Step into the heart-wrenching world of "The Social Genocide Exhibition: A Journey of Remembrance and Human Rights Advocacy," orchestrated with deep compassion by a team of tireless volunteers and human rights champions of AST. This book is a vivid mosaic of human stories, echoing the cries for justice and the unyielding spirit of those who've suffered. Emerging from a poignant artistic tribute to the persecuted in Turkey, this exhibition, now a global endeavor, narrates the soul-stirring journey of relics and stories. These are not just artifacts; they are silent witnesses to tragedies, spanning from the historic lanes of Turkey to the bustling cities of the United States. Imagine a Kurdish mother's life brutally cut short, a young girl's laughter silenced by a sniper, a brave boy's fight against cancer in the shadow of injustice, and countless others who've faced the relentless storm of oppression. The author Deniz Kenan and AST volunteers have painstakingly curated these stories, transforming them from mere memories into powerful symbols of resilience and the fight for justice. Their mission transcends the physical exhibition, striving to immortalize these narratives in literature work, creating bridges of understanding and empathy across oceans and cultures. This book is an invitation to witness the resilience of the human spirit, a journey that challenges us to look beyond our borders and stand in solidarity with those who've been silenced. It's a reminder that in the vast tapestry of humanity, every thread - every story - is vital. Join us in this profound journey, as we delve into the pages of suffering, courage, and hope. Your engagement in this cause is more than support; it's a step towards a future where every voice of struggle and endurance is recognized and celebrated. Together, let's honor these stories and work towards a world that listens, understands, and acts for justice.
Step into the heart-wrenching world of "The Social Genocide Exhibition: A Journey of Remembrance and Human Rights Advocacy," orchestrated with deep compassion by a team of tireless volunteers and human rights champions of AST. This book is a vivid mosaic of human stories, echoing the cries for justice and the unyielding spirit of those who've suffered. Emerging from a poignant artistic tribute to the persecuted in Turkey, this exhibition, now a global endeavor, narrates the soul-stirring journey of relics and stories. These are not just artifacts; they are silent witnesses to tragedies, spanning from the historic lanes of Turkey to the bustling cities of the United States. Imagine a Kurdish mother's life brutally cut short, a young girl's laughter silenced by a sniper, a brave boy's fight against cancer in the shadow of injustice, and countless others who've faced the relentless storm of oppression. The author Deniz Kenan and AST volunteers have painstakingly curated these stories, transforming them from mere memories into powerful symbols of resilience and the fight for justice. Their mission transcends the physical exhibition, striving to immortalize these narratives in literature work, creating bridges of understanding and empathy across oceans and cultures. This book is an invitation to witness the resilience of the human spirit, a journey that challenges us to look beyond our borders and stand in solidarity with those who've been silenced. It's a reminder that in the vast tapestry of humanity, every thread - every story - is vital. Join us in this profound journey, as we delve into the pages of suffering, courage, and hope. Your engagement in this cause is more than support; it's a step towards a future where every voice of struggle and endurance is recognized and celebrated. Together, let's honor these stories and work towards a world that listens, understands, and acts for justice.
A major common misconception in scholarship on Kurdish journalistic discourses is that Kurdish intellectuals of the late Ottoman period cannot be portrayed as Kurdish nationalists. This theory prevails because of the belief that they not only endorsed and promoted Pan-Islamism and Ottoman nationalism instead of Kurdish ethnic nationalism, but also because they allegedly eschewed political demands and instead concerned themselves with ethno-cultural issues to articulate forms of “Kurdism” rather than “Kurdish nationalism.” Refuting this underlying misconstruction of the nexus between Pan-Islamism, Ottomanism, and Kurdish nationalism, this book argues, based on empirical findings, that the Kurdish periodicals of the late Ottoman period served as a communicative space in which Kurdish intellectuals negotiated and disseminated an unmistakable form of Kurdish nationalism. It claims that hegemonic Ottomanist and Pan-Islamist political thought were used in pragmatic ways in the service of burgeoning Kurdish nationalism, but were rejected altogether when they were no longer useful to fostering Kurdish nationalism.
Is it possible to generate "capitalist spirit" in a society, where cultural, economic and political conditions did not unfold into an industrial revolution, and consequently into an advanced industrial-capitalist formation? This is exactly what some prominent public intellectuals in the late Ottoman Empire tried to achieve as a developmental strategy; long before Max Weber defined the notion of capitalist spirit as the main motive behind the development of capitalism. This book demonstrates how and why Ottoman reformists adapted (English and French) economic theory to the Ottoman institutional setting and popularized it to cultivate bourgeois values in the public sphere as a developmental strategy. It also reveals the imminent results of these efforts by presenting examples of how bourgeois values permeated into all spheres of socio-cultural life, from family life to literature, in the late Ottoman Empire. The text examines how the interplay between Western European economic theories and the traditional Muslim economic cultural setting paved the way for a new synthesis of a Muslim-capitalist value system; shedding light on the emergence of capitalism—as a cultural and an economic system—and the social transformation it created in a non-Western, and more specifically, in the Muslim Middle Eastern institutional setting. This book will be of great interest to scholars of modern Middle Eastern history, economic history, and the history of economic thought.
What is the function of clerical leadership in Alevism based on sociocultural and political understandings? To answer that complex question, Deniz Cosan Eke examines the political, cultural, and religious debates surrounding Alevis and the Alevi movement in relation to the ideas and claims of the Turkish state, Alevi communities in Turkey, and migrant Alevi communities in Germany. The book, which focuses on the emergence of collective emotions in religious rituals, the struggle of religious groups in migration processes, and the leadership role of clergy in social movements, is of great interest to a wide readership.
