A coming-of-age story set during the rising tide of World War II, How to Find Your Way in the Dark follows Sheldon Horowitz from his humble start in a cabin in rural Massachusetts, through the trauma of his father's murder and the murky experience of assimilation in Hartford, Connecticut, to the birth of stand-up comedy in the Catskills--all while he and his friends are beset by anti-Semitic neighbors, employers, and criminals.
“A compelling combination of literate storytelling and action-packed thriller laced with humor.” — Library Journal (starred review) Finalist for the CWA Gold Dagger Award for Best Crime Novel of the Year 1991: One hundred miles from the Kuwaiti border, Thomas Benton meets Arwood Hobbes. Benton is a British journalist who reports from war zones in part to avoid his lackluster marriage and a daughter he loves but cannot connect with; Arwood is an American private who might be an insufferable ignoramus or might be a genuine lunatic with a death wish—it's hard to tell. Desert Storm is over, peace has been declared, but as they argue about whether it makes sense to cross the nearest border in search of an ice cream, they become embroiled in a horrific attack in which a young local girl in a green dress is killed as they are trying to protect her. The two men walk away into their respective lives. But something has cracked for them both. Twenty-two years later, in another place, in another war, they meet again and are offered an unlikely opportunity to redeem themselves when that same girl in green is found alive and in need of salvation. Or is she? “Swift, gripping, and mined with surprises…Arwood Hobbes is as intriguing an operative as Graham Greene's quiet American, but without the quiet.”—David Shafer, author of Whiskey Tango Foxtrot “[A] stellar, electrifying story with a knockout ending.”—Publishers Weekly (starred review) “A penetrating, poetic, and unexpectedly disarming book about the ageless conflict in the Middle East.”—Kirkus Reviews (starred review) “A Catch-22 for the twenty-first century.”—Madison Smartt Bell, National Book Award finalist and author of All Souls' Rising
A profoundly moving, deliciously suspenseful novel about an American grandfather and a newly orphaned boy racing across the Norwegian wilderness, fleeing demons both real and imagined.
Radio Life: a gripping adventure and a riveting political thriller: The Commonwealth, a post-apocalyptic civilisation on the rise, is locked in a clash of ideas with the Keepers . . . a fight which threatens to destroy the world . . . again. When Lilly was first Chief Engineer at The Commonwealth, nearly fifty years ago, the Central Archive wasn't yet the greatest repository of knowledge in the known world, protected by scribes copying every piece of found material - books, maps, even scraps of paper - and disseminating them by Archive Runners to hidden off-site locations for safe keeping. Back then, there was no Order of Silence to create and maintain secret routes deep into the sand-covered towers of the Old World or into the northern forests beyond Sea Glass Lake. Back then, the world was still quiet, because Lilly hadn't yet found the Harrington Box. But times change. Recently, the Keepers have started gathering to the east of Yellow Ridge - thousands upon thousands of them - and every one of them determined to burn the Central Archives to the ground, no matter the cost, possessed by an irrational fear that bringing back the ancient knowledge will destroy the world all over again. To prevent that, they will do anything. Fourteen days ago the Keepers chased sixteen-year-old Archive Runner Elimisha into a forbidden Old World Tower and brought the entire thing down on her. Instead of being killed, though, she slipped into an ancient unmapped bomb shelter where she has discovered a cache of food and fresh water, a two-way radio like the one Lilly's been working on for years . . . and something else. Something that calls itself 'the internet' . . .
