Accompanied by Turkey, his little 'hunting' dog, Derek Pugh founded several outstation schools in the most remote parts of Arnhem Land and gained a rare insight into a traditional way of life which has been witnessed by only a few outsiders. By turns reflective, tragic and hilarious, Turn Left at the Devil Tree is a memoir of a visiting teacher among the Indigenous people and wildlife of the Top End of Australia. It is also a history - revealing some little known and disturbing events that were sanctioned from the highest levels of government. Life there was "frustrating at times, but always a challenge and Derek has recorded his experiences beautifully in this delightful book". Ted Egan AO
An argument that the commons is neither tragedy nor paradise but can be a way to understand environmental sustainability. The history of the commons—jointly owned land or other resources such as fisheries or forests set aside for public use—provides a useful context for current debates over sustainability and how we can act as “good ancestors.” In this book, Derek Wall considers the commons from antiquity to the present day, as an idea, an ecological space, an economic abstraction, and a management practice. He argues that the commons should be viewed neither as a “tragedy” of mismanagement (as the biologist Garrett Hardin wrote in 1968) nor as a panacea for solving environmental problems. Instead, Walls sees the commons as a particular form of property ownership, arguing that property rights are essential to understanding sustainability. How we use the land and its resources offers insights into how we value the environment. After defining the commons and describing the arguments of Hardin's influential article and Elinor Ostrom's more recent work on the commons, Wall offers historical case studies from the United States, England, India, and Mongolia. He examines the power of cultural norms to maintain the commons; political conflicts over the commons; and how commons have protected, or failed to protect ecosystems. Combining intellectual and material histories with an eye on contemporary debates, Wall offers an applied history that will interest academics, activists, and policy makers.
Blessed with one of the great tenor voices of all time, Mario Lanza (1921-1959) rose to spectacular heights in a film, recording, and concert career that spanned little more than a decade. Groomed at the outset for a career on the opera stage, Lanza instead flourished in Hollywood where his films, most notably The Great Caruso, broke box-office records the world over and influenced the careers of countless musicians. To this day, the Three Tenors cite him as an inspiration for their own careers on the classical stage. Lanza's recordings for RCA sold in the millions, and he remains the crossover artist supreme. But his tremendous success was derailed by his self-destructive lifestyle, and by age thirty-eight he was dead, with his extraordinary promise left unfulfilled. Newly revised and updated for its first U.S. edition, Mario Lanza: Singing to the Gods is the definitive account of the remarkable life and times of one of the twentieth century's most beloved singing stars. This richly detailed work also contains a selection of rare photographs, several of which are drawn from Lanza's estate. With the support of Lanza's daughter, Ellisa Lanza Bregman, the tenor's colleagues, and his closest friend, Terry Robinson, Derek Mannering has chronicled a fascinating and unforgettable life. From the fabulous successes of the early MGM years through the disastrous walkouts and cancellations that sent Lanza's career into freefall, Mannering objectively and movingly reveals the story of a great star torn apart by his own troubled psyche and undisciplined lifestyle.
One of the most versatile actors of his generation, Edmond O'Brien made a series of iconic noir films. From a man reporting his own murder in D.O.A. (1949) to the conflicted title character in The Bigamist (1953), he portrayed the confusion of the postwar Everyman. His memorable roles spanned genres from Shakespeare to westerns and comedies--he also turned his hand to directing. He won the Academy Award for Best Supporting Actor as the harassed press agent Oscar Muldoon in Joseph Mankiewicz's bitter Cinderella fable The Barefoot Contessa (1954). This first in-depth study of O'Brien charts his life and career from Broadway to Hollywood and to the rise of television, revealing a devoted family man dedicated to his craft.
The greatest engineering problem facing Australia - the tyranny of distance - had a solution: the electric telegraph, and its champion was the sheep-farming colony of South Australia. In two years, Charles Heavitree Todd, leading hundreds of men, constructed a telegraph line across the centre of the continent from Port Augusta to Darwin. At nearly 3,000 kilometres long and using 36,000 poles at '20 to the mile', it was a mammoth undertaking but in October 1872, Adelaide was finally linked to London. The Overland Telegraph Line crossed Aboriginal lands first seen by John McDouall Stuart just 10 years before. Messages which previously took weeks to cross the country now took hours. Passing through eleven new repeater stations and the remotest parts of Australia, the line joined the vast global telegraph network, and a new era was ushered in. Each station held a staff of six. They became centres of white civilization and the cattle or sheep industry and, in many places, the Aborigines were displaced. The unique stories of how men and women lived and/or died on the line range from heroic through desperate to tragic, but they remain an indelible part of Australia's history. '...a book written with heart and determination ... a lasting tribute to the inventiveness and tenacity of the people behind the planning, building and execution of the Overland Telegraph - a true nation building endeavour.' - His Excellency, The Honourable Hieu Van Le, AC.
