This book features original designs and motifs, inspired by the long traditions of the craft Canadian rug hooker Deanne Fitzpatrick presents a collection of colorful, whimsical designs for welcome mats, area rugs, chair pads, and other decorative household items. Inspired by the seascape, the people, and the long rug-making traditions of the communities of the Atlantic coast, Deanne has adapted some of her favorite motifs to create practical, pictorial hooked canvases-Kissing Fish welcome mat, Old Rose oval rug, Coastal House chair pads, Dancing Women rug, and more. She provides the basic hooking instructions and tips on choosing the right backing (burlap or linen), gathering fabric (silks, wools, velvets-or just about anything else you can cut into strips), and binding the edges. She also provides templates for each of the 33 projects and instructions on transferring and positioning the motifs. Scattered throughout the book are inspiring photographs of Fitzpatrick's many award-winning rugs, her stories of traditions that inspire her work, and insider's tips for shortcuts and techniques. The whimsical, folk-art-style designs range from simple to more complex and will appeal both to beginners and experienced rug hookers. The technique is simple, and the materials are few and easy to find.
Encourages young readers to learn the many imaginative ways they can move their bodies, including squirming like a worm, splashing like a duck, and moving with the wind like a tree.
Popular images of women during the American Civil War include self-sacrificing nurses, romantic spies, and brave ladies maintaining hearth and home in the absence of their men. However, as DeAnne Blanton and Lauren M. Cook show in their remarkable new study, that conventional picture does not tell the entire story. Hundreds of women assumed male aliases, disguised themselves in men’s uniforms, and charged into battle as Union and Confederate soldiers—facing down not only the guns of the adversary but also the gender prejudices of society. They Fought Like Demons is the first book to fully explore and explain these women, their experiences as combatants, and the controversial issues surrounding their military service. Relying on more than a decade of research in primary sources, Blanton and Cook document over 240 women in uniform and find that their reasons for fighting mirrored those of men—-patriotism, honor, heritage, and a desire for excitement. Some enlisted to remain with husbands or brothers, while others had dressed as men before the war. Some so enjoyed being freed from traditional women’s roles that they continued their masquerade well after 1865. The authors describe how Yankee and Rebel women soldiers eluded detection, some for many years, and even merited promotion. Their comrades often did not discover the deception until the “young boy” in their company was wounded, killed, or gave birth. In addition to examining the details of everyday military life and the harsh challenges of -warfare for these women—which included injury, capture, and imprisonment—Blanton and Cook discuss the female warrior as an icon in nineteenth-century popular culture and why -twentieth-century historians and society ignored women soldiers’ contributions. Shattering the negative assumptions long held about Civil War distaff soldiers, this sophisticated and dynamic work sheds much-needed light on an unusual and overlooked facet of the Civil War experience.
Deanne Williams offers the very first study of the medieval and early modern girl actor. Whereas previous histories of the actress begin with the Restoration, this book demonstrates that the girl is actually a well-documented category of performer and a key participant in the drama of the Middle Ages and Renaissance. It explores evidence of the girl actor in archival records of payment, eyewitness accounts, stage directions, paintings, and in the plays