Before Writing gives a new perspective on the evolution of communication. It points out that when writing began in Mesopotamia it was not, as previously thought, a sudden and spontaneous invention. Instead, it was the outgrowth of many thousands of years' worth of experience at manipulating symbols. In Volume I: From Counting to Cuneiform, Denise Schmandt-Besserat describes how in about 8000 B.C., coinciding with the rise of agriculture, a system of counters, or tokens, appeared in the Near East. These tokens—small, geometrically shaped objects made of clay—represented various units of goods and were used to count and account for them. The token system was a breakthrough in data processing and communication that ultimately led to the invention of writing about 3100 B.C. Through a study of archaeological and epigraphic evidence, Schmandt-Besserat traces how the Sumerian cuneiform script, the first writing system, emerged from a counting device. In Volume II: A Catalog of Near Eastern Tokens, Schmandt-Besserat presents the primary data on which she bases her theories. These data consist of several thousand tokens, catalogued by country, archaeological site, and token types and subtypes. The information also includes the chronology, stratigraphy, museum ownership, accession or field number, references to previous publications, material, and size of the artifacts. Line drawings and photographs illustrate the various token types.
Climate technology becomes more and more relevant in international environmental policy negotiations. At the Kyoto conference binding emission reduction targets have been established for several regions of the world. The major challenge is how to realize these reduction goals with minimum costs without generating new distributional and social difficulties. The book analyses the macroeconomic structural and distributional impacts of greenhouse gas mitigation strategies for the EU and the member states.
From 'audet IX to Zytchin III, this book covers it all. This is the ultimate reference book for all Star Trek fans! Added to this edition are 128 new pages. This addendum highlights the latest episodes of Star Trek: Deep Space Nine®, Star Trek: Voyager® and the newest feature film, Star Trek: Insurrection™. The thousands of photos and hundreds of illustrations place the Star Trek universe at your fingertips. Planets and stars, weapons and ships, people and places are just part of the meticulous research and countless cross-reference that fill this book.
What does it mean to be a white settler on land taken from peoples who have lived there since time immemorial? In the context of reconciliation and Indigenous resurgence, Unsettling Spirit provides a personal perspective on decolonization, informed by Indigenous traditions and lifeways, and the need to examine one's complicity with colonial structures. Applying autoethnography grounded in Indigenous and feminist methodologies, Denise Nadeau weaves together stories and reflections on how to live with integrity on stolen and occupied land. The author chronicles her early and brief experience of "Native mission" in the late 1980s and early 1990s in northern Canada and Chiapas, Mexico, and the gradual recognition that she had internalized colonialist concepts of the "good Christian" and the Great White Helper. Drawing on somatic psychotherapy, Nadeau addresses contemporary manifestations of helping and the politics of trauma. She uncovers her ancestors' settler background and the responsibilities that come with facing this history. Caught between two traditions – born and raised Catholic but challenged by Indigenous ways of life – the author traces her engagement with Indigenous values and how relationships inform her ongoing journey. A foreword by Cree-Métis author Deanna Reder places the work in a broader context of Indigenous scholarship. Incorporating insights from Indigenous ethical and legal frameworks, Unsettling Spirit offers an accessible reflection on possibilities for settler decolonization as well as for decolonizing Christian and interfaith practice.
A revised and expanded edition of an authoritative history presents a complete history of Spanish Texas, including important new discoveries about American Indians and women in early Texas. Simultaneous. Hardcover available.
Representing the largest expansion between editions, this updated volume of Ottemiller's Index to Plays in Collections is the standard location tool for full-length plays published in collections and anthologies in England and the United States throughout the 20th century and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors.
An “utterly lucid, thoughtfully illustrated, and thoroughly convincing” book on the origins of the world’s oldest known system of writing (American Journal of Archaeology). One of American Scientist's Top 100 Books on Science, 2001 In 1992, the University of Texas Press published Before Writing, Volume I: From Counting to Cuneiform and Before Writing, Volume II: A Catalog of Near Eastern Tokens. In these two volumes, Denise Schmandt-Besserat set forth her groundbreaking theory that the cuneiform script invented in the Near East in the late fourth millennium B.C.—the world's oldest known system of writing—derived from an archaic counting device. How Writing Came About draws material from both volumes of this scholarly work to present Schmandt-Besserat’s theory in an abridged version for a wide public and classroom audience. Based on the analysis and interpretation of a selection of 8,000 tokens or counters from 116 sites in Iran, Iraq, the Levant, and Turkey, it documents the immediate precursor of the cuneiform script./DIV
The stories of the companions of Samuel de Champlain, the families who lives, worked, survived, and endured life at an isolated trading post in the strange New World-- these stories add flesh to the dry bones of the history of the seventeenth-century Age of Exploration.
