The year 1941 had been a boring year for sixteen-year-old Joseph Stillwater, a Mescalero Apache living on a New Mexico Indian reservation. That was until that December when he heard President Roosevelt’s speech to Congress after the Pearl Harbor bombing. Instantly, he and his cousin, John Runninghorse, knew what they wanted to do. They wanted to fight the enemies of America. So, they defied their parents, ran away, lied about their ages, and joined the Army. Neither teen had ever been off the reservation, yet soon they were in Alabama doing basic training. From there they were sent to Tidworth, England, for specialty training where they were joined by several other Native American soldiers. Their expertise in fighting, tracking, and hunting was so above other American soldiers, it soon had them being reassigned to Scotland where they were to train with elite British Commando soldiers. With the war in Europe intensifying, they were released from that training and sent to France where their mission was to form a unit that could fight and harass the Germans from the shadows while collecting intelligence. They were so successful, the Germans gave them a nickname Geistkriegers, the Spirit Warriors, because they were never seen before or after their deadly attacks, but only heard when they gave an Indian war cry from the depths of the forests. While in France, Joseph found love when he met a French girl, Maria, but experienced heartbreak when she was taken by the Germans. That heartbreak turned into anger and hatred, and turned Joseph into a true Apache warrior on a blood hunt for all Germans. When the war ended, Joseph took those pent-up emotions home with him where his grandfather, his tribe’s shaman, saw the demons within his grandson. He suggested Joseph to experience a ritual spirit walk to his ancestors to cleanse him of his demons. Joseph consented, but could a “visit” to his ancestors cleanse him of the pain he had felt in losing Maria?
Anglo-Saxon Community in J.R.R. Tolkien's The Lord of the Rings by Dr. Deborah A. Higgens, PhD will add to the field of Tolkien scholarship a detailed study of how Tolkien entered into the community of Anglo-Saxon storytellers as a scholar and critic, but also as an insider. Embracing elements of a lifestyle he valued, yet which he viewed as diminishing in modern-day England and in the rest of the world, J.R.R. Tolkien hearkens back to a literary community shrouded in mystery and Faerie, from Beowulf and other Anglo-Saxon poetry to medieval legend. Tolkien enters that community both as a critic, examining lost elements of a heroic society, and as an insider, recasting, as did ancient authors, the elements of Story, to create his own great fairy-story. While much has been written on medievalism in Tolkien's works, this research adds to the field a detailed explanation of the Anglo-Saxon mindset in Tolkien's The Lord of the Rings (LOTR). In his sub-creation, Tolkien draws from the same Cauldron of Story from which the Anglo-Saxon poets drew, as illustrated by an examination of Tolkien's two critical essays: "On Fairy-Stories" and "Beowulf: The Monsters and the Critics." Tolkien discusses the manner in which the Beowulf poet created his poem, and it is evident that the same principles can be applied to demonstrate how Tolkien created his own great fairy-story as he integrates the ancient themes of the Anglo-Saxon mead hall, the lord as gift-giver, and the comitatus bond in his creation of the Rohirrim. In the role of the cup-bearer, Old English poetry predominately reflects aristocratic women, and Tolkien illustrates this aspect in LOTR through the characters of Galadriel and Eowyn. Tolkien's work is as original as that of medieval authors because he built on ancient themes and structure, used their modes and genres, and chose similar mythic elements to weave his own tale. The decline of mead-hall society is reflected in Old English poetry, and Tolkien's fiction embodies a sense of that loss, preserving for his audience, as did the Beowulf poet, this ancient society and its heroic values.
Bob has done such a great job explaining ClarisWorks that even I might be able to use the Windows version." — Guy Kawasaki, Chief Evangelist, Apple Computer, Inc. Free ClarisWorks "Cheat Sheet" Inside! Put the Power of ClarisWorks Office to Work for You Today and Watch Your Producivity Rise! ClarisWorks® Office For Dummies® gets you up to speed quickly with ClarisWorks Office — all the software you need to use your computer effectively at work, at school, or at home. No other software integrates all the basics in such an easy, harmonious way. Whether you use a Mac, Windows, or both, ClarisWorks Office comes through with 100 percent cross-platform coverage — and so does this book. Text, spreadsheet, database, creative design, Web publishing … this book's got it covered! Inside, find helpful advice on how to: Create impressive-looking documents with word processing software Build a spreadsheet to track and chart your finances or schedules Create a database to keep records of your clients, customers, students, or stock Merge names from your database into a letter — then add a chart for flair Combine collected information into slide-show presentations Start your presence on the Web Discover ClarisWorks assistants that practically create your documents for you Ask for IDG Books' …For Dummies® Books, the Fun and Easy Way to Find out About Computers. Also look for IDG Books' PCs For Dummies®, 5th Edition, the fun and easy way to get started using your PC, and Macs® For Dummies®, 5th Edition, the fast and friendly way to set up your Mac!
