Effeminate Years: Literature, Politics, and Aesthetics in Mid-Eighteenth-Century Britain investigates the gendered, eroticized, and xenophobic ways in which the controversies in the 1760s surrounding the political figure John Wilkes (1725-97) legitimated some men as political subjects, while forcefully excluding others on the basis of their perceived effeminacy or foreignness. However, this book is not a literary analysis of the Wilkes affair in the 1760s, nor is it a linear account of Wilkes’s political career. Instead, Effeminate Years examines the cultural crisis of effeminacy that made Wilkes’s politicking so appealing. The central theoretical problem that this study addresses is the argument about what is and is not political: where does individual autonomy begin and end? Addressing this question, Kavanagh traces the shaping influence of the discourse of effeminacy in the literature that was generated by Wilkes’s legal and sexual scandals, while, at the same time, he also reads Wilkes’s spectacular drumming up of support as a timely exploitation of the broader cultural crisis of effeminacy during the mid century in Britain. The book begins with the scandals and agitations surrounding Wilkes, and ends with readings of Edmund Burke’s (1729-1797) earliest political writings, which envisage political community—a vision, that Kavanagh argues, is influenced by Wilkes and the effeminate years of the 1760s. Throughout, Kavanagh shows how interlocutors in the political and cultural debates of the mid-eighteenth-century period in Britain, such as Tobias Smollett (1721-1771) and Arthur Murphy (1727-1805), attempt to resolve the problem of effeminate excess. In part, the resolution for Wilkes and Charles Churchill (1731-1764) was to shunt effeminacy onto the sexually non-normative. On the other hand, Burke, in his aesthetic theorization of the beautiful privileges the socially constitutive affects of feeling effeminate. Through an analysis of poetry, fiction, social and economic pamphlets, aesthetic treatises, journalism and correspondences, placed within the latest queer historiography, Kavanagh demonstrates that the mid-century effeminacy crisis served to re-conceive male heterosexuality as the very mark of political legitimacy. Overall, Effeminate Years explores the development of modern ideas of masculinity and the political subject, which are still the basis of debate and argument in our own time.
This management guide offers an introduction to the IT Capability Maturity FrameworkTM (IT-CMFTM), 2nd edition. The IT-CMF offers a comprehensive suite of tried and tested practices, organizational assessment approaches, and improvement roadmaps covering key IT capabilities needed to optimize value and innovation in the IT function and the wider organization. It enables organizations to devise more robust strategies, make better-informed decisions, and perform more effectively, efficiently, and consistently. IT-CMF is: • An integrated management toolkit covering 36 key capability management disciplines, with organizational maturity profiles, assessment methods, and improvement roadmaps for each. • A coherent set of concepts and principles, expressed in business language, that can be used to guide discussions on setting goals and evaluating performance. • A unifying (or umbrella) framework that complements other, domain-specific frameworks already in use in the organization, helping to resolve conflicts between them, and filling gaps in their coverage. • Industry/sector and vendor independent. IT-CMF can be used in any organizational context to guide performance improvement. • A rigorously developed approach, underpinned by the principles of Open Innovation and guided by the Design Science Research methodology, synthesizing leading academic research with industry practitioner expertise ‘IT-CMF provides us with a structured and systematic approach to identify the capabilities we need, a way to assess our strengths and weaknesses, and clear pathways to improve our performance.’ Suresh Kumar, Senior Executive Vice President and Chief Information Officer, BNY Mellon ‘To successfully respond to competitive forces, organizations need to continually review and evolve their existing IT practices, processes, and cultural norms across the entire organization. IT-CMF provides a structured framework for them to do that.’ Christian Morales, Corporate Vice President and General Manager EMEA, Intel Corporation ‘We have successfully applied IT-CMF in over 200 assignments for clients. It just works. Or, as our clients confirm, it helps them create more value from IT.’ Ralf Dreischmeier, Senior Partner and Managing Director, The Boston Consulting Group ‘By using IT-CMF, business leaders can make sure that the tremendous potential of information technology is realized in their organizations.’ Professor Philip Nolan, President, Maynooth University ‘I believe IT-CMF to be comprehensive and credible. Using the framework helps organizations to objectively identify and confirm priorities as the basis for driving improvements.’ Dr Colin Ashurst, Senior Lecturer and Director of Innovation, Newcastle University Business School
In February, 1919, three Irish revolutionary prisoners walked out of Lincoln Jail without having dug a tunnel or fired a shot. The escape was the culmination of months of planning that involved some of the greatest intellects in Ireland and Britain. Peter DeLoughry (1882–1931) was one of the founding fathers of modern Ireland. His most famous achievement was to make a key that allowed three of his fellow prisoners in Lincoln Jail to escape in February 1919. The key became a symbol of the success that could be achieved by co-operation and hard work. However, as the years went on, the key became a matter of poisonous dispute between DeLoughry and Michael Collins on one side and Eamon de Valera and Harry Boland on the other. The key emerged as a symbol of the hatred and bitterness that welled up and overflowed in the nascent years of the Irish Free State. De Loughrey was also Mayor of Kilkenny for more than six consecutive years, a record not surpassed before or since. He served in the upper and lower houses of the Irish Parliament where he became embroiled in issues such as divorce, film censorship and, most important of all, the Anglo-Irish Treaty, which he championed. He lived through an age of political and social turbulence; his childhood and adulthood bridged the time of Parnell and the birth of the Irish Free State.
Even the best private eye needs more than a name to find a missing person, but that's all that Father Vincent Tyrrell, the brother of prominent racehorse trainer FX Tyrrell, will offer Loy when he comes to him for help. A dwindling bank account convinces Loy to delve into the deadly underworld of horse racing, but fortune soon smiles on him: while working another case, he discovers a phone number linked to FX on a badly beaten body left at an illegal dump. Loy's been around long enough to know that there's more to the Tyrrell family than meets the eye - and then a third body appears. At Christmastime, on the eve of one of Ireland's most anticipated racing events, the intrepid investigator bets his life on a longshot: finding answers in a shady network of trading and dealing, gambling and breeding.
A celebration of the tenacious life of the enduring Irish classics, this book by one of Irish writing's most eloquent readers offers a brilliant and accessible survey of the greatest works since 1600 in Gaelic and English, which together have shaped one of the world's most original literary cultures. In the course of his discussion of the great seventeenth- and eighteenth-century Gaelic poems of dispossession, and of later work in that language that refuses to die, Declan Kiberd provides vivid and idiomatic translations that bring the Irish texts alive for the English-speaking reader. Extending from the Irish poets who confronted modernity as a cataclysm, and who responded by using traditional forms in novel and radical ways, to the great modern practitioners of such paradoxically conservative and revolutionary writing, Kiberd's work embraces three sorts of Irish classics: those of awesome beauty and internal rigor, such as works by the Gaelic bards, Yeats, Synge, Beckett, and Joyce; those that generate a myth so powerful as to obscure the individual writer and unleash an almost superhuman force, such as the Cuchulain story, the lament for Art O'Laoghaire, and even Dracula; and those whose power exerts a palpable influence on the course of human action, such as Swift's Drapier's Letters, the speeches of Edmund Burke, or the autobiography of Wolfe Tone. The book closes with a moving and daring coda on the Anglo-Irish agreement, claiming that the seeds of such a settlement were sown in the works of Irish literature. A delight to read throughout, Irish Classics is a fitting tribute to the works it reads so well and inspires us to read, and read again.
