A fully revised and expanded edition of the most comprehensive vegetarian cookbook ever published, from America’s leading authority on vegetarian cooking. What Julia Child is to French cooking, Deborah Madison is to vegetarian cooking—a demystifier and definitive guide to the subject. After her many years as a teacher and writer, she realized that there was no comprehensive primer for vegetarian cooking, no single book that taught vegetarians basic cooking techniques, how to combine ingredients, and how to present vegetarian dishes with style. Originally published in 1997, Deborah Madison’s Vegetarian Cooking for Everyone was both ahead of its time and an instant classic. It has endured as one of the world’s most popular vegetarian cookbooks, winning both a James Beard Foundation award and the IACP Julia Child Cookbook of the Year Award. Now, The New Vegetarian Cooking for Everyone picks up where that culinary legacy left off, with more than 1,600 classic and exquisitely simple recipes for home cooks, including a new introduction, more than 200 new recipes, and comprehensive, updated information on vegetarian and vegan ingredients. A treasure from a truly exceptional culinary voice, The New Vegetarian Cooking for Everyone is not just for vegetarians and vegans—it’s for everyone interested in learning how to cook vegetables creatively, healthfully, and passionately.
Finalist for the 2018 James Beard Foundation Book Awards for "Vegetable-Focused Cooking" category From the foremost authority on vegetarian cooking and one of the most trusted voices in food comes a carefully curated and updated collection of 100 favorite and most inspired recipes, reflecting how Deborah Madison loves to cook now. Deborah Madison's newest book shares 100 beloved and innovative recipes from her vast repertoire, all pared down to the key ingredients needed to achieve delicious, nuanced flavor, with simplified preparations. In My Kitchen is a vegetable-forward cookbook organized alphabetically and featuring recipes like Roasted Jerusalem Artichoke Soup with Sunflower Sprouts; Fennel Shaved with Tarragon and Walnuts; and Olive Oil, Almond, and Blood Orange Cake. With dozens of tips for building onto, scaling back, and creating menus around, Deborah's recipes have a modular quality that makes them particularly easy to use. Perfect for both weeknight dinners and special occasions, this book will delight longtime fans and newcomers to Madison--and anyone who loves fresh, flavorful cooking. Filled with Deborah’s writerly, evocative prose, this book is not just the go-to kitchen reference for vegetable-focused cooking, but also a book with which to curl up and enjoy reading. Lavishly photographed, with an approachable, intimate package, this is the must-have collection of modern vegetarian recipes from a beloved authority.
From roots and shoots, almonds to zucchini, field and forest to the family table-this delectable guide reveals the intriguing stories of the world's favorite food plants. The Illustrated Encyclopedia of Fruits, Vegetables, and Herbs covers every edible plant you can imagine. It invites us on a gorgeously illustrated tour through the world garden to discover the origins, traditions, and contemporary culture of more than 450 fruits, vegetables, nuts, grains, herbs, and spices. It's the explorative home cook's best friend in the kitchen, an edible guide for the vegans, vegetarians, and omnivores alike. Splashed with hundreds of appetizing images and written by top culinary and horticultural experts, it also tells individual stories in an extensive directory of species which lists geographical origins, botanical facts, traditional uses, and culinary tips for hundreds of plants."--provided by Amazon.com.
This guide covers the state of California and contains features on the cities of LA, San Francisco, San Diego and Las Vegas. It provides critical reviews of hotels, restaurants, clubs and bars in every town, and information on the sights, including Yosemite, Big Sur and the Grand Canyon.
Now in its second edition and with new chapters covering such texts as Elizabeth Gilbert's Eat, Pray, Love and 'yummy mummy' novels such as Allison Pearson's I Don't Know How She Does It, this is a wide-ranging survey of popular women's fiction from 1945 to the present. Examining key trends in popular writing for women in each decade, Women's Fiction offers case study readings of major British and American writers. Through these readings, the book explores how popular texts often neglected by feminist literary criticism have charted the shifting demands, aspirations and expectations of women in the 20th and 21st centuries.