From the Dagger Award–winning author of Norwegian by Night comes a vivid, thrilling, and moving World War II art-heist-adventure tale where enemies become heroes, allies become villains, and a child learns what it means to become an adult—for fans of All the Light We Cannot See. August, 1943. Fourteen-year-old Massimo is all alone. Newly orphaned and fleeing from Rome after surviving the American bombing raid that killed his parents, Massimo is attacked by thugs and finds himself bloodied at the base of the Montecassino. It is there in the Benedictine abbey’s shadow that a charismatic and cryptic man calling himself Pietro Houdini, the self-proclaimed “Master Artist and confidante of the Vatican,” rescues Massimo and brings him up the mountain to serve as his assistant in preserving the treasures that lay within the monastery walls. But can Massimo believe what Pietro is saying, particularly when Massimo has secrets too? Who is this extraordinary man? When it becomes evident that Montecassino will soon become the front line in the war, Pietro Houdini and Massimo execute a plan to smuggle three priceless Titian paintings to safety down the mountain. They are joined by a nurse concealing a nefarious past, a café owner turned murderer, a wounded but chipper German soldier, and a pair of lovers along with their injured mule, Ferrari. Together they will lie, cheat, steal, fight, kill, and sin their way through battlefields to survive, all while smuggling the Renaissance masterpieces and the bag full of ancient Greek gold they have rescued from the “safe keeping” of the Germans. Heartfelt, powerfully engaging, and in the tradition of City of Thieves by David Benioff, The Curse of Pietro Houdini is a work of storytelling bravado: a thrilling action-packed adventure heist, an imaginative chronicle of forgotten history, and a philosophical coming-of-age epic where a child navigates one of the most enigmatic and morally complex fronts of World War II and lives to tell the tale.
A mystified archeologist, an Amish ghost, and avenging angels are just a few of the stories found in Beyond the Door, Volume 1, a twelve-story supernatural anthology. When multi-published authors get together for a play date, and are presented with a writing challenge they can’t resist, the results are not only surprising, they sometimes stretch the limits of their storytelling abilities. In the pages of Beyond the Door, the demons at play will not be what you expect. Where else can you find a robotic barista, a vengeful little girl, and a murderous goddess who wants to come out and play? What else may be lurking Beyond the Door? Interview with the Writers Q: What possessed four otherwise normal writers to write such dark and horrifying stories? A.B. Alvarez: It was the only way I could get them to unlock the basement door so I could get something to eat. Seriously. Serena B. Miller: Wait a minute. You got out? Jesse R. Lyle: The real answer is, A.B. didn’t see the sign that said “Push To Open”. Poor guy would have starved to death pulling on that door if we hadn’t opened it for him… we had to come up with some sort of story to help save his dignity. Derek E. Miller: I was the last to say “Not It” when it came to there being a responsible adult watching these hooligans so I was stuck with them all weekend. I went to dark places in my mind to escape the reality I was stuck in so figured I might as well put the dark places on paper. Q: Serena B. Miller, what was it like writing a dark Amish story? A: It was freeing, actually. I love and admire my Amish friends, but there is a dark side to the Amish that romance writers are expected to ignore. It is inevitable that a culture as strict as theirs can take a toll on the psyche. Sometimes that toll presents itself in extreme depression. Q: Derek E. Miller, do you always wear a bulletproof vest when you write? A: True story. Grandpa always did the dishes for grandma. He would say, “Proven scientific fact. No man has been shot by his wife while doing dishes.” Well seeing how I’m not helping do dishes, laundry, or mowing the lawn when writing, I can’t be too careful. Q: Jesse R. Lyle, are the tattoos all over your body the inspiration for your story Ancient Runes? A: Yes and No. The inspiration comes from knowing that everyone has a story whether big or small. And some of those stories are just like tattoos, some are hilarious or regretful, some are meaningful or spiritual, and yet some, are private reminders of a struggle or addiction one is trying to overcome. I guess the take-away is, be willing to listen, and pay attention to the people around you. Q: A.B. Alvarez, what is it with you and having to chop off body parts in your stories? A: There was no hacking of body parts in the Kidnapping Anna Trilogy though there was a lot of computer hacking. I think I had pent up body-hacking impulses that came out in the abandoned farmhouse where we did our writing. It is also true that the farmhouse was not abandoned, not filled with cobwebs, and not dark and foreboding thereby keeping me up every night wondering if I was going to make it out alive. Except that it was.
