Trollope the reformer and the reformation of Trollope scholarship in relation to gender, race, and genre are the intertwined subjects of eminent Trollopian Deborah Denenholz Morse’s radical rethinking of Anthony Trollope. Beginning with a history of Trollope’s critical reception, Morse traces the ways in which Trollope’s responses to the political and social upheavals of the 1860s and 1870s are reflected in his novels. She argues that as Trollope’s ideas about gender and race evolved over those two crucial decades, his politics became more liberal. The first section of the book analyzes these changes in terms of genre. As Morse shows, the novelist subverts and modernizes the quintessential English genre of the pastoral in the wake of Darwin in the early 1860s novel The Small House at Allington. Following the Second Reform Act, he reimagines the marriage plot along new class lines in the early 1870s in Lady Anna. The second section focuses upon gender. In the wake of the Second Reform Bill and the agitations for women's rights in the 1860s and 1870s, Trollope reveals the tragedy of primogeniture and male privilege in Harry Hotspur of Humblethwaite and the viciousness of the marriage market in Ayala's Angel. The final section of Reforming Trollope centers upon race. Trollope's response to the Jamaica Rebellion and the ensuing Governor Eyre Controversy in England is revealed in the tragic marriage of a quintessential English gentleman to a dark beauty from the Empire's dominions. The American Civil War and its aftermath led to Trollope's insistence that English identity include the history of English complicity in the black Atlantic slave trade and American slavery, a history Trollope encodes in the creole discourses of the late novel Dr. Wortle's School. Reforming Trollope is a transformative examination of an author too long identified as the epitome of the complacent English gentleman.
A Companion to the Brontës brings the latest literary research and theory to bear on the life, work, and legacy of the Brontë family. Includes sections on literary and critical contexts, individual texts, historical and cultural contexts, reception studies, and the family’s continuing influence Features in-depth articles written by well-known and emerging scholars from around the world Addresses topics such as the Gothic tradition, film and dramatic adaptation, psychoanalytic approaches, the influence of religion, and political and legal questions of the day – from divorce and female disinheritance, to worker reform Incorporates recent work in Marxist, feminist, post-colonial, and race and gender studies
From the bestselling author of The Best Exotic Marigold Hotel: “Tainted love, jealousy and, brilliant revenge—this book has got the lot” (New Woman). Thirty-eight-year-old Jules Sampson is barely getting by as a working actor in London—until she gets a job as a stand-in for American movie star Lila Dune. Being the same age and in the same business, the two hit it off, but their careers couldn’t be more different. Jules may not be as beautiful and successful as Lila, but she’s a far better actor. Her impersonation of Lila is spot-on, and the two even slip into each other’s lives. It’s all just fun and games. But Jules has made a dreadful miscalculation—one that takes her already simmering resentment of Lila to the boiling point. Consumed by jealousy, Jules is ready for her close-up—and no one is better prepared than her for her next big role . . . Taking readers on a whirlwind of madness and obsession from London to New York to Los Angeles, “Moggach’s examination of the unbalanced mind is spellbinding, and the characters horribly believable. . . . This is [her] best novel yet” (Options). “Compulsively readable . . . a triumph.” —Sunday Express “Intelligent, persuasive, sensuous, perceptive . . . what an accomplishment!” —Fay Weldon, author of The Life and Loves of a She Devil “An exciting, deftly executed thriller with considerable psychological intrigue.” — Publishers Weekly “With a marvelous snap of a windup, an absorbing, inventive chiller, complete with undertones of a sour, wry humor.” —Kirkus Reviews
Moving back and forth between experience and language, The Unspeakable Mother operates out of the intersection of two perspectives: women's immersion in the mother/daughter dyad and the paradoxical absence of the mother in the daughter's discourse. Deborah Kelly Kloepfer calls attention to the repeated allusions to dead mothers, dying mothers, mad mothers, stepmothers, abortions, stillbirths, miscarriages, and infant death in the novels of Jean Rhys and the poems and prose of H.D. Drawing on American and French feminist theory, she suggests that Rhys, H.D., and other modernist women writers, rather than just characterizing women's experience, are encoding the mother in relation to language. The dead mother is a trope for textlessness, a trope that also serves to inscribe the repression of the female speaking/writing subject. Challenging a number of assumptions of critical discourse, in which the father traditionally functions as the guardian of the symbolic, Kloepfer shows how thematic violence toward the female body is accompanied by the rupturing of conventional language, an act that both reconstitutes the abandoned mother and turns the violence against the androcentric discourse that has denied her. In the work of both Rhys and H.D., Kloepfer uncovers a startling and unsettling incestuous language between mother and daughter which relies not only on the unspoken but on the unspeakable. Anyone interested in literary modernism will find The Unspeakable Mother fascinating reading, as will students and scholars in the fields of psychoanalytic criticism and feminist theory.