The Improv Handbook is the most comprehensive, smart, helpful and inspiring guide to improv available today. Applicable to comedians, actors, public speakers and anyone who needs to think on their toes, it features a range of games, interviews, descriptions and exercises that illuminate and illustrate the exciting world of improvised performance. First published in 2008, this second edition features a new foreword by comedian Mike McShane, as well as new exercises on endings, managing blind offers and master-servant games, plus new and expanded interviews with Keith Johnstone, Neil Mullarkey, Jeffrey Sweet and Paul Rogan. The Improv Handbook is a one-stop guide to the exciting world of improvisation. Whether you're a beginner, an expert, or would just love to try it if you weren't too scared, The Improv Handbook will guide you every step of the way.
Book one of the New York Times bestselling All Souls series, from the author of The Black Bird Oracle. “A wonderfully imaginative grown-up fantasy with all the magic of Harry Potter and Twilight” (People). Look for the hit series “A Discovery of Witches,” now streaming on AMC+, Sundance Now, and Shudder! Deborah Harkness’s sparkling debut, A Discovery of Witches, has brought her into the spotlight and galvanized fans around the world. In this tale of passion and obsession, Diana Bishop, a young scholar and a descendant of witches, discovers a long-lost and enchanted alchemical manuscript, Ashmole 782, deep in Oxford's Bodleian Library. Its reappearance summons a fantastical underworld, which she navigates with her leading man, vampire geneticist Matthew Clairmont. Harkness has created a universe to rival those of Anne Rice, Diana Gabaldon, and Elizabeth Kostova, and she adds a scholar's depth to this riveting tale of magic and suspense. The story continues in book two, Shadow of Night, book three, The Book of Life, and the fourth in the series, Time’s Convert.
In this wide-ranging and thought-provoking analysis of the sociocultural and personal meanings of food and eating, Deborah Lupton explores the relationship between food and embodiment, the emotions and subjectivity. She includes discussion of the intertwining of food, meaning and culture in the context of childhood and the family, as well as: the gendered social construction of foodstuffs; food tastes, dislikes and preferences; the dining-out experience; spirituality; and the `civilized′ body. She draws on diverse sources, including representations of food and eating in film, literature, advertising, gourmet magazines, news reports and public health literature, and her own empirical research into people′s preferences, memories, experiences and emotional responses to food. Food, the Body and the Self′s strong interdisciplinary approach incorporates discussion of the work of a number of major contemporary social and cultural theorists, including Bourdieu, Elias, Kristeva, Grosz, Falk and Foucault.
“Wincingly funny. . . An ambitious book showing Asia through British and American eyes” from the bestselling author of The Best Exotic Marigold Hotel (Daily Mail). In 1975, an English couple arrives in Karachi, Pakistan. Donald Manley, of Cameron Chemicals, has taken a job as the local sales manager. In Karachi, he hopes to follow in the footsteps of his beloved grandfather, who served there during the war. Donald’s wife, Christine, is banking on a change of scenery to help restart their marriage—and their ability to conceive. At the airport, their paths cross with American Duke Hanson, who is seeing his wife off. She’s returning to Kansas, while he’s staying on to oversee the development of a hotel project. In the stifling heat and dusty, teeming streets, each one of these visitors will face their own crises: Donald, a devastating family secret; Christine, lead astray by her well-intentioned efforts to embrace the culture and start a family; Duke, both professional and personal temptations to his no-nonsense, uncorruptible image of himself. During a season of sweltering days and sultry nights, deals will be made, bonds will be broken, and the spirit of a city with one foot in the past and one in the future will take everyone by surprise. “Original, perceptive and very entertaining.” —Alison Lurie, Pulitzer Prize–winning author of Foreign Affairs “Entertaining, subtle and intelligent.” —The Sunday Telegraph “No neater entertainment has emerged from the debris of our past on the sub-continent.” —The Guardian “A piece of technical wizardry.” —The Daily Telegraph
Writing in 1926, Carlo Emilio Gadda (1893-1973) acknowledges his peculiarity within the Italian literary field by describing himself as a giraffe or a kangaroo in Italy's beautiful garden of literature. Gadda's self-characterization as exotic and even ungainly animal applies in equal measure to Italo Svevo (1861-1928) and Federigo Tozzi (1883-1920), authors who, like Gadda, thwarted efforts at critical classification. Yet the ostensible strangeness of these three Italian authors is diminished when their writing is considered within the framework of modernism, a label traditionally avoided by the Italian critical establishment. Indeed, within a modernism preoccupied with human embodiment, these Italian literary giraffes find their kin. Here, the central nexus of body, subjectivity and style that informs and binds the writing of Svevo, Tozzi and Gadda resonates with a modernist renegotiation and revalorization of a human body whose dignity and epistemological authority have been contested by social and technological modernity.
