When first-time author and artist Deborah Paris stepped into Lennox Woods, an old-growth southern hardwood forest in northeast Texas, she felt a disruption that was both spatial and temporal. Walking the remnants of an old wagon trail past ancient stands of pine, white oak, elm, hickory, sweetgum, maple, hornbeam, and red oak, she felt drawn into a reverie that took her back to “the beginning, both physically and metaphorically.” Painting the Woods: Nature, Memory and Metaphor explores the experience of landscape through the lens of art and art-making. It is a place-based meditation on nature, art, memory, and time, grounded in Paris’s experiences over the course of a year in Lennox Woods. Her account unfolds through the twin arcs of the changing seasons and her creative process as a landscape painter. In the tradition of Annie Dillard’s Pilgrim at Tinker Creek, narrative passages interweave with observations about the natural history of Lennox Woods, its flora and fauna, art history, the science of memory, Transcendentalist philosophy, the role of metaphor in creative work, and even loop quantum gravity theory. Each chapter explores a different aspect of the forest and a different step in the art-making process, illuminating our connection to the natural world through language, comprehension of time, and visual depictions of the landscape. The complex layers of the forest and Paris’s journey through it emerge as metaphors for the larger themes of the book, just as the natural world underpins the art-making drawn from it. Like the trail that winds through Lennox Woods, memory and time intertwine to provide a path for understanding nature, art, and our relationship to both.
In 1241/4 the theology masters at the university at Paris with their chancellor, Odo of Chateauroux, mandated by their bishop, William of Auvergne, met to condemn ten propositions against theological truth. This book represents the first comprehensive examination of what hitherto has been a largely ignored instrument in a crucial period of the university’s early maturation. However, the book’s ambition goes wider than this. The condemnation provides a window through which to view the wider doctrinal, intellectual, institutional and historical developments within the emerging university. These include the advent of the Dominicans and Franciscans at the university; and the developing focus of Paris theologians on using their learning for preaching at a time of a rapid and sometimes divergent development of doctrine and concerns over the newly-translated Aristotelian and associated Arab and Jewish works, heresy, the Greek Church and the Jews. The book compares the condemnation’s ten articles with the major statement of Catholic principles in the first canon of the Fourth Lateran Council, 1215, and assesses what conclusions can be drawn from their apparent correlation. Its examination of the condemnation in the context of the surrounding wider developments provides the basis for a much better understanding of the university and its theology faculty in the formative years between the grant of its statutes in 1215 and the better known period from the 1250s onwards, which included major figures such as Thomas Aquinas; and this, in turn, should lead to a better understanding of the later period itself and its doctrinal and institutional developments.
Attempting to export wine to the U.S. has long been fraught with difficulty, especially for the smaller producers. The U.S. wine industry, complicated by confusing regulations and intense internal brand competition, is also the land of opportunity and home to an adventurous and egalitarian wine consuming population. But without an understanding of how to effectively enter this complex market, the exporter often founders and retreats in frustration. This book provides a guide to approaching and attracting an importer, differentiating terms and regulations which must be understood to prosper, and avenues to achieving and sustaining attainable sales and distribution goals.
The essential dining companion for your French vacation rental (and back home) A trip to the grocery store while vacationing in a foreign country can be a frustrating ordeal. How to choose the best seafood (what is the deal with the tiny packages of fish?), proper farmers’ market etiquette (is it okay to touch the veggies?), and choosing the right checkout line (there are different kinds?) can all lead to moments of confusion, and asking for help is not so easy with a language barrier. When author Lynne Martin tried living as locals do in France, she found making her own meals nearly impossible. Unfamiliar with cuts of meat and unable to decipher labels or cooking instructions, she was surrounded by delicious produce but lost when it came to utilizing it in French cooking. Chef Deborah Scarborough came to her rescue, and now, in Eat Like a Local in France, both share their tips for other travelers looking to rock their vacation cooking or explore French cuisine at home. In addition to 50 recipes, there are guides to wine and cheese, tips for stocking a rental home, and information about French kitchen basics.
