There’s no predicting a Denise Duhamel poem, except that it might be about something you’ve never seen in a poem before: Mr. Donut, Rodney King, or nude beaches; Gertrude Stein, phone sex, or the Girl Scouts. Poems from The Woman with Two Vaginas, a book that was censored when it first appeared, are based on Inuit folklore. How the Sky Fell offers revisionist fairy tales, and the poems from Kinky are inspired by Barbie dolls. In her new work, Duhamel suffers postmodern angst when using the “therapeutic I.” Denise Duhamel has startled readers of American poetry with work that pirouettes on a tightrope above the personal and the political, the spoken word and the page, the irreverent and the sacred. Queen for a Day showcases poems from her five previous collections, along with new work.
Ka-Ching! is a book of poems that explores America’s obsession with money. It also includes a crown of sonnets about e-bay, sestinas on the subjects of Sean Penn and the main characters of fairytales, a pantoum that riffs on a childhood riddle, and a villanelle inspired by bathroom grafitti.
In Blowout, Denise Duhamel asks the same question that Frankie Lyman & the Teenagers asked back in 1954—"Why Do Fools Fall in Love?" Duhamel's poems readily admit that she is a love-struck fool, but also embrace the "crazy wisdom" of the Fool of the Tarot deck and the fool as entertainer or jester. From a kindergarten crush to a failed marriage and beyond, Duhamel explores the nature of romantic love and her own limitations. She also examines love through music, film, and history—Michelle and Barak Obama's inauguration and Cleopatra's ancient sex toy. Duhamel chronicles the perilous cruelties of love gone awry, but also reminds us of the compassion and transcendence in the aftermath. In "Having a Diet Coke with You," she asserts that "love poems are the most difficult poems to write / because each poem contains its opposite its loss / and that no matter how fierce the love of a couple / one of them will leave the other / if not through betrayal / then through death." Yet, in Blowout, Duhamel fiercely and foolishly embraces the poetry of love.
When her "smart" phone keeps asking her to autocorrect her name to Denise Richards, Denise Duhamel begins a journey that takes on celebrity, sex, reproduction, and religion with her characteristic wit and insight. The poems in Scald "engage" feminism in two ways—committing to and battling with—various principles and beliefs. Duhamel wrestles with foremothers and visionaries Shulamith Firestone, Andrea Dworkin, and Mary Daly as well as with pop culture figures such as Helen Reddy, Cyndi Lauper, and Bikini Kill. In dialogue with artists and writers such as Catherine Opie, Susan Faludi, and Eve Ensler, Duhamel tries to understand our cultural moment. While Duhamel's Scald can burn, she has more importantly taken on the role of the ancient Scandinavian "Skald," one who pays tribute to heroic deeds. In Duhamel's case, her heroes are also heroines.
When her "smart" phone keeps asking her to autocorrect her name to Denise Richards, Denise Duhamel begins a journey that takes on celebrity, sex, reproduction, and religion with her characteristic wit and insight. The poems in Scald "engage" feminism in two ways—committing to and battling with—various principles and beliefs. Duhamel wrestles with foremothers and visionaries Shulamith Firestone, Andrea Dworkin, and Mary Daly as well as with pop culture figures such as Helen Reddy, Cyndi Lauper, and Bikini Kill. In dialogue with artists and writers such as Catherine Opie, Susan Faludi, and Eve Ensler, Duhamel tries to understand our cultural moment. While Duhamel's Scald can burn, she has more importantly taken on the role of the ancient Scandinavian "Skald," one who pays tribute to heroic deeds. In Duhamel's case, her heroes are also heroines.
There’s no predicting a Denise Duhamel poem, except that it might be about something you’ve never seen in a poem before: Mr. Donut, Rodney King, or nude beaches; Gertrude Stein, phone sex, or the Girl Scouts. Poems from The Woman with Two Vaginas, a book that was censored when it first appeared, are based on Inuit folklore. How the Sky Fell offers revisionist fairy tales, and the poems from Kinky are inspired by Barbie dolls. In her new work, Duhamel suffers postmodern angst when using the “therapeutic I.” Denise Duhamel has startled readers of American poetry with work that pirouettes on a tightrope above the personal and the political, the spoken word and the page, the irreverent and the sacred. Queen for a Day showcases poems from her five previous collections, along with new work.