With her striking looks, the raven-haired, dark eyed Ruth Roman had an air of sophistication that made her seem sexy yet wholesome. She had to strive harder than most to establish herself as a leading actress in Hollywood during its glory years and finally broke through in 1949 with her role in Champion. As one of the last Warner Bros. contract players, she appeared in Alfred Hitchcock's classic Strangers on a Train. Seen at her best in strong parts, such as the ambitious Ronda Castle in Anthony Mann's The Far Country or as a modern-day Lady Macbeth, she enjoyed a varied career as a freelancer before re-inventing herself as a character actress of note on television. A remarkable return to the screen in the bizarre psycho-horror The Baby (1973) assured her of cult status. This is the first book dedicated to a committed but often undervalued actress who is fondly remembered by fans of classic film. More than a biography, it seeks to contextualize the actress within her own time, illuminate her Hollywood experience and celebrate her extensive career.
Scotland's response to the Great War has, up until now, largely been marginalized or ignored. With a proportionally higher number of volunteers than any other home nation, Scotland's youth played a significant part in Britain's war effort. Here is the first study of Scotland's response to the call to arms; the true story behind the raising, the training, life in the trenches and the sacrifices faced by those battalions raised in Scotland. This book focuses on the experiences of those who served in the Scottish divisions. Charting the course of emotions from initial enthusiasm in August 1914 through to outright disillusionment with the continuation of the war in 1917, the author clearly shows how life at the front line produced both physical and emotional changes in those caught up in the horrors of trench warfare.
Brilliant, beautiful, difficult and doomed, Iris Wilkinson (known as the writer Robin Hyde) led a short, tumultuous and incredibly productive life. Here her story is told for the first time in a dramatic and deeply moving narrative. Researched by both authors from 1965 to 1971, it was written in a first draft by Iris Wilkinson's friend, Gloria Rawlinson; since Rawlinson's death in 1995 it has been revised and completed by Derek Challis, Wilkinson's son. It includes appalling accounts of hidden pregnancies, harsh experience as a solo mother, dependence on drugs, intimate acquaintance with sexism and poverty, mental breakdown, and a perilous trip to China in wartime. There are deep friendships and hurtful betrayals. Always there is a dedicated and determined commitment to writing. ..."--Jacket.
Elinor Ostrom’s Nobel Prize-winning work on common pool property rights has implications for some of the most pressing sustainability issues of the twenty-first century — from tackling climate change to maintaining cyberspace. In this book, Derek Wall critically examines Ostrom’s work, while also exploring the following questions: is it possible to combine insights rooted in methodological individualism with a theory that stresses collectivist solutions? Is Ostrom’s emphasis on largely local solutions to climate change relevant to a crisis propelled by global factors? This volume situates her ideas in terms of the constitutional analysis of her partner Vincent Ostrom and wider institutional economics. It outlines her key concerns, including a radical research methodology, commitment to indigenous people and the concept of social-ecological systems. Ostrom is recognised for producing a body of work which demonstrates how people can construct rules that allow them to exploit the environment in an ecologically sustainable way, without the need for governmental regulation, and this book argues that in a world where ecological realities increasingly threaten material prosperity, such scholarship provides a way of thinking about how humanity can create truly sustainable development. Given the inter-disciplinary nature of Ostrom’s work, this book will be relevant to those working in the areas of environmental economics, political economy, political science and ecology.
