This book is about my journey from being a broken woman to becoming a whole woman. I had spent twenty years in a relationship for all the wrong reasons, and it was sucking the life out of me. Writing this book helped me heal on many levels, some of which I had no idea existed. It was during the healing process that I visited each platform written about in my book. The process hurt, but was well worth the time invested. God planted the seeds for this book twelve years ago. But, because I was hard-headed, I dragged my feet until my marriage almost consumed me. My children were watching me live a life devoid of joy and happiness. I cringed whenever my husband would come near me, and knew there had to be another way to live. My children and I deserved a happier, peaceful, and less-stressed life. Finally, I took God at His word and took that initial step of faith that forever changed my life. It is my hope to spur other women from all walks of life to have the courage to take that step of faith and begin their own rollercoaster ride to healing. Denise Frank was born in Waterbury, Connecticut, and now lives in Phoenixville, Pennsylvania. "I was homeless for the final eight weeks spent working on my book. My kids and I lived in a shelter, and I continued to write despite the situation we were in. Women have to know that, no matter where they are in life, there is always light at the end of the tunnel." Publisher's website: http: //sbpra.com/DeniseYFrank
The Cold War was as much a battle of ideas as a series of military and diplomatic confrontations, and movies were a prime battleground for this cultural combat. As Tony Shaw and Denise Youngblood show, Hollywood sought to export American ideals in movies like Rambo, and the Soviet film industry fought back by showcasing Communist ideals in a positive light, primarily for their own citizens. The two camps traded cinematic blows for more than four decades. The first book-length comparative survey of cinema's vital role in disseminating Cold War ideologies, Shaw and Youngblood's study focuses on ten films—five American and five Soviet—that in both obvious and subtle ways provided a crucial outlet for the global "debate" between democratic and communist ideologies. For each nation, the authors outline industry leaders, structure, audiences, politics, and international reach and explore the varied relationships linking each film industry to its respective government. They then present five comparative case studies, each pairing an American with a Soviet film: Man on a Tightrope with The Meeting on the Elbe; Roman Holiday with Spring on Zarechnaya Street; Fail-Safe with Nine Days in One Year; Bananas with Officers; Rambo: First Blood Part II with Incident at Map Grid 36-80. Shaw breathes new life into familiar American films by Elia Kazan and Woody Allen, while Youngblood helps readers comprehend Soviet films most have never seen. Collectively, their commentaries track the Cold War in its entirety—from its formative phase through periods of thaw and self-doubt to the resurgence of mutual animosity during the Reagan years-and enable readers to identify competing core propaganda themes such as decadence versus morality, technology versus humanity, and freedom versus authority. As the authors show, such themes blurred notions regarding "propaganda" and "entertainment," terms that were often interchangeable and mutually reinforcing during the Cold War. Featuring engaging commentary and evocative images from the films discussed, Cinematic Cold War offers a shrewd analysis of how the silver screen functioned on both sides of the Iron Curtain. As such it should have great appeal for anyone interested in the Cold War or the cinematic arts.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.