Ireland is suffering from a crisis of authority. Catholic Church scandals, political corruption, and economic collapse have shaken the Irish people’s faith in their institutions and thrown the nation’s struggle for independence into question. While Declan Kiberd explores how political failures and economic globalization have eroded Irish sovereignty, he also sees a way out of this crisis. After Ireland surveys thirty works by modern writers that speak to worrisome trends in Irish life and yet also imagine a renewed, more plural and open nation. After Dublin burned in 1916, Samuel Beckett feared “the birth of a nation might also seal its doom.” In Waiting for Godot and a range of powerful works by other writers, Kiberd traces the development of an early warning system in Irish literature that portended social, cultural, and political decline. Edna O’Brien, Frank O’Connor, Seamus Heaney, and Michael Hartnett lamented the loss of the Irish language, Gaelic tradition, and rural life. Nuala Ní Dhomhnaill and Eavan Boland grappled with institutional corruption and the end of traditional Catholicism. These themes, though bleak, led to audacious experimentation, exemplified in the plays of Brian Friel and Tom Murphy and the novels of John Banville. Their achievements embody the defiance and resourcefulness of Ireland’s founding spirit—and a strange kind of hope. After Ireland places these writers and others at the center of Ireland’s ongoing fight for independence. In their diagnoses of Ireland’s troubles, Irish artists preserve and extend a humane culture, planting the seeds of a sound moral economy.
A celebration of the tenacious life of the enduring Irish classics, this book by one of Irish writing's most eloquent readers offers a brilliant and accessible survey of the greatest works since 1600 in Gaelic and English, which together have shaped one of the world's most original literary cultures. In the course of his discussion of the great seventeenth- and eighteenth-century Gaelic poems of dispossession, and of later work in that language that refuses to die, Declan Kiberd provides vivid and idiomatic translations that bring the Irish texts alive for the English-speaking reader. Extending from the Irish poets who confronted modernity as a cataclysm, and who responded by using traditional forms in novel and radical ways, to the great modern practitioners of such paradoxically conservative and revolutionary writing, Kiberd's work embraces three sorts of Irish classics: those of awesome beauty and internal rigor, such as works by the Gaelic bards, Yeats, Synge, Beckett, and Joyce; those that generate a myth so powerful as to obscure the individual writer and unleash an almost superhuman force, such as the Cuchulain story, the lament for Art O'Laoghaire, and even Dracula; and those whose power exerts a palpable influence on the course of human action, such as Swift's Drapier's Letters, the speeches of Edmund Burke, or the autobiography of Wolfe Tone. The book closes with a moving and daring coda on the Anglo-Irish agreement, claiming that the seeds of such a settlement were sown in the works of Irish literature. A delight to read throughout, Irish Classics is a fitting tribute to the works it reads so well and inspires us to read, and read again.
The Irish Writer and the World is a major new book by one of Ireland's most prominent scholars and cultural commentators. Declan Kiberd, author of the award-winning Irish Classics and Inventing Ireland, here synthesises the themes that have occupied him throughout his career as a leading critic of Irish literature and culture. Kiberd argues that political conflict between Ireland and England ultimately resulted in cultural confluence and that writing in the Irish language was hugely influenced by the English literary tradition. He continues his exploration of the role of Irish politics and culture in a decolonising world, and covers Anglo-Irish literature, the fate of the Irish language and the Celtic Tiger. This fascinating collection of Kiberd's work demonstrates the extraordinary range, astuteness and wit that have made him a defining voice in Irish studies and beyond, and will bring his work to new audiences across the world.
Kiberd - one of Ireland's leading critics and a central figure in the FIELD DAY group with Brian Friel, Seamus Deane and the actor Stephen Rea - argues that the Irish Literary Revival of the 1890-1922 period embodied a spirit and a revolutionary, generous vision of Irishness that is still relevant to post-colonial Ireland. This is the perspective from which he views Irish culture. His history of Irish writing covers Yeats, Lady Gregory, Synge, O'Casey, Joyce, Beckett, Flann O'Brien, Elizabeth Bowen, Heaney, Friel and younger writers down to Roddy Doyle.
The Irish Writer and the World is a major new book by one of Ireland's most prominent scholars and cultural commentators. Declan Kiberd, author of the award-winning Irish Classics and Inventing Ireland, here synthesises the themes that have occupied him throughout his career as a leading critic of Irish literature and culture. Kiberd argues that political conflict between Ireland and England ultimately resulted in cultural confluence and that writing in the Irish language was hugely influenced by the English literary tradition. He continues his exploration of the role of Irish politics and culture in a decolonising world, and covers Anglo-Irish literature, the fate of the Irish language and the Celtic Tiger. This fascinating collection of Kiberd's work demonstrates the extraordinary range, astuteness and wit that have made him a defining voice in Irish studies and beyond, and will bring his work to new audiences across the world.