The incredible story of a 1958 murder that ended with the last woman to ever be executed in California—a murder so twisted it seems ripped from a Greek tragedy. Deborah Larkin was only ten years old when the quiet calm of her California suburb was shattered. Thirty miles north, on a quiet November night in Santa Barbara, a pregnant nurse named Olga Duncan disappeared from her apartment. The mystery deepens when it is discovered that Olga’s mother in-law—a deeply manipulative and deceptive woman—had been doing everything in her power to separate Olga and her son, Frank, prior to Olga’s disappearance. From a forged annulment to multiple attempts to hire people to “get rid” of Olga, to a faked excoriation case, Elizabeth seemed psychopathically attached to her son. Yet she denied having anything to do with Olga’s disappearance with a smile. But when Olga’s brutally beaten body is found in a shallow grave, apparently buried alive, a young DA makes it his mission to see that Elizabeth Duncan is brought to justice. Adding a wrinkle to his efforts is the fact that Frank—himself a defense attorney—maintained his mother’s innocent to the end. How does a young girl process such a crime along with the fear and disbelieve that rocked an entire community? Decades later, Larkin is determined to revisit the case and bring the story of Olga herself to light. Long overshadowed by the sensationalism and scandal of Elizabeth and Frank, A Lovely Girl seeks to reveal Olga as a woman in full. Someone who was more than the twisted family that would ultimately ensnare her. As we follow the heart-pounding drama of the case through Larkin's young eyes—her father was the court reporter—A Lovely Girl is by turns page-turning yet poingnant, and makes the reader reexamine how we handle fear, how we regard mental illness, and how we understand family as we carve our own path in a dangerous world.
In this book, Cameron explores popular attitudes towards language and examines the practices by which people attempt to regulate its use. She also argues that popular discourse about language values serves a function for those engaged in it.
Comprehensive and up-to-dateThe first contemporary publication to go beyond examining broad themes and trends in the field, this timely volume looks closely at specific authors and texts. The book is comprehensive and as current as possible, covering works by African American authors for young adults published between 1968-1993-some 200 titles by close to 50 writers. In addition to established authors and bestselling titles, the coverage includes material overlooked by previous studies, such as works from small presses and talented new authors.Guidlines for evaluationAn extensive introduction reviews important milestones in this body of literature and analyzes noteworthy bibliographical and critical publications about such writing. It includes suggested guidelines for evaluating a work in terms of its direct and indirect treatment of such issues as race, gender, class, ability, age, sexuality, and sexual orientation. The book also offers specific guidance for determining the appropriate readership for a work with regard to age and gender.Unusually extensive annotationsThe main body of the book is an annotated bibliography, alphabetical by author, with the works arranged chronologically by publication date. The annotations are much more extensive than those in other bibliographies. Each annotation reads more like a full-length book review and is from one to two pages long and explores themes, plot and character development, evaluates the quality of the writing, judges the handling of issues of race, class, and gender, and provides a readership recommendation.Written in accessible language, this user-friendly book presents a wide range of factual information, evaluations, and analyses. It is a valuable tool for all teachers, librarians, counselors, and young adults
Ethical Problems in Federal Tax Practice provides clear explanations of the relevant rules and regulations that apply to tax lawyers and organizes the materials by the various functions a lawyer serves: litigator, advisor and counselor. This is the only casebook currently available for law courses on professional responsibility in tax practice. Look for these key features in the new edition: New chapter on international tax practice Effect of technology innovations, e.g., email and social media, on ethical tax practice, including issues such as ethical advertising and solicitation, outsourcing and fee sharing Changes to Circular 230, the document governing practice before the IRS
Contraceptive Technology is a one stop, person-centered reference guide for students and practitioners in sexual and reproductive health care professions. Whether it is family planning, discussing reproductive desires, maintaining contraception while managing a specific condition, abortion, reproductive tract infection or post-partum contraception, this trusted resource can be referenced in any situation when working with patients seeking guidance on reproduction, sexual health, and contraceptive options. Now in its 22nd edition, this best-selling reference provides breadth, depth of knowledge, and expansive research from over 85 medical experts in the fields of contraception, sexual health, reproductive health, and infectious disease. With a holistic approach, this edition continues the tradition of focusing on the individual patients, meeting them where they are to offer respectful, appropriate care and services.
The plots of many films pivot on the moment when a dowdy girl with bad hair, ill-fitting outdated clothing, and thick glasses is changed into an almost unrecognizable glamour girl. Makeover scenes such as these are examined beginning with 1942's Now, Voyager. The study examines whether the film makeover is voluntary or involuntary, whether it is always successful, how much screen time it takes up, where in the narrative structure it falls, and how the scene is actually filmed. Films with a Pygmalion theme, such as My Fair Lady, Vertigo, and Shampoo, are examined in terms of gender relations: whether the man is content with his creation and what sort of woman is the ideal. Some films' publicity capitalizes on a glamorous star's choice to play an unattractive character, as discussed in a chapter examining stars like Bette Davis, Meryl Streep, and Cameron Diaz. Topics also include folk literature's Cinderella tale, men as the inspiration for makeovers in teen flicks films like Clueless, She's All That, and Me, Natalie, and class repositioning in such movies as Working Girl, Pretty Woman, and Grease. Photographs are presented in a before/after format, showing the change in the madeover character.
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