Colonel, Brian Collins, U.S. Army, Federal Marshal Tim Fallon and Dr.Michael Shea all born in 1946 and representative members of the War Baby Generation are introduced in the opening chapters of the novel, the year all three men turn fifty. The murder of an Army officer and her New York City Police Detective lover, bring Brian, his two childhood friends, and those important to, their past and present lives, together again, in a literary thriller played out in places like Fort Bragg, North Carolina, New York City, New Jersey and Honduras. Behind the media accounts of the war against crime by municipalities where police commanders publically account (Comstat) for the rise and fall of crime in their precincts, and the precision and gadgetry of military smart bombs, behind the strategies and tactics of the Department of Defense, there are people, up and down the chain of command, good and bad, members of paramilitary and military organizations, the rank and file with their own personal drives, ambitions, needs, dark and light sides. War Babies is a story about three of them, drawn together by a murder which connects all three and the people important to them. Metaphorically, War Babies is not without a necessary degree of infant mortality. Death, destruction, complication and intrigue are character driven and serve to intensify and realistically portray the story lives of the characters. War Babies is about evolved characters coming to terms with themselves, their partners and a world that the baby boomer generation largely created themselves. Having spent twenty-six years, in one part of my life in places like Europe, Central America and the United States both active and reserve in the Army, where I began as a Private and retired as a Major and written, among other things, Of Cops and Priests and Fact and Fiction, I think War Babies mirrors the reality of police procedure, military protocol and every day characters.
My non-fiction is primarily drawn from childhood memories of Yulan, New York, a hamlet in Sullivan County, during the late 1950s and early 60s. They are anchored in a clarity dictated by subjects illustrating and implying specific points. I consider writing an important and responsible act, part skill, part art, but always an enjoyable activity as seen through the lens of time and memory. In reading fiction, I have always been most interested in character-driven, as opposed to, plot-driven stories. Consequently, my written fictive efforts generally reflect this preference. My characters are drawn both from my experience as well as from my imagination. Their conflicts, characteristics, as well as, the way they speak, act and see themselves, stem from experience and imagination as well. These characters are generally hybrids of more than one person, either female or male, often functioning in their everyday environments. Some are soldiers, lawyers, police officers, teachers, photographers, painters . . . functioning within varied settings from urban to rural often reflecting a blue-collar nuance and culture. The plots of my stories function to support the stories that the characters tell: the natural friction between daughters, mothers, fathers, sons, brothers, sisters, husbands and wives generally complicated by changes in their livessometimes major, other times minorthat cause them to confront those around them as well as themselves. From philandering spouses, to selfish, incompetent or overindulgent parents, or individuals who discover that their lives must change. These plots, linear as well as cyclical, reflect the human drama of strength, weakness, doubt, certainty, moral choices and consequences, love, hate, fear, hope, anxiety, despair and happiness. She stepped over the puddles and around the mud along the driveway to the mailbox by the rutted road out front. Efforts like thisalong with things like thunder and lightning storms, which terrified her, as well as woodchucks and raccoons prowling around all-night, which kept her on edgereminded her that she was not a country person. Still, for the last few weeks, the culmination of months of study, their place in Manhattan hadnt worked. She had needed the tranquility of this remote house, in the Catskills, where she had spent her summer tomboy childhood. Franca walked slowly back to the house and retraced her footprints as she flipped through the handful of mail. One return address, New York State, Certification and Licensing Unit, caught her attention, and she tore it open with her finger: From Black Still Water She climbs the three steps in front of the local high school and remembers sitting on the wide stone slabscoffee in one hand, a cigarette in the otherwaiting for her little girl to finish her dancing class on countless Saturday mornings, but the memory quickly disintegrates when she opens the large steel door, and it clangs shut after her. The escaping music is deafening; vibrations pound against her chest, and in the sudden, overpowering darkness, she finds it hard to breathe. Slowly her eyes adjust, and she makes out the dancing figures through the white smoke generated from behind the jungle of gigantic speakers and amplifiers, off in the distance. She hugs the wall, inches her way along searching and her breathing slowly returns to normal. From: Dancer Standing by the sink, looking out over the lake, Jaime listens to the sounds floating up from the basement, work noises: the hammer striking nails homeone, two three . . . four, occasionally punctuated by the high-pitched whine of the power saw and the slap of discarded wood as it falls to the tile floor. All day, he works, non-stop, framing it out, refusing lunch a couple of hours ago, and now it is almost three in the afternoon. Tonight, after working a four-to-twelve at the uti
My non-fiction is primarily drawn from childhood memories of Yulan, New York, a hamlet in Sullivan County, during the late 1950s and early 60s. They are anchored in a clarity dictated by subjects illustrating and implying specific points. I consider writing an important and responsible act, part skill, part art, but always an enjoyable activity as seen through the lens of time and memory. In reading fiction, I have always been most interested in character-driven, as opposed to, plot-driven stories. Consequently, my written fictive efforts generally reflect this preference. My characters are drawn both from my experience as well as from my imagination. Their conflicts, characteristics, as well as, the way they speak, act and see themselves, stem from experience and imagination as well. These characters are generally hybrids of more than one person, either female or male, often functioning in their everyday environments. Some are soldiers, lawyers, police officers, teachers, photographers, painters . . . functioning within varied settings from urban to rural often reflecting a blue-collar nuance and culture. The plots of my stories function to support the stories that the characters tell: the natural friction between daughters, mothers, fathers, sons, brothers, sisters, husbands and wives generally complicated by changes in their livessometimes major, other times minorthat cause them to confront those around them as well as themselves. From philandering spouses, to selfish, incompetent or overindulgent parents, or individuals who discover that their lives must change. These