Four authors. Twelve stories. Another writing session with only the unknown before them. In the pages of Beyond the Door Volume 2 can be found stories about: - a dangerous beauty seeking revenge - the power of words - an alien invasion - espionage during the Civil War - fraternity hazing with a dangerous edge - election tampering from the future The authors from Beyond the Door Volume 1 have come together again to mine their imagination for more visions of time lines only they could discover. Clones, child detectives, first ladies, and missing pregnancies mask a reality only they could survive to tell the world. If an open door is an invitation then consider this a taste of what you'll find inside. They are halfway through the deck. Q: What was it like to write these stories without the others in the room with you? A.B. Alvarez: Who says I wasn't in the room with the others? Just because they couldn't see me. I mean, I wasn't in the room with them. At all. Not under the bed or in the closet which BTW needs a good cleaning. I was home sipping a fine Merlot while watching the ships travel down the Hudson. While I wrote about pits covered in sharp pointy pieces of glass. That takes a lot of concentration and focus. And a good Merlot. Serena B. Miller: After editing your stories, Alvarez, I think a little less Merlot might be in order? And please stay out of my closets. That last restraining order is still valid. Jesse R. Lyle: Bittersweet. Since I didn’t have to listen to the droning-thunderous striking of keyboard keys from overzealous-caffeine driven digits, I could actually think straight, but I didn’t get to trade attempted witty remarks with my fellow companions. Derek E. Miller: It was a dream. I was home enjoying a fine Craft Artisan Amish made Root Beer listening to the neighbor’s dog bark way too much. But all that commotion was still better than listening to A.B. Alvarez constantly make laser sounds as he would write his futuristic sci fi stuff. You definitely need a good Root Beer to write. Q: Derek E. Miller, during your tour of duty in the military what was it like interacting with the aliens from Area 51? A: Turns out I was well prepared. Dealing with New Yorkers like A.B. Alvarez more than prepared me for interaction with an alien species. One of them even gave me two t-shirts. They have printed on them, "I Love Zork" and "The Big Abbsou." Q: Jesse R. Lyle, based on your fictitious medical degree from Johns Hopkins, did the details about genetics in your story help you make better breeding decisions about the multi-legged organisms you have running around your home? A: Oh, without a doubt my fictitious medical degree helped more than a legitimate medical degree. And yes, she might be a genetically created multi-legged organism, but she’s my little multi-legged organism. MuHahahaha Q: Serena B. Miller, after reading Sunny I can see you owning multiple guns and not being afraid to use them. Have you ever sneaked into a foreign country with the express intent of overthrowing its government? A: That depends. Has California attained foreign country status yet? Q: A.B. Alvarez, the last time you went time traveling did you find your doppelganger? A: Is that question for me? I've never gone time traveling. If I did would I be here? Multiple time streams don't make any sense. That doesn't mean I haven't been visited by others who purport to be from a different time stream. Meet my doppelganger? Don't be silly. What would I do if I met myself? Kill him and take his place? Of course not! He might try to kill me and take my place. By the way: why did you call me A.B. Alvarez?
This study offers an explicit theory of media pressure - what it is, how it works, how it can be measured - based in part on the 'positioning theory' in discursive psychology. This offers the first independent and comparative history and analysis of media pressure vs. coverage, through the lens of the insurrection against Saddam Hussein in 1991.
