Die Zukunft braucht manchmal einen kleinen Stups. Phil Carter, Sohn des Detektiven George Carter, durchlebt eine Ausbildung bei der Army. Eigentlich hatte er seit seiner Kindheit vorgehabt in die Fußstapfen seines Vaters zu treten, doch dieser verweigerte ihm diesen Traum aus Verlustängsten heraus. Als Phil dann allerdings versehentlich in dem plötzlichen und verstrickten Mord an seinem Onkel verwickelt wird, sieht er darin die große Chance, sich als würdiger Nachfolger seines Vaters zu beweisen. Gemeinsam mit seinem Partner, Officer Cohan, begibt er sich auf Spurensuche im geheimnisvollen Casino von Monaco. Dort muss er lernen, über sich selbst hinauszuwachsen, Verführungen zu widerstehen und seine starken Emotionen unter Kontrolle zu bringen, um nicht nur seinem entfremdeten Vater, sondern auch seiner verstorbenen Mutter zu zeigen, wer er wirklich ist.
Dieses historische Buch kann zahlreiche Tippfehler und fehlende Textpassagen aufweisen. Kaufer konnen in der Regel eine kostenlose eingescannte Kopie des originalen Buches vom Verleger herunterladen (ohne Tippfehler). Ohne Indizes. Nicht dargestellt. 1897 edition. Auszug: ...und England nun schon so lange fortging. Marias Anteil an all den Planen, die Reich und Leben der Feindin bedrohten, steht ausser Zweifel. Diejenige Verschworung, auf Grund deren sie gerichtet worden ist, ist freilich zum einen Teile ein Blendwerk Walsinghams gewesen. Die Verschworung bestand; sie fand bei Maria Gehor und Zustimmung; aber der englische Staatssekretar leitete die Dinge durch Geheimagenten, durch Lockspitzel, nach seinen Zwecken und bis zum aussersten hinan. Alles, was die Gefangene in diesen dunklen Planen that und schrieb, that sie zum Vor teil ihres Todfeindes. Man darf es jetzt als sicher bezeichnen, dass Maria in diesem teuflischen Spiele doch keineswegs bloss das Opfer gewesen ist: wie Mendoza, so war sie in die Mordabsicht eingeweiht und hat diese offenbar gebilligt. Menduza feierte jene Absichten hocherfreut als fehr christ Abb, 50. Don spanisch lich, gerecht, unserem heiligen katholischen Glauben sowie dem Dienste Seiner Majestat nutzlich"; er riet, wie man sich der Flotte, der ketzerischen Minister bemachtigen musse Philipp II. stimmte von Herzen zu. Gewiss, Walfinghams Hande waren nichts weniger als rein; aber er that, was die anderen verdienten, er that es im vollen Sinne dieses furchtbaren geheimen Kampfes des Glaubens und der Macht, und die anderen hatten gern ebenso gehandelt wie er. Im August 1586 zog er das Netz zu. Der Prozess der Maria folgte nach, der geheime Rat, die osfentliche Stimme forderten ihn, der Gerichts hos fprach sie schul, big, ihr Leben war verfallen. Und allzu greifbar war es ja, wie ihr Dasein wirkte; so la
Choral Repertoire is the definitive and comprehensive one-volume presentation of the most significant composers and compositions of choral music from the Western Hemisphere throughout recorded history. The book is designed for multiple uses-as a programming guide for practicing conductors, instructional resource for students and teachers of choral music, historic and stylistic reference for choral singers, and source of information about composers and compositions for choral enthusiasts-and as such, the book intends to further and make accessible important information relevant to the vast scope of choral music. Organized by era (Medieval, Renaissance, Baroque, Classical, and Modern), Choral Repertoire covers general characteristics of each historical era, trends and styles unique to various countries, biographical sketches of more than six hundred composers, and performance annotations of more than five thousand individual works. Of the composers, there is substantive coverage of women and composers of color, and of the repertoire, there is inclusion of lesser-known works as well as those works that are considered standard"--
This is a thorough historiographic review of the Battle of Marathon. Full use is made of the major ancient sources and the debate over the value of Herodotus. The book covers the rise of the Persian Empire, relations between the Greeks and the Persian Empire and the Ionian revolt that set the stage for the Persian expedition in 490 that led to the Battle of Marathon. The book also examines the development of the Persian and Greek military systems, weapons, armor, fighting styles and military tactics. The battle itself is described along with the many questions, controversies and conflicting theories surrounding it, including an explanation of why the Athenians were able to defeat the mighty Persian Empire. The final chapter deals with the issue of the importance of the battle. The 1190 endnotes and bibliography of more than 400 sources dating from the 1850s to 2012 will allow readers to do more research on any of the topics covered.