In Blowout, Denise Duhamel asks the same question that Frankie Lyman & the Teenagers asked back in 1954—"Why Do Fools Fall in Love?" Duhamel's poems readily admit that she is a love-struck fool, but also embrace the "crazy wisdom" of the Fool of the Tarot deck and the fool as entertainer or jester. From a kindergarten crush to a failed marriage and beyond, Duhamel explores the nature of romantic love and her own limitations. She also examines love through music, film, and history—Michelle and Barak Obama's inauguration and Cleopatra's ancient sex toy. Duhamel chronicles the perilous cruelties of love gone awry, but also reminds us of the compassion and transcendence in the aftermath. In "Having a Diet Coke with You," she asserts that "love poems are the most difficult poems to write / because each poem contains its opposite its loss / and that no matter how fierce the love of a couple / one of them will leave the other / if not through betrayal / then through death." Yet, in Blowout, Duhamel fiercely and foolishly embraces the poetry of love.
Ka-Ching! is a book of poems that explores America’s obsession with money. It also includes a crown of sonnets about e-bay, sestinas on the subjects of Sean Penn and the main characters of fairytales, a pantoum that riffs on a childhood riddle, and a villanelle inspired by bathroom grafitti.
The Star-Spangled Banner, Denise Duhamel's sixth book of poems, is about falling in love, American-style, with someone who is not American. In the title poem, a small American girl mishears the first line of "The Star-Spangled Banner" as "José, can you see?", which leads her to imagine a foreign lover of an American woman dressed in a star-spangled gown. The misunderstandings caused by language recur throughout the book: contemplating what "yes" means in different cultures; watching Nickelodeon's "Nick at Nite" with a husband who grew up in the Philippines and never saw The Patty Duke Show; misreading another poet's title "The Difference Between Pepsi and Coke" as "The Difference Between Pepsi and Pope" and concluding that "Pepsi is all for premarital sex. / The Pope won't stain your teeth." Misunderstandings also abound as characters mingle with others from different classes. In "Cockroaches," a father-in-law refers to budget-minded American college students backpacking in Europe as cockroaches, not realizing his daughter-in-law was once, not so long ago, such a student/roach herself. With welcome levity and refreshing irreverence, The Star-Spangled Banner addresses issues of ethnicity, class, and gender in America.
When her Florida apartment is damaged by the ferocity of Hurricane Irma, Duhamel turns to Dante andterza rima, reconstructing the form into the long poem “Terza Irma.” Throughout the book she investigates our near-catastrophic ecological and political moment, hyperaware of her own complicity, resistance, and agency. She writes odes to her favorite uncle—who was “green” before it was a hashtag—and Mother Nature via a retro margarine commercial. She writes letters to her failing memory as well as to America’s amnesia. With fear of the water below and a burglar who enters through her second story window, she bravely faces the story under the story, the second story we often neglect to tell. Excerpt from “Terza Irma” I hoist my suitcase up the stairs, brace myself as I open the door, slip on water in the hall, and come face to face with my books, the white shelves drip- ping. I pull down Dante—the pages heavy, wavy as potato chips— then pat down the walls, trying to gauge where the leak’s come from—the apartment above? My ceiling’s dappled with beige clouds I’m afraid will burst, a descent of more indoor rain. I make my way to the condo office, to lament the havoc, ask for some help. My neigh- bors are in varied states of panic and shock, agitated castaways.
Harness the ancient power and wisdom of Classical Feng Shui to enhance all of your relationships, from romantic pursuits to day-to-day interactions with friends, family, and coworkers. Explore real-life stories of men and women's struggles with love and relationships and how Feng Shui enabled them to overcome their obstacles. Whether you are a beginner or advanced student, Master Denise Liotta Dennis provides you with step-by-step instructions on: The two most popular Feng Shui systems: Eight Mansions and Flying Stars How to heal your house of detrimental formations that will repel romance and cause negative relationships Never-before-seen insights on the Life-Gua Zodiac, which helps you assess personality matches Other closely held secrets used by Feng Shui masters, including a variety of period charts Classical Feng Shui for Romance, Sex & Relationships is filled with effective methods for attracting love, prosperity, and even your soul mate. Use this comprehensive guide to improve not just the energy of your living space today, but also your happiness for many years to come.