From the author of Godforsaken Sea -- a #1 bestseller in Canada and “one of the best books ever written about sailing” (Time magazine) -- comes a magnificent re-creation of a square-rigger voyage round Cape Horn at the end of the 19th century. In The Way of a Ship, Derek Lundy places his seafaring great-great uncle, Benjamin Lundy, on board the Beara Head and brings to life the ship’s community as it performs the exhausting and dangerous work of sailing a square-rigger across the sea. The “beautiful, widow-making, deep-sea” sailing ships could sail fast in almost all weather and carry substantial cargo. Handling square-riggers demanded detailed and specialized skills, and life at sea, although romanticized by sea-voyage chroniclers, was often brutal. Seamen were sleep deprived and malnourished, at times half-starved, and scurvy was still a possibility. Derek Lundy reminds readers what Melville and Conrad expressed so well: that the sea voyage is an overarching metaphor for life itself. As Benjamin Lundy nears the Horn and its attendant terrors, the traditional qualities of the sailor -- fatalism, stoicism, courage, obedience to a strict hierarchy, even sentimentality -- are revealed in their dying days, as sail gave way to steam. Derek Lundy tells his gripping tale with the kind of storytelling skill and writerly breadth that is usually the ken of our finest novelists, and in so doing, imagines a harrowing and wholly credible history for his seafaring Irish-Canadian ancestor.
Depictions of globalization commonly recite a story of a market unleashed, bringing Big Macs and iPhones to all corners of the world. Human society appears as a passive observer to a busy revolution of an invisible global market, paradoxically unfolding by its own energy. Sometimes, this market is thought to be unleashed by politicians working on the surface of an autonomous state. This book rejects both perspectives and provides an analytically rich alternative to conventional approaches to globalization. By the 1980s, an enduring corporate coalition advanced in nearly synonymous terms free trade, tax cuts, and deregulation. Highly networked corporate leaders and state officials worked in concert to produce the trade policy framework for neoliberal globalization. Marshalling original network data and a historical narrative, this book shows that the globalizing corporate titans of the late 1960s aligned with economic conservatives to set into motion this vision of a global free market.
There will always be a need for professionals to work collaboratively if they are to provide the highest standard of care. Interprofessional working encourages practitioners to understand the roles of other professionals and to learn from each other, as well as from service users and carers, to ensure the full benefit of this collaboration is realised. It is an essential element of both education and practice for today's professionals. Interprofessional Working in Health and Social Care discusses the rationale, skills and conditions required for interprofessional working. In addition, it provides an overview of the roles and perspectives of different health professionals across a broad range of expertise: education, housing, medicine, midwifery, nursing, occupational therapy, physiotherapy, police, probation, radiography, social work and youth work. The second edition: - Offers a broad variety of case studies from a range of fi elds and settings - Includes a new chapter dedicated to interprofessional working with service users and carers - Looks forward, offering brand new content on new and emerging roles such as specialist paramedics and approved mental health practitioners This book is a valuable tool for students and practitioners across the health and social care discipline, employing engaging case studies and reflective activities to support learning about interprofessional and interagency collaboration. Erratum: please note the term 'Approved Mental Health Practitioner' has been used in error, instead of 'Approved Mental Health Professional'. This will be corrected as soon as possible on the next reprint and the e-book version has been corrected.
Winner of the 2022 John Hurt Fisher Award from the John Gower SocietyFirst comprehensive catalogue of the manuscripts of one of the most important medieval works, with full descriptions of their features.The Confessio Amantis is John Gower's major work in English, written around the time that his acquaintance Geoffrey Chaucer was writing the Canterbury Tales. Extant manuscripts are numerous. At the end of the nineteenth century G. C. Macaulay had described the forty manuscripts then known to survive in the introduction to his edition, but some of these descriptions were very brief, and of course the other nine of whose existence he was then unaware were not included. This descriptive catalogue of all of the surviving manuscripts containing the Confessio is the first work to bring together extensive detailed descriptions of its forty-nine complete manuscripts and numerous fragments and excerpts; it will enable scholars of Middle English literature and manuscript studies to compare features across the corpus of surviving manuscripts or read detailed descriptions of individual manuscripts. Each description in this catalogue covers the manuscript's contents, artwork, physical qualities such as size, material, collation, foliation, etc., as well as additions by later users and provenance. There is also a lengthy introduction giving an overview of the corpus, and appendices for reference to the current whereabouts of the manuscripts, fragments and excerpts, and listing Gower's Latin and French works that appear in some of the manuscripts. Eight colour illustrations provide context for