Throughout her fifty-year career, Harriet Martineau's prolific literary output was matched only by her exchanges with a range of high-profile British, American and European correspondents. This set focuses on the letters written by Martineau, contextualising the correspondence through annotation of the highest standard. Volume 5 contains letters from 1863-1876.
Logan's study is distinguished by its exclusive focus on women writers, including Charlotte Bronte, George Eliot, Elizabeth Gaskell, Harriet Martineau, Elizabeth Barrett Browning, Florence Nightingale, Sarah Grand, and Mary Prince. Logan utilizes primary texts from these Victorian writers as well as contemporary critics such as Catherine Gallagher and Elaine Showalter to provide the background on social factors that contributed to the construction of fallen-woman discourse.
Tumour markers are molecules occurring in blood or tissue that are associated with cancer, and whose measurement or identification is useful in patient diagnosis or clinical management. This book analyses potential signals of cancerous tumours, otherwise known as markers or indicators. This includes, direct and rapid determination of cancer antigen, potential tumour markers for cholangiocarcinoma, melanoma inhibitory activity, metastatic uveal melanoma, measurement of tumour oxygenation, bladder cancer markers, epithelial cell adhesion and progression markers in prostate tumours.
This volume aims to restore the reputation of Thomas White, who in his time was as well respected as his fellow landscape designers Lancelot 'Capability' Brown and Humphry Repton. By the end of his career, he had produced designs for at least 32 sites across northern England and over 60 in Scotland. These include nationally important designed landscapes in Yorkshire such as Harewood House, Sledmere Hall, Burton Constable Hall, Newby Hall, Mulgrave Castle as well as Raby Castle in Durham, Belle Isle in Cumbria, and Brocklesby Hall in Lincolnshire. He has a vital role in the story of how northern English designed landscapes evolved in the 18th century. The book focuses on White's known commissions in England and sheds further light on the work of other designers such as Brown and Repton, who worked on many of the same sites. White set up as an independent designer in 1765, having worked for Brown from 1759, and his style developed over the next thirty years. Never merely a 'follower of Brown', as he is often erroneously described, his designs for plantations in particular were much admired and influenced the later, more informal styles of the picturesque movement. The improvement plans he produced for his clients demonstrate his surveying and artistic skills. These plans were working documents but at the same time works of art in their own right. Over 60 of his beautifully-executed colored plans survive, which is a testament to the value his clients placed on them. This book makes available for the first time over 90% of the known plans and surveys by White for England. Also included are plans by White's contemporaries, together with later maps, estate surveys, and contemporary illustrations to understand which parts of improvement plans were implemented.
This volume contains Harriet Martineau's writings on the history of England and its efforts and negotiations to promote peace between 1841 and 1854, providing a detailed account of the political revolutions and democratic and military reforms that shaped England's history.
Bringing together established critics and exciting new voices, The Politics of Gender in Anthony Trollope's Novels offers original readings of Trollope that recognize and repay his importance as source material for scholars working in diverse fields of literary and cultural studies. As the editors observe in their provocative introduction, Trollope more than any of his contemporaries is studied by scholars from disciplines outside literary studies. The contributors here draw together work from economics, colonialism and ethnicity, gender studies, new historicism, liberalism, legal studies, and politics that convincingly argues for the eminence of Trollope's writings as a vehicle for the theoretical explorations of Victorian culture that currently predominate. The essays variously examine imperial and postcolonial themes in the context of economic, cultural, aesthetic, and demographic influences; show how gender-sensitive readings expose Trollope's critique of capitalism's influence; address Trollope and sexuality in the context of queer studies, the law, archetypal constructions, and classical feminism; and offer new approaches to narrative theory through examination of Victorian understandings of male and female psychology. Regenia Gagnier's concluding chapter revisits the collection's critical strands and reflects on the implications for future studies of Trollope.
In her in-depth study of Harriet Martineau's writings on the evolution of the British Empire in the nineteenth century, Deborah A. Logan elaborates the ways in which Martineau's works reflect Victorian concerns about radically shifting social ideologies. To understand Martineau's interventions into the Empire Question, Logan argues, is to recognize her authority as an insightful political commentator, historian, economist, and sociologist whose eclectic studies and intellectual curiosity positioned her as a shrewd observer and recorder of the imperial enterprise. Logan's primary sources are Martineau's nonfiction works, particularly those published in periodicals, complemented by telling references from Martineau's didactic fiction, correspondence, and autobiography. Key texts include History of The Peace; Letters from Ireland and Endowed Schools of Ireland; Illustrations of Political Economy; Eastern Life, Present and Past; and History of British Rule in India and Suggestions for the Future Rule of India. Logan shows Martineau negotiating the inevitable conflict that arises when the practices of Victorian imperialism are measured against its own stated principles, and especially against Martineau's idea of both the Civilizing Mission and the indigenous cultural integrity often compromised in the process. The picture of Martineau that emerges is complex and fascinating. Both an advocate and a critic of British imperialism, Martineau was a persistent champion of the Civilizing Mission. Written with an awareness that she was recording contemporary history for future generations, Martineau’s commentary on this perpetually fascinating, often tragic, and always instructive chapter in British and world history offers important insights that enhance and complicate our understanding of imperialism and globalization.