WHAT WE EAT WHEN WE EAT ALONE Stories and Recipes RENOWNED VEGETARIAN COOKBOOK AUTHOR Deborah Madison set out to learn what people chew on when there isn't anyone else around. The responses are surprising-and we aren't just talking take-out or leftovers. This is food-gone-wild in its most elemental form. In a conversational tone, What We Eat When We Eat Alone explores the joys and sorrows of eating solo and gives a glimpse into the lives of everyday people and their relationships with food.The book is illustrated with the delightful art of Patrick McFarlin, and each chapter ends with recipes for those who dine alone.
Storm Kayama and her partner Ian Hamlin are excited to get away from Honolulu for the weekend. While they will both be doing work on this trip, it is a much needed break from the routine. Storm is supposed to check on an old friendas diabetic son. This should be easy, but when the boyas mother, Jenny Williams, turns up dead, Storm must find the boy before the murderers do. In the meantime, Ian is investigating the disappearance of Brock Liu, the son of an Oaahu shipping magnate. Are Jenny Williamsa death and Brock Liuas disappearance related? Or are they both linked to an older unsolved crime?
Whether perusing a recipe or learning what a literary character eats, readers approach a text differently when reading about food. Read My Plate: The Literature of Food explores what narrators and characters (in fiction, in performance, and in the popular genre of the “food memoir”) cook and eat. Beat poet Allen Ginsberg, the inmates of the Terezin concentration camp, performance artist Karen Finley, novelist Jhumpa Lahiri, playwright Suzan-Lori Parks, and the celebrated chef-turned-travel-journalist Anthony Bourdain are just a few examples of the writers whose works are discussed. Close readings of the literal and figurative “plates” in these texts allow a unique form of intimate access to the speakers’ feelings and memories and helps readers to understand more about how the dynamics of race, ethnicity, gender, religion, and social class affect what the narrators/characters eat, from tourtière to collard greens to a school lunch bento box.
Organised around each decade of the post war period, this book analyses novels written by and for women from 1945 to the present. Each chapter identifies a specific genre in popular fiction for women which marked that period and provides case studies focusing on writers and texts which enjoyed a wide readership. Despite their popularity, these novels remain largely outside the 'canon' of women's writing, and are often unacknowledged by feminist literary criticism. However, these texts clearly touched a nerve with a largely female readership, and so offer a means of charting the changes in ideals of femininity, and in the tensions and contradictions in gender identities in the post-war period. Their analysis offers new insights into the shifting demands, aspirations and expectations of what a woman could and should be over the last half century. Through her analysis of women's writing and reading, Philips sets out to challenge the distinction between 'popular' and 'literary' fiction, arguing that neat categories such as 'popular', 'middle brow' and 'serious fiction' need more careful definition.
International and New York Times bestseller Deborah Crombie returns with her beloved Scotland Yard detectives Duncan Kincaid and Gemma James in a compelling new crime novel as they race to solve the shocking murder of a young woman before panic spreads across London. Junior doctor Sasha Johnson hurries through a rainy November evening crowd in London's historic Russell Square. Out of the darkness, a stranger brushes roughly past her. A moment later, Sasha stumbles, then collapses. Nearby, Detective Superintendent Duncan Kincaid and his sergeant, Doug Cullen, are called to the scene, and quickly discover that she's been stabbed. Kincaid immediately calls in his wife, D.I. Gemma James, who has currently assigned to a special task force investigating knife crimes which are on the rise. Along with her partner, Detective Sergeant Melody Talbot, Gemma joins in the investigation. But Sasha Johnson doesn’t fit the usual profile of their typical knife-crime victim. Sasha is single, successful, career-driven, and has no history of abusive relationships or any gang links. Sasha did have secrets, though, and some of them lead the detectives uncomfortably close to home. Even as the team unravels the Sasha's tangled connections, another, related murder intensifies the hunt and the consequences. Kincaid, Gemma, and their colleagues find that even their closest friendships may be at risk if they are to find the killer stalking the dark streets of Bloomsbury.
