The strength of the right-to-die movement was underscored as early as 1991, when Derek Humphry published Final Exit, the movement's call to arms that inspired literally hundreds of thousands of Americans who wished to understand the concepts of assisted suicide and the right to die with dignity. Now Humphry has joined forces with attorney Mary Clement to write Freedom to Die, which places this civil rights story within the framework of American social history. More than a chronology of the movement, this book explores the inner motivations of an entire society. Reaching back to the years just after World War II, Freedom to Die explores the roots of the movement and answers the question: Why now, at the end of the twentieth century, has the right-to-die movement become part of the mainstream debate? In a reasoned voice, which stands out dramatically amid the vituperative clamoring of the religious right, the authors examine the potential dangers of assisted suicide - suggesting ways to avert the negative consequences of legalization - even as they argue why it should be legalized.
The songbooks of the 1830-40s were printed in tiny numbers, and small format so they could be hidden in a pocket, passed round or thrown away. Collectors have sought ‘these priceless chapbooks’, but only recently a collection of 49 songbooks has come to light. This collection represents almost all of the known songbooks from the period.
Originally published in 1977, Old English and Middle English Poetry provides a historical approach to English poetry. The book examines the conditions out of which poetry grew and argues that the functions that it was assigned are historically integral to an informed understanding of the nature of poetry. The book aims to relate poems to the intellectual and formal traditions by which they are shaped and given their being. This book will be of interest to students and academics studying or working in the fields of literature and history alike.
Memoirs of a fighter pilot in WW2 who went on to an eventful career as a flying officer in the RAF. The story of his squadron their bravery, and their contribution to victory.
By the fourteenth century Winchester had lost its former eminence, but in trades, manufactures, and population, as well as by virtue of its administrative and ecclesiastical role, the city was still one of the major provincial centres in England. This Survey is based on a reconstruction of the histories of the houses, plots, gardens, and fields in the city and suburbs between c. 1300 and c. 1540, although in many instances both earlier and later periods are also covered. The reconstruction takes the form of a gazetteer (Part ii) of 1,128 histories of properties, together with accounts of 56 parish churches and the international fair of St. Giles, all illustrated by detailed maps. There is also a biographical register (Part iii) concerning more than 8,000 property-holders, most of whom lived in Winchester. This is the first time that it has been possible to piece together such a precise and detailed picture of both the topography and the inhabitants of a medieval town. Part i of the book contains a full discussion of the significance of this material and, in a manner relevant to an understanding of life in medieval towns in general, describes and defines such matters as the evolution of the physical environment, housing, land-tenure, property values, the parochial structure, the practice and organization of trades, and the ways in which the citizens of Winchester adapted to the declining status of their city.
One of the most versatile actors of his generation, Edmond O'Brien made a series of iconic noir films. From a man reporting his own murder in D.O.A. (1949) to the conflicted title character in The Bigamist (1953), he portrayed the confusion of the postwar Everyman. His memorable roles spanned genres from Shakespeare to westerns and comedies--he also turned his hand to directing. He won the Academy Award for Best Supporting Actor as the harassed press agent Oscar Muldoon in Joseph Mankiewicz's bitter Cinderella fable The Barefoot Contessa (1954). This first in-depth study of O'Brien charts his life and career from Broadway to Hollywood and to the rise of television, revealing a devoted family man dedicated to his craft.
Lincolnshire is England’s second-largest county–and one of the least well-known. Yet its understated chronicles, unfashionable towns and undervalued countryside conceal fascinating stories, and unique landscapes: its Wolds are lonely and beautiful, its towns characterful; its marshlands and dynamic coast are metaphors of constant change. From plesiosaurs to Puritans, medieval ghosts to eighteenth-century explorers, poets to politicians, and Vikings to Brexit, this marginal county is central to England’s identity. Canute, Henry IV, John of Gaunt and Katherine Swynford all called Lincolnshire home. So did saints, world-famed churchmen and reformers–Etheldreda, Gilbert, Guthlac and Hugh, Robert Grosseteste, John Wycliffe, John Cotton, John Foxe and John Wesley–as well as Isaac Newton, Joseph Banks, John Harrison and George Boole. Lincolnshire explorers went everywhere: John Smith to Jamestown, George Bass and Matthew Flinders to Australia, and John Franklin to a bitter death in the Arctic. Artists and writers have been inspired–including Byrd, Taverner, Stukeley, Stubbs, Eliot and Tennyson–while Thatcher wrought neo-liberalism. Extraordinary architecture testifies to centuries of both settlement and unrest, from Saxon towers to sky-piercing spires; evocative ruined abbeys to the wonder of the Cathedral. And in between is always the little-known land itself–an epitome of England, awaiting discovery.