A "cozy" mystery set on the beautiful shores of Nova Scotia, Mystery Gifts draws on the colorful culture and people of the southwestern coast of that Canadian province. The cast of characters includes people from different cultures and religions who work together to solve a mystery uncovered by bored U.S. visitors when five days of their vacation are rained out. The backgrounds of the characters contribute to their unique methods, as do the surprising and unusual "gifts" that three wish they didn't have. There is also a touch of magical realism-in the form of seagulls. Mystery Gifts is a compelling murder mystery with some unexpected twists and turns. But it is also so much more. It's a story about human connection and how that connection can help us recognize the unique gifts we all possess. Thompson-Slaughter's debut novella inspires just as much as it entertains. Christine Green, Words on the Verge
Echoing and expanding the aims of the first volume, Visualities: Perspectives on Contemporary American Indian Film and Art, this second volume contains illuminating global Indigenous visualities concerning First Nations, Aboriginal Australian, Maori, and Sami peoples. This insightful collection of essays explores how identity is created and communicated through Indigenous film-, video-, and art-making; what role these practices play in contemporary cultural revitalization; and how indigenous creators revisit media pasts and resignify dominant discourses through their work. Taking an interdisciplinary approach, Visualities Two draws on American Indian studies, film studies, art history, cultural studies, visual culture studies, women’s studies, and postcolonial studies. Among the artists and media makers examined are Tasha Hubbard, Rachel Perkins, and Ehren “Bear Witness” Thomas, as well as contemporary Inuit artists and Indigenous agents of cultural production working to reimagine digital and social platforms. Films analyzed include The Exiles, Winter in the Blood, The Spirit of Annie Mae, Radiance, One Night the Moon, Bran Nue Dae, Ngati, Shimásání, and Sami Blood.
Visual poetry is a basis of awareness. A creative collection illuminates a spirit of optimism. Jubilation is expressed toward the universe. Good poetry is boundless. Denise L. Handal captures the scene in poems and photography. Rainbows Over the Land is showcased for your reading and visual pleasure. Now available! Eloquence, turn your face from mine - my heart should lace with ice. - DLH ISBN 978-1-4817-5604-4 (e-Book) ISBN 978-1-4685-4651-4 (soft cover)
The main focus of this daring study is the veiled message concealed in the trilogy consisting of Zadig, Candide and L’Ingénu. Micromégas, Le Mondain and the Poem on the Disaster of Lisbon are also examined esoterically. The Voltairian “contraband” which is the core of those writings was too explosive for overt publication during the lifetime of the author. More dangerous to reveal than his well-known, subversive socio-political views was the spiritual source of his militancy. Accordingly, his veiled message was meant for the general reading public of the future. But it never went unnoticed by other literary “smugglers.” Hints and clues to the presence of hidden material are many. Zadig, for instance, is described by its author as “a story that says more than it seems to say,” a massive understatement. Voltaire is “only” one star in a spectacular constellation of similarly inspired writers. Among such luminaries are Rabelais, Vigny, Ibsen, Proust, Sinclair Lewis and Saint-Exupéry. In the words of Marcel Proust, “the great writers have never done but one work…” Leads are given to encourage the esoteric exploration of the vast domain of esoteric literature. An esoteric Glossary is included in this book.
Lucinda was happy and deeply in love, but 'old sins have long shadows', and on the very night of her engagement party the dark, dangerous shadow of her past confronted her. Her wonderful engagement party went sour very quickly--at the sight of her fiance's brother Max and the woman he escorted. Vivian had nearly ruined Lucinda's life once before, with her unreasonable jealousy and terrible accusations. Vivian wouldn't let the past rest, and Max only had his brother's "best Interests" at heart. Between the two of them, Lucinda's future was in doubtful hands.... One woman was determined to destroy her... One man believed in her - loved her.
Opera: The Basics offers an excellent introduction to four centuries of opera. Its easy to follow sections explore topics including: the origins of opera basic terminology the history of major opera genres including: serious opera, comic opera, semi-serious opera and vernacular opera. With key notes, discography and videography, this is the ideal book for students and interested listeners who want to learn more about this important musical genre.
