Fields in Motion: Ethnography in the Worlds of Dance examines the deeper meanings and resonances of artistic dance in contemporary culture. The book comprises four sections: methods and methodologies, autoethnography, pedagogies and creative processes, and choreographies as cultural and spiritual representations. The contributors bring an insiders insight to their accounts of the nature and function of these artistic practices, giving voice to dancers, dance teachers, creators, programmers, spectators, students, and scholars. International and intergenerational, this collection of groundbreaking scholarly research points to a new direction for both dance studies and dance anthropology. Traditionally the exclusive domain of aesthetic philosophers, the art of dance is here reframed as cultural practice, and its significance is revealed through a chorus of voices from practitioners and insider ethnographers.
Emil, a Jewish man in 1930s Germany, loves Deta, a Lutheran, but Nazi racial purity laws forbid their marriage. Desperate to find a place where their love can survive, they must separate to get away. Deta leaves for England, but Emil has to overcome red tape, resistance from his aging parents, and his own ambivalence before he can embark for America. With only telegrams and letters from Deta to sustain him, he does all he can to bring her and his family to America. But the clock is ticking as the war breaks out and the Nazis tighten their stranglehold. From the heartbreaking news of November 10, 1938 (Kristallnacht) to the horrific revelations after the German surrender in 1945, Emil’s story runs the course of the war. Can he make his way in this new world? Will he be reunited with his beloved Deta? And will he ever see his family again? Told by Emil’s daughter with the help of letters and historical documents, All for You is a true story about love overcoming despair and the impact the Holocaust continues to have on the rising generation.
We live in an era in which medicalization—the process of conceptualizing and treating a wide range of human experiences as medical problems in need of medical treatment—of mental health troubles has been settled for several decades. Yet little is known about how this biomedical framework affects practitioners’ experiences. Using interviews with forty-three practitioners in the New York City area, this book offers insight into how the medical model maintains its dominant role in mental health treatment. Smith explores how practitioners grapple with available treatment models, and make sense of a field that has shifted rapidly in just a few decades. This is a book about practitioners working in a medicalized field; for some practitioners this is a straightforward and relatively tension-free existence while for others, who believe in and practice in-depth talk therapy, the biomedical perspective is much more challenging and causes personal and professional strains.
Nelson Goodman’s disparate writings are often written about only within their own particular discipline, such that the epistemology is discussed in contrast to others’ epistemology, the aesthetics is contrasted with more traditional aesthetics, and the ontology and logic is viewed in contrast to both other contemporary philosophers and to Goodman’s historical predecessors. This book argues that that is not an adequate way to view Goodman. The separate disciplines of ontology, epistemology, and aesthetics should be viewed as sequential steps within his thought, such that each provides the ground rules for the next section and, furthermore, providing the reasons for limitations on the terms available to the subsequent writing(s). This is true not merely because this is the general chronology of his writing, but more importantly because within his metaphysics lies Goodman’s basic nominalist ontology and logic, and it is upon those principles that he builds his epistemology and, furthermore, it is the sum of both the metaphysics and the epistemology, with the nominalist principle as the guiding force, which constructs the aesthetics. At the end of each section of this book, the consequent limitations imposed on his terms and concepts available to him are explicated, such that, by the end of the book, the book delineates the constraints imposed upon the aesthetics by both the metaphysics and the epistemology. This book will benefit not only the professionals in the field of philosophy, but will also help both graduate and upper level undergraduate students understand Goodman’s disparate writings within their proper context, and hopefully will also encourage them to view philosophical thinking in a less truncated and departmentalized way.
While sitting poolside near her grandmother’s West Palm Beach condo, young millennial Vanessa overhears a strange conversation: “What, you want to have phone sex?” Accustomed to little more than old folks with their card games and early bird dinners, Vanessa is shocked—but intrigued—and soon makes the acquaintance of Michelle. As it turns out, Michelle is a widow trying online dating, while Vanessa is single and still recovering from tragic loss. Their morning meetings become a comforting daily occurrence. Separated by decades in age, the two women are extremely similar in many other ways and become fast friends. For Michelle, being single, no matter what age, is a roller coaster: one can accept the excitement and unpredictability or get off the ride. Michelle has learned to embrace the ride, and she encourages Vanessa to do the same, no matter past trauma. Michelle even gifts Vanessa with her memoir, Keep Walking, based on her life as a widow and her baby boomer dating experience. At home in New York, Vanessa will have decisions to make as she has a new job waiting and a possible relationship in the wings. Michelle’s insights and optimism change everything. Surviving life is a challenge, but to thrive, young Vanessa must find her authentic self, all with the help of a serendipitous friendship by a Florida pool. The Unexpected Connection is a provocative book filled with timely stories, insightful reflections, and humor that readers of all ages, gender, and personal status can relate to. As the tales are told, the reader becomes witness to the inner struggles and ultimate growth both Michelle and Vanessa experience. As with The Dance Partner we may love to dance but finding the right partner is a challenge. F.J. Strauss- Author, Life Coach, Professor
Goodman chronicles the story of the Republic of Letters from its earliest formation through major periods of change: the production of the Encyclopedia, the proliferation of a print culture that widened circles of readership beyond the control of salon governance, and the early years of the French Revolution.
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