This uniquely ambitious history offers an account of all aspects of cultural activity and production throughout the world of Latin Christendom 1200-1450. Beginning with a detailed description of the political and economic circumstances that allowed the 'Gothic Moment' to flourish, the body of the book is both a celebration of the Gothic cultural achievement - in cathedral-building, in manuscript illumination, in chivalric love-romance, in stained glass and in many other arts - and an investigation of its social origins and systems of production.
A sweeping history of a twentieth-century Prague torn between fascism, communism, and democracy—with lessons for a world again threatened by dictatorship Postcards from Absurdistan is a cultural and political history of Prague from 1938, when the Nazis destroyed Czechoslovakia’s artistically vibrant liberal democracy, to 1989, when the country’s socialist regime collapsed after more than four decades of communist dictatorship. Derek Sayer shows that Prague’s twentieth century, far from being a story of inexorable progress toward some “end of history,” whether fascist, communist, or democratic, was a tragicomedy of recurring nightmares played out in a land Czech dissidents dubbed Absurdistan. Situated in the eye of the storms that shaped the modern world, Prague holds up an unsettling mirror to the absurdities and dangers of our own times. In a brilliant narrative, Sayer weaves a vivid montage of the lives of individual Praguers—poets and politicians, architects and athletes, journalists and filmmakers, artists, musicians, and comedians—caught up in the crosscurrents of the turbulent half century following the Nazi invasion. This is the territory of the ideologist, the collaborator, the informer, the apparatchik, the dissident, the outsider, the torturer, and the refugee—not to mention the innocent bystander who is always looking the other way and Václav Havel’s greengrocer whose knowing complicity allows the show to go on. Over and over, Prague exposes modernity’s dreamworlds of progress as confections of kitsch. In a time when democracy is once again under global assault, Postcards from Absurdistan is an unforgettable portrait of a city that illuminates the predicaments of the modern world.
The Purpose of this work is to document the Williams family history. The Book is split into two books: one book to cover the Williams, Quillman, Siegfried, and Long surnames. Book two covers the Prutzman, Keiser, Redline, and Williams surnames. As an appendix to each book, there is a list supporting documents, Veterans of war, as well as a list of famous relatives. This book is intended to serve as a family history, and while there was great care in researching the facts presented in the book, there is always the chance a mistake has been made. I have tried to find all the veterans to give the honor due to the heroes who have served, however due to the vast amount of people in our family tree and limited records of the time, some people may have been omitted by mistake. I started this project as a gift for my Children, that is why I split the book into two mini books, book one is for his fathers' side of the family, and book two is his mothers' side of the family.
Punky Lucia Moberg turns sixteen in a week. She steals CDs from stores, argues with Mom, pines for the rebel boy next door. But adolescence ends fast in a mall parking lot when Luc's professor father is shot dead in an apparent botched stickup. The killer flees, and so ignites an inferno that will engulf all the women it touches: a mother whose domestic life is shrouded in darkness, a pregnant outlaw desperate for a secure life, a dogged family cop atoning for her own family's collapse, and Lucia herself, caught in the peril and violence that surrounds her.
The first edition of The Peregrine Falcon was widely recognised as a classic of its kind, documenting not only the species' biology but also the sad tale of its decline due to the impact of pesticides. This extensively revised and enlarged second edition takes full account of important new developments in the story of this bird during the intervening 12 years. It reports one of the few notable successes in wildlife conservation: the full restoration of British and Irish Peregrine populations, and their appreciable recovery in other countries where numbers had also been greatly reduced by the impact of organochlorine pesticides. The pattern of increase in Britain has been extremely varied, from districts where numbers are now far higher than at any time in recorded history, to others where the bird is now at its lowest ebb. The examination of the reasons for these differences helps us to understand the most recent developments in the Peregrine saga. Particular attention has been paid to the recent major advances in our knowledge of Peregrine biology, such as its movements, population turnover, food and nesting habits. Many of the tables and figures have been revised and brought up to date so that this volume, like its predecessor, is once again by far the most detailed and readable reference on this most evocative of birds. Donald Watson's colour paintings, monochrome washes and line drawings, and the original photographs, illustrate the book as before. Cover illustration by Donald Watson.
