Where was Christ between the ages of thirteen and thirty? This book will document the truth, along with, where is The Ark of The Covenant? Where is The Holy Grail? The list goes on. In Mark 13, Christ says, I have foretold you all things. You just have to know where to look. I was led to the answers, and I want to lead you to that information gold mine, under His wing of truth. At the tender age of eight the visions began, first from Heaven then from Hell. My life was predestined for you to know the truth of what I lived through, and what Our Lord wanted to make clear to you. I was led by Our Lord, to a Scholar of The Original Manuscripts from the Library in England, where the King line made it possible for us to receive The Scriptures in English, through King James in 1611. But it was very hard for the translators to bring it to our true understanding, they even wrote a letter to the King telling him, and the readers, to go back to the Original Manuscripts to understand it fully. The Scholar taught chapter by chapter, and verse by verse with explanation, and proving what he taught every step of the way. He brought me understanding and clarity, that's when all my visions made sense to me. So much so, I felt compelled to tell you how my visions fit perfectly with The Scriptures for the end times. The Tapestry of my life is a message for everyone from Our Lord. Do you have a Destiny? Don't discard it. Magnify The Lord with it, in the upcoming battle for our very souls. This book also contains a description of Jesus Christ, written by Pontius Pilate, to Julius Caesar, just after Christ's crucifixion. Psalm 41:1-2 Blessed is he (or she) that considers the poor; The Lord will deliver him in times of trouble. The Lord will preserve him and keep him alive and he shall be blessed upon the earth; and Thou (Our Lord) will not deliver him into the will of his enemies. Thank You Lord.
A daily dose of poetry, prose, devotional reads, a splash of art work, this grandma spiritualist, shares the wisdom of age, past experiences, thoughts in a delightful way.
“The St. Paul of the gangster era springs vividly to life again . . . A captivating glimpse into a shadowy era in the city’s history.” —Community Reporter From their home base in Minnesota, the Karpis-Barker Gang cut a swath of crime and terror across the Midwest in the early 1930s. They kidnapped two important businessmen and held them for exorbitant ransoms. They stole payrolls and robbed banks as the bullets flew. Corrupt police and wily crime bosses helped Alvin Karpis and the Barker brothers Freddie and Doc every step of the way. Who were these men and women? What made them into killers and kidnappers? How did their reckless lifestyles lead to their downfall? From Ma Barker to Volney Davis to Edna Murray the Kissing Bandit, authors Deborah Frethem and Cynthia Schreiner Smith delve into the crimes, personalities and motivations of one of the most successful and infamous gangs in American history.
In this bold study of cinematic depictions of violence in the south, Deborah E. Barker explores the ongoing legacy of the “southern rape complex” in American film. Taking as her starting point D. W. Griffith’s infamous Birth of a Nation, Barker demonstrates how the tropes and imagery of the southern rape complex continue to assert themselves across a multitude of genres, time periods, and stylistic modes. Drawing from Gilles Deleuze’s work on cinema, Barker examines plot, dialogue, and camera technique as she considers several films: The Story of Temple Drake (1933), Sanctuary (1958), Touch of Evil (1958), To Kill a Mockingbird (1962), and Cape Fear (1962). Placing this body of analysis in the context of the historical periods when these films appeared and the literary sources on which they are based, Barker reveals the protean power of cinematic racialized violence amid the shifting cultural and political landscapes of the South and the nation as a whole. By focusing on familiar literary and cinematic texts—each produced or set during moments of national crisis such as the Great Depression or the civil rights movement—Barker’s Reconstructing Violence offers fresh insights into the anxiety that has underpinned sexual and racial violence in cinematic representations of the South.
In their challenge to a gendered, racialized evolutionary aesthetics as embodied in the female copyist as an icon of cultural reproduction, these women writers enact in a fictional format what many recent feminists address at the theoretical level: a resistance to essentialist definitions of women's nature and to "universal" standards of high culture."--BOOK JACKET.
All public sector workers in contact with children and families, both in health care and allied services, need access to clearly written information about what to do if they are concerned about the safety and welfare of a child. Ensuring the safety and promoting the welfare of children who are at risk of harm is not an easy undertaking. It is sometimes difficult to assess the significance of information about a child, to gauge its seriousness or decide what to do next.The Child in Mindwill help health service workers negotiate the complexities of child protection practice, with the aim of preventing abuse and neglect and protecting children from further harm once it has occurred. This concise handbook covers all the key aspects of abuse, including: risk assessment , physical, sexual and emotional abuse, neglect, the child protection conference and the legal framework of child protection work.The Child in Mindclarifies a complex area of work and gives sound advice aimed atimproving individual practice. It is unique in that although it is directed to all health care workers, it can be used as part of in-service training, as a handy reference for students and indeed by anyone who works with children.
Yields up all sorts of fascinating new angles on the famous siblings…Illuminating." —Maureen Corrigan, NPR's Fresh Air In this unique and lovingly detailed biography, Victorian literature scholar Deborah Lutz illuminates the fascinating lives of the Brontës through the things they wore, stitched, and inscribed. Lutz immerses readers in a nuanced re-creation of the sisters’ days while moving us chronologically through their lives. From the miniature books they made as children to the walking sticks they carried on hikes on the moors, each possession opens a window onto the sisters’ world, their beloved fiction, and the Victorian era.
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