From an author who is “writing in P.D. James territory” (Associated Press) comes a compelling Scotland Yard detective novel in the entertaining Duncan Kincaid and Gemma James series. Perhaps it is a blessing when Jasmine Dent dies in her sleep. At long last an end has come to the suffering of a body horribly ravaged by disease. It may well have been suicide; she had certainly expressed her willingness to speed the inevitable. But small inconsistencies lead her neighbor, Superintendent Duncan Kincaid of Scotland Yard, to a startling conclusion: Jasmine Dent was murdered. But if not for mercy, why would someone destroy a life already so fragile and doomed? As Kincaid and his capable and appealing assistant Sergeant Gemma James sift through the dead woman's strange history, a troubling puzzle begins to take shape—a bizarre amalgam of good and evil, of charity and crime...and of the blinding passions that can drive the human animal to perform cruel and inhuman acts.
International French businessman Jean Philippe has it all, businesses both in Europe and the emerging third-world African countries. He enjoys the company of many diplomatic officials until he is accused of trafficking children from Africa into Europe and finds himself in a South African police station. He reaches out to an old friend, Nicky Brown, to help him track the missing children. Nicky hasnt seen Jean Philippe in five years and wonders about his early morning call and at first is hesitant to help him. However, circumstances change, and with the help of her cousin Brinley Brown, a renowned gangster and drug dealer, they manage to get their first clue as to where to start the search. The clue takes them from South Africa to Italy, Algeria, and finally Paris. During this time their already complicated friendship becomes even more so during their journey to find the truth.
The bestselling author of The Best Exotic Marigold Hotel “illuminates with great compassion how love can so easily go off the rails” (Daily Mail). In the shadow of Heathrow airport, a girl grows up in a family of four with her unaffectionate, absent mother, her precocious younger brother, and her father. Once a traveling fairground worker, her father’s been forced to settle down. Now he sits at home, dreaming up schemes to make money, drinking with his friends, raising pigs . . . It’s those pigs that give Heather her nickname. The mean girls at school call her “Porky,” as much as for her animals as for her weight and pink complexion. They don’t live in a decrepit bungalow like she does, surrounded by airport traffic and muck. And they don’t have a father like she does, one who steals her innocence and makes her grow up too fast. This is Heather’s story. It’s easier for her to tell a stranger reading a book than her best friend, a counselor, the man who now loves her. Maybe you will understand her attempts to work, to live, to survive, to fly away as far as possible—as if her wings weren’t already clipped . . . “Deborah Moggach conveys with chilling skill the process by which a fundamentally bright, decent child becomes infested by corruption.” —The Spectator “At once eerily exuberant and bleak, this is a compassionate, tough book.” —The Observer “[An] extraordinarily skilful account of a childhood blasted by what is now acknowledged to be a more widespread offence than was previously recognised: incest.” —London Review of Books “Sustain[s] a first-person register so level in its tone of quiet desperation, so careful to avoid blatant shock, as to hold back the tidal wave of revulsion and pity which threatens, but never quite engulfs the reader.” —The Times(London)
What is it to be a stand-up comedian? To be funny, solo? You have no character-role, no double-act partner, and nowhere to look but out into the darkness, with just a microphone, an audience and your imagination. This is a job without an annual appraisal; a job where you are publicly appraised every ten seconds. The results are harsh and obvious: if the audience isn't laughing, you 'died'; if they can't stop, you 'killed'. Deborah Frances-White and Marsha Shandur unpack the inner-workings of the minds of comics, sharing their secrets, insecurities and successes; their bêtes noires and their biggest fears. Featuring interviews with a host of comedians including Eddie Izzard, Moshe Kasher, Sarah Millican, Jim Jeffries, Stewart Lee, Lewis Black, Jenny Eclair, Todd Barry, Richard Herring, Marc Maron, Stephen K Amos, Rich Hall, Zoe Lyons, Marcus Brigstocke, Phill Jupitus, Gary Delaney, Mark Watson, Greg Davies and many more, this excellent book lets you in to the hearts and minds of celebrated comedians, away from the stage and off the mic.