discussions of the miniatures and illuminated borders of some manuscripts. surviving manuscripts or read detailed descriptions of individual manuscripts. Each description in this catalogue covers the manuscript's contents, artwork, physical qualities such as size, material, collation, foliation, etc., as well as additions by later users and provenance. There is also a lengthy introduction giving an overview of the corpus, and appendices for reference to the current whereabouts of the manuscripts, fragments and excerpts, and listing Gower's Latin and French works that appear in some of the manuscripts. Eight colour illustrations provide context for discussions of the miniatures and illuminated borders of some manuscripts. surviving manuscripts or read detailed descriptions of individual manuscripts. Each description in this catalogue covers the manuscript's contents, artwork, physical qualities such as size, material, collation, foliation, etc., as well as additions by later users and provenance. There is also a lengthy introduction giving an overview of the corpus, and appendices for reference to the current whereabouts of the manuscripts, fragments and excerpts, and listing Gower's Latin and French works that appear in some of the manuscripts. Eight colour illustrations provide context for discussions of the miniatures and illuminated borders of some manuscripts. surviving manuscripts or read detailed descriptions of individual manuscripts. Each description in this catalogue covers the manuscript's contents, artwork, physical qualities such as size, material, collation, foliation, etc., as well as additions by later users and provenance. There is also a lengthy introduction giving an overview of the corpus, and appendices for reference to the current whereabouts of the manuscripts, fragments and excerpts, and listing Gower's Latin and French works that appear in some of the manuscripts. Eight colour illustrations provide context for discussions of the miniatures and illuminated borders of some manuscripts. for reference to the current whereabouts of the manuscripts, fragments and excerpts, and listing Gower's Latin and French works that appear in some of the manuscripts. Eight colour illustrations provide context for discussions of the miniatures and illuminated borders of some manuscripts.
Originally designed in 1934 for anti-submarine training, by the end of the war 72 U-Class subs had been commissioned; 17 were lost to the enemy, and 3 in accidents. Manned by crews from seven nations' navies, they served worldwide, and never more successfully than in the Mediterranean. This book is the definitive study of this class of submarine and the men who serve on them.
This compilation of mining anecdotes honours the horses and pit ponies who, in harsh and often intolerable conditions, served and suffered to help win the coal. It is also a tribute to those miners who cared for their charges with deep affection and compassion. Our contributors, many of whom were Bevin Boys, give voice to innocent animals and by so doing, they project a light that shines forth from a darkened world of toil and sacrifice for future generations to acknowledge and embrace. They represent all who love and revere God's creatures, from whom we can learn so much and remind us of the abundant blessings bestowed upon mankind by our animal friends. They ask for so little save tender care and repay us a thousandfold. Furthermore, they reveal the aesthetic talents inherent in the fabric and structure of mining communities where underground survival was at a premium, where tragedy was a frequent visitor and where courage, loyalty, comradeship and humour prevailed.
Documenting the rise of the accountancy profession in Britain the authors of this volume focus on the individual - the professional accountant - and adopt an economic determinist analysis to explain why such a rise has occurred.
Claire Trevor (1910-2000) is best remembered as the alluring blonde femme fatale in such iconic noir films as Murder, My Sweet (1944) and Raw Deal (1948). Yet she was a versatile performer who brought rare emotional depth to her art. She was effective in a range of diverse roles, from an outcast prostitute in John Ford's classic Stagecoach (1939) to the ambitious tennis mother in Hard, Fast and Beautiful (1951) to the embittered wife of a landowner in William Wellman's overlooked gem My Man and I (1952). Nominated for three Oscars, she deservedly won Best Supporting Actress for her portrayal of Gaye Dawn, a gangster's broken-down moll in Key Largo (1948). The author covers her life and career in detail, recognizing her as one of the finest actresses of her generation.
The Battle of Britain saved the country from invasion. If the RAF had been defeated all the efforts of the British Army and the Royal Navy would hardly have averted defeat in the face of complete German air superiority. With all Europe subjugated, Germany and Japan would later have met on the borders of India. This remarkable book traces the varied fortunes of the Royal Air Force in the 1930s, and shows how it readied itself for the mighty German onslaught in the summer of 1940 and won a great victory by the narrowest margins. It provides a comphrensive account of the Battle of Britain, including the day-by-day summaries of the battle. It is illustrated with photographs and maps, an appendix of the aircraft used by the Royal Air Force and by the Luftwaffe with schematic drawings, also a list of all pilots who flew in the Battle of Britain from July 10 to October 31 1940. The authors are military aviation experts and The Narrow Margin has been published in translation in France and around the world. They also wrote A Summer for Heroes and Jane's World Aircraft Recognition Handbook.
