Emma McCune’s passion for Africa, her unstinting commitment to the children of Sudan, and her youthful beauty and glamour set her apart from other relief workers from the moment she arrived in southern Sudan. But no one was prepared for her decision to marry a local warlord—a man who seemed to embody everything she was working against—and to throw herself into his violent quest to take over southern Sudan’s rebel movement. With precision and insight, Deborah Scroggins—who met McCune in Sudan—charts the process by which McCune’s romantic delusions led to her descent into the hell of Africa’s longest-running civil war. Emma’s War is at once a disturbing love story and an up-close look at Sudan: a world where international aid fuels armies as well as the starving population, and where the northern-based Islamic government—backed by Osama bin Laden—is locked in a war with the Christian and pagan south over religion, oil, and slaves. A timely, revelatory account of the nature of relief work, of the men and women who choose to carry it out, and of one woman’s sacrifice to its ideals.
The author of Emma’s War offers a compelling account of the link between Muslim women’s rights, Islamist opposition to the West, and the Global War on Terror. Wanted Women explores the experiences of two fascinating female champions from opposing sides of the conflict: Islam critic Ayaan Hirsi Ali and neuroscientist Aafia Siddiqui. With Emma’s War: An Aid Worker, A Warlord, Radical Islam and the Politics of Oil, journalist Deborah Scroggins achieved major international acclaim; now, in Wanted Women, Scroggins again exposes a crucial untold story from the center of an ongoing ideological war—laying bare the sexual and cultural stereotypes embraced by both sides of a conflict that threatens to engulf the world.
Glamorous aid worker Emma McCune conformed to none of the stereotypes: although driven and committed to her work she was at least partially attracted to Africa because it enabled her to live in a style she could not achieve in Britain, and she was famous in East Africa for wearing mini-skirts and for her affairs with African men. Initially much admired, if also suspect for her social flair, she appalled the aid community with her marriage to a local warlord, who was deeply enmeshed in both rebellion and murder. She had fallen in love and, a rebel to the end, she insisted on following her feelings, even if it left her rejected by her fellow worker and in an ambiguous position - was she on the side of the refugees or the warmongers? Sudan, where Gordon of Khartoum lost his life and possibly his sanity campaigning against the slave trade, and where today life is so harsh that desperate families sell their children into slavery, hoping for a better life for the child, and hopeless children volunteer to be sold, grabbing at any opportunity for change, however slight, where boys grow up aspiring to be child soldiers and men dedicate their babies to war. Impotent among the dead and the dying, the well-educated, well-paid Western aid workers who try to impose order on this maelstrom are inevitably doomed to failure and, sometimes, are even complicit in creating human misery.
Emma McCune’s passion for Africa, her unstinting commitment to the children of Sudan, and her youthful beauty and glamour set her apart from other relief workers from the moment she arrived in southern Sudan. But no one was prepared for her decision to marry a local warlord—a man who seemed to embody everything she was working against—and to throw herself into his violent quest to take over southern Sudan’s rebel movement. With precision and insight, Deborah Scroggins—who met McCune in Sudan—charts the process by which McCune’s romantic delusions led to her descent into the hell of Africa’s longest-running civil war. Emma’s War is at once a disturbing love story and an up-close look at Sudan: a world where international aid fuels armies as well as the starving population, and where the northern-based Islamic government—backed by Osama bin Laden—is locked in a war with the Christian and pagan south over religion, oil, and slaves. A timely, revelatory account of the nature of relief work, of the men and women who choose to carry it out, and of one woman’s sacrifice to its ideals.
Waggish tales of dogs, Christmas, and murder—by sixteen of today's best-loved crime novelists! A temperamental Yorkie provokes Yuletide mayhem at an English country house . . . A puppy forgotten in Santa's bag helps quell a coup at the North Pole . . . During a snow-white Christmas, a Portuguese water dog noses out murder at a Vermont inn . . . and many more, including: “Clicker Training” by Parnell Hall “The Emerald Collar” by Leslie O’Kane “Yellow Snow” by Jeffrey Marks “O Little Hound of Bethlehem” by Taylor McCafferty “Toy Pincher” by H. Robert Perry “The Fencing Crib” by Mark Graham “Red Shirt and Black Jacket” by Virginia Lanier “The Village Vampire and the Yuletide Yorkie” by Dean James “Psycho Santa’s Got a Brand-New Bag” by Deborah Adams “Midnight Clear” by Jane Haddam “Fowl Play” by Patricia Guiver “The Reunion” by Lillian M. Roberts “Good Dog Wenceslas” by Melissa Cleary “Habits” by Jeremiah Healy “Eye Witness” by David Leitz These thrilling tales of canine derring-do give dog lovers the treat of celebrating Christmas with sleuthhounds of many breeds—as they sniff out crime and render holiday justice.
