In this edition, the author once again weaves an inviting and compelling narrative that speaks to ALL of your students regardless of background or intended major. And with Connect Social Psychology and LearnSmart, students are able to create a personalized learning plan helping them be more efficient and effective learners. With LearnSmart, students know what they know and master what they don't know and faculty are able to move to more in-depth classroom discussions. Through examples and applications as well as marginal quotations from across the breadth of the liberal arts and sciences, Myers draws students into the field of social psychology. At the same time, Myers is also in tune with the ever-changing state of social psychology research. Research Close-Up and Inside Story features throughout the book provide deeper exposure to key research and researchers. Marginal quotations, examples and applications throughout each chapter, and the concluding Applying Social Psychology chapters all ensure that regardless of your students' interests and future plans, Social Psychology will engage them.
In the small town of Atlas, Alabama, four people collide emotionally and physically; one dies a sudden and brutal death. Michelle has been living in her own hell because she believed too easily, too quickly, in the words of the man of her dreams, Johnny Blauser. Her first year of college life led her into love and, carelessly, pregnancy, only to be abandoned by a man she had believed loved her like she loved him. Too steeped in religion to consider abortion, her solution was adoption, and to fool her mother with an elaborate lie about where she was and what she was doing while she waited for her baby to be born. With the best intentions, she delivered her baby into the hands of an evil father who eventually smothered the infant. She took an apartment in the same complex as the couple that had adopted her child, to somehow watch over her baby, whom she could not, after all, save.
In the small town of Atlas, Alabama, four people collide emotionally and physically; one dies a sudden and brutal death. Michelle has been living in her own hell because she believed too easily, too quickly, in the words of the man of her dreams, Johnny Blauser. Her first year of college life led her into love and, carelessly, pregnancy, only to be abandoned by a man she had believed loved her like she loved him. Too steeped in religion to consider abortion, her solution was adoption, and to fool her mother with an elaborate lie about where she was and what she was doing while she waited for her baby to be born. With the best intentions, she delivered her baby into the hands of an evil father who eventually smothered the infant. She took an apartment in the same complex as the couple that had adopted her child, to somehow watch over her baby, whom she could not, after all, save.
Special Agent David Roberts is a top FBI profiler, focusing on violent offenders. His professional life is extraordinarily successful--but his personal life is in tatters. At the end of a difficult case, he finds himself with a unique opportunity: the chance to revisit his past and make up for the mistakes of youth. Twenty years earlier, David was an awkward and bullied teenager living in a small Arkansas town called Grayson and suffering from unrequited love. Now, when a string of grisly and horrific homicides hits Grayson, David is ordered--against his will--to return to his hated hometown and investigate the crimes. As he searches for the killer, he encounters former schoolmates and peers, as well as Emily Anderson, the object of his teenage love, a woman he has never forgotten. David and Emily connect, and he begins to see that empathy and compassion should overcome the bitterness that has lived in his heart for so many years. But then the killer strikes much closer to home, leaving David not only questioning his career, choices and life, but also fearing for the lives of those he loves. In this thriller, a gifted but flawed FBI agent faces the demons of his past while searching for a serial killer at large in his hometown.
In Discorrelated Images Shane Denson examines how computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema. Denson analyzes works ranging from the Transformers series and Blade Runner 2049 to videogames and multimedia installations to show how what he calls discorrelated images—images that do not correlate with the abilities and limits of human perception—produce new subjectivities, affects, and potentials for perception and action. Denson's theorization suggests that new media theory and its focus on technological development must now be inseparable from film and cinema theory. There's more at stake in understanding discorrelated images, Denson contends, than just a reshaping of cinema, the development of new technical imaging processes, and the evolution of film and media studies: discorrelated images herald a transformation of subjectivity itself and are essential to our ability to comprehend nonhuman agency.
The true account of the Nicholsons, the father and son who sold national secrets to Russia. “One of the strangest spy stories in American history” (Robert Lindsey, author of The Falcon and the Snowman). Investigative reporter and Pulitzer Prize finalist Bryan Denson tells the riveting story of the father and son co-conspirators who betrayed the United States. Jim Nicholson was one of the CIA’s top veteran case officers. By day, he taught spycraft at the CIA’s clandestine training center, The Farm. By night, he was a minivan-driving single father racing home to have dinner with his kids. But Nicholson led a double life. For more than two years, he had met covertly with agents of Russia’s foreign intelligence service and turned over troves of classified documents. In 1997, Nicholson became the highest-ranking CIA officer ever convicted of espionage. But his duplicity didn’t stop there. While behind the bars of a federal prison, the former mole systematically groomed the one person he trusted most to serve as his stand-in: his youngest son, Nathan. When asked to smuggle messages out of prison to Russian contacts, Nathan saw an opportunity to be heroic and to make his father proud. “Filled with fascinating details of the cloak-and-dagger techniques of KGB and CIA operatives, double agents, and spy catchers . . . A poignant and painful tale of family love, loyalty, manipulation and betrayal.” —The Oregonian
The horrors of the twentieth century could hardly have been predicted in the nineteenth century, which saw the eighteenth century end with the American Revolution bringing about the creation of the first classical liberal government in history. The twentieth century was the bloodiest in all history. More than 170 million people were killed by government with 10 million having been killed in World War I and 50 million killed in World War II. Of the 50 million killed in World War II, nearly 70 percent were innocent civilians.