plots, linear as well as cyclical, reflect the human drama of strength, weakness, doubt, certainty, moral choices and consequences, love, hate, fear, hope, anxiety, despair and happiness. She stepped over the puddles and around the mud along the driveway to the mailbox by the rutted road out front. Efforts like thisalong with things like thunder and lightning storms, which terrified her, as well as woodchucks and raccoons prowling around all-night, which kept her on edgereminded her that she was not a country person. Still, for the last few weeks, the culmination of months of study, their place in Manhattan hadnt worked. She had needed the tranquility of this remote house, in the Catskills, where she had spent her summer tomboy childhood. Franca walked slowly back to the house and retraced her footprints as she flipped through the handful of mail. One return address, New York State, Certification and Licensing Unit, caught her attention, and she tore it open with her finger: From Black Still Water She climbs the three steps in front of the local high school and remembers sitting on the wide stone slabscoffee in one hand, a cigarette in the otherwaiting for her little girl to finish her dancing class on countless Saturday mornings, but the memory quickly disintegrates when she opens the large steel door, and it clangs shut after her. The escaping music is deafening; vibrations pound against her chest, and in the sudden, overpowering darkness, she finds it hard to breathe. Slowly her eyes adjust, and she makes out the dancing figures through the white smoke generated from behind the jungle of gigantic speakers and amplifiers, off in the distance. She hugs the wall, inches her way along searching and her breathing slowly returns to normal. From: Dancer Standing by the sink, looking out over the lake, Jaime listens to the sounds floating up from the basement, work noises: the hammer striking nails homeone, two three . . . four, occasionally punctuated by the high-pitched whine of the power saw and the slap of discarded wood as it falls to the tile floor. All day, he works, non-stop, framing it out, refusing lunch a couple of hours ago, and now it is almost three in the afternoon. Tonight, after working a four-to-twelve at the uti
A complete full-color guide to medical laboratory test selection and test result interpretation for disorders and diagnoses specific to pediatric and neonatal populations Laboratory medicine practiced at a pediatric institution has unique characteristics specific to infants and children, who differ both metabolically and biochemically from adults. Many aspects of laboratory medicine are affected by these differences, from basic, day-to-day operational issues through test selection for pediatric-specific disorders. However, most references in laboratory medicine merely touch upon pediatrics – and offer little if any coverage of variations in testing and results for different age groups, or the many diseases and disorders most common in infants and children. Pediatric Laboratory Medicine is specifically written to fill this critical void in the literature. Now, for the first time, all important reference material concerning pediatric laboratory medicine is available in one convenient, up-to-date resource. Pediatric Laboratory Medicine teaches the effective operation of a pediatric clinical operation, and also provides guidelines for teaching trainees. This unique text delivers the how-to instruction necessary to ensure proper handling and testing of pediatric specimens to ensure accurate diagnosis. Valuable learning aids include learning objectives, end-of-chapter review questions, and references for further study. Written by experienced clinicians, the book’s seventeen chapters cover virtually every important topic – from daily issues in the practice of pediatric laboratory medicine to common tests and considerations to inborn errors of metabolism and therapeutic drug monitoring. Enhanced by numerous tables and high-quality full-color images, this authoritative resource delivers everything necessary for effective pediatric laboratory medicine training and practice.
In this volume the leading scholars and practitioners in the field provide a comprehensive, in-depth examination of trends in privatization throughout the world. Focusing primarily on the experiences of seventeen countries--including developing countries, advanced industrial nations, and socialist states--the book explores theoretical approaches toward the issues inherent in privatization and deregulation, specifies techniques for successful privatization, and examines the cost-benefits and limits of privatization policies. The contributors then present a series of twenty detailed case studies which assess the actual problems and prospects associated with privatization and deregulation policy choices across varied sociopolitical systems and a range of economic sectors. The result is the most extensive comparative public policy analysis yet published on the subject of privatization and deregulation. Following an introductory overview which addresses the interaction between privatization, deregulation and market liberalization within both developed and developing country policy environments, the contributors discuss the philosophical bases of privatization policies, examine the seminal experiences of Britain and the United States, and identify factors responsible for successful privatization efforts. This is followed by case studies of privatization in such sectors as finance, transportation, health care, housing, and telecommunications around the world. After special sectoral studies of developing country finance, debt-equity conversions, and international air transport, the authors successively survey the experience of privatization in selected Latin American, Caribbean, West African and Asian developing nations; in the advanced industrial nations of Canada, France, New Zealand, and Sweden; and in the socialist countries of China, Hungary, and Poland. In their conclusion, the editors discuss the immediate implications of the contributors' findings and suggest research directions for the future. Numerous explanatory tables and figures are included, making this an ideal supplemental text for courses in business, government, and public policy.
New Story, New God" is a startling, controversial new look at the Higher Power which boldly challenges the widely-accepted views of both scientific materialism and traditional religion. Where scientific materialism teaches the world and universe are not alive and act like machines, and traditional religions believe every human must look to an external savior, "New Story, New God" advances the ideas the world and universe are alive, progressing toward greater complexity and growth, and that every human is divine. To express our divinity, we must take full responsibility for our thoughts and beliefs, altering them to where we do not give away our energy and power to external forces or saviors. The Higher Power in "New Story, New God" is a non-local potential of energy and information -- non-local meaning existing everywhere. God is impersonal, non-moralistic, not perfect; i.e., grows and evolve, and exhibits properties of resonance, self-similarity, self-organization, self-determination, intensity and complexity.
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