This book tells the story of Yıldız Palace in Istanbul, the last and largest imperial residential complex of the Ottoman Empire. Today, the palace is physically fragmented and has been all but erased from Istanbul’s urban memory. At its peak, however, Yıldız was a global city in miniature and the center of the empire’s vast bureaucratic apparatus. Following a chronological arc from 1795 to 1909, The Accidental Palace shows how the site developed from a rural estate of the queen mothers into the heart of Ottoman government. Nominally, the palace may have belonged to the rarefied realm of the Ottoman elite, but as Deniz Türker reveals, the development of the site was profoundly connected to Istanbul’s urban history and to changing conceptions of empire, absolutism, diplomacy, reform, and the public. Türker explores these connections, framing Yıldız Palace and its grounds not only as a hermetic expression of imperial identity but also as a product of an increasingly globalized consumer culture, defined by access to a vast number of goods and services across geographical boundaries. Drawn from archival research conducted in Yıldız’s imperial library, The Accidental Palace provides important insights into a decisive moment in the palace’s architectural and landscape history and demonstrates how Yıldız was inextricably tied to ideas of sovereignty, visibility, taste, and self-fashioning. It will appeal to specialists in the art, architecture, politics, and culture of nineteenth-century Turkey and the Ottoman Empire.
This book is a collection of selected papers presented at the 3rd Turkish Migration Conference (TMC). TMC 2015 was hosted by Charles University Prague, Czech Republic from 25 to 27 June 2015. The TMC 2015 was the third event in the series that we were proud to organise and host at Charles University Prague. This selection of papers presented at the conference are only a small portion of contributions. Many other papers are included in edited books and submitted to refereed journals in due course. There were a total of about 146 papers by over 200 authors presented in 40 parallel sessions and three plenary sessions at Jinonice Campus of Charles University Prague. About a fıfth of the sessions at the conference were in Turkish language although the main language was English. Therefore some of the proceedings are in Turkish too. The keynote speakers included Douglas Massey of Princeton University, Caroline Brettell of Southern Methodist University, and Nedim Gürsel of CNRS.
The Kurds constitute the largest stateless nation in the world. Their position in Turkey attracts attention both within the country and internationally, particularly focusing on the demand for Kurdish independence. Yet since the 1990s, new Kurdish parties have formed within Turkey who have a variety of ideologies and demands that go beyond, and differ in opinion on, the question of independence. Much of the present literature on the topic looks at the Kurds of Turkey as a homogenous group with unified political demands, which over-simplifies their position within the political backdrop of Turkey. This book seeks to provide nuance and depth to the current debate on Kurdish political agency and presence in Turkey. Presently, the Kurds' political demands can be classified into four categories; democratic autonomy, their cultural rights to be granted, federalism (territorial autonomies) and independence (creation of a Kurdish nation-state). In a broad sense, these models can also be ordered into two categories; territorial political models (federalism and independence) and non-territorial political models (democratic autonomy and cultural rights). Considering the diversity within the Kurdish community - intertwinement of tribal, ethnic and national identity - and differences in their language, religion and ideology, there are several contributing factors for the emergence of the current varied political demands of Kurds. By explaining variation among the Kurds' political demands through close analysis of existing at emerging parties, this study challenges a deterministic approach to the Kurds which currently dominates the discourse.
This book engages critically with mainstream accounts of Anatolian Tigers in contemporary Turkey. Based on her fieldwork in Çorum, Deniz explores the dynamics of medium-size businesses with a dual optic of political economy and moral economy. She demonstrates that the formation of the entrepreneurial stratum is a multifaceted process and zooms into a range of workplaces to show the entanglements of market and non-market dynamics in everyday life. This innovative work sheds original light on the role of kinship, religion and social values in shaping the everyday politics of labour. Ceren Deniz taught 'Economic Anthropology' at Martin Luther University Halle-Wittenberg in 2020-2021.
Şehrengiz is an Ottoman genre of poetry written in honor of various cities and provincial towns of the Ottoman Empire from the early sixteenth century to the early eighteenth century. This book examines the urban culture of Ottoman Istanbul through Şehrengiz, as the Ottoman space culture and traditions have been shaped by a constant struggle between conflicting groups practicing political and religious attitudes at odds. By examining real and imaginary gardens, landscapes and urban spaces and associated ritualized traditions, the book questions the formation of Ottoman space culture in relation to practices of orthodox and heterodox Islamic practices and imperial politics. The study proposes that Şehrengiz was a subtext for secret rituals, performed in city spaces, carrying dissident ideals of Melami mysticism; following after the ideals of the thirteenth century Sufi philosopher Ibn al-’Arabi who proposed a theory of 'creative imagination' and a three-tiered definition of space, the ideal, the real and the intermediary (barzakh). In these rituals, marginal groups of guilds emphasized the autonomy of individual self, and suggested a novel proposition that the city shall become an intermediary space for reconciling the orthodox and heterodox worlds. In the early eighteenth century, liminal expressions of these marginal groups gave rise to new urban rituals, this time adopted by the Ottoman court society and by affluent city dwellers and expressed in the poetry of Nedîm. The author traces how a tradition that had its roots in the early sixteenth century as a marginal protest movement evolved until the early eighteenth century as a movement of urban space reform.
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