Was the experience of poetry—or a cultural practice we now call poetry—continuously available across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson's Works and the death of Shakespeare in 1616? How did the pleasure afforded by the crafting of language into memorable and moving rhythmic forms play a part in the lives of hearers and readers in Ancient Greece and Rome, Europe during Late Antiquity and the Middle Ages, and Britain during the Renaissance? In tackling these questions, this book first examines the evidence for the performance of the Iliad and the Odyssey and of Ancient Greek lyric poetry, the impact of the invention of writing on Alexandrian verse, the performances of poetry that characterized Ancient Rome, and the private and public venues for poetic experience in Late Antiquity. It moves on to deal with medieval verse, exploring the oral traditions that spread across Europe in the vernacular languages, the place of manuscript transmission, the shift from roll to codex and from papyrus to parchment, and the changing audiences for poetry. A final part investigates the experience of poetry in the English Renaissance, from the manuscript verse of Henry VIII's court to the anthologies and collections of the late Elizabethan era. Among the topics considered in this part are the importance of the printed page, the continuing significance of manuscript circulation, the performance of poetry in pageants and progresses, and the appearance of poets on the Elizabethan stage. In tracking both continuity and change across these many centuries, the book throws fresh light on the role and importance of poetry in western culture.
The songbooks of the 1830-40s were printed in tiny numbers, and small format so they could be hidden in a pocket, passed round or thrown away. Collectors have sought ‘these priceless chapbooks’, but only recently a collection of 49 songbooks has come to light. This collection represents almost all of the known songbooks from the period.
Claire Trevor (1910-2000) is best remembered as the alluring blonde femme fatale in such iconic noir films as Murder, My Sweet (1944) and Raw Deal (1948). Yet she was a versatile performer who brought rare emotional depth to her art. She was effective in a range of diverse roles, from an outcast prostitute in John Ford's classic Stagecoach (1939) to the ambitious tennis mother in Hard, Fast and Beautiful (1951) to the embittered wife of a landowner in William Wellman's overlooked gem My Man and I (1952). Nominated for three Oscars, she deservedly won Best Supporting Actress for her portrayal of Gaye Dawn, a gangster's broken-down moll in Key Largo (1948). The author covers her life and career in detail, recognizing her as one of the finest actresses of her generation.
Originally published in 1970, John Lydgate sets out to restore a sense of perspective to the work of Lydgate, not by attributing a spurious modernity as a precursor of the Renaissance, but by accepting the fact that he is fundamentally medieval. The book analyses Lydgate’s background in literary tradition and compares this with Chaucer’s work. The book looks at Lydgate as a professional craftsman and examines how his work adapted to the demands and occasions of his age. Without over-valuing the poetry, this approach makes it possible to discriminate with increased objectivity between the more and less worthwhile and to distinguish the unexpectedly large number of poems in which craftsman-like competence rises to rhetorical artistry of a high order. In accepting Lydgate as the epitome of his age, the book also provides a diagram of the medieval poetic mind in its basic form and suggests the usefulness of Lydgate as a source book for the understanding of medieval literature.
This six-volume anthology documents the history of women's drama throughout the 18th century, starting with the emergence in 1695-6 of the second generation of women dramatists to Aphra Benn. It includes the work of Catherine Trotter, Mary Pix, Eliza Haywood and Elizabeth Griffith.
