Dear Reader: Every woman has stories to tell about her mother. The mother she has, the mother she wants, the mother she misses, the mother she didn't know. We carry our mothers with us. Sometimes we carry her in our hearts, in our heads-or on our backs. Sometimes we are connected to our mothers with the thick, strong cords of intertwined love and true acceptance; other times the bonds are stretched thin and taut, scratching against our consciousness, rubbing raw the sore spots in our souls. But we are always linked to our mothers: both to the dreams of the mothers we wish for and the realities of the mothers we have. Even if our mother has been gone for years-for decades-the relationship is still very much alive. Mom is still with us: offering advice, encouragement, criticism, appreciation, rejection, solace. What we daughters do with this ongoing commentary-whether we unknowingly incorporate it into our reality, or consciously and carefully review it, deciding what to keep and what to put away-is fundamental to how fully we lead our own lives. In Dear Mom: Women's Letters of Love, Loss, and Longing, you meet women who have stripped away pretenses, societal constraints, and basic fears to uncover and express their most private truths about their relationship with their mothers. You get to peer over the shoulders of the women, share in their laughter, and experience their struggles. You see how other women cast light on this most complicated, rewarding, and sometimes frustrating relationship. You witness women at different stages of their lives reflecting on the legacies their mothers (knowingly or unconsciously, but always powerfully) left them. You hear how other women experience the glories and the scars, the hurt and the healing that make up this most primal of connections. You also get to meet the women behind the letters, since each Dear Mom letter is followed by a profile of the contributor. You learn about the surprises, satisfactions, and challenges they faced in writing down their most private truths. The 25 Dear Mom contributors include women from a variety of backgrounds, careers, religions, and lifestyles. They include (present and former) teachers, business owners, homemakers, real estate agents, artists, secretaries, social workers, journalists, and government officials. Some are accomplished professionals, well-known in their fields and public figures in their communities. They are married, single, divorced, widowed. Many, though not all, are mothers themselves. Many contributors are baby boomers, in their 40s and 50s. Others are in their 60s, 70s, and 80s. (The oldest contributor is over 90; her conversation with her mother continues!)
Candor, breadth, judiciousness-all these are attributes Irving Louis Horowitz possesses as a scholar. Under his leadership there is no academic publication from which I have learned as much as Transaction-Society."David Riesman, Harvard University "We are all happy benefi ciaries of Horowitz's acutely perceptive and (often) devas-tatingly plain-spoken self as sociologist and sage, broad-gauged scholar, dedicated teacher, tough-minded editor and publisher with an ingrained sense of fairness."Robert K. Merton, Columbia University.
Female drug addicts are often stereotyped either as promiscuous, lazy, and selfish, or as weak, scared, and trapped into addiction. These depictions typify the "pathology and powerlessness" narrative that has historically characterized popular and academic conversations about female substance abusers. Neither Villain Nor Victim attempts to correct these polarizing perspectives by presenting a critical feminist analysis of the drug world. By shifting the discussion to one centered on women's agency and empowerment, this book reveals the complex experiences and social relationships of women addicts. Essays explore a range of topics, including the many ways that women negotiate the illicit drug world, how former drug addicts manage the more intimate aspects of their lives as they try to achieve abstinence, how women tend to use intervention resources more positively than their male counterparts, and how society can improve its response to female substance abusers by moving away from social controls (such as the criminalization of prostitution) and rehabilitative programs that have been shown to fail women in the long term. Advancing important new perspectives about the position of women in the drug world, this book is essential reading in courses on women and crime, feminist theory, and criminal justice.
This accessible beginner’s guide covers everything you need to know to start crocheting, featuring clear, step-by-step, photo-illustrated instructions. Want to learn how to crochet but are not sure how to start? With Super Easy Crochet for Beginners, adapted from Deborah Berger’s best-selling Crochet 101, you will feel confident in your skills quickly and eliminate frustrating mistakes and missteps. Learn what you need, how to read patterns, how to select yarn, and how to troubleshoot problems and turn yarn into charming knitted accessories and clothing. Building skills through fun projects, you will find success quickly and easily while actually making something, giving you the confidence to try another project. Super Easy Crochet for Beginners includes: Crochet basics How to get started Tools and materials Right-handed and left-handed crochet Basic crochet stitches How to read a crochet pattern Crochet tips and tricks Troubleshooting mistakes Fun beginner-level projects Crochet confidence This is the most comprehensive beginner’s book available, yet it won’t overwhelm you with details and instruction you don’t need or want, so you can start enjoying your crochet hobby immediately.
Reading is one of the most important skills a child will ever learn. When you read to children, you are sharing an experience that prepares them to learn to read. Jellybean Books have been written "especially to be read aloud to toddlers and preschoolers aged 3-5 years old. Every book is lively, colorful, filled with fabulous characters, and priced to please.
