Denis Law was a goal-scoring genius who attacked the game with an enthusiasm that held his legions of loyal subjects in devoted awe. The undisputed king of Old Trafford in the 1960s, he became one of the most loved and respected footballers of all time.
Following the success of his play Stepping Out, Richard Harris has combined the talents of lyricist Mary Stewart-David and composer Denis King to create a heart-warming, toe-tapping musical chronicling several months in the life of a beginners tap dancing class set in the gym of an old YMCA community center in Suburbia, USA. Led by Tina, the ex-professional dancer who runs the class, accompanied by the acerbic pianist Mrs. Fraser, we follow the lives, loves, and laughs of a group of women (and one man), all of whom come from a variety of backgrounds and have their own reasons for joining. The students, who range from hopeless to competent, strive to master the basics of tap, but the steps and routines are just the background for the real focus of the play: the relationships and interactions of these ten very different people. By their final performance not only have the class members developed some degree of skill, but they have also overcome the inhibitions, awkwardness, and personality conflicts that have kept them out of sync.
Written in 1932, and just as pertinent today, Fr. Fahey explains the doctrine of Christ the King, and His rights in and over societies and nations, based upon the teaching of the Church, and in particular the Encyclical Quas Primas. Scripture tells us that "every knee shall bow and every tongue confess that Jesus Christ is Lord." Christ is not just King of Heaven, He is also King of the Earth, and desires that man establish his societies and nations under His benign rule. Fr. Fahey describes to us what this ideal State should look like, as it follows the program of Christ, as opposed to that of Satan and "organized naturalism.
This story is about a man chosen to lead people from this world on another. This story has everything from aliens to angels in it. It’s a story about choices a man needs to make about choosing people to live in the grandest city on the new world, he must also set up a small government to help run the city to make it enjoyable to live in. there is betrayal by people close to him , there is some romance in this story. There are twists and turns in places you wouldn’t expect. This is a great story for someone who has an open mind and a great imagination.
The chorus of gods set out to relate the tale of the Great Ulmar, legendary warrior and champion of Sollistis. But their narrative suffers a major technical hitch when Orvin, Ulmar's hopeless squire, oversleeps on the eve of battle. What follows proves a challenge even to such seasoned storytellers as the gods themselves as they vainly attempt to re-write history with only the help of Orvin, the unlikeliest, most reluctant of last minute replacement champions.With a cast of 40, this is the perfect entertainment for those in search of musical fun, thrills and spectacle.Written and directed by Alan Ayckbourn, with music composed by Denis King, Orvin: Champion of Champions was first co-produced by the Stephen Joseph Theatre and the National Youth Music Theatre and presented at the SJT, Scarborough in August 2003.
In the 1960s, Denis Law was the king of Old Trafford. A goal-scoring genius, Law attacked the game (and the occasional opponent) with dedication and enthusiasm. Born in Aberdeen in 1940, his first professional game was for Huddersfield in 1956. He subsequently moved to Manchester City and Torino, before joining Manchester United in 1962 for a record transfer fee of 115,000. Packed with hilarious and revelatory behind-the-scenes stories and peopled with footballing legends like Matt Busby, George Best and Bill Shankly, Denis Law's story revisits the game's glory days and tells why, to his legions of fans, he will forever remain the King.
In this work, Fr. Fahey explains the rights of Christ the King versus organized naturalism which is counter to Christ's rights. Christians are not only called to be holy and spiritual, but also to transform society according to the rules of God so that Christ reigns not only in heaven, but also in everyday society. Fr. Fahey speaks of the role of the Jews against this rule of Christ the King, explains their role in ancient and modern society, and their conversion to Christ the Messias. Modern society is grossly disordered, as any thinking man will readily acknowledge, and it can only be reconstituted by reestablishing the rule of Christ, and His Church, over all parts of society, from the top down. Though written in 1953 it remains timely because the subject matter remains pertinent to our day and age. Father Fahey is the expert on the rights of Christ in society, and a good place to begin to understand what has happened to our society, why, and the solution.
All the characters that have captivated the imagination of readers for generations are vividly presented here - the rascally one-legged sea-dog Long John Silver, Billy Bones, Blind Pew, Ben Gunn and of course, young Jim Hawkins the 'rare bright spark' who sets the Treasure Island adventure in motion. There are many delightful songs and musical numbers, with plenty of scope for imaginative staging.-1 woman, 13 men
Characters: 5 male, 5 female Scenery: Various simple sets Ever wondered what else happened to Sleeping Beauty when she finally woke up in the 21st century? Alan Ayckbourn provides the answer with this alternative seasonal fare in the musical Awaking Beauty. The prince awakens Princess Aurora and the eager, happy young couple are about to embark on their first night of passionate love when ugly, unloved Carabosse, the wicked witch, butts in having taken a fancy to the prince. But which one will be the Awaking Beauty? Love, lust, triplets and the ultimate in makeovers are just some of the milestones our heroes and heroines must pass before they can all live happily ever after. The four major roles are for two men and two women with six narrators playing a variety of other characters as well as providing the vocal harmonies and an astonishing range of sound effects "Imagine a fairytale world meeting a saucy seaside postcard and you have something of the flavor of Alan Ayckbourn's 72nd play." -Guardian. "It had me appreciating some wry lyrics, chuckling at some mischievous moments, and humming Denis King's larky tunes." -The Times. "Age has not withered Ayckbourn's] capacity to innovate here he brings a boldly experimental eye as well as a musical ear and an archly modern and adult sensibility to the evergreen tale of Sleeping Beauty ... spry, knowing lyrics with potent music by Denis King." -Daily Telegraph.