NATIONAL BESTSELLER • The remarkable memoir of an ambitious young photojournalist who went off to war as a twenty-two-year-old girl—and came back, four years and many adventures later, a woman “Eloquent and well observed, not only about the memoirist, but about the world: war, death, photojournalism and, of course, the worldwide battle between the sexes.” —The Washington Post Book World In 1988, fresh out of Harvard, Deborah Copaken Kogan moved to Paris with a small backpack, a couple of cameras, the hubris of a superhero, and a strong thirst for danger. She wanted to see what a war would look like when seen from up close. Naïvely, she figured it would be easy to filter death through the prism of her wide-angle lens. She was dead wrong. Within weeks of arriving in Paris, after begging to be sent where the action was, Kogan found herself on the back of a truck in Afghanistan, her tiny frame veiled from head to toe, the only woman—and the only journalist—in a convoy of rebel freedom fighters. Kogan had not actually planned on shooting the Afghan war alone. However, the beguiling French photographer she’d entrusted with both her itinerary and her heart turned out to be as dangerously unpredictable as, well, a war. Kogan found herself running from one corner of the globe to another, each linked to the man she was involved with at the time. From Zimbabwe to Romania, from Russia to Haiti, Kogan takes her readers on a heartbreaking yet surprisingly hilarious journey through a mine-strewn decade, her personal battles against sexism, battery, and even rape blending seamlessly with the historical struggles of war, revolution, and unfathomable abuse it was her job to record. In the end, what was once adventurous to the girl began to weigh heavily on the woman. Though she had finally been accepted into photojournalism’s macho fraternity, her photographs splashed across the front pages of international newspapers and magazines, Kogan began to feel there was something more she was after. Ultimately, what she discovered in herself was a person—a woman—for whom life, not death, is the one true adventure to be cherished above all.
The subject of John Singer Sargent's most famous painting was twenty-three-year-old New Orleans Creole Virginie Gautreau, who moved to Paris and quickly became the "it girl" of her day. A relative unknown at the time, Sargent won the commission to paint her; the two must have recognized in each other a like-minded hunger for fame. Unveiled at the 1884 Paris Salon, Gautreau's portrait generated the attention she craved-but it led to infamy rather than stardom. Sargent had painted one strap of Gautreau's dress dangling from her shoulder, suggesting either the prelude to or the aftermath of sex. Her reputation irreparably damaged, Gautreau retired from public life, destroying all the mirrors in her home. Drawing on documents from private collections and other previously unexamined materials, and featuring a cast of characters including Oscar Wilde and Richard Wagner, Strapless is a tale of art and celebrity, obsession and betrayal.
A frank, witty, and dazzlingly written memoir of one woman trying to keep it together while her body falls apart—from the “brilliant mind” (Michaela Coel, creator of I May Destroy You) behind Shutterbabe “The most laugh-out-loud story of resilience you’ll ever read and an essential road map for the importance of narrative as a tool of healing.”—Lori Gottlieb, bestselling author of Maybe You Should Talk to Someone NAMED ONE OF THE BEST BOOKS OF THE YEAR BY REAL SIMPLE I’m crawling around on the bathroom floor, picking up pieces of myself. These pieces are not a metaphor. They are actual pieces. Twenty years after her iconic memoir Shutterbabe, Deborah Copaken is at her darkly comedic nadir: battered, broke, divorcing, dissected, and dying—literally—on sexism’s battlefield as she scoops up what she believes to be her internal organs into a glass container before heading off to the hospital . . . in an UberPool. Ladyparts is Copaken’s irreverent inventory of both the female body and the body politic of womanhood in America, the story of one woman brought to her knees by the one-two-twelve punch of divorce, solo motherhood, healthcare Frogger, unaffordable childcare, shady landlords, her father’s death, college tuitions, sexual harassment, corporate indifference, ageism, sexism, and plain old bad luck. Plus seven serious illnesses, one atop the other, which provide the book’s narrative skeleton: vagina, uterus, breast, heart, cervix, brain, and lungs. Copaken bounces back from each bum body part, finds workarounds for every setback—she transforms her home into a commune to pay rent, sells her soul for health insurance, turns FBI informant when her sexual harasser gets a presidential appointment—but in her slippery struggle to survive a steep plunge off the middle-class ladder, she is suddenly awoken to what it means to have no safety net. Side-splittingly funny one minute, a freak horror show the next, quintessentially American throughout, Ladyparts is an era-defining memoir.