Focusing on new research and access to forgotten pictures, The New Tide, Early Work 1940_1950 documents the importance of these years in shaping Gordon Parks_ passionate vision. The book brings together photographs and publications made during the fi rst and most formative decade of his 65-year career. During the 1940s Parks_ photographic ambitions grew to express a profound understanding of his social, cultural and political experiences. From the fi rst photographs he published in Saint Paul, Minnesota, and his relationship to the Chicago Black Renaissance, to his mentorship with Roy Stryker and his breakthrough work for America_s infl uential picture magazines_including Ebony and Life _this book traces Parks_ rapid evolution from an accomplished, self-taught practitioner to a groundbreaking artistic and journalistic voice. We are with the new tide. We stand at the crossroads. We watch each new procession. The hot wires carry urgent appeals. Print compels us. Voices are speaking. Men are moving! And we shall be with them... Richard Wright, 12 Million Black Voices: A Folk History of the Negro in the United States , 1941
Defines sexual potency, discusses lifestyle and psychological causes of impotence, and explains how couples can work together to enhance their sexual relationships
A daily dose of poetry, prose, devotional reads, a splash of art work, this grandma spiritualist, shares the wisdom of age, past experiences, thoughts in a delightful way.
Where was Christ between the ages of thirteen and thirty? This book will document the truth, along with, where is The Ark of The Covenant? Where is The Holy Grail? The list goes on. In Mark 13, Christ says, I have foretold you all things. You just have to know where to look. I was led to the answers, and I want to lead you to that information gold mine, under His wing of truth. At the tender age of eight the visions began, first from Heaven then from Hell. My life was predestined for you to know the truth of what I lived through, and what Our Lord wanted to make clear to you. I was led by Our Lord, to a Scholar of The Original Manuscripts from the Library in England, where the King line made it possible for us to receive The Scriptures in English, through King James in 1611. But it was very hard for the translators to bring it to our true understanding, they even wrote a letter to the King telling him, and the readers, to go back to the Original Manuscripts to understand it fully. The Scholar taught chapter by chapter, and verse by verse with explanation, and proving what he taught every step of the way. He brought me understanding and clarity, that's when all my visions made sense to me. So much so, I felt compelled to tell you how my visions fit perfectly with The Scriptures for the end times. The Tapestry of my life is a message for everyone from Our Lord. Do you have a Destiny? Don't discard it. Magnify The Lord with it, in the upcoming battle for our very souls. This book also contains a description of Jesus Christ, written by Pontius Pilate, to Julius Caesar, just after Christ's crucifixion. Psalm 41:1-2 Blessed is he (or she) that considers the poor; The Lord will deliver him in times of trouble. The Lord will preserve him and keep him alive and he shall be blessed upon the earth; and Thou (Our Lord) will not deliver him into the will of his enemies. Thank You Lord.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In 1241/4 the theology masters at the university at Paris with their chancellor, Odo of Chateauroux, mandated by their bishop, William of Auvergne, met to condemn ten propositions against theological truth. This book represents the first comprehensive examination of what hitherto has been a largely ignored instrument in a crucial period of the university’s early maturation. However, the book’s ambition goes wider than this. The condemnation provides a window through which to view the wider doctrinal, intellectual, institutional and historical developments within the emerging university. These include the advent of the Dominicans and Franciscans at the university; and the developing focus of Paris theologians on using their learning for preaching at a time of a rapid and sometimes divergent development of doctrine and concerns over the newly-translated Aristotelian and associated Arab and Jewish works, heresy, the Greek Church and the Jews. The book compares the condemnation’s ten articles with the major statement of Catholic principles in the first canon of the Fourth Lateran Council, 1215, and assesses what conclusions can be drawn from their apparent correlation. Its examination of the condemnation in the context of the surrounding wider developments provides the basis for a much better understanding of the university and its theology faculty in the formative years between the grant of its statutes in 1215 and the better known period from the 1250s onwards, which included major figures such as Thomas Aquinas; and this, in turn, should lead to a better understanding of the later period itself and its doctrinal and institutional developments.
This book draws attention to the pervasive artistic rivalry between Elizabethan poetry and gardens in order to illustrate the benefits of a trans-media approach to the literary culture of the period. In its blending of textual studies with discussions of specific historical patches of earth, The Poem and the Garden demonstrates how the fashions that drove poetic invention were as likely to be influenced by a popular print convention or a particular garden experience as they were by the formal genres of the classical poets. By moving beyond a strictly verbal approach in its analysis of creative imitation, this volume offers new ways of appreciating the kinds of comparative and competitive methods that shaped early modern poetics. Noting shared patterns—both conceptual and material—in these two areas not only helps explain the persistence of botanical metaphors in sixteenth-century books of poetry but also offers a new perspective on the types of contrastive illusions that distinguish the Elizabethan aesthetic. With its interdisciplinary approach, The Poem and the Garden is of interest to all students and scholars who study early modern poetics, book history, and garden studies.
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