The reign of Queen Elizabeth I (1558-1603) marked a golden age in English history. There was a musical and literary renaissance, most famously and enduringly in the form of the plays of Shakespeare (2016 marks the 400th anniversary of Shakespeare's death), and it was a period of international expansion and naval triumph over the Spanish. It was also a period of internal peace following the violent upheaval of the Protestant reformation. Wilson skilfully interweaves the personal histories of a representative selection of twenty or so figures - including Nicholas Bacon, the Statesman; Bess of Hardwick, the Landowner; Thomas Gresham, 'the Financier'; John Caius, 'the Doctor'; John Norreys, 'the Soldier'; and Nicholas Jennings, 'the Professional Criminal' - with the major themes of the period to create a vivid and compelling account of life in England in the late sixteenth century. This is emphatically not yet another book about what everyday life was like during the Elizabethan Age. There are already plenty of studies about what the Elizabethans wore, what they ate, what houses they lived in, and so on. This is a book about Elizabethan society - people, rather than things. How did the subjects of Queen Elizabeth I cope with the world in which they had been placed? What did they believe? What did they think? What did they feel? How did they react towards one another? What, indeed, did they understand by the word 'society'? What did they expect from it? What were they prepared to contribute towards it? Some were intent on preserving it as it was; others were eager to change it. For the majority, life was a daily struggle for survival against poverty, hunger, disease and injustice. Patronage was the glue that held a strictly hierarchical society together. Parliament represented only the interests of the landed class and the urban rich, which was why the government's greatest fear was a popular rebellion. Laws were harsh, largely to deter people getting together to discuss their grievances. Laws kept people in one place, and enforced attendance in parish churches. In getting to grips with this strange world - simultaneously drab and colourful, static and expansive, traditionalist and 'modern' - Wilson explores the lives of individual men and women from all levels of sixteenth-century life to give us a vivid feel for what Elizabethan society really was. Praise for the author: Masterly. [Wilson] has a deep understanding of characters reaching out across the centuries. Sunday Times Scores highly in thoroughness, clarity and human sympathy. Sunday Telegraph This masterly biography breaks new ground. Choice Magazine His book is stimulating and authoritative. Sunday Times Brilliant, endlessly readable ... vivid, immediate history, accurate, complex and tinged with personality. Sunday Herald
This book offers the first comprehensive examination of the role of religion in the proceedings, theories, ideas and goals of the Continental Congress. Those who argue that the U.S. was founded as a "Christian Nation" have made much of the religiosity of the founders, particularly as it was manifested in ritual invocations of a clearly Christian God. Congress's religious activities, Davis shows, expressed an unreflective popular piety, and by no means a determination of the revolutionaries to entrench religion in the federal state.
Fake news.' 'Dishonest press.' 'Racist.' 'Mentally unstable.' The insults President Donald Trump and the American news media hurl at each other are nothing new. In Tudor England, printed papers branded the monarch a 'horrible monster' and were in turn accused of publishing 'false fables'. Ever since the invention of the printing press, those in power have seen mass communication as a dangerous threat that usurps their ability to tell people what to think and is capable of stirring up discontent – or even rebellion. In Fayke Newes, historian and international journalist Derek Taylor tracks this long and bloody fight between the press and those in power, through the lives of the men and women who got caught up in the battle. On a journey through the centuries, we criss-cross the Atlantic between Britain and America and discover that neither governments nor journalists have always told the truth.
Daring, funny, and filled with strange facts about the medico-military-occult complex, Crash Gordon and the Mysteries of Kingsburg is a paranoid comedy thats seriously concerned with the fate of humanity.
What is distinctive about the cultural practice called 'literature'? How does it benefit individuals and society? How do literary works retain their importance and their capacity to give pleasure over decades and centuries? What constitutes responsible criticism? These are some of the questions addressed in this book, which develops the arguments put forward in Derek Attridge's influential study The Singularity of Literature (2004). Beginning with an extended cross-examination in the form of an interview addressing a range of topics relating to the work of literature (understood both as the activity of the writer and as the text itself) and the practices of literary reading and literary criticism, it asks what it means to 'do justice to' a work of literature, provides a full account of the concept of singularity, considers the problematic power of criticism, and advances an account of the role of context in the writing and reading of literary works. In other chapters it explores the issue of cultural difference in responses to literature, discusses the working of metaphor, questions the attribution of knowledge to literary works, and addresses the topics of affect and hospitality. The book follows through the consequences of regarding the singular and inventive work of literature as an event that takes place anew each time it is read, providing an opening to an otherness excluded by prevailing cultural norms and habits of thought and feeling. Although the focus of the book is on literature, the arguments are relevant to all the arts, and engage with the thought of major aesthetic theorists in a number of traditions.
This book is a discussion of and an argument for alternatives to the present structure of production in the United States—alternatives that would change the control of capital and how it is used. First published 1980, Carnoy and Shearer discuss the economic problems facing the 1980s and argue for a strategy to transform capital from corporations to the public. A book that remains relevant in today’s political economic climate, this title is ideal for students of economics and politics, as well as general readers interested in past and present economic problems and potential solutions.