A mystified archeologist, an Amish ghost, and avenging angels are just a few of the stories found in Beyond the Door, Volume 1, a twelve-story supernatural anthology. When multi-published authors get together for a play date, and are presented with a writing challenge they can’t resist, the results are not only surprising, they sometimes stretch the limits of their storytelling abilities. In the pages of Beyond the Door, the demons at play will not be what you expect. Where else can you find a robotic barista, a vengeful little girl, and a murderous goddess who wants to come out and play? What else may be lurking Beyond the Door? Interview with the Writers Q: What possessed four otherwise normal writers to write such dark and horrifying stories? A.B. Alvarez: It was the only way I could get them to unlock the basement door so I could get something to eat. Seriously. Serena B. Miller: Wait a minute. You got out? Jesse R. Lyle: The real answer is, A.B. didn’t see the sign that said “Push To Open”. Poor guy would have starved to death pulling on that door if we hadn’t opened it for him… we had to come up with some sort of story to help save his dignity. Derek E. Miller: I was the last to say “Not It” when it came to there being a responsible adult watching these hooligans so I was stuck with them all weekend. I went to dark places in my mind to escape the reality I was stuck in so figured I might as well put the dark places on paper. Q: Serena B. Miller, what was it like writing a dark Amish story? A: It was freeing, actually. I love and admire my Amish friends, but there is a dark side to the Amish that romance writers are expected to ignore. It is inevitable that a culture as strict as theirs can take a toll on the psyche. Sometimes that toll presents itself in extreme depression. Q: Derek E. Miller, do you always wear a bulletproof vest when you write? A: True story. Grandpa always did the dishes for grandma. He would say, “Proven scientific fact. No man has been shot by his wife while doing dishes.” Well seeing how I’m not helping do dishes, laundry, or mowing the lawn when writing, I can’t be too careful. Q: Jesse R. Lyle, are the tattoos all over your body the inspiration for your story Ancient Runes? A: Yes and No. The inspiration comes from knowing that everyone has a story whether big or small. And some of those stories are just like tattoos, some are hilarious or regretful, some are meaningful or spiritual, and yet some, are private reminders of a struggle or addiction one is trying to overcome. I guess the take-away is, be willing to listen, and pay attention to the people around you. Q: A.B. Alvarez, what is it with you and having to chop off body parts in your stories? A: There was no hacking of body parts in the Kidnapping Anna Trilogy though there was a lot of computer hacking. I think I had pent up body-hacking impulses that came out in the abandoned farmhouse where we did our writing. It is also true that the farmhouse was not abandoned, not filled with cobwebs, and not dark and foreboding thereby keeping me up every night wondering if I was going to make it out alive. Except that it was.
A coming-of-age story set during the rising tide of World War II, How to Find Your Way in the Dark follows Sheldon Horowitz from his humble start in a cabin in rural Massachusetts, through the trauma of his father's murder and the murky experience of assimilation in Hartford, Connecticut, to the birth of stand-up comedy in the Catskills--all while he and his friends are beset by anti-Semitic neighbors, employers, and criminals.
From the Dagger Award–winning author of Norwegian by Night comes a vivid, thrilling, and moving World War II art-heist-adventure tale where enemies become heroes, allies become villains, and a child learns what it means to become an adult—for fans of All the Light We Cannot See. August, 1943. Fourteen-year-old Massimo is all alone. Newly orphaned and fleeing from Rome after surviving the American bombing raid that killed his parents, Massimo is attacked by thugs and finds himself bloodied at the base of the Montecassino. It is there in the Benedictine abbey’s shadow that a charismatic and cryptic man calling himself Pietro Houdini, the self-proclaimed “Master Artist and confidante of the Vatican,” rescues Massimo and brings him up the mountain to serve as his assistant in preserving the treasures that lay within the monastery walls. But can Massimo believe what Pietro is saying, particularly when Massimo has secrets too? Who is this extraordinary man? When it becomes evident that Montecassino will soon become the front line in the war, Pietro Houdini and Massimo execute a plan to smuggle three priceless Titian paintings to safety down the mountain. They are joined by a nurse concealing a nefarious past, a café owner turned murderer, a wounded but chipper German soldier, and a pair of lovers along with their injured mule, Ferrari. Together they will lie, cheat, steal, fight, kill, and sin their way through battlefields to survive, all while smuggling the Renaissance masterpieces and the bag full of ancient Greek gold they have rescued from the “safe keeping” of the Germans. Heartfelt, powerfully engaging, and in the tradition of City of Thieves by David Benioff, The Curse of Pietro Houdini is a work of storytelling bravado: a thrilling action-packed adventure heist, an imaginative chronicle of forgotten history, and a philosophical coming-of-age epic where a child navigates one of the most enigmatic and morally complex fronts of World War II and lives to tell the tale.
A profoundly moving, deliciously suspenseful novel about an American grandfather and a newly orphaned boy racing across the Norwegian wilderness, fleeing demons both real and imagined.