Socialism in late Victorian and Edwardian Britain was a highly literate movement. Every socialist group produced some form of written text through which their particular brand of politics could be promoted. This edition collects serialized fiction and short stories that have not been published since their original appearance.
The official biography of Australian poet and writer Dorothea Mackellar, author of the celebrated poem ‘My Country.’ 'I love a sunburnt country, a land of sweeping plains…’ Though many Australians know lines from Dorothea Mackellar’s classic poem ‘My Country’ by heart, very little has been written about the poet’s extraordinary life. From her childhood and youth in Sydney’s Point Piper, to discovering her love for the Australian landscape on the family farm in Gunnedah, Dorothea engaged with the intellectual elite of Sydney and abroad as she embarked on a decades-long literary career that saw her linked to some of the leading lights of her day. A keen traveller, Dorothea ventured as far as Japan, Egypt and the Caribbean between longer stints in Europe. In the heart of literary London, she socialised with Joseph Conrad and Ezra Pound. At home, she counted among her friends Ether Turner, the famed war correspondent Charles Bean, and journalistic royalty in the form of the Fairfax family. Never before published letters and diaries reveal her unorthodox relationship with her best friend and collaborator Ruth Bedford. Battling against a masculine tradition of Australian bush poetry led by Banjo Paterson and Henry Lawson, Dorothea Mackellar boldly carved out a place for herself, leaving an indelible mark on the Australian imagination. Now, for the first time, the poet's unconventional life story is told – a hidden gem of Australian history, and a tale of one woman’s extraordinary passion for her poetry, her family and her country.
From the author of The Black Bird Oracle comes an eBook bundle of the first three novels in the #1 New York Times bestselling All Souls series—A Discovery of Witches, Shadow of Night, and The Book of Life Look for the hit series “A Discovery of Witches,” now streaming on AMC+, Sundance Now, and Shudder! A world of witches, vampires, and daemons. A manuscript that holds the secrets of their past and the key to their future. Diana and Matthew—the forbidden love at the heart of the adventure. With millions of copies sold, the novels of the #1 New York Times bestselling All Souls Series have landed on all the major bestseller lists, garnered rave reviews, and spellbound legions of loyal fans. Now, A Discovery of Witches, Shadow of Night, and The Book of Life are available in an eBook bundle that’s perfect for fans and newcomers alike, and the perfect introduction to the on-going series which continues with Time’s Convert and The Black Bird Oracle.
Hannah, a woman in her sixties, thought she had found her last chance at love with Joe. But everything changes when Eamonn, an actor more than twenty years her junior, moves to their village, leaving behind his Hollywood lifestyle and a toxic marriage. Eamonn has returned to Ireland to be closer to his terminally ill father and is in search of inner tranquillity. He finds this with Hannah, who can offer him the peace and security that he needs. Despite Eamonn being smitten with Hannah, she resists him, feeling a little suspicious of his advances and questioning his motives. As well as having loyalty to Joe, she also carries the memory of a past trauma that has prevented her from enjoying her life to the full. Can Hannah forget her fears and suspicions and finally allow herself to be happy with Eamonn? A heart-warming story of love, healing and second chances set in Ireland.
Beautiful Mutants, Deborah Levy's feverish allegory of a first novel, introduces a manipulative and magical Russian exile who summons forth a series of grotesques--among them the Poet, the Banker, and the Anorexic Anarchist. Levy explores the anxieties that pervaded the 1980s: exile and emigration, broken dreams, crazed greed and the first seeds of the global financial crisis, self-destructive desires, and the disintegration of culture. In Swallowing Geography, J. K., like her namesake Jack Kerouac, is always on the road, traveling Europe with her typewriter in a pillowcase. She wanders, meeting friends and strangers, battling her raging mother, and taking in the world through her uniquely irreverent, ironic perspective. Levy blends fairytale with biting satire, pushing at the edges of reality and marveling at where the world collapses in on itself. In The Unloved, a group of hedonistic tourists--from Algeria, England, Poland, Germany, Italy, France, and America--gathers to celebrate the holidays in a remote French château. Then a woman is brutally murdered, and the sad, eerie child Tatiana declares she knows who did it. The subsequent inquiry into the death, however, proves to be more of an investigation into the nature of identity, love, insatiable rage, and sadistic desire.