The story of modernity told through a cultural history of twentieth-century Prague Setting out to recover the roots of modernity in the boulevards, interiors, and arcades of the "city of light," Walter Benjamin dubbed Paris "the capital of the nineteenth century." In this eagerly anticipated sequel to his acclaimed Coasts of Bohemia: A Czech History, Derek Sayer argues that Prague could well be seen as the capital of the much darker twentieth century. Ranging across twentieth-century Prague's astonishingly vibrant and always surprising human landscape, this richly illustrated cultural history describes how the city has experienced (and suffered) more ways of being modern than perhaps any other metropolis. Located at the crossroads of struggles between democratic, communist, and fascist visions of the modern world, twentieth-century Prague witnessed revolutions and invasions, national liberation and ethnic cleansing, the Holocaust, show trials, and snuffed-out dreams of "socialism with a human face." Yet between the wars, when Prague was the capital of Europe's most easterly parliamentary democracy, it was also a hotbed of artistic and architectural modernism, and a center of surrealism second only to Paris. Focusing on these years, Sayer explores Prague's spectacular modern buildings, monuments, paintings, books, films, operas, exhibitions, and much more. A place where the utopian fantasies of the century repeatedly unraveled, Prague was tailor-made for surrealist André Breton's "black humor," and Sayer discusses the way the city produced unrivaled connoisseurs of grim comedy, from Franz Kafka and Jaroslav Hasek to Milan Kundera and Václav Havel. A masterful and unforgettable account of a city where an idling flaneur could just as easily be a secret policeman, this book vividly shows why Prague can teach us so much about the twentieth century and what made us who we are.
In The Winter's Tale, Shakespeare gave the landlocked country of Bohemia a coastline—a famous and, to Czechs, typical example of foreigners' ignorance of the Czech homeland. Although the lands that were once the Kingdom of Bohemia lie at the heart of Europe, Czechs are usually encountered only in the margins of other people's stories. In The Coasts of Bohemia, Derek Sayer reverses this perspective. He presents a comprehensive and long-needed history of the Czech people that is also a remarkably original history of modern Europe, told from its uneasy center. Sayer shows that Bohemia has long been a theater of European conflict. It has been a cradle of Protestantism and a bulwark of the Counter-Reformation; an Austrian imperial province and a proudly Slavic national state; the most easterly democracy in Europe; and a westerly outlier of the Soviet bloc. The complexities of its location have given rise to profound (and often profoundly comic) reflections on the modern condition. Franz Kafka, Jaroslav Hasek, Karel Capek and Milan Kundera are all products of its spirit of place. Sayer describes how Bohemia's ambiguities and contradictions are those of Europe itself, and he considers the ironies of viewing Europe, the West, and modernity from the vantage point of a country that has been too often ignored. The Coasts of Bohemia draws on an enormous array of literary, musical, visual, and documentary sources ranging from banknotes to statues, museum displays to school textbooks, funeral orations to operatic stage-sets, murals in subway stations to censors' indexes of banned books. It brings us into intimate contact with the ever changing details of daily life—the street names and facades of buildings, the heroes figured on postage stamps—that have created and recreated a sense of what it is to be Czech. Sayer's sustained concern with questions of identity, memory, and power place the book at the heart of contemporary intellectual debate. It is an extraordinary story, beautifully told.
Renowned as a "dream holiday" destination the Mascarene Islands also offer outdoor recreation opportunities aplenty such as cycling mountain hiking canyoning and watersports This guide also features up-to-date coverage on conservation and what to se
Brian Donlevy (1901-1972) was an underrated film actor with surprising range and a little-heralded gift for comedy. Often typecast as a villain, he played the definitive bad guy in such films as Destry Rides Again, Union Pacific and Beau Geste (all in 1939). He showed his versatility in the title role of Preston Sturges' political satire The Great McGinty (1940) and impressed both New York critics and the Soviet government as the cooly authoritative Major Caton in Wake Island (1942). Donlevy was fondly remembered as globe-trotting U.S. Special Agent Steve Mitchell in the television series Dangerous Assignment (1952) and as Professor Quatermass in two acclaimed science fiction films. This first ever biography of Donlevy covers his colorful early life as a boy soldier, his years playing comedy roles on Broadway and his long career in Hollywood.
