This is an indispensable book for writers. Between its pages is everything you need to know about the business of being a writer, from people who live and breathe books. Keep this book by your side as you pursue your publishing dream.
If you dream of being published, this book will teach you the nuts and bolts of what it means to be an author. In a friendly, informative and practical way, Georgia Richter and Deborah Hunn share all you need to know about inspiration and research, preparing to submit to a publisher, creating an author brand, legal, ethical and moral considerations, pitching, effective social media and much more. Practical advice and top tips from Liz Byrski, Alan Carter, Nandi Chinna, Tim Coronel, Amanda Curtin, Daniel de Lorne, Deb Fitzpatrick, James Foley, Alecia Hancock, Stephen Kinnane, Ambelin Kwaymullina, Natasha Lester, Brigid Lowry, Caitlin Maling, Meg McKinlay, Claire Miller, Brendan Ritchie, Rachel Robertson, Holden Sheppard, Sasha Wasley, David Whish-Wilson and Anne-Louise Willoughby.
Explores some of Australia's major ethical challenges. Written in the midst of rapid social and environmental change and in a time of uncertainty and division, it offers powerful stories and arguments for ethical choice and commitment. The focus is on reconciliation between Indigenous and 'Settler' peoples, and with nature.
In the author’s own words, Dreaming Ecology ‘explores a holistic understanding of the interconnections of people, country, kinship, creation and the living world within a context of mobility. Implicitly it asks how people lived so sustainably for so long’. It offers a telling critique of the loss of Indigenous life, human and non-human, in the wake of white settler colonialism and this becoming ‘cattle country’. It offers a fresh perspective on nomadics grounded in ‘footwalk epistemology’ and ‘an ethics of return sustained across different species, events, practices and scales’. ‘This is the final and most substantial of Debbie’s love letters to the Aboriginal people of the Victoria River Downs. I say this because there is such a sense of reverence, wonder and respect throughout the book. The introduction of concepts of double-death, footwalk epistemology, wild country … are not only organising ideas but characterisations arising from what Debbie hears, sees and feels of herself and Aboriginal others … I think of it in terms of love, if love is care, reciprocal respect, deep connectivity and a strong desire to never make less of the people she chose to commit herself to.’ —Richard Davis ‘This book was a pleasure to read, filled with careful description of people, places, and various plants and animals, and insightful analysis of the patterns and commitments that hold them together in the world.’ —Thom van Dooren
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