I have always had a fierce independence from my earliest memory. However, I was always shy and uncomfortable in social situations, which always frustrated me to no end. I still struggle with my social shortcomings to this day. My confidence in my solo actions were always strong. I have always marveled at the military's ability to train men and women how to run things who did not have a lot of formal training better than a lot personal who did. During the summer of 2018, I was selected to attend the four-day training seminar at the US War College in Carlisle, Pennsylvania. I think that I was the lowest-ranking commissioned officer at the class since I was only a Navy lieutenant, and all the others were Army lieutenant colonels and above. I tried to persuade them of the desirability of the need for having senior enlisted soldiers in attendance for their input on how to run things more efficiently than the high-ranking officers did since they were the ones assigned to conduct the operations. I came away with the conclusion that my thoughts were not appreciated for the most part, but I still have this belief. During my preteen years in the Arkansas Ozarks, I read the novel The Yearly by Marjorie Rawlings, and it was later made into a movie starring Gregory Peck. Many of the kids that I knew in the Ozarks were exactly like many of the kids portrayed in the book, which only enhanced the story for me. I also read the books Tom Sawyer and Huckleberry Finn by Mark Twain, which also brought to life for me what I was living in the Ozarks. Also, while in school in the fourth and seventh grades in the Ozarks, I was well-respected, which also enhanced my experience while in Arkansas. In the Navy, while I had never been in a small airplane in my entire life, I discovered that I had a talent that I did not know that I had. I had mistakenly assumed that many of the other trainees with more abilities than I had were actually washing out of the program while I continued to hang on until getting my wings and commission. This caused a lot of consternations in my mind: why was I succeeding, and they weren't? After being released from the Navy, I couldn't get a job with any airline due to an oversupply of pilots from Vietnam. Eventually, I got a job with East Bay Municipal Utility District (EBMUD) and moved back to my home in Angels Camp, California. I worked at EBMUD for twenty years, and during that time, I also served on the elected board of directors for Calaveras County Water District (CCWD), which oversees twenty separate water, wastewater, and hydroelectric systems scattered throughout the county. That's a brief biography of my life. If anybody wishes to communicate with me with questions or observations, please contact me through my e-mail address, dbdooley@hotmail.com. Please refer to this book so that I do not mistakenly delete it thinking it is junk mail.
Demonstrates how Maverick, "The Legend of the West," fractured, altered, or undermined nearly every Western code and myth. Airing on ABC from 1957 to 1962,Maverick appeared at a key moment in television Western history and provided a distinct alternative to the genre's usual moralistic lawmen in its hero, Bret Maverick. A non-violent gambler and part-time con man, Maverick's principles revolved around pleasure and not power, and he added humor, satire, and irony to the usually grim-faced Western. In this study of Maverick,author Dennis Broe details how the popular series mocked, altered, and undermined the characteristics of other popular Westerns, like Gunsmoke and Bonanza. Broe highlights the contributions made by its creators, its producer, Roy Huggins, and its lead actor, James Garner, to a format that was described as "the American fairy tale." Broe describes how Garner and Huggins struck blows against a feudal studio system that was on its last legs in cinema but was being applied even more rigidly in television. He considers Maverick as a place where multiple counter-cultural discourses converged—including Baudelaire's Flaneur, Guy DeBord's Situationists, and Jack Kerouc's Beats—in a form that was acceptable to American households. Finally, Broe shows how the series' validation of Maverick's outside-the-law status punctured the Cold War rhetoric promoted by the "adult" Western. Broe also highlights the series' female con women orflaneuses, who were every bit the equal of their male counterparts and added additional layers to the traditional schoolteacher/showgirl Western dichotomy. Broe demonstrates the progressive nature of Maverickas it worked to counter the traditional studio mode of production, served as a locus of counter-cultural trends, and would ultimately become the lone outpost of anti–Cold War and anti-establishment sentiments within the Western genre. Maverick fans and scholars of American television history will enjoy this close look at the classic series.
Part how-to, part personal narrative, this book provides a practical guide for creating native-species ecogardens. It chronicles the author's 20-year journey of environmental awakening. With the help of the greater community, a neglected five-acre condominium landscape is transformed into a stunning range of multi-seasonal prairie, woodland and wetland micro-habitats. This illustrated account describes the process of ecological reconciliation and traces his discovery of the higher self along the way.
This book is dedicated to the tube flow of viscoelastic fluids and Newtonian single and multi-phase particle-laden fluids. This succinct volume collects the most recent analytical developments and experimental findings, in particular in predicting the secondary field, highlighting the historical developments which led to the progress made. This book brings a fresh and unique perspective and covers and interprets efforts to model laminar flow of viscoelastic fluids in tubes and laminar and turbulent flow of single and multi-phase particle-laden flow of linear fluids in the light of the latest findings.