A versatile craftsman, actor Van Heflin was never concerned with popularity or comfortable with stardom. Lauded by his peers, Heflin won over moviegoers with his portrayal of resolute homesteader Joe Starrett in George Stevens' classic Shane (1953). He impressed in all genres, convincingly portraying every type of character from heel to hero. Van Heflin first garnered attention as the sensitive, alcoholic friend of gangster Johnny Eager (1941), for which he won an Academy Award, and later gave notable performances in a string of noirs, dramas and westerns. He was memorable as the psychotic cop in Joseph Losey's masterpiece The Prowler (1951) but equally impressive as the doubtful executive in Jean Negulesco's smart satire Woman's World (1954). This first full-length biography of Heflin covers his early life as a sailor and his career on stage and screen, providing detailed commentary on all his films.
When Derek Johnstone scored the winning goal for Rangers in the 1970 League Cup Final against Celtic at just sixteen years of age, he became an overnight sensation. It was an incredible start to an incredible career and the first of his 210 goals for the club. And from that moment on, DJ never looked back. In DJ - The Derek Johnstone Story, he now tells the full inside story of how it all happened. There's the 1972 Cup Winners' Cup success in Barcelona, the realities of life under Willie Waddell and Jock Wallace, the tragedy of the Ibrox Disaster, his Argentina 1978 World Cup hell, his emotional exit from Ibrox under Graeme Souness, his time as manager at Partick Thistle and the highs and lows of a private life which made tabloid headlines all too often.
The Iban or the Sea Dayaks of Sarawak have probably been the best known of the indigenous peoples of Borneo for well over a century. Much has been written about them, but until the results of Dr Freeman's field research were published by the Government of Sarawak and by Her Majesty's Stationery Office in 1955 there was little information on their methods of agriculture and their social system. The book has become a landmark in the studies of shifting cultivation and of cognatic kinship organization; and the ideas around which it is written have proved over the years to be a continuing and powerful stimulus in the development of kinship theory. The field work on which the account is based was undertaken from 1949 to 1951. Although fundamental changes have taken place in the life of the Iban since the book was first published, it has been decided to republish it substantially unaltered.
No-one who reads this book will ever see the world the same again. Derek Mitchell’s aim is to pursue phenomenology, and therefore appearances obliquely, in a number of areas. Predominantly, these are the appearances of houses, landscapes, places, people and history; but these specific studies coalesce into a more general theory about appearances, place and time and thereby provide a phenomenology of the everyday. In this pursuit, the author brings together works of philosophy, literature, history and art in order to circumvent the apparent paradox of the ubiquity and inaccessibility of the everyday. This makes the work wide ranging and extensive, but by the end, a delicate coherence and unity emerges from allowing the coming together of these different avenues of approach to appearances. Philosophically speaking, the author’s guides through all of this are Martin Heidegger, Hans-Georg Gadamer and Gaston Bachelard, with assistance notably from Descartes, Hume, Kant, Hegel and Sartre, although Mitchell endeavours to add some insights of his own as the book progresses. Other significant contributions come from the works of W. G. Sebald, Dennis Severs, Rainer Maria Rilke, Irene Nemirovsky; the writing of David Hockney; and some Dutch artists.
This lively and stimulating book looks at some of the myths and realities surrounding Britain's legendary enthusiasm for sport; and aims to chronicle how sporting traditions were shaped and how they, in turn, contributed to the shaping of British social conventions and attitudes.
Another volume in the widely-read New Naturalist series, this book is an in-depth study of the natural developments and history of Galloway and surrounding areas.
It is astonishing that this is the first English translation of these Chronicles, as they are undoubtably amongst the finest produced in the Middle Ages and treat an important episode in the Hundred Years War.
Kenya, a country only the size of Texas, has one of the richest avifaunas in Africa. This atlas is an explanatory overview of Kenya's 1065 species, essential both to the birdwatcher as a means of finding birds and interpreting the significance of field observations, and to the ornithologist as a standard reference work.
Henry Muoria (1914-97), self-taught journalist and pamphleteer, helped to inspire Kenya's nationalisms before Mau Mau. The pamphlets reproduced here, in Gikuyu and English, contrast his own originality with the conservatism of Jomo Kenyatta, Kenya's first President. The contributing editors introduce Muoria's political context, tell how three remarkable women sustained his families' life; and remember him as father. Courageous intellectual, political, and domestic life here intertwine.
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