A riveting middle-grade biography about Sophie Blanchard, the first woman to work as a professional aeronaut in France in the late 1700s, set against the thrilling backdrop of early flight. Before Amelia Earhart, there was Sophie Blanchard, the first woman to earn her living in the air. While no one knows the fate of Earhart, a terrified crowd of thousands looked on as French aeronaut Sophie Blanchard met her end in a tragic blaze of glory over the streets of Paris in 1819. But first, Blanchard made nearly 70 spectacular flights, survived a revolution, and become a court favorite of the emperor Napoleon (who gave her the title, "Aeronaut of the Official Festivals") and later of the King of France. Set against the backdrop of the history of flight, watch as Balloonmania-- a phenomenon that riveted all of Europe-- took hold and inspired a great many artists authors, and dreamers. This lively scrapbook-style biography with more than fifty black-and-white photos throughout, introduces a frightened, nervous girl who became a fearless legend in the skies.
Suppose you were a cat. And suppose you wanted to see the world and Paris was your first option. Would you take the gamble, even not knowing what "Paris" is?If you were George, you would, and if you were his tag along buddy, Billy, you'd go too!Risking serious danger but hungry for adventure, George smuggles his way into a trip to France. Once there, he does what everyone does in Paris. He visits the sights.In Travels With George: Paris, George tells us about his trip, what he saw and what he thought about it. Fortunately, he chose as one of his companions for the trip, his friend, digital artist Deborah Julian. He tells his story, and she illustrates it with over a dozen full color prints (suitable for framing) of his adventures.Wonder what a cat thought about being at the top of the Eiffel Tower, or maybe something more mellow like a quiet cruise along the Seine? Read and see it.Join George, Billy and their involuntary people guides as they explore and discover the City of Light.
A feast of observations about everything from the particular beauty of lemons on a table, to the allure of Colette, to the streets of Paris, by the inimitable Deborah Levy. Deborah Levy’s vital literary voice speaks about many things. On footwear: “It has always been very clear to me that people who wear shoes without socks are destined to become my friends and lovers.” On public parks: “A civic garden square gentles the pace of the city that surrounds it, holding a thought before it scrambles.” On Elizabeth Hardwick: “She understands what is at stake in literature.” On the conclusion of a marriage: “It doesn’t take an alien to tell us that when love dies we have to find another way of being alive.” Levy shares with us her most tender thoughts as she traces and measures her life against the backdrop of different literary imaginations; each page is a beautiful, questioning composition of the self. The Position of Spoons is full of wisdom and astonishments and brings us into intimate conversation with one of our most insightful, intellectually curious writers.
In the early 1980s, Deborah Jacobs was an ordinary Lebanese American college student from Long Island, New York. By the end of the decade, she would bear witness to the making of international history. Her story begins in graduate school: through a series of chance encounters, young Deborah was introduced to Marwan Kanafani, a dashing former soccer star turned high-ranking Palestinian diplomat who was working at the United Nations. A political dynamo with movie-star charm, Marwan swept Deborah off her feet and into a marriage that kept her in the company of diplomats, dignitaries, world leaders, international glamour and intrigue. Although exciting, this lifestyle also isolated Deborah increasingly from her independent, American way of living, creating a rift that would end their marriage. Marwan's profile was on the rise, and with it came a number of crucial connections for Deborah: while his involvement with the PLO intensified, eventually resulting in his appointment as senior advisor and spokesperson for Yasir Arafat, she formed friendships with such women as Suha Arafat, Queen Dina of Jordan, and other women married to Arab leaders. After her divorce, when these women agreed to tell their stories of struggle and survival for a book, Deborah traveled to the Middle East to record them, planning to join her children, who were on the West Bank visiting their father. To her shock and horror, he refused to return the children to her. Deborah stayed in the Middle East for several years to be near her children, finding strength in the women whose lives she documented and whose incredible stories are told in this book. She was eventually able to arrange the return of her children when they were evacuated to another country during a Palestinian uprising. The story of her journey, intertwined with those of the wives of the Arab leaders, takes the reader into an otherwise inaccessible and cloistered world populated by larger-than-life characters living out all-too-human dramas. Culture, politics, and family collide in this gripping front-row perspective of the Middle East conflict and of the courageous women working behind the scenes for peace and challenging the patriarchal traditions of their homeland.