Ever wonder what it would take to turn all of your dreams into reality? In The Life You Imagine, All-Star New York Yankees shortstop Derek Jeter shows how you can use the same game plan that helped an eight-year-old boy who fantasized about playing baseball for the Bronx Bombers grow up and become MVP of the 2000 World Series. With the help and support of both of his parents, Derek developed a practical program that would assist him in achieving all of his personal and professional aspirations-and now he shares his secrets to success so that you can get closer to living your dream, too. In this inspiring, information-packed book, Derek provides you with the ten lessons that have guided him throughout his life on and off the field, from his dream of being a gifted, hardworking athlete to his goal of becoming an active community leader. Using personal stories from his own life as a student athlete in Kalamazoo, Michigan, and as a Yankee team player, Derek writes about the simple steps that put him on course for success, including: * Setting your goals high and finding the right role models * Being serious but still having fun * Challenging yourself daily and not being afraid to fail * Surrounding yourself with a strong supporting cast Filled with rare family photos and pictures of Derek playing for the Yankees, The Life You Imagine is an intimate look into the life of a superstar athlete -- including the remarkable relationship he has with his family, what it's like to play with the Yankees, and how he's used his baseball celebrity to found the Turn 2 Foundation, a drug and alcohol prevention program for kids.
Process-tracing in social science is a method for studying causal mechanisms linking causes with outcomes. This enables the researcher to make strong inferences about how a cause (or set of causes) contributes to producing an outcome. In this extensively revised and updated edition, Derek Beach and Rasmus Brun Pedersen introduce a refined definition of process-tracing, differentiating it into four distinct variants and explaining the applications and limitations of each. The authors develop the underlying logic of process-tracing, including how one should understand causal mechanisms and how Bayesian logic enables strong within-case inferences. They provide instructions for identifying the variant of process-tracing most appropriate for the research question at hand and a set of guidelines for each stage of the research process.
The centuries between 1100 and 1500 were the crucible in which English language and literature, after the blow of the Norman Conquest, were reformed with results that affected all later times. The national language and literary culture were reconstructed influences. The medieval centuries present a fascinating success story of recovery, inventiveness and major achievement in all aspects of national life. In literature, lyric verse, narrative poetry, drama and discursive prose were all established in characteristic modes. In the present book many works are discussed, while such masterpieces as the works of Chaucer, Langland's Piers Plowman, the poems of the Gawain-poet and Malory's Morte Darthur are shown as the secular equivalent in words of the great medieval Gothic cathedrals. The forms of this varied body of literature had as characteristic a period style as contemporary Gothic art and architecture themselves. English literature may equally be described as Gothic, with assumptions and achievements which both lead to and contrast with later Neoclassical styles. Black and white photographic illustrations further the comparison and suggest some background. English Gothic literature derives from many interrelated social context - court, town, monastery and countryside. It was recorded in manuscripts that blend the qualities of popular speech and folktale with some of the more impersonal regular qualities of printing, that last of fundamental medieval inventions. In this new concept of the history of medieval literature, Derek Brewer illuminates the major literary works with detailed exposition to make them available to the reader coming fresh to them. At the same time he places them in the context of developing literacy and individualism, secular realism, romantic love, personal religion, etc., setting forth a coherent framework of cultural history which will challenge the interest of those who already know the period.
The rise of the British accountancy profession from the late nineteenth century to the present day, and the world-wide success of its accountancy firms, were to a large extent based on the growth of the audit function. This book explores the history of the audit process in Britain, demonstrating that the characteristic features of the auditing industry are a diversity in practice based largely on the different types of clients the auditors serve. The book examines the innovation that was brought about by the staggering developments in information technology which have been seen over the last few centuries. This comprehensive history will be a useful reference tool for accounting, business and economic historians and will also be an enlightening read for all those with an interest in auditing procedures.