The 1830s forced removal of Cherokees from their southeastern homeland became the most famous event in the Indian history of the American South, an episode taken to exemplify a broader experience of injustice suffered by Native peoples. In this book, Andrew Denson explores the public memory of Cherokee removal through an examination of memorials, historic sites, and tourist attractions dating from the early twentieth century to the present. White southerners, Denson argues, embraced the Trail of Tears as a story of Indian disappearance. Commemorating Cherokee removal affirmed white possession of southern places, while granting them the moral satisfaction of acknowledging past wrongs. During segregation and the struggle over black civil rights, removal memorials reinforced whites' authority to define the South's past and present. Cherokees, however, proved capable of repossessing the removal memory, using it for their own purposes during a time of crucial transformation in tribal politics and U.S. Indian policy. In considering these representations of removal, Denson brings commemoration of the Indian past into the broader discussion of race and memory in the South.
»Postnaturalism« offers an original account of human-technological co-evolution and argues that film and media theory, in particular, needs to be re-evaluated from the perspective of our material interfaces with a constantly changing environment. Extrapolating from Frankenstein films and the resonances they establish between a hybrid monster and the spectator hooked into the machinery of the cinema, Shane Denson engages debates in science studies and philosophy of technology to rethink histories of cinema, media, technology, and ultimately of the affective channels of our own embodiment. With a foreword by media theorist Mark B. N. Hansen.
Ryan Graham is your average nineteen-year-old student struggling to make grades at Ohio State University. One morning he oversleeps, only to discover that the world as he knows it is over. Anarchy and chaos dot the landscape. Escaping campus in a stolen car, he runs across John Sanford, a tough but kind factory worker and former marine. Together, the two of them embark on a journey that may lead to their salvation. Or it could very well end up being their damnation.
A new true-crime series that follows FBI agents behind the scenes as they work to keep Americans safe. The Unabomber was a lone-wolf terrorist who carried out fourteen bombings that left three people dead and another twenty-three injured. A cunning genius, he dodged his FBI pursuers for nearly two decades, terrifying Americans from coast to coast. Agent Kathy Puckett, a spy hunter and highly trained psychologist, served as the turning point in the FBI's efforts to understand the mind of the faceless killer. Her insights helped send more than a hundred agents to a remote cabin in the mountains of western Montana on April 3, 1996. There the FBI captured Theodore J. Kaczynski, engineer of the most notorious bombing spree in U.S. history. Bryan Denson presents the story of the FBI's investigation of the Unabomber and the agent who helped bring him to justice.
Catching a Russian Spy is the story of the FBI's investigation of Aldrich Ames, CIA agent who turned Russian spy, and the agent who helped bring him to justice. Aldrich H. "Rick" Ames was a 31-year veteran of the CIA. He was also a Russian spy. By the time Ames was arrested in 1994, he had betrayed the identities of dozens and caused the deaths of ten agents. The notorious KGB (and later the Russian intelligence service, SVR) paid him millions of dollars. Agent Leslie G. “Les” Wiser, Jr. ran the FBI's Nightmover investigation tasked with uncovering a mole in the CIA. The team worked night and day to collect evidence—sneaking into Ames' home, hiding a homing beacon in his Jaguar, and installing a video camera above his desk. But the spy kept one step ahead, even after agents followed him to Bogota, Colombia. In a crazy twist, the FBI would score its biggest clue from inside Ames' garbage can. At the time of his arrest on February 21, 1994, he had compromised more highly-classified CIA assets than any other agent in history. Go behind the scences of some of the FBI's most interesting cases in award-winning journalist Bryan Denson's FBI Files series, featuring the investigations of the Unabomber, al-Qaeda member Mohamed Mohamud, and Michael Young's diamong theft ring. Each book includes photographs, a glossary, a note from the author, and other detailed backmatter on the subject of the investigation.
Inspired by shounen-ai manga—melodramatic Japanese comics by girls about gay boys—Tough Love is a teen romance and coming-out story about a shy boy named Brian. More realistic than Japanese manga, this story centers on the relationships Brian develops with the boy he likes, Chris, and Julie, the girl who befriends him. Serious issues like gay bashing, suicide, and coming to terms with one’s own sexual identity are depicted with an honest, gentle touch. Socially relevant, fun, immediately accessible, and a bit of a soap opera, Tough Love helps gay teenagers to be more comfortable with themselves and less troubled, especially when they’re feeling alone and misunderstood.
McGILVRAY'S ESCAPE describes the fortunes and misfortunes of an escaped convict on the run from pursuers; PUSSY BATES RETIRES is about the final adventure of a cat burglar; THE ORANG BULE relates to the chance meeting between an attractive (married) nurse and a Caucasian consultant in Jakarta; THE NURSE reflects the story of the Orang Bule as seen from the perspective of the Orang Bule himself; TAKEN FOR A RIDE details the (true) sequence of events following a riding accident; THE DRIVING MIRROR describes a weird consequence of fitting a second-hand mirror into the car; LOTTERY PARADISE is a fantasy story about a lottery winner; A STRANGE ACCIDENT describes a hilarious sequence of events (true) when two friends are in a hurry to get home in their car.
A Southern Dream is basically about an African male who was taken from his tribe and brought to the United States and enslaved. He spent a lot of his days just dreaming about freedom.
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