The first complete collection of the poetry of Delmore Schwartz, “the most underrated poet of the twentieth century" (John Berryman). When Delmore Schwartz published his first short story, “In Dreams Begin Responsibilities,” in Partisan Review in 1937, he became an instant literary celebrity. After the appearance of his first book (by the same name), he was inundated with praise. The famed poet Allen Tate wrote to him, “Your poetic style is beyond any doubt the first real innovation that we’ve had since Eliot and Pound,” and T. S. Eliot himself wrote Schwartz a letter asking him to compose more poetry. The brilliant start of his career is matched perhaps only by its tragic end, a lonely death after an extended period of alcoholism, depression, and derangement. Today, more than fifty years after his death in 1966, Schwartz is often remembered for the tragedy of his life rather than for the innovation and sad brilliance of his greatest work. This book brings together all of Schwartz’s poetry for the very first time, from his groundbreaking debut collection to his unpublished late work, which he kept writing until his death. Accompanied by Ben Mazer’s illustrative notes and introduction, The Collected Poems of Delmore Schwartz offers readers the long-awaited opportunity to rediscover one of the most influential and original poets of the twentieth century. As Mazer writes in his introduction, “It is the poems that count now. And it is the glory of the poems that survives here, awaiting new life.”
The publication of this book restores a missing chapter in the history of twentieth-century American literature With his New Directions debut in 1938, the twenty-five-year-old Delmore Schwartz was hailed as a genius and among the most promising writers of his generation. Yet he died in relative obscurity in 1966, wracked by mental illness and substance abuse. Sadly, his literary legacy has been overshadowed by the story of his tragic life. Among poets, Schwartz was a prototype for the confessional movement made famous by his slightly younger friends Robert Lowell and John Berryman. While his stories and novellas about Jewish American experience laid the groundwork for novels by Saul Bellow (whose Humboldt’s Gift is based on Schwartz’s life) and Philip Roth. Much of Schwartz’s writing has been out of print for decades. This volume aims to restore Schwartz to his proper place in the canon of American literature and give new readers access to the breadth of his achievement. Included are selections from the in-print stories and poems, as well as excerpts from his long unavailable epic poem Genesis, a never-completed book-length work on T. S. Eliot, and unpublished poems from his archives.
With some changes in the contents-most notably the addition of sixteen recently discovered poems-Last & Lost Poems is a paperbound version of the highly praised 1979 Vanguard Press publication. That book disclosed that between 1958 and 1966, despite his disintegrating life, Delmore Schwartz was indeed working and producing poems full of the special magic that had propelled him early on into the literary limelight. Commenting on it, Richard Wilbur hailed Last & Lost Poems as "a valuable book... Schwartz sounds like no other voice in our time--rhapsodic yet philosophic; self-conscious; self-forgetting; unguarded; rejoicing or insisting on obligation to rejoice... Wonderfully free and energetic." "This posthumous collection will perhaps help to re-establish Delmore Schwartz as one of the major twentieth-century American poets." -John Ashbery "Delmore's genius survives in the sound of his words, in his hypnotizing lines." -Jonathan Galassi, The New York Review of Books "The greatest man I ever met." -Lou Reed
Delmore Schwartz (1913-1966) was one of the finest writers of his generation. Winner of the prestigious Bollingen prize and the Poetry Society of America's Shelley Memorial Award, he was hailed by John Ashbery as one of the major twentieth-century poets. Schwartz's stories were also widely read and loved, admired by James Atlas for their unique style that enabled Schwartz to depict his characters with a sort of childlike verisimilitude. Graced with an introduction by Cynthia Ozick, this New Directions Bibelot, Screeno: Stories and Poems, gathers many of Schwartz's most popular stories and poems, including: Screeno, In Dreams Begin Responsibilities, America, America and The Heavy Bear who Goes with Me. Also included is a newly discovered story, The Heights of Joy, which appeared in the magazine Boulevard in 2002. Delmore Schwartz's life is legendary; yet it is his work that endures: What complicates and enriches Schwartz's comedy, says Irving Howe, is, I think, a reaching out toward nobility, a shy aspiring spirituality, a moment or two of achieved purity of feeling.
A new edition of the definitive book on the depression-era immigrant experience in New York City. Now with an exciting new preface by Lou Reed (Delmore Schwartz’s student at Syracuse), In Dreams Begin Responsibilities collects eight of Schwartz’s finest delineations of New York’s intellectuals in the 1930s and 1940s. As no other writer can, Schwartz captures the speech, the generational conflicts, the mocking self-analysis of educated, ambitious, Depression-stymied young people at odds with their immigrant parents. This is the unique American dilemma Irving Howe described as “that interesting point where intellectual children of immigrant Jews are finding their way into the larger world while casting uneasy, rueful glances over their backs.” Afterwords by James Atlas and Irving Howe place the stories in their historical and cultural setting.
In the tradition of T. S. Eliot and W. H. Auden, but also fiercely original, these five verse plays mix autobiography and history, myths and ghosts, fantasy and comedy in thematic dramatizations of alienation, loneliness, Faustian bargains, and American materialism by a major American poet of the twentieth century.
Every point of view, every kind of knowledge and every kind of experience is limited and ignorant: nevertheless so far as l know, this volume seems to me to be as representative as it could be.---Delmore Schwartz
Drawn from the poet's collected papers at Yale University, these humorous essays touch on topics including taking baths and the meaning of existentialism, the abominations of the telephone, theories of Hamlet's behavior and Don Giovanni's promiscuity, and divorce.
The first complete collection of the poetry of Delmore Schwartz, “the most underrated poet of the twentieth century" (John Berryman). When Delmore Schwartz published his first short story, “In Dreams Begin Responsibilities,” in Partisan Review in 1937, he became an instant literary celebrity. After the appearance of his first book (by the same name), he was inundated with praise. The famed poet Allen Tate wrote to him, “Your poetic style is beyond any doubt the first real innovation that we’ve had since Eliot and Pound,” and T. S. Eliot himself wrote Schwartz a letter asking him to compose more poetry. The brilliant start of his career is matched perhaps only by its tragic end, a lonely death after an extended period of alcoholism, depression, and derangement. Today, more than fifty years after his death in 1966, Schwartz is often remembered for the tragedy of his life rather than for the innovation and sad brilliance of his greatest work. This book brings together all of Schwartz’s poetry for the very first time, from his groundbreaking debut collection to his unpublished late work, which he kept writing until his death. Accompanied by Ben Mazer’s illustrative notes and introduction, The Collected Poems of Delmore Schwartz offers readers the long-awaited opportunity to rediscover one of the most influential and original poets of the twentieth century. As Mazer writes in his introduction, “It is the poems that count now. And it is the glory of the poems that survives here, awaiting new life.”
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