If, as many argue, movies and television have become Western culture's premier storytelling media, so too have they become, for most members of society, the primary source of encounters with the natural world—particularly wild animals. The television fare offered nightly by national and cable networks such as PBS and the Discovery Channel provides millions of viewers with their only experience of the wilderness and its inhabitants. The very films that so many viewers take as accurate portrayals of wildlife, however, have evolved primarily as a form of entertainment, following the established codes and conventions of narrative exposition. The result has been not the representation of nature, but its wholesale reconstruction and reconfiguration according to film and television conventions, audience expectations, and the demands of competition in the media marketplace. Wildlife Films traces the genealogy of the nature film, from its origins as the "animal locomotion" studies that mark the very beginnings of motion pictures themselves, to the founding of the Animal Planet cable channel that boasts "all animals, all the time." The narrative and thematic elements that unite wildlife films as a genre have their roots not in the documentary film tradition, but in the older traditions of oral and written animal fables as reflections of human society. Derek Bousé contends that classic wildlife films often portray animal protagonists living in families modeled on an ideal of the human nuclear family and working in communities that resemble an ideal of bucolic human society. In these stories—presented as documentaries—animals are motivated by human emotions and conduct relationships according to human customs. This imposition of culturally satisfying narrative patterns upon the lives of animals has not only led to the misrepresentation of the natural world; it has promoted the notion that our values, our moral vision, our models of society and family structure derive from nature, rather than being cultural formations.
The teachings of Jesus Christ, as presented in the Bible, are familiar to millions, but do we really understand them? Keith Ward argues that, by scrutinising the Gospels through the lens of contemporary philosophy, we can discover a profound teaching that is not always apparent in traditional church teaching. Ward's analysis of what Jesus really said uncovers four central themes: - that the Gospel is for everyone (but not necessarily everyone will be saved); - that the Second Coming will lead to a future in the spiritual realm, not a physical world; - that Jesus presents a moral ideal for life rather than a literal set of rules; - that God is expressed initially through the incarnation of Jesus, but ultimately through the whole of creation.
This text discusses the economic, social and political implications of redirecting labour and capital from a military-based to a post-Cold War economy.
An easily comprehensible and practicable framework for standardised histopathology reports in surgical cancer. The pathological features of the common carcinomas are detailed and non-carcinomatous malignancies are also summarised. 7th edition TNM and WHO classifications of cancers are incorporated, with comments on any associated pathology, diagnostic clues and prognostic criteria supplemented visually by line diagrams. Each chapter’s introduction gives epidemiological, clinical, investigative and treatment summary details. Other pathology includes updated immunophenotypic expression and molecular techniques. The impact of these ancillary investigations on diagnosis, and as biomarkers of prognosis and prediction of response to treatment is summarised, as is the effect of adjuvant treatments on cancers. Experience based clues are given throughout as aids to tumour typing, grading, staging, and gauging prognosis and response to treatment. Histopathology Reporting: Guidelines for Surgical Cancer, Third Edition is invaluable for trainee and consultant diagnostic histopathologists all over the world, equipping the reader to produce high quality, clinically appropriate histopathology reports, and to participate in contemporary multidisciplinary team management of patients with surgical cancer.
The Armstrongs were the number one “Riding” family on the Anglo/Scots Border during the 16th century. They were the most destructive of the Border reivers... and can arguably be called Britain’s worst ever family. The book follows two narratives... The first delves into the history of the Armstrongs; origins, where they lived, their society and how they survived across a violent frontier... The second narrative is a gazetteer of family biographies – A who’s who of raiders and marauders based on court cases and criminal trials. Tales of ransom, murder, arson, blackmail and theft are explored, drawing out the family’s story during this unique period.
Dmitri Shostakovich (1906-75) was one of the greatest composers of the 20th century, as well as the first major Soviet composer. In the fourth edition of Dmitri Shostakovich Catalogue: The First Hundred Years and Beyond, Derek C. Hulme names and describes all known musical compositions of the Russian composer. More than 175 major works are annotated and discussed, including such comprehensive details as titles and subtitles, dates of composition, instrumentation, and duration; information on dedications and premieres; arrangements by the composer and others; publication details; notes on bibliographical references and the location of the autograph score; and comprehensive chronological lists of vinyl, compact disc, and visual recordings. The entries are presented chronologically and by opus number, while indexes of names and compositions provide full accessibility. Several appendixes supplement the volume, guiding readers to further information in published sources and providing information on the composer's film, radio, television, and theatre productions; his abandoned projects and obscure works; and his recordings, including box sets and special USSR recordings. An appendix also discusses the monogram DSCH, a musical motif based on his name that permeates his compositions. This new edition also includes a comprehensive chronological chart of Shostakovich's works and historical events and several plates of memorabilia.
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