What are the principles according to which lexical data should be represented in order to form a lexical database that can serve as a basis for the construction of several different monofunctional dictionaries? Starting from the notion of lexicographic functions as defined by Henning Bergenholtz and Sven Tarp, this question is approached by analysing how current electronic dictionaries and lexical resource models attempt to satisfy the needs of different types of users in different usage situations, in order to identify general requirements on the model for a lexical resource that aims to be “multifunctional” in the above sense. Based on this analysis, this book explores the use of formalisms developed in the context of the semantic web to approach both general and specific lexicographic questions, in particular the representation of multi-word expressions and their properties and relations. In doing so, this book not only addresses several topics which are of relevance to lexicographers and computational linguists alike, but also supports its claims by providing a prototypical implementation of a multifunctional lexical resource using semantic web formalisms.
Choral Monuments provides extensive material about eleven epoch-making choral masterworks that span the history of Western culture. Included are: Missa Pange lingua (Josquin Desprez); Missa Papae Marcelli (G. P. da Palestrina); B Minor Mass (J. S. Bach); Messiah (G. F. Handel); The Creation (Joseph Haydn); Symphony #9 (Ludwig van Beethoven); St. Paul (Felix Mendelssohn); Ein deutsches Requiem (Johannes Brahms); Messa da Requiem (Giuseppe Verdi); Mass (Igor Stravinsky); and War Requiem (Benjamin Britten). The works are presented in separate chapters, with each chapter divided into three basic sections-history, analysis, and performance practice. Discussions of history are focused on relevancies-the genesis of the designated work in reference to the composer's total choral output, the work's place within the musical environment and social climate of its time, and essential features of the work that make it noteworthy. In addition, the compositional history addresses three other factors: the work's public reception and critical response, both at the time of its composition and in ensuing years; the history of score publications, detailing the various differences between editions; and the texts of the composition. The material regarding textual treatment, which often includes the complete texts of the works being discussed, concentrates on primary concerns of the text's usage; also included in the discussion are noteworthy aspects of texts separate from the music as well as biographical details of librettists and poets, if appropriate. The analysis section of each chapter outlines and describes musical forms and other types of compositional organization, including parody technique, mirror structures, and motto repetitions, as well as salient compositional characteristics that directly relate and contribute to the work's artistic stature. Numerous charts and musical examples illustrate the discussions. The discussion of performance practices includes primary source quotations about a wide range of topics, from performing forces, tempo, and phrasing of each work to specific issues such as tactus, text underlay, musica ficta, metric accentuation, and ornamentation.
Annotation: The Index is published in two physical volumes and sold as a set for $250.00. As America's geography and societal demands expanded, the topics in The Etude magazine (first published in 1883) took on such important issues as women in music; immigration; transportation; Native American and African American composers and their music; World War I and II; public schools; new technologies (sound recordings, radio, and television); and modern music (jazz, gospel, blues, early 20th century composers) in addition to regular book reviews, teaching advice, interviews, biographies, and advertisements. Though a valued source particularly for private music teachers, with the de-emphasis on the professional elite and the decline in salon music, the magazine ceased publication in 1957. This Index to the articles in The Etude serves as a companion to E. Douglas Bomberger's 2004 publication on the music in The Etude. Published a little over fifty years after the final issue reached the public, this Index chronicles vocal and instrumental technique, composer biographies, position openings, department store orchestras, the design of a successful music studio, how to play an accordion, recital programs in music schools, and much more. The Index is a valuable tool for research, particularly in the music culture of American in the late nineteenth and early twentieth centuries. With titles of these articles available, the doors are now open for further research in the years to come.
As America's geography and societal demands expanded, the topics in The Etude magazine (first published in 1883) took on such important issues as women in music; immigration; transportation; Native American and African American composers and their music; World War I and II; public schools; new technologies (sound recordings, radio, and television); and modern music (jazz, gospel, blues, early 20th century composers) in addition to regular book reviews, teaching advice, interviews, biographies, and advertisements. Though a valued source particularly for private music teachers, with the de-emphasis on the professional elite and the decline in salon music, the magazine ceased publication in 1957. This Index to the articles in The Etude serves as a companion to E. Douglas Bomberger¿s 2004 publication on the music in The Etude. Published a little over fifty years after the final issue reached the public, this Index chronicles vocal and instrumental technique, composer biographies, position openings, department store orchestras, the design of a successful music studio, how to play an accordion, recital programs in music schools, and much more. The Index is a valuable tool for research, particularly in the music culture of American in the late nineteenth and early twentieth centuries. With titles of these articles available, the doors are now open for further research in the years to come. The Index is published in two parts and sold as a set for $250.00.
This book is an addition to the British music culture as it traces the history, growth and environmental, social and musical conditions of the Brass Band Movement during the Victorian era, and the influences of the “Romantic Period.”
This book is an addition to the British music culture, as it traces the life and work of a renowned Brass Band composer, Eric Ball, during the twentieth century. He takes his place among the great figures in the Brass Band Movement. The book includes a survey of his music, along with a catalogue of his composition output. It also researches into his involvement with the Salvation Army.
An increased understanding of the developmental physiology, biochemistry, and molecular biology during early growth, maturation, ripening, and postharvest conditions has improved technologies to maintain the shelf life and quality of fruits, vegetables, and flowers. Postharvest Biology and Technology of Fruits, Vegetables, and Flowers provides a comprehensive introduction to this subject, offering a firm grounding in the basic science and branching out into the technology and practical applications. An authoritative resource on the science and technology of the postharvest sector, this book surveys the body of knowledge with an emphasis on the recent advances in the field.
What are the principles according to which lexical data should be represented in order to form a lexical database that can serve as a basis for the construction of several different monofunctional dictionaries? Starting from the notion of lexicographic functions as defined by Henning Bergenholtz and Sven Tarp, this question is approached by analysing how current electronic dictionaries and lexical resource models attempt to satisfy the needs of different types of users in different usage situations, in order to identify general requirements on the model for a lexical resource that aims to be “multifunctional” in the above sense. Based on this analysis, this book explores the use of formalisms developed in the context of the semantic web to approach both general and specific lexicographic questions, in particular the representation of multi-word expressions and their properties and relations. In doing so, this book not only addresses several topics which are of relevance to lexicographers and computational linguists alike, but also supports its claims by providing a prototypical implementation of a multifunctional lexical resource using semantic web formalisms.
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