A delightful dramatization, with enchanting songs, of Kenneth Grahame's classic tale of river-bank animals. Toad finds himself in prison but manages to escape, but not before Toad Hall, his pride and joy, has been overrun by the wicked Weasels. Thanks to the efforts of his kind and concerned friends, however, all ends happily, after an exciting battle to regain Toad's home.-Large flexible cast
George VI was the man not born to be king. He nonetheless rescued the British monarchy in the aftermath of the abdication crisis and cemented its prestige with his well-judged performance during World War II and the Blitz. In this acclaimed biography, Denis Judd tells the story of Prince Bertie's transformation into King George VI including his struggle with a crippling shyness and sense of inadequacy, exacerbated by the stammer which was the focus of the Oscar-winning film The King's Speech. His marriage to the self-assured and supportive Elizabeth Bowes-Lyons and his unexpected accession to the throne in 1936 changed the direction of the young prince's life for good. Once on the throne, it was he who bore the weighty responsibility for restoring the nation's confidence in their monarchy following his elder brother's abdication, and for maintaining morale during the darkest days of World War II, when, together with Winston Churchill, his dignified presence functioned as a beacon of reassurance to civilians and military alike. Denis Judd provides a fascinating, if sometimes controversial, reassessment of the man who, quite unexpectedly, came to occupy an extraordinary position in a time of unprecedented change.
Translated with Introduction and Notes by Richard Cusimano and Eric Whitmore Suger, the twelfth century abbot of Saint-Denis, has not received the respect and attention that he deserves. Bernard of Clairvaux and Peter the Venerable have garnered more attention, and students of medieval history know their names well. In one respect, however, Suger has earned due praise, for his architectural innovations to the church of Saint-Denis made it truly one of the most beautiful churches in Europe. Students of history and architecture know Suger best for his work on Saint-Denis, the burial site of medieval French kings, queens, and nobility. The abbot enlarged, decorated, improved, and redesigned the building so beautifully that it is safe to say that he became the foremost church architect of twelfth-century France. The man, however, was so much more than an architect. He served as a counselor and member of the courts of King Louis VI and VII, who sent him across Europe on diplomatic missions. He represented those kings at the papal curia and imperial diets. He was also a close friends and confidante of King Henry I of England, whom he often visited on behalf of French royal interests. Never shy, Suger seems almost obsessed that his works and deeds not be forgotten. He acquired numerous properties and estates for his abbey, as well as improved the ones it already possessed. He built new buildings, barns, walls for villages, and increased the return of grain from all the abbey’s lands. Readers interested in the medieval agricultural system and way of life will also enjoy these texts. Suger’s texts also provide a wealth of information about the events of his era as well as a large amount of biographical material on his accomplishments. This translation of his writings intends to enhance his reputation and make his name better known by students at all levels and among those interested in medieval topics.
I Remember King Kong (the Boxer)' is a book of reminiscences which are, and could only be, South African in their timbre, scope and feeling. The memories, some personal and some public, will take you on a journey to a time and place that you'll savour long after you have put the book down."--Provided by publisher.
George VI was the man not born to be king. He nonetheless rescued the British monarchy in the aftermath of the abdication crisis and cemented its prestige with his well-judged performance during World War II and the Blitz. In this acclaimed biography, Denis Judd tells the story of Prince Bertie's transformation into King George VI including his struggle with a crippling shyness and sense of inadequacy, exacerbated by the stammer which was the focus of the Oscar-winning film The King's Speech. His marriage to the self-assured and supportive Elizabeth Bowes-Lyons and his unexpected accession to the throne in 1936 changed the direction of the young prince's life for good. Once on the throne, it was he who bore the weighty responsibility for restoring the nation's confidence in their monarchy following his elder brother's abdication, and for maintaining morale during the darkest days of World War II, when, together with Winston Churchill, his dignified presence functioned as a beacon of reassurance to civilians and military alike. Denis Judd provides a fascinating, if sometimes controversial, reassessment of the man who, quite unexpectedly, came to occupy an extraordinary position in a time of unprecedented change.
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