In New York Times bestselling author Denise Swanson’s “slightly zany”* new mystery series, Devereaux Sinclair loves running her old-fashioned store in her small Missouri hometown. If only murder didn’t keep landing on her doorstep… Dev’s five-and-dime may be doing well, but her love life is in turmoil. She’s torn between Deputy U.S. Marshal Jake Del Vecchio, who is on an undercover assignment, and her ex-beau Noah Underwood, the local doctor from a high-society family. So she welcomes the distraction when Elise Whitmore offers her a great deal on antique chocolate molds that would be perfect for her Easter gift baskets. But do the molds actually belong to Elise’s soon-to-be ex-husband? In buying them, has Dev committed a felony? When Elise is found shot to death, the mystery deepens—and Dev’s good friend Boone, who discovered the body, is taken into custody. With the help of her best buds, Dev must clear Boone’s name and find the real killer. Good thing that when it comes to amateur sleuths, they broke the mold with Dev Sinclair. *Library Journal
Cities have become the major habitat for human societies. They are also the places where the starkest social inequalities show up. Income, social, land and housing inequalities shape the built environment and living conditions of different neighborhoods of cities, and in return, unequal access to services, environmental quality and favorable health conditions in different neighborhoods and cities fuel the reproduction of interpersonal inequalities. This book examines how inequalities are produced and reproduced both within and between cities. In particular, we review land rent and social segregation theories from diverse disciplinary references and through examples taken from around the world. The attraction of urban centralities, which is further reinforced by the growing financialization of property and urban capital, is also analyzed through the lens of its influence on rent-seeking mechanisms and the ever increasing pressure of population migration.
Chronic illness and pain are now, more than ever, seen asas major problems in the current health care system. Because they are unresponsive to both antibiotics and surgery, theyr are seen as elusive and mysterious. The National Medical Expenditure Survey estimates that over 80 million U.S. citizens live with a chronic illness. The most prevalent are arthritis, diabetes, respiratory diseases, hypertension and mental illness. This book uses the novel Robinson Crusoe as an archetypal metaphor for the patients who must learn to survive on their own isolated "island" of chronic pain. This unique style is combined with a variety of in-session approaches and other tools which clients have found helpful in identifying their goals and progress. By emphasizing the importance of self-care the authors hope to diminish the sense of helplessness felt by the both the patients their loved ones.
A full-color text, lab manual, & atlas—all in one! Here are all the tools medical laboratory science students need to master the principles of hematology and the fundamentals of hemostasis. Author Denise M. Harmening has curated contributions from a team of expert educators and clinicians. With support from her Associate Editor LeAnne Hutson, she brings you comprehensive, yet focused coverage that prepares you for the real world in which you will practice. Begin with an introduction to clinical hematology and the anemias, and then progress through white blood cell disorders and hemostasis to thrombosis and laboratory methods. Find step-by-step laboratory procedures and critical-thinking cases online at FADavis.com for easy access anytime, anywhere.
The standard location tool for full-length plays published in collections and anthologies in England and the United States since the beginning of the 20th century, Ottemiller's Index to Plays in Collections has undergone seven previous editions, the latest in 1988, covering 1900 through 1985. In this new edition, Denise Montgomery has expanded the volume to include collections published in the entire English-speaking world through 2000 and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors. Representing the largest expansion between editions, this updated volume is a valuable resource for libraries worldwide.
The Star-Spangled Banner, Denise Duhamel's sixth book of poems, is about falling in love, American-style, with someone who is not American. In the title poem, a small American girl mishears the first line of "The Star-Spangled Banner" as "José, can you see?", which leads her to imagine a foreign lover of an American woman dressed in a star-spangled gown. The misunderstandings caused by language recur throughout the book: contemplating what "yes" means in different cultures; watching Nickelodeon's "Nick at Nite" with a husband who grew up in the Philippines and never saw The Patty Duke Show; misreading another poet's title "The Difference Between Pepsi and Coke" as "The Difference Between Pepsi and Pope" and concluding that "Pepsi is all for premarital sex. / The Pope won't stain your teeth." Misunderstandings also abound as characters mingle with others from different classes. In "Cockroaches," a father-in-law refers to budget-minded American college students backpacking in Europe as cockroaches, not realizing his daughter-in-law was once, not so long ago, such a student/roach herself. With welcome levity and refreshing irreverence, The Star-Spangled Banner addresses issues of ethnicity, class, and gender in America.
Caprice: Collected, Uncollected, and New Collaborations is the quirky love child of Denise Duhamel and Maureen Seaton, award-winning poets who teamed up over twenty-five years ago to practice their collaborative skills on every topic they could joyfully exploit: feminism, gender, sex, witches, religion, the canon, movies, and Olive Oyl, to name just a few. From the erotic to the comedic, the political to the poignant, Caprice presents a fresh look at life from the unpredictable minds of two celebrated writers in their prime.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.