Ireland is suffering from a crisis of authority. Catholic Church scandals, political corruption, and economic collapse have shaken the Irish people’s faith in their institutions and thrown the nation’s struggle for independence into question. While Declan Kiberd explores how political failures and economic globalization have eroded Irish sovereignty, he also sees a way out of this crisis. After Ireland surveys thirty works by modern writers that speak to worrisome trends in Irish life and yet also imagine a renewed, more plural and open nation. After Dublin burned in 1916, Samuel Beckett feared “the birth of a nation might also seal its doom.” In Waiting for Godot and a range of powerful works by other writers, Kiberd traces the development of an early warning system in Irish literature that portended social, cultural, and political decline. Edna O’Brien, Frank O’Connor, Seamus Heaney, and Michael Hartnett lamented the loss of the Irish language, Gaelic tradition, and rural life. Nuala Ní Dhomhnaill and Eavan Boland grappled with institutional corruption and the end of traditional Catholicism. These themes, though bleak, led to audacious experimentation, exemplified in the plays of Brian Friel and Tom Murphy and the novels of John Banville. Their achievements embody the defiance and resourcefulness of Ireland’s founding spirit—and a strange kind of hope. After Ireland places these writers and others at the center of Ireland’s ongoing fight for independence. In their diagnoses of Ireland’s troubles, Irish artists preserve and extend a humane culture, planting the seeds of a sound moral economy.
Ellmann's sensitivity to what it meant to be an artist shaped his work from the outset: "The life of an artist ... differs from the lives of other persons in that its events are becoming artistic sources even as they command his present attention. Instead of allowing each day, pushed back by the next, to lapse into imprecise memory, he shapes again the experiences which have shaped him." Richard Ellmann died in 1987. His life and work have touched the lives of many. Some of the essays in this collection commemorate Richard Ellmann and his committment to Twentieth Century literature: most provide a continuing investigation of the Twentieth Century literature to which he devoted his carrer. Contributors include: Alison Armstrong, Daniel Albright, Christopher Butler, Carol Cantrell, Jonathan Culler, Elizabeth Butler Cullingford, Andonis Decavelles, Rupin Desai, Susan Dick, Terence Diggory, Terry Eagleton, Rosita Fanto, Charles Feidelson, James Flannery, Charles Huttar, Bruce Johnson, John Kelleher, Brendan Kennelly, Frank Kermode, Declan Kiberd, Peter Kuch, Bruce Johnson, James Laughlin, A. Walton Litz, Dominic Manganiello, Ellsworth Mason, Christie McDonald, Dougald McMillan, Sean O'Mordha, Vivian Mercier, Mary T. Reynolds, William K. Robertson, Joseph Ronsley, S.P. Rosenbaum, Ann Saddlemyer, Sylvan Schendler, Daniel Schneider, Fritz Senn, Jon Stallworthy, Lonnie Weatherby, Thomas Whitaker, and Elaine Yarosky.
In February, 1919, three Irish revolutionary prisoners walked out of Lincoln Jail without having dug a tunnel or fired a shot. The escape was the culmination of months of planning that involved some of the greatest intellects in Ireland and Britain. Peter DeLoughry (1882–1931) was one of the founding fathers of modern Ireland. His most famous achievement was to make a key that allowed three of his fellow prisoners in Lincoln Jail to escape in February 1919. The key became a symbol of the success that could be achieved by co-operation and hard work. However, as the years went on, the key became a matter of poisonous dispute between DeLoughry and Michael Collins on one side and Eamon de Valera and Harry Boland on the other. The key emerged as a symbol of the hatred and bitterness that welled up and overflowed in the nascent years of the Irish Free State. De Loughrey was also Mayor of Kilkenny for more than six consecutive years, a record not surpassed before or since. He served in the upper and lower houses of the Irish Parliament where he became embroiled in issues such as divorce, film censorship and, most important of all, the Anglo-Irish Treaty, which he championed. He lived through an age of political and social turbulence; his childhood and adulthood bridged the time of Parnell and the birth of the Irish Free State.