Inhumanities is an unprecedented account of the ways Nazi Germany manipulated and mobilized European literature, philosophy, painting, sculpture and music in support of its ideological ends. David B. Dennis shows how, based on belief that the Third Reich represented the culmination of Western civilization, culture became a key propaganda tool in the regime's program of national renewal and its campaign against political, national and racial enemies. Focusing on the daily output of the Völkischer Beobachter, the party's official organ and the most widely circulating German newspaper of the day, he reveals how activists twisted history, biography and aesthetics to fit Nazism's authoritarian, militaristic and anti-Semitic world views. Ranging from National Socialist coverage of Germans such as Luther, Dürer, Goethe, Beethoven, Wagner and Nietzsche to 'great men of the Nordic West' such as Socrates, Leonardo and Michelangelo, Dennis reveals the true extent of the regime's ambitious attempt to reshape the 'German mind'.
Choral Monuments provides extensive material about eleven epoch-making choral masterworks that span the history of Western culture. Included are: Missa Pange lingua (Josquin Desprez); Missa Papae Marcelli (G. P. da Palestrina); B Minor Mass (J. S. Bach); Messiah (G. F. Handel); The Creation (Joseph Haydn); Symphony #9 (Ludwig van Beethoven); St. Paul (Felix Mendelssohn); Ein deutsches Requiem (Johannes Brahms); Messa da Requiem (Giuseppe Verdi); Mass (Igor Stravinsky); and War Requiem (Benjamin Britten). The works are presented in separate chapters, with each chapter divided into three basic sections-history, analysis, and performance practice. Discussions of history are focused on relevancies-the genesis of the designated work in reference to the composer's total choral output, the work's place within the musical environment and social climate of its time, and essential features of the work that make it noteworthy. In addition, the compositional history addresses three other factors: the work's public reception and critical response, both at the time of its composition and in ensuing years; the history of score publications, detailing the various differences between editions; and the texts of the composition. The material regarding textual treatment, which often includes the complete texts of the works being discussed, concentrates on primary concerns of the text's usage; also included in the discussion are noteworthy aspects of texts separate from the music as well as biographical details of librettists and poets, if appropriate. The analysis section of each chapter outlines and describes musical forms and other types of compositional organization, including parody technique, mirror structures, and motto repetitions, as well as salient compositional characteristics that directly relate and contribute to the work's artistic stature. Numerous charts and musical examples illustrate the discussions. The discussion of performance practices includes primary source quotations about a wide range of topics, from performing forces, tempo, and phrasing of each work to specific issues such as tactus, text underlay, musica ficta, metric accentuation, and ornamentation.
Dennis Vanden Auweele explores Kant’s moral and religious philosophy and shows that a pessimistic undercurrent pervades them. This provides a new vantage point not only to comprehensively assess Kantian philosophy, but also to provide much needed context and reading assistance to the general premises of Kant's philosophy and rationality.
A chronicle of the collision between educational reformer Paul Geheeb, who founded the Odenwaldschule, and fascist ideology during Hitler's rise to power. By examining one individual's story it shows how education in general, and progressive education in particular, fared in Nazi Germany.
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