Decadent Ecology illuminates the networks of nature, paganism, and desire in 19th- and early 20th-century decadent literature and art. Combining the environmental humanities with aesthetic, queer and literary theory, this study reveals the interplay of art, eco-paganism and science during the formation of modern ecological and evolutionary thought.
Tender Agencies explores the ephemeral yet tangible presence of language in our lives, and the manipulation of language and meaning; chaotic, confrontational, and laced with black humour.
In the town of Lake Wachannabee, Ontario, lies the Winter Garden, home to matron Giggy Andrewes and her brood: her strung-out nephew Jem Waferly, his friend Cora, Chappy the whippet, two peacocks, and Jem's lover Rob, who lies convalescing after having had most of his flesh stripped away. A mystery? Well, yes, it would be if only the characters weren't so easily distracted by the noir-ishly handsome chief inspector, the seductive female veterinarian and the dashing anthropology professor studying the Winter Garden's gorge. The Winter Gardeners spend a summer of sultry afternoons nursing Rob, languidly drinking cocktails and trying to picture Nude Descending Staircase in their supposedly Cubist garden. Soon, however, they find themselves in a court room, where their family's values are on trial in a case reminiscent of that of Oscar Wilde. 'Throught the novel, Denisoff uses imagerylike a daredevil trapeze artist ... The Winter Gardeners is a surreal soap opera, a sexual satire, an Impressionist painting. And it should not be missed.' - Quill and Quire, starred review
This original and provocative 2001 study discusses the work of a number of authors in the nineteenth and twentieth centuries in order to argue that mainstream society was enabled to accept the non-normative sexuality of the Aesthetic Movement chiefly through parody and self-parody. Highlighting Victorian popular culture, Aestheticism and Sexual Parody adds an important dimension to the theorisations of parody as a combative strategy by which sexually marginalized groups undermine the status quo. From W. S. Gilbert's drama and Vernon Lee and Christopher Isherwood's prose to George du Maurier's cartoons and Max Beerbohm's caricatures, Dennis Denisoff explores the parodies' interactions with the personae and texts of canonical authors such as Alfred Tennyson, Walter Pater, Algernon Swinburne, and Oscar Wilde. In doing so, he considers the impact that these interactions had on modern ideas of gender, sexuality, taste and politics.
Decadent Ecology illuminates the networks of nature, paganism, and desire in 19th- and early 20th-century decadent literature and art. Combining the environmental humanities with aesthetic, queer and literary theory, this study reveals the interplay of art, eco-paganism and science during the formation of modern ecological and evolutionary thought.
This original and provocative 2001 study discusses the work of a number of authors in the nineteenth and twentieth centuries in order to argue that mainstream society was enabled to accept the non-normative sexuality of the Aesthetic Movement chiefly through parody and self-parody. Highlighting Victorian popular culture, Aestheticism and Sexual Parody adds an important dimension to the theorisations of parody as a combative strategy by which sexually marginalized groups undermine the status quo. From W. S. Gilbert's drama and Vernon Lee and Christopher Isherwood's prose to George du Maurier's cartoons and Max Beerbohm's caricatures, Dennis Denisoff explores the parodies' interactions with the personae and texts of canonical authors such as Alfred Tennyson, Walter Pater, Algernon Swinburne, and Oscar Wilde. In doing so, he considers the impact that these interactions had on modern ideas of gender, sexuality, taste and politics.
Tender Agencies explores the ephemeral yet tangible presence of language in our lives, and the manipulation of language and meaning; chaotic, confrontational, and laced with black humour.
In the town of Lake Wachannabee, Ontario, lies the Winter Garden, home to matron Giggy Andrewes and her brood: her strung-out nephew Jem Waferly, his friend Cora, Chappy the whippet, two peacocks, and Jem's lover Rob, who lies convalescing after having had most of his flesh stripped away. A mystery? Well, yes, it would be if only the characters weren't so easily distracted by the noir-ishly handsome chief inspector, the seductive female veterinarian and the dashing anthropology professor studying the Winter Garden's gorge. The Winter Gardeners spend a summer of sultry afternoons nursing Rob, languidly drinking cocktails and trying to picture Nude Descending Staircase in their supposedly Cubist garden. Soon, however, they find themselves in a court room, where their family's values are on trial in a case reminiscent of that of Oscar Wilde. 'Throught the novel, Denisoff uses imagerylike a daredevil trapeze artist ... The Winter Gardeners is a surreal soap opera, a sexual satire, an Impressionist painting. And it should not be missed.' - Quill and Quire, starred review
With the body, what you see is not exactly what you get. For centuries, vision has often been held as the purest, most direct encounter between the individual and the outside world. Recent visuality theory, however, has demonstrated that the process of seeing is always influenced by other senses, cultural elements, memory and history. Meanwhile, scholarship on gender and sexuality has developed a conception of the body itself as a 'text' written by more than one person and read in more than one way. Sexual visuality from literature to film, 1850-1950 explores the ways in which gothic, sensation and noir literature and cinema manipulated common notions of the visual in order to foreground our unsightly desires. By doing so, the texts challenged sex- and gender-based assumptions that marginalized certain types of people. Addressing authors and directors such as Mary Braddon, Wilkie Collins, Oscar Wilde, Vernon Lee, Virgnia Woolf, Daphne du Maurier, Alfred Hitchcock, Otto Preminger and Fritz Lang, this study shows that what a society gets is often what it tries hardest not to see. A must-read for scholars and students of visuality, gender and sexuality.
The ultimate biography of the musical icon. A groundbreaking and vibrant look at the music hero to generations, DYLAN: The Biography digs deep into Bob Dylan lore—including subjects Dylan himself left out of Chronicles: Volume One. DYLAN: The Biography focuses on why this beloved artist has touched so many souls—and on how both Dylan and his audience have changed along the way. Bob Dylan is an international bestselling artist, a Pulitzer Prize–winning author, and an Oscar winner for "Things Have Changed." His career is stronger and more influential than ever. How did this happen, given the road to oblivion he seemed to choose more than two decades ago? What transformed a heroin addict into one of the most astonishing literary and musical icons in American history? At 72 years of age, Dylan's final act of his career is more intriguing than ever—and classic biographies like Bob Dylan: Behind the Shades and even his own Chronicles: Volume One came too soon to cover this remarkable new chapter in Dylan's life. Through extensive interviews and conversations with Dylan's friends, family, sidemen, and fans, Los Angeles Times journalist Dennis McDougal crafts an unprecedented understanding of Dylan and the intricate story behind the myths. Was his romantic life, especially with Sara Dylan, much more complicated than it appears? Was his motorcycle accident a cover for drug rehab? What really happened to Dylan when his career crumbled, and how did he find his way back? To what does he attribute his astonishing success? McDougal's meticulous research and comprehensive interviews offer a revealing new understanding of these long-standing questions—and of the current chapter Dylan continually writes in his life and career.
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