Acute Medicine 2e is a current and concise guide to hospital emergency medicine for registrars, junior doctors and medical students working on the wards. This second edition has been comprehensively revised and updated to incorporate the latest treatment guidelines. It has been substantially rewritten and streamlined to enable the reader to access the pertinent information even more quickly. It is not just a list of instructions, but contains pathophysiology and useful clinical pearls: detailed management of acute medical and surgical emergencies, including in pregnancy general ward management issues descriptions of key procedures normal laboratory values emergency drug formulary From reviews of the first edition: "This new book by Dr O’Kane is a very useful and interesting book directed towards Medical registrars but also with many positive features for anyone from Medical Student to Consultants... [It] works through groups of emergencies according to speciality and organ grouping. This is helpful as it enables the reader to link the different differentials together well. It also tries to signpost all the different conditions in relation to the Acute Medicine and General Internal Medicine curriculums. There is also an excellent section on fluid prescription, outlining what each fluid option contains along with potential fluid prescriptions in relation to the daily needs of the human body. Each clinical problem is presented in a clear and logical format, beginning with the things to ask or think about when receiving a referral - much as junior doctors would do in a real clinical situation. The book also includes an excellent 'general management’ section, which covers important aspects of the assessment of mental capacity and considerations to make when discharging a patient - things which are often poorly taught in other settings. All of the clinical procedures are described in some level of detail - not enough to learn to do the procedure but enough to signpost as well as getting the reader to think about why it is needed and any associated risks." - Journal for Acute Medicine, October 2015
Whether you are traveling first class or with a limited budget, DK Eyewitness Top 10: Buenos Aires will take you straight to the very best of this energetic and bustling capital. From the breath-taking Basilica Santisimo Sacramento to the colorful street fairs, all the must-sees are covered in trouble-free Top 10 lists. There are accommodation reviews for every budget, as well as restaurants and food for all tastes, from the gourmet-lover to the adventurous street-vendor. There are dozens of Top 10 lists: from Buenos Aires Top 10 tango clubs to the Top 10 fascinating museums and galleries and the best nightspots, bars and cafes of Buenos Aires. And to save you time and money; there's even the Top 10 things to avoid! Your guide to the Top 10 best of everything in Buenos Aires.
Synge was the victim of a cruel paradox: those who loved his works knew no Irish and those who loved Irish despised his works. This book aims to show that Synge's command of Irish was extensive and that this knowledge proved invaluable in the writing of his major plays.
A mystery in modern-day rural Ireland may have roots in World War II, in this thriller by a “fine dramatic writer and storyteller” (Booklist). The elderly German, Karl Uxkull, was either senile or desperate for attention. Why else would he concoct a tale of Nazi atrocity on the remote island of Delphi, off the coast of Donegal? And why now, sixty years after the event, just when Irish-American billionaire Shay Govern has tendered for a gold prospecting license in Lough Swilly? Journalist Tom Noone doesn’t want to know. With his young daughter Emily to provide for, and a new ghostwriting commission for Shay Govern’s biography, the timing is all wrong. Besides, can it be mere coincidence that Karl Uxkull’s tale bears an uncanny resemblance to a thriller written by spy novelist Sebastian Devereaux, the reclusive English author who has spent the past fifty years holed up on Delphi? But when a body is discovered drowned, Tom and Emily find themselves running for their lives in pursuit of the truth that is their only hope of survival. “Burke has a real knack for dialogue and phrasing.” —Publishers Weekly “Readers . . . will be rewarded with an unholy Chinese box of a thriller. Make that an Irish-German box.” —Kirkus Reviews
The Irish soldier has never been a stranger to fighting the enemy with the odds stacked against him. The notion of charging into adversity has been a cherished part of Ireland’s military history. In September 1961, another chapter should have been written into the annals, but it is a tale that lay shrouded in dust for years. The men of A Company, Thirty-Fifth Irish Infantry Battalion, arrived in the Congo as a United Nations contingent to help keep the peace. For many it would be their first trip outside their native shores. Some of the troops were teenage boys, their army-issue hobnailed boots still unbroken. They had never heard a shot fired in anger. Others were experienced professional soldiers but were still not prepared for the action that was to take place. Led by Commandant Pat Quinlan, A Company found themselves tasked with protecting the European population at Jadotville, a small mining town in the southern Congolese province of Katanga. It fell to A Company to protect those who would later turn against them. On September 13th, 1961, the bright morning air of Jadotville was shattered by the sound of automatic gunfire. The men of A Company found their morning mass parade interrupted, and within minutes they went from holding rosaries to rifles as they entered the world of combat. This was to be no Srebrenica; though cut off and surrounded, the men of Jadotville held their ground and fought. This is their story.