A captivating tale from the 100-million-copy bestselling Queen of Romance, first published in 1953 and now available for the first time in eBook. Gemma Grantham and Bette Dickens decide to have a really luxurious holiday. Longing for romance they move into a suite at the fabulous Hotel Splendide. Then to add excitement to their joy, Gemma pretends to be an heiress and falls into the clutches of Rudy Shore, a handsome fortune seeker. Adventure follows adventure, and although heartbreak threatens, love is destined to find a way...
As perhaps the most influential composer of the twentieth century, Igor Stravinsky lived much of his long life on the public stage. But behind that public face was a very private man, at once father and husband, and patriarch of an extended but tightly knit Russian family.This two-part chronicle is written by his eldest son Theodore, and Theodore's wife Denise. These intimate memoirs take us to the very heart of the Stravinsky family home in the years leading up to the Second World War.This new volume also contains a wealth of family photographs, revealing the composer not as the often forbidding figure of the official photographic record, but as a husband and father at play and at work in the midst of a large and vibrant family.
Frida Kahlo remains one of the most popular artists of our timesales of Frida books number into the hundreds ofthousandsand yet no volume has ever focused on one of the most memorable aspects of her persona and creativeoeuvre: her wardrobe. Now, for the first time, 95 original and beautifully staged photographs of Kahlo's newly restored clothing are paired with historic photos of the artist wearing them and her paintings in which the garments appear. Frida's life and style were an integral part of her art, and she is long overdue for recognition as a fashion icon.
Nearly forgotten by history, this is the story of the Wereth Eleven, African-American soldiers who fought courageously for freedom in WWII—only to be ruthlessly executed by Nazi troops during the Battle of the Bulge. Their story was almost forgotten by history. Now known as the Wereth Eleven, these brave African-American soldiers left their homes to join the Allied effort on the front lines of WWII. As members of the 333rd Field Artillery Battalion, they provided crucial fire support at the Siege of Bastogne. Among the few who managed to escape the Nazi’s devastating Ardennes Offensive, they found refuge in the small village of Wereth, Belgium. A farmer and supporter of the Allies took the exhausted and half-starved men into his home. When Nazi authorities learned of their whereabouts, they did not take the soldiers prisoner, but subjected them to torture and execution in a nearby field. Despite their bravery and sacrifice, these eleven soldiers were omitted from the final Congressional War Crimes report of 1949. For seventy years, their files—marked secret—gathered dust in the National Archive. But in 1994, at the site of their execution, a memorial was dedicated to the Wereth Eleven and all African-American soldiers who fought in Europe. Drawing on firsthand interviews with family members and fellow soldiers, The Lost Eleven tells the complete story of these nearly forgotten soldiers, their valor in battle and their tragic end. INCLUDES PHOTOS
Many parents today believe that two steady incomes are not only desirable but absolutely necessary in order to raise a family. Yet most full-time working mothers say that if it weren't for the money, they would not work, and instead would stay at home with their children. After the birth of her second child, Denise Topolnicki faced this common dilemma: Continue working full-time, or spend more time with her family? As a former editor of Money, Denise used her financial expertise and discovered that she could work only part-time and be at home for her children--while not breaking her family's budget. By combining her investment know-how with compassionate advice, Denise gives parents a clear-cut strategy for controlling their money--from saving on food, to creating a cash reserve, to learning how to retire on less than two incomes. Packed with worksheets, detailed plans, and inspiring case studies, Topolnicki's plan helps families set fun priorities while still balancing the checkbook. Whether you want to leave work altogether or continue part-time, this book is the key to freedom for millions of families trapped on the working-parent treadmill.
This book won the 2023 The Wildlife Society Publication Award in the authored book category. Human-wildlife interactions increase exponentially as more and more humans and wildlife crowd into the same limited space. Such interactions often become conflicts when wildlife threaten human health and safety, well-being, or the food supply. This second edition of Human-Wildlife Interactions: From Conflict to Coexistence provides a comprehensive review of the severity of these problems and the methods used to resolve clashes between humans and wildlife. During his forty-year career as a wildlife professor and scientist, Dr. Michael Conover, founder of journal Human-Wildlife Interactions, has become a recognized leader of the scientific field of human-wildlife interactions. In this book, he presents the range of methods for wildlife damage management, including employing lethal methods; distributing supplemental food; changing the behavior of either humans or wildlife; and excluding or repelling wildlife. Backed by numerous case studies and informative side bars, the book documents resolutions to specific human-wildlife conflicts throughout the literature. Containing full color illustrations throughout, the second edition of Human-Wildlife Interactions: From Conflict to Coexistence provides authoritative coverage and depth of both theoretical and practical information. It serves as an invaluable resource for students, researchers, and professional wildlife managers. Disclaimer: Figure 7.7 (b) on page 251 was incorrectly attributed in previous printings. The photographer of figure 7.7 (b) is Cynthia Herrick.