This book sets out the educational challenges, benefits and possibilities of embracing a truly inclusive approach to gifted and talented education and provides a framework for a school to create its own inclusive policy in this area of need. Calling on international research, current educational initiatives, and work within the Barrow Education Action Zone (EAZ) and elsewhere, the authors set out to demonstrate that the inclusion and standards agendas can - and should - take with them the growing interest in the educational needs of gifted and talented pupils. The result is a short but comprehensive and fundamentally practical book, which will be of value to any school or LEA wishing to create and implement a dynamic, reflective and inclusive policy for gifted and talented pupils.
This book situates the production of The Boy Friend and the Players' Theatre in the context of a post-war London and reads The Boy Friend, and Wilson's later work, as exercises in contemporary camp. It argues for Wilson as a significant and transitional figure both for musical theatre and for modes of homosexuality in the context of the pre-Wolfenden 1950s. Sandy Wilson's The Boy Friend is one of the most successful British musicals ever written. First produced at the Players' Theatre Club in London in 1953 it transferred to the West End and Broadway, making a star out of Julie Andrews and gave Twiggy a leading role in Ken Russell's 1971 film adaptation. Despite this success, little is known about Wilson, a gay writer working in Britain in the 1950s at a time when homosexuality was illegal. Drawing on original research assembled from the Wilson archives at the Harry Ransom Center, this is the first critical study of Wilson as a key figure of 1950s British theatre. Beginning with the often overlooked context of the Players' Theatre Club through to Wilson's relationship to industry figures such as Binkie Beaumont, Noël Coward and Ivor Novello, this study explores the work in the broader history of Soho gay culture. As well as a critical perspective on The Boy Friend, later works such as Divorce Me, Darling!, The Buccaneer and Valmouth are examined as well as uncompleted musical versions of Pygmalion and Goodbye to Berlin to give a comprehensive and original perspective on one of British theatre's most celebrated yet overlooked talents.
All living things on earth—from individual species to entire ecosystems—have evolved through time, and evolution is the acknowledged framework of modern biology. Yet many areas of biology have moved from a focus on evolution to much narrower perspectives. Daniel R. Brooks and Deborah A. McLennan argue that it is impossible to comprehend the nature of life on earth unless evolution—the history of organisms—is restored to a central position in research. They demonstrate how the phylogenetic approach can be integrated with ecological and behavioral studies to produce a richer and more complete picture of evolution. Clearly setting out the conceptual, methodological, and empirical foundations of their research program, Brooks and McLennan show how scientists can use it to unravel the evolutionary history of virtually any characteristic of any living thing, from behaviors to ecosystems. They illustrate and test their approach with examples drawn from a wide variety of species and habitats. The Nature of Diversity provides a powerful new tool for understanding, documenting, and preserving the world's biodiversity. It is an essential book for biologists working in evolution, ecology, behavior, conservation, and systematics. The argument in The Nature of Diversity greatly expands upon and refines the arguments made in the authors' previous book Phylogeny, Ecology, and Behavior.
‘A superbly plotted historical drama... highly recommended!’ The Wishing Shelf One woman must sacrifice everything to uncover the truth in this enthralling historical novel, inspired by the true World War Two campaign Radio Aspidistra...
‘The Silk Code had me absolutely hooked... A great storyline full of bravery, trust, love, survival, betrayal and determination.’ NetGalley reviewer, ⭐⭐⭐⭐⭐ Based on the true story of ‘Englandspiel’, one woman must race against the clock to uncover a traitor, even if it means losing the man she loves.
With the aid of women's studies professors, Deborah G. Felder has ranked social reformers, women's rights activists, scientists, educators, labour leaders, artists, performers and sports figures - women who have inspired, inflamed, changed attitudes, and changed the world. Many have passed into history as the first, the finest, or the most prominent women in their fields. Others are less known but equally significant achievers, receiving the recognition they deserve.
The plant family that takes its name from that tiresome weed, the buttercup, contains some our best-loved garden flowers. The cheering anemones, marsh marigolds like golden chalices, intricately pleated and spurred columbines, soaring delphinium, mysterious cowl-shaped monkshoods - as well as the clematis in all its glorious forms - are all close relations. These are links too between the vine-like leaves of Japanese anemones, the fennel strands of love-in-a-mist and the ferny foliage of thalictrums.
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