Whether you are planning to visit a city, a region or a country, DK’s foolproof ‘Eyewitness’ approach makes learning about a place a pleasure in itself. All the traditional guidebook subject matter is covered—descriptions of sights, opening times, hotels, restaurants, shopping, entertainment, phrase books etc— but, with the help of specially commissioned illustrations and maps, DK makes essential information easy to accessand quick to absorb. No other guides explain the history of a place as clearly in words and pictures. DK Eyewitness Travel Guides—the best guides ever created. Argentina''s vibrant, wonderfully idiosyncratic capital, Buenos Aires, is the third largest city in Latin America, yet it is a resolutely human kind of place. Famous for its tango, football and European-style architecture, it also holds hidden gems, including picturesque cobbled neighborhoods, sophisticated shopping and some of the best and most varied cuisine in the whole continent. Cinemas and art galleries, jazz clubs and theatres, atmospheric cafés and antiques markets abound, while exercising or just lazing around in beautifully landscaped parks filled with subtropical vegetation are part of the dynamic yet laid-back porteño lifestyle
A rural Irish village is transfixed when anonymous lottery winner offers to fund the development of a long-delayed community centre. But the gathering of characters who are thrown together by this quirk of fortune reveal old sores that had never healed in the life of this Galway village.
As a palliative medicine physician, you struggle every day to make your patients as comfortable as possible in the face of physically and psychologically devastating circumstances. This new reference equips you with all of today's best international approaches for meeting these complex and multifaceted challenges. In print and online, it brings you the world's most comprehensive, state-of-the-art coverage of your field. You'll find the answers to the most difficult questions you face every day...so you can provide every patient with the relief they need. Equips you to provide today's most effective palliation for terminal malignant diseases • end-stage renal, cardiovascular, respiratory, and liver disorders • progressive neurological conditions • and HIV/AIDS. Covers your complete range of clinical challenges with in-depth discussions of patient evaluation and outcome assessment • ethical issues • communication • cultural and psychosocial issues • research in palliative medicine • principles of drug use • symptom control • nutrition • disease-modifying palliation • rehabilitation • and special interventions. Helps you implement unparalleled expertise and global best practices with advice from a matchless international author team. Provides in-depth guidance on meeting the specific needs of pediatric and geriatric patients. Assists you in skillfully navigating professional issues in palliative medicine such as education and training • administration • and the role of allied health professionals. Includes just enough pathophysiology so you can understand the "whys" of effective decision making, as well as the "how tos." Offers a user-friendly, full-color layout for ease of reference, including color-coded topic areas, mini chapter outlines, decision trees, and treatment algorithms. Comes with access to the complete contents of the book online, for convenient, rapid consultation from any computer.
Mulligan's is more than a Dublin pub; it is an Irish cultural phenomenon. It has a unique and colourful history, spanning over two hundred years. Mulligan's has hosted the famous - Judy Garland, Seamus Heaney, Con Houlihan, James Joyce, John F. Kennedy - and, indeed, the infamous - police arrested a kidnapper there. Quirkiness pervades its atmosphere. The ashes of a US tourist are interred in its clock. Barmen have seen ghosts on the premises. For decades, performers at the Theatre Royal thronged to Mulligan's, mingling with journalists from 'The Irish Press' who smoked, fumed and interviewed celebrities in it. This fascinating book captures the atmosphere and essence of an Irish institution, loved by both natives and tourists alike.
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