The bestselling author of The Best Exotic Marigold Hotel delivers a “provocative, enthralling, bang up-to-the-minute” thriller (Daily Mail). It all starts with a prize. The Price family wins a holiday trip to Florida and gets their photo in the paper. They’re all there, the picture-perfect family in front of their gorgeous home. But it’s awkward, adolescent, seventeen-year-old Hannah who catches someone’s eye. And only days later, she’s gone. Val and Morris Price try not to panic when Hannah doesn’t return from Camden Market on Sunday night. After all, she is a teenager. But when Hannah still hasn’t shown up on Monday, they start to think the worst—then the ransom note comes with a demand for £500,000 and no police. After days of tallying assets and scrambling for money, Val makes the drop. Hannah comes home. Only what should be the end of a nightmare is just the beginning . . . The Prices’ have lost their business and their home. Their sudden change in fortune takes its toll, and family bonds slowly begin to disintegrate. Meanwhile, the desperate couple who kidnapped Hannah embark on a life of luxury that only fuels their twisted love. But what goes up must come down . . . with a crash. “A neat plot . . . [with] dark flashes of hubris and nemesis.” —The Guardian “Moggach’s subject is the rickety edifice we call the family, which she comes at armed with both a wrecking ball and an insatiable curiosity to note the particular way it collapses.” —The Independent “Deborah Moggach is a delight to read—her characters are wonderfully alive, and their stories grip us unequivocally. . . . The novel is enjoyable from first to last.” —The Daily Telegraph “It is characterisation at which Moggach excels. Her gift is to perceive and describe our confusions about life . . . and to write with feeling about the continual quest for love and happiness that is part of the human condition.” —The Sunday Times
Socialism in late Victorian and Edwardian Britain was a highly literate movement. Every socialist group produced some form of written text through which their particular brand of politics could be promoted. This edition collects serialized fiction and short stories that have not been published since their original appearance.
Do you harbor passionate otherworldly desires where the normal and paranormal collide? Let Harlequin® Nocturne bring you into dark and dangerous territory where your senses will be awakened. This box set includes: THE WITCH’S THIRST by Deborah LeBlanc For Evette Francois, falling in love is the end of the world—literally. A witch from a long and distinguished line, Evee wields power that comes at a devastating price. If she ever loves a human, all of humanity will suffer. Resisting temptations of men has never been terribly difficult—until she meets Lucien Hyland. One member of a cabal devoted to preventing a race of interdimensional monsters from ruling the universe. Lucien is the most exquisite creature Evee has ever seen. If she succumbs to passion, death and chaos will follow. But she may not be strong enough to fight her desire. THE DRAGON’S HUNT by Jane Kindred By day, Leo Str works as an assistant in a tattoo parlor. By night… Well, he isn’t quite sure what happens at night. He just knows that it’s best if he restrains himself. Ink is more than just superficial decoration to Rhea Carlisle. Her ability to read her clients’ souls in their tattoos gives her work its special magic—and it allows her to see that there’s more to Leo than his brilliant blue eyes. The passion that kindles between them might be Leo’s salvation. Or it might be the end of the world…
Shortlisted for the Man Booker Prize and selected as a New York Times Notable Book, Swimming Home is a sexy psychological thriller from a highly acclaimed writer. Poet Joe and his war-correspondent wife Isabel arrive with their daughter and another couple to a rented villa in the south of France to discover a body floating face down in the swimming pool. But the girl is very much alive. She is Kitty Finch: a sexy, mysterious young woman who walks naked out of the water and straight into the heart of their holiday. But why is she there? What does she want from them all? And why does Joe’s enigmatic wife invite her to stay? Taking place over a single week, Swimming Home reveals how a group of beautiful, flawed tourists in the French Riviera come loose at the seams. Both profound and thrilling, Deborah Levy explores what it means to be alive and how the most devastating secrets are the ones we keep from ourselves.
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