Emotions are invisible, taken for granted and dismissed much of the time#8212a paradox given they are some of the most powerful forces on Earth. They inflame wars, induce death, inspire invention, and control stock markets. More important, each of us has them#8212all the time. In Goodbye, Hurt and Pain, Deborah Sandella uses cutting-edge neuroscience research and her revolutionary Regenerating Images in Memory (RIM) technique to show how blocked feelings prevent us from getting what we want, and she introduces a process that bypasses logic and thinking to activate our own emotional "self-cleaning oven." Using imagination, color, and shape to visualize feelings and get straight to the root of longstanding problems, she teaches us to move destructive feelings such as fear, anger, hurt, resentment, and envy out of the body. Letting go of old feelings and traumatic memory at a deep, cellular level makes people feel and look younger, lighter, more energized, and less burdened. And they can begin to experience results after just one or two self-directed sessions. Goodbye, Hurt and Pain also provides seven organic ways of using your feelings to attract more love, better health, and greater success. The process is fast, fun, and as easy as 1-2-3. "Wonderful and profound. This book will touch you intimately and probably change your life." #8212Jack Canfield, from the foreword
‘When was the last time you heard an all-girl band on the radio? Why don’t all-girl bands get attention they deserve?’ In Women Make Noise musicians, journalists, promoters and fans excavate the hidden story of the all-girl band: from country belles of the 20s–40s and girl groups of the 60s, to prog rock goddesses, women’s liberationists and punks of the 70s–80s; from riot grrrl activists and queercore anarchists of the 90s to radical protesters Pussy Riot and the most inspiring all-girl bands today. These aren’t the manufactured acts of some pop svengali, these groups write their own songs, play their own instruments and make music together on their own terms. All-girl bands have made radical contributions to feminism, culture and politics as well as producing some unique, influential and innovative music. It’s time to celebrate the outspoken voices, creative talents and gutsy performances of the all-girl bands who demand we take notice. Including commentary from members of the original 60s girl groups and classic punk-inspired outfits like The Raincoats and The Slits, as well as contemporary Ladyfest heroines like Beth Ditto, this timely exploration shows the world that sidelining all-girl bands is a major oversight. Contributions by Victoria Yeulet, Elizabeth K.Keenan, Sini Timonen, Jackie Parsons, Deborah Withers, Jane Bradley, Rhian E.Jones, Bryony Beynon, Val Rauzier, Elizabeth K. Keenan and Sarah Dougher This book is a celebration of girl bands in all genres: girl bands who make music on their own terms. With a unique focus on the talented girl bands of the past 50 years rather than casting female musicians in the typical solo ‘singer-songwriter’ mode. New perspectives on each genre – from 1960s Motown groups to 1970s prog rock and punk to 1980s protest music, 1990s queercore, riot grrrl and beyond – written by musicians, performers, journalists, promoters and fans. Contents Introducing the All-girl Band: Finding Comfort in Contradiction | Julia Downes 1. Female Pioneers in Old-time and Country Music | Victoria Yeulet 2. Puppets on a String? Girl Groups of the 50s and 60s | Elizabeth K. Keenan 3. Truth Gotta Stand: 60s Garage, Beat and 70s Rock | Sini Timonen 4. Prog Rock: A Fortress They Call ‘The Industry’ | Jackie Parsons 5. Feminist Musical Resistance in the 70s and 80s | Deborah Withers 6. You Create, We Destroy: Punk Women |Jane Bradley 7. Post-Punk: Raw, Female Sound | Rhian E. Jones 8. Subversive Pleasure: Feminism in DIY Hardcore | Bryony Beynon 9. Queercore: Fearless Women | Val Rauzier 10. Riot Grrrl, Ladyfest and Rock Camps for Girls | Elizabeth K. Keenan and Sarah Dougher Epilogue: Pussy Riot and the Future | Julia Downes Notes Bibliography Reviews “Tales of race riots, intimidation and abuse by male music fans and management, and inspiring moments of in-your-face activism provide fascinating background to some of your favourite bands (and many you’ve never heard of). The greatest strength of Women Make Noise is that many of the contributors were themselves part of the bands they are chronicling. These women offer up inspiring, funny and enraging stories of being radical activists and prolific musicians in a world that worked constantly to push them down.” – Gender Focus “Women Make Noise is a wonderful collection of essays, taking the reader from the days of Sassy country and Western women carving out a place in a horrendously sexist fledgeling music industry, all the way up to the Riot Grrrl movement of the 90s and beyond. Each chapter is written with such boundless enthusiasm for the subject matter that it’ll keep you enthralled until you drift slowly out of your comfort zone without even realising it. Read the book cover to cover, have your eyes opened, discover your next favourite band and perhaps think about the role of Women in music a little differently from now on.” – Intuition, review by Owen Chambers “Fascinating, diverse and, most importantly, inspiring – the title alone is as much a rallying cry as a joyous statement of the truth.” – Zoe Street Howe, author of Typical Girls? The Story of The Slits, and other music titles “It’s exhilarating to learn about different generations of female musicians from such diverse, strong voices.” – Kathleen Hanna, American singer, musician, artist, feminist activist, pioneer of the feminist punk riot grrrl movement “A very important and timely contribution to the debates about “women in rock”. All-girl bands have too often been written off as novelties, and this exciting book sheds new light on an under-researched area.” – Lucy O’Brien, author of She Bop: The Definitive History of Women in Rock, Pop and Soul
Out of sight of most Americans, global corporations likeNestlé, Suez, and Veolia are rapidly buying up our local watersources—lakes, streams, and springs—and taking controlof public water services. In their drive to privatize and commodifywater, they have manipulated and bought politicians, clinchedbackroom deals, and subverted the democratic process by trying todeny citizens a voice in fundamental decisions about their mostessential public resource. The authors' PBS documentary Thirst showed howcommunities around the world are resisting the privatization andcommodification of water. Thirst, the book,picks up where the documentary left off, revealing the emergence ofcontroversial new water wars in the United States and showing howcommunities here are fighting this battle, often against companiesheadquartered overseas. Read areview...http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2007/03/18/RVGS9OHPKT1.DTL
An excellent resource for test preparation, this text delivers a 400-question exam review for the American Registry of Radiologic Technologists' (ARRT) Advanced Qualification Examination in Mammography. Based on ARRT content specifications for the 100-question exam, the test features questions on the whole spectrum of mammographic procedures, full references with explanations for each answer, questions divided into four full-length simulated exams and a section on test-taking skills.
Lippincott's Computed Tomography Review is the latest in a growing series of Study Guides and Test Reviews designed to help students and technologists achieve optimal success in examinations critical to their careers. This particular review is specifically intended for the Advanced Qualifications Examination in Computed Tomography.
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