Alternating discursive accounts with fictional vignettes that recreate time and place, this book skillfully integrates the history of French gardens with the modern history of ideas.
The resources here will guide you along a pathway of self-assessment, discovery, and fulfillment.This well-researched book exposes the addictive paradigms that bind us to society (and often to one another) and hinder our growth as free-thinking individuals and then provides a new framework through which we can approach our lives and view the world.
A striking account of a colony for the mentally ill that forces a reconsideration of madness in society. What happens when the mentally ill are not isolated from society but are instead welcomed into it and invited to take a place in the fabric of the community? Are fear and rejection replaced by the understanding and sympathy often engendered by familiarity? Or are the barriers between the sane and the mad only strengthened? We have experienced a taste of this scenario in the U.S. in the last decade with the new emphasis on de-institutionalization, but Denise Jodelet takes us to an extraordinary community in France where the mentally ill have assumed a visible and prominent role for more than seventy years. The small French town of Ainay-le-Chteau and its environs are the site of a "family colony" for men, established in 1900. Here the patients ("lodgers") live with ordinary families ("foster parents"), hold jobs, and are free to move about the countryside. Jodelet's chronicle of daily life in the colony is made rich and vivid by extensive ethnographic material as she unravels a complex set of relationships, ultimately finding that while some of the barriers between the "other" and the larger society have been overcome, new ones have arisen in their place. This unique social experiment provides invaluable social and cultural insights, illuminating many fundamental issues in psychology, psychiatry, and sociology. A striking account of a colony for the mentally ill that forces a reconsideration of madness in society. What happens when the mentally ill are not isolated from society but are instead welcomed into it and invited to take a place in the fabric of the community? Are fear and rejection replaced by the understanding and sympathy often engendered by familiarity? Or are the barriers between the sane and the mad only strengthened? We have experienced a taste of this scenario in the U.S. in the last decade with the new emphasis on de-institutionalization, but Denise Jodelet takes us to an extraordinary community in France where the mentally ill have assumed a visible and prominent role for more than seventy years. The small French town of Ainay-le-Chteau and its environs are the site of a "family colony" for men, established in 1900. Here the patients ("lodgers") live with ordinary families ("foster parents"), hold jobs, and are free to move about the countryside. Jodelet's chronicle of daily life in the colony is made rich and vivid by extensive ethnographic material as she unravels a complex set of relationships, ultimately finding that while some of the barriers between the "other" and the larger society have been overcome, new ones have arisen in their place. This unique social experiment provides invaluable social and cultural insights, illuminating many fundamental issues in psychology, psychiatry, and sociology.
“Varney combines a theoretically astute sense of the hybridity of the dramatic event, with a dense but lucidly rendered sociological history of White’s plays as they progress through different productions, revivals, and receptions … This is an essential insight, and one which could be usefully extended to White’s novels, and perhaps to Australian modernism broadly.” - Jonathan Dunk, Australian Book Review One of the giants of Australian literature and the only Australian writer to have won the Nobel Prize for Literature, Patrick White received less acclaim when he turned his hand to playwriting. In Patrick White’s Theatre, Denise Varney offers a new analysis of White’s eight published plays, discussing how they have been staged and received over a period of 60 years. From the sensational rejection of The Ham Funeral by the Adelaide Festival in 1962 to 21st-century revivals incorporating digital technology, these productions and their reception illustrate the major shifts that have taken place in Australian theatre over time. Varney unpacks White’s complex and unique theatrical imagination, the social issues that preoccupied him as a playwright, and his place in the wider Australian modernist and theatrical traditions.
I argue for a history of Native American art that is politically informed," Margaret Dubin writes, "and for a criticism of contemporary Native American fine arts that is historically founded." Integrating ethnography, discourse analysis, and social theory in a careful mapping of the Native American art world, this insightful new study explores the landscape of 'intercultural spaces' -- the physical and philosophical arenas in which art collectors, anthropologists, artists, historians, curators, and critics struggle to control the movement and meaning of art objects created by Native Americans. Dubin examines the ideas and interactions involved in contemporary collecting, in particular, to understand how marketplace demands have homogenised Western perceptions of 'authentic' Native American art. In doing so, she reveals the power relations of an art world in which Native American artists work within and against a larger system that seeks to control people by manipulating objects.
Albuquerque, N. M. : University of New Mexico Press
Published Date
ISBN 10
0826321747
ISBN 13
9780826321749
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