Printz Honor Book • YALSA Nonfiction Award Winner • Boston Globe-Horn Book Award Winner • SCBWI Golden Kite Winner • Cybils Senior High Nonfiction Award Winner From the author of National Book Award finalist Charles and Emma comes an incredible story of brotherly love. The deep and enduring friendship between Vincent and Theo Van Gogh shaped both brothers' lives. Confidant, champion, sympathizer, friend—Theo supported Vincent as he struggled to find his path in life. They shared everything, swapping stories of lovers and friends, successes and disappointments, dreams and ambitions. Meticulously researched, drawing on the 658 letters Vincent wrote to Theo during his lifetime, Deborah Heiligman weaves a tale of two lives intertwined and the extraordinary love of the Van Gogh brothers.
Royalty, revolution, and scientific mystery---the dramatic true account of the fate of Louis XVII, son of Marie Antoinette, and an extraordinary detective story that spans more than two hundred years.
In the early 1970s, Katharine Graham was one of the most powerful women on earth. The publisher of the Washington Post, she published the Pentagon Papers, which shed light on the darkest corners of the war in Vietnam, and she oversaw the investigation into Watergate that would bring down President Richard Nixon. Her story is one of the greatest triumphs in the history of American journalism, but she may have had a secret ally: the Central Intelligence Agency. In this stunning biography, veteran reporter Deborah Davis unearths the truth about the Washington Post and the family that ran it. Upon the first printing of Katharine the Great, the original publisher pulled the book under pressure from Katharine Graham and her editor-in-chief, Benjamin Bradlee, who demanded that it be destroyed. Nothing in the book was ever disproven, and it stands today as a testament to dogged reporting and the unmatched power of the intelligence community. Don't miss the new Steven Spielberg film, The Post, starring Meryl Streep as Katharine Graham and Tom Hanks as Benjamin Bradlee.
Did you know Thomas Edison proposed to his wife in Morse code? Or that the CIA considered covering Castro’s shoes in thallium to get rid of his iconic beard? The strange facts and foibles of history’s famous figures are divulged in Famous Freaks. The book is a fun, bite sized compendium of the weird and unbelievable. Big names—small disclosures. Important historical data—little to none. This book can be picked up and read anywhere, from any starting point. Skim a section or just peruse a page, but you may find yourself hooked after reading a few of the hilariously strange entries inside. Deborah Warren, whose work has appeared in The New Yorker and The Paris Review, deals out the strange facts of history’s famous with a poetic style and a sense of humor. The collected details, those which history might rather have forgotten, are given their place in the spotlight. Start from the front, but if it’s not your thing, flip around the pages. There are plenty of Famous Freaks inside.
A sensation in France, this is a story about literary deceptions, family secrets, and a thrilling quest for the truth Who is the real author of The Black Insignia? Is it H. R. Sanders, whose name is printed on the cover of every installment of the wildly successful young adult adventure series? Or is it Daniel Roche, the enigmatic world traveler who disappears for months at a time? When Daniel’s great-niece, Hélène, moves to Paris to study archeology, she does not expect to be searching for answers to these questions. As rumors circulate, however, that the twenty-fourth volume of The Black Insignia series will be the last, Hélène and her friend Guillaume, a devoted fan of her great-uncle’s books, set out to discover more about the man whose life eludes her. In so doing, she uncovers an explosive secret dating back to the darkest days of the Occupation. In recounting the moment when one history began and another ended, The Travels of Daniel Ascher explores the true nature of fiction: is it a refuge, a lie, or a stand-in for mourning?
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