New Story, New God" is a startling, controversial new look at the Higher Power which boldly challenges the widely-accepted views of both scientific materialism and traditional religion. Where scientific materialism teaches the world and universe are not alive and act like machines, and traditional religions believe every human must look to an external savior, "New Story, New God" advances the ideas the world and universe are alive, progressing toward greater complexity and growth, and that every human is divine. To express our divinity, we must take full responsibility for our thoughts and beliefs, altering them to where we do not give away our energy and power to external forces or saviors. The Higher Power in "New Story, New God" is a non-local potential of energy and information -- non-local meaning existing everywhere. God is impersonal, non-moralistic, not perfect; i.e., grows and evolve, and exhibits properties of resonance, self-similarity, self-organization, self-determination, intensity and complexity.
God: An Autobiography explores the notion each of us is divine and how we may actualize that divinity. By questioning and exposing long-held beliefs previously thought sacrosanct, Mr. Pakula marshals in some creative, synergistic ideas designed to allow us to break the bonds of the social order. Concurrently, while bringing to bear our divine natures, God: An Autobiography tells us of our responsibility to reveal, nurture and expand divinity to all elements of the social order that presently discounts such ideas. Each of us can and does create our reality as long as we do not allow external influences to dictate reality to us. Our sovereignty and freedom our responsibility to create and maintain our reality, is a function of the beliefs and rules that imprison us. God: An Autobiography will help all of us galvanize our existence. Be prepared for ideas that may shock your being.
America Ascendant vividly portrays the global crisis that brought the media and the government into an alliance that changed the course of American and world history. President Franklin D. Roosevelt organized an extraordinary partnership between the U.S. government and America’s media outlets to communicate to the reluctant and isolationist American public the nature of the threat that World War II posed to the nation and the world. The coalition’s aim was to promote the concept of American exceptionalism and use it to galvanize the public for the government’s cause. America Ascendant details the efforts of many prominent individuals and officials to harness the collective energy of the nation and guide the United States throughout World War II then describes its aftermath and the Cold War period. Dennis M. Spragg demonstrates how the news and entertainment of American broadcasters such as David Sarnoff, William Paley, and Elmer Davis helped rally the American people to fashion a new liberal democratic order to stop the global spread of Communism. This media-government alliance, however, was not achieved without difficulty. Spragg highlights the competing visions and personalities that clashed, as media and government leaders tried to develop the paradigm that ultimately shifted American cultural and political thought. Throughout this searching history he sheds light on the underappreciated coordination between the media and the government to establish a liberal democratic world order and demonstrates why American exceptionalism still matters.
Through conversations held with fifteen of the most accomplished contemporary cinematographers, the authors explore the working world of the person who controls the visual look and style of a film. This reissue includes a new foreword by cinematographer John Bailey and a new preface by the authors, which bring this classic guide to cinematography, in print for more than twenty-five years, into the twenty-first century.
(Limelight). Includes Lillian Gish, Gregory Peck, Jose Ferrer, Sterling Hayden, Danny Kaye, Paul Winfield, Stacy Keach, Jessica Tandy, among others. "Mr. Brown's volume is one of the finest interview collections ever published." Playbill .
In this new addition to the America in the Twentieth Century series, Sullivan and others present a detailed look into life in America during the 1930s. Beginning with the events leading up to The Great Depression, America in the Thirties presents the themes and events that shaped America during this decade. President Roosevelt’s New Deal, the Dust Bowl and life during the Great Depression, domestic life, and America’s foreign policy are some of the many issued covered in this highly readable, concise manuscript. Throughout the text, the authors also provide commentary on the role of various societal groups such as women, immigrants, African Americans, Asian Americans, Native Americans, and Latino Americans. The America in the Twentieth Century series presents the major economic, political, social, and cultural milestones of the decades of the twentieth century. Each decade is treated in individual books: thus far, books focusing on 1920s, 1940s, 1950s, 1960s and 1970s have been published. This latest addition to the series, focusing on the tumultuous 1930s, will provide logical links to the previously published books in the series.
Gore Vidal is one of the most significant American writers of the second half of the twentieth century, having produced a large number of best selling novels, essays, plays and pamphlets which have impacted on major political and social debates for fifty years. He is both a serious writer and a television and movie celebrity, whose increasingly acerbic picture of the United States guarantees he is both revered and reviled. Gore Vidal's America examines the ways in which Vidal's writings on history, politics, sex and religion throw into focus our understandings of the United States, but also recognizes his versatility and inventiveness as a creative writer, some of whose novels - Julian; Myra Breckinridge; Lincoln; Duluth - are among the important literary works of their time. Ranging from Vidal's early defence of homosexuality in The City and the Pillar (1948) to his most recent writings on the war in Iraq, this book provides a unique perspective on the evolution of post-World War II American society, politics and literature. As Altman writes: “Difficult not to see in the results of the 2004 elections, where the Republican right gained in both the White House and the Senate, proof of Vidal's worse fears, namely that the impact of imperial adventure, big money and religious moralism would increasingly imperil the American Republic.
This book is based on material collected by missionaries at Kasenga Mission in Zambia. Edwin Smith began in 1901 to note each new Ila word, together with illustrative sentences dictated by his Ila informants. Later missionaries continued this practice, so that in 1959 the author found a mass of over 12,000 items already collected. As the largest body of Ila ever assembled, the dictionary offers much of interest in several fields. The language has a consistent agglutinative structure of great sophistication, logical as Latin, flexible as Greek. The speakers reveal not merely the preoccupations of daily existence in Ila villages a century ago, but an outlook both sensitive and wryly humourous. Feared in battle, fearful of spirits, revering God; hunters of lion and buffalo, polygamous, romantic, ribald in men's company, but highly proper in women's, tender towards children, with a high regard for the arts of hospitality, conversation, and love, the Baila spring with verve from these pages. Appendices list nearly 2,000 synonyms, 276 proverbs, l64 metaphors, 216 customs, 400 trees with their medicinal uses, 290 plants, 150 birds, and grammatical tables.
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