The current widespread interest in the hemostatic mechanism stems largely from the probability that its inappropriate function may lead to thrombosis, but also for its relevance to the causation and manage ment of bleeding disorders. Our understanding of the pathological events leading to thrombus formation or abnormal bleeding depends on knowledge of the basic physiology of the hemostatic system. A number of excellent multiauthor texts are available on the general area of hemostasis and thrombosis, and many symposia proceedings on specific topics in hemostasis have been published. The present volume aims to cover the normal function of hemostasis and ex plicitly excludes consideration of disease states and therapy. In addition, it is concerned with human hemostasis only although reference is made to studies on other mammalian species when the information supplements that available on man. The book is divided broadly into two sections. The first covers the current knowledge of the principal components contributing to the hemostatic process; the second examines the changes in these com ponents induced by physiological events, and details an accumula tion of information not previously brought together in a single text. An introductory chapter, intended for the non-specialist, outlines the whole hemostatic process and provides an orientation for the later detailed information on individual components.
Professor Derek Jones, a world authority on diffusion MRI, has assembled most of the world's leading scientists and clinicians developing and applying diffusion MRI to produce an authorship list that reads like a "Who's Who" of the field and an essential resource for those working with diffusion MRI. Destined to be a modern classic, this definitive and richly illustrated work covers all aspects of diffusion MRI from basic theory to clinical application. Oxford Clinical Neuroscience is a comprehensive, cross-searchable collection of resources offering quick and easy access to eleven of Oxford University Press's prestigious neuroscience texts. Joining Oxford Medicine Online these resources offer students, specialists and clinical researchers the best quality content in an easy-to-access format.
How do we ensure that waste and inefficiency do not undermine the mission of publicly funded schools? Derek Neal writes that economists must analyze education policy in the same way they analyze other procurement problems. Insights from research on incentives and contracts in the private sector point to new approaches that could induce publicly funded educators to provide excellent education, even though taxpayers and parents cannot monitor what happens in the classroom. Information, Incentives, and Education Policy introduces readers to what economists know—and do not know—about the logjams created by misinformation and disincentives in education. Examining a range of policy agendas, from assessment-based accountability and centralized school assignments to charter schools and voucher systems, Neal demonstrates where these programs have been successful, where they have failed, and why. The details clearly matter: there is no quick-and-easy fix for education policy. By combining elements from various approaches, economists can help policy makers design optimal reforms. Information, Incentives, and Education Policy is organized to show readers how standard tools from economics research on information and incentives speak directly to some of the most crucial issues in education today. In addition to providing an overview of the pluses and minuses of particular programs, each chapter includes a series of exercises that allow students of economics to work through the mathematics for themselves or with an instructor’s assistance. For those who wish to master the models and tools that economists of education should use in their work, there is no better resource available.
Four authors. Twelve stories. Another writing session with only the unknown before them. In the pages of Beyond the Door Volume 2 can be found stories about: - a dangerous beauty seeking revenge - the power of words - an alien invasion - espionage during the Civil War - fraternity hazing with a dangerous edge - election tampering from the future The authors from Beyond the Door Volume 1 have come together again to mine their imagination for more visions of time lines only they could discover. Clones, child detectives, first ladies, and missing pregnancies mask a reality only they could survive to tell the world. If an open door is an invitation then consider this a taste of what you'll find inside. They are halfway through the deck. Q: What was it like to write these stories without the others in the room with you? A.B. Alvarez: Who says I wasn't in the room with the others? Just because they couldn't see me. I mean, I wasn't in the room with them. At all. Not under the bed or in the closet which BTW needs a good cleaning. I was home sipping a fine Merlot while watching the ships travel down the Hudson. While I wrote about pits covered in sharp pointy pieces of glass. That takes a lot of concentration and focus. And a good Merlot. Serena B. Miller: After editing your stories, Alvarez, I think a little less Merlot might be in order? And please stay out of my closets. That last restraining order is still valid. Jesse R. Lyle: Bittersweet. Since I didn’t have to listen to the droning-thunderous striking of keyboard keys from overzealous-caffeine driven digits, I could actually