on a grand adventure, in Dragon Soul: 30 Years of Dragon Ball Fandom!
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.