Widely accepted principles and assumptions of American planning theory come under heavy fire in this refreshing and provocative book. The author's main contention is that, contrary to current supposition, development planning is, in practice, a highly political activity. Professor Rondinelli maintains that it is because the dynamics of the policy-making process are not properly understood that current planning prescriptions are inadequate when they are applied within organizationally complex urban regions. To illustrate his argument, he offers a case history of federally aided redevelopment programs for an urban region in northeastern Pennsylvania that experienced three decades of economic decline. He further believes that existing programs of planning education do not provide the skills, knowledge, and experience necessary for effective management of urban change. Curricula must be reoriented, he says, if planners are to have an impact on future urban and regional development. Finally, he sets forth positive alternatives to current planning processes, stressing the need for planning theory and practice that recognize and cope with the characteristics of the complex policy-making system.
Television audio engineering is like any other business-you learn on the job--but more and more the industry is relying on a freelance economy. The mentor is becoming a thing of the past. A PRACTICAL GUIDE TO TELEVISION SOUND ENGINEERING is a cross training reference guide to industry technicians and engineers of all levels. Packed with photographs, case studies, and experience from an Emmy-winning author, this book is a must-have industry tool.
INSTEAD OF SOLITAIRE is the end result of a life spent exhausting the possibilities of being big, male, smart and beautiful. Following is a Q&A with DENNIS DOPH the poet who made it happen. What is the reason for "Instead of Solitaire"? TO MAKE YOU OLD POETRY DOGS SIT UP ON YOUR HAUNCHES AND BARK. Why are Americans expected to mellow out when they past fifty? BECAUSE IT IS TRADITION. BUT THEN WE ARE NOT ALL MARRIED TO LAURA BUSH. Why are you determined to rattle everybodys cage? WHY ARE YOU DETERMINED TO LIVE IN ONE? What should the casual reader expect from "Instead of Solitaire?" THE CASUAL READER SHOULD JUST WHEEL HIS LAME BUTT DOWN THE ROAD AND NEVER CRACK IT. INSTEAD OF SOLITAIRE IS NOT ABOUT CASUAL. You have been called a Professional Gay Man. Is that true? PROFESSIONAL TOP. NEXT QUESTION. Is there a reason for "Instead of Solitaire"? IS THERE A REASON FOR VIAGRA? Come fly DENNIS DOPH if you want a long,wild, frequently rough ride.
“Engaging . . . provides patients tools they can use to improve dialogue with their doctors and, ultimately, improve their ultimate medical outcomes.”—The Times of Israel The health-care system in the United States is by far the most expensive in the world, yet its outcomes are decidedly mediocre in comparison with those of other countries. Poor communication between doctors and patients, Dennis Rosen argues, is at the heart of this disparity, a pervasive problem that damages the well-being of the patient and the integrity of the health-care system and society. Drawing upon research in biomedicine, sociology, and anthropology and integrating personal stories from his medical practice in three different countries (and as a patient), Rosen shows how important good communication between physicians and patients is to high-quality—and less-expensive—care. Without it, treatment adherence and preventive services decline, and the rates of medical complications, hospital readmissions, and unnecessary testing and procedures rise. Rosen illustrates the consequences of these problems from both the caregiver and patient perspectives and explores the socioeconomic and cultural factors that cause important information to be literally lost in translation. He concludes with a prescriptive chapter aimed at building the cultural competencies and communication skills necessary for higher-quality, less-expensive care, making it more satisfying for all involved. “An excellent source of ideas on how to enhance treatment.”—Joseph Shrand, Instructor of Psychiatry at Harvard Medical School “[Dr. Rosen] delivers much of his advice through anecdotes that take readers on a journey through a career filled with both positive and negative instances of doctor-patient communication.”—Health Affairs
The Indochina and Vietnam Wars followed one another over thirty-five years, from 1940 to 1975, yet these two closely related conflicts are usually treated separately. This book seeks to tell the story of those wars as a single historical event. Within days of France's defeat by Nazi Germany and Japan's military expansion into Southeast Asia in July 1940, the United States became involved in Indochina. Most histories quickly mention the colonial past, usually limited to the battle of Dien Bien Phu, to concentrate exclusively on the American war. A selection of published sources explains the context and the development of the long war while providing an overview of France's imprint on Indochina and Vietnam. The question "Why were we in Vietnam?" comes up regularly regarding the root causes for the ultimate deployment of over five hundred thousand US troops, most of them conscripts, into a virtually unknown land. When France left Indochina in 1954 it became an American problem. Weeks before the murder of John F. Kennedy came the overthrow of Ngo Dinh Diem and the escalation of the war in 1965–68. Finally, Richard Nixon, after extending the war into Cambodia, enacted both the Vietnamization process and negotiations in Paris between Henry Kissinger and Le Duc Tho, until the final act in April 1975, when the US embassy rooftop with the last helicopter taking off was flashed around the world as the grand finale to the war.
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