think straight, but I didn’t get to trade attempted witty remarks with my fellow companions. Derek E. Miller: It was a dream. I was home enjoying a fine Craft Artisan Amish made Root Beer listening to the neighbor’s dog bark way too much. But all that commotion was still better than listening to A.B. Alvarez constantly make laser sounds as he would write his futuristic sci fi stuff. You definitely need a good Root Beer to write. Q: Derek E. Miller, during your tour of duty in the military what was it like interacting with the aliens from Area 51? A: Turns out I was well prepared. Dealing with New Yorkers like A.B. Alvarez more than prepared me for interaction with an alien species. One of them even gave me two t-shirts. They have printed on them, "I Love Zork" and "The Big Abbsou." Q: Jesse R. Lyle, based on your fictitious medical degree from Johns Hopkins, did the details about genetics in your story help you make better breeding decisions about the multi-legged organisms you have running around your home? A: Oh, without a doubt my fictitious medical degree helped more than a legitimate medical degree. And yes, she might be a genetically created multi-legged organism, but she’s my little multi-legged organism. MuHahahaha Q: Serena B. Miller, after reading Sunny I can see you owning multiple guns and not being afraid to use them. Have you ever sneaked into a foreign country with the express intent of overthrowing its government? A: That depends. Has California attained foreign country status yet? Q: A.B. Alvarez, the last time you went time traveling did you find your doppelganger? A: Is that question for me? I've never gone time traveling. If I did would I be here? Multiple time streams don't make any sense. That doesn't mean I haven't been visited by others who purport to be from a different time stream. Meet my doppelganger? Don't be silly. What would I do if I met myself? Kill him and take his place? Of course not! He might try to kill me and take my place. By the way: why did you call me A.B. Alvarez?
A significant examination of how athletes have fought for inclusion and equality on and off the playing field, despite calls for them to “stick to sports.” The claim that sports are—or ought to be—apolitical has itself never been an apolitical position. Rather, it is a veiled attempt to control which politics are acceptable in the athletic realm, a designation intricately linked to issues of race, gender, ethnicity, and more. In Don't Stick to Sports: The American Athlete’s Fight against Injustice, Derek Charles Catsam carefully explores this disparity. He looks at how, throughout recent sports history in the United States, minority athletes have had to fight every step of the way for their right to compete, and how they continue to fight for equity today. From African Americans and women to LGBTQ+ and religious minorities, Catsam shows how these athletes have taken a stand to address the underlying injustices in sports and society despite being told it’s not their place to do so. While it’s impossible for a single book to tell the entire history of exclusion in the sporting world, Don’t Stick to Sports looks at key moments from the World War I era to the present to shatter the myth of sports as a meritocracy, of sports-as-equalizer, highlighting the reality as something far more complicated—of sports as a malleable world where exclusion and inclusion are rarely straight-forward.
This work analyzes the strategic underpinnings of US defense strategy and foreign policy since 1945. Primarily intended to be a supplemental textbook, it explains how the United States became a superpower, examines the formation of the national security establishment, and explores the inter-relationship between foreign policy, defense strategy, and commercial interests. It differs from most of the existing teaching texts because its emphasis is not on narrating the history of US foreign policy or explaining the policymaking process. Instead, the emphasis is on identifying drivers and continuities in US national security interests and policy, and it has a special emphasis on developing a greater understanding of the intertwined nature of foreign and defense policies. The book will conclude by examining how the legacy of the last sixty-five years impacts future developments, the prospect for change, and what US national security policy may look like in the future.
The strength of the right-to-die movement was underscored as early as 1991, when Derek Humphry published Final Exit, the movement's call to arms that inspired literally hundreds of thousands of Americans who wished to understand the concepts of assisted suicide and the right to die with dignity. Now Humphry has joined forces with attorney Mary Clement to write Freedom to Die, which places this civil rights story within the framework of American social history. More than a chronology of the movement, this book explores the inner motivations of an entire society. Reaching back to the years just after World War II, Freedom to Die explores the roots of the movement and answers the question: Why now, at the end of the twentieth century, has the right-to-die movement become part of the mainstream debate? In a reasoned voice, which stands out dramatically amid the vituperative clamoring of the religious right, the authors examine the potential dangers of assisted suicide - suggesting ways to avert the negative consequences of legalization - even as they argue why it should be legalized.
An easily comprehensible and practicable framework for standardised histopathology reports in surgical cancer. The pathological features of the common carcinomas are detailed and non-carcinomatous malignancies are also summarised. 7th edition TNM and WHO classifications of cancers are incorporated, with comments on any associated pathology, diagnostic clues and prognostic criteria supplemented visually by line diagrams. Each chapter’s introduction gives epidemiological, clinical, investigative and treatment summary details. Other pathology includes updated immunophenotypic expression and molecular techniques. The impact of these ancillary investigations on diagnosis, and as biomarkers of prognosis and prediction of response to treatment is summarised, as is the effect of adjuvant treatments on cancers. Experience based clues are given throughout as aids to tumour typing, grading, staging, and gauging prognosis and response to treatment. Histopathology Reporting: Guidelines for Surgical Cancer, Third Edition is invaluable for trainee and consultant diagnostic histopathologists all over the world, equipping the reader to produce high quality, clinically appropriate histopathology reports, and to participate in contemporary multidisciplinary team management of patients with surgical cancer.
This new textbook is the definitive evidence-based resource for pediatric critical care. It is the first ostensibly evidence-based pediatric critical care textbook and will prove an invaluable resource for critical care professionals across the globe.
Radio Life: a gripping adventure and a riveting political thriller: The Commonwealth, a post-apocalyptic civilisation on the rise, is locked in a clash of ideas with the Keepers . . . a fight which threatens to destroy the world . . . again. When Lilly was first Chief Engineer at The Commonwealth, nearly fifty years ago, the Central Archive wasn't yet the greatest repository of knowledge in the known world, protected by scribes copying every piece of found material - books, maps, even scraps of paper - and disseminating them by Archive Runners to hidden off-site locations for safe keeping. Back then, there was no Order of Silence to create and maintain secret routes deep into the sand-covered towers of the Old World or into the northern forests beyond Sea Glass Lake. Back then, the world was still quiet, because Lilly hadn't yet found the Harrington Box. But times change. Recently, the Keepers have started gathering to the east of Yellow Ridge - thousands upon thousands of them - and every one of them determined to burn the Central Archives to the ground, no matter the cost, possessed by an irrational fear that bringing back the ancient knowledge will destroy the world all over again. To prevent that, they will do anything. Fourteen days ago the Keepers chased sixteen-year-old Archive Runner Elimisha into a forbidden Old World Tower and brought the entire thing down on her. Instead of being killed, though, she slipped into an ancient unmapped bomb shelter where she has discovered a cache of food and fresh water, a two-way radio like the one Lilly's been working on for years . . . and something else. Something that calls itself 'the internet' . . .
“A compelling combination of literate storytelling and action-packed thriller laced with humor.” — Library Journal (starred review) Finalist for the CWA Gold Dagger Award for Best Crime Novel of the Year 1991: One hundred miles from the Kuwaiti border, Thomas Benton meets Arwood Hobbes. Benton is a British journalist who reports from war zones in part to avoid his lackluster marriage and a daughter he loves but cannot connect with; Arwood is an American private who might be an insufferable ignoramus or might be a genuine lunatic with a death wish—it's hard to tell. Desert Storm is over, peace has been declared, but as they argue about whether it makes sense to cross the nearest border in search of an ice cream, they become embroiled in a horrific attack in which a young local girl in a green dress is killed as they are trying to protect her. The two men walk away into their respective lives. But something has cracked for them both. Twenty-two years later, in another place, in another war, they meet again and are offered an unlikely opportunity to redeem themselves when that same girl in green is found alive and in need of salvation. Or is she? “Swift, gripping, and mined with surprises…Arwood Hobbes is as intriguing an operative as Graham Greene's quiet American, but without the quiet.”—David Shafer, author of Whiskey Tango Foxtrot “[A] stellar, electrifying story with a knockout ending.”—Publishers Weekly (starred review) “A penetrating, poetic, and unexpectedly disarming book about the ageless conflict in the Middle East.”—Kirkus Reviews (starred review) “A Catch-22 for the twenty-first century.”—Madison Smartt Bell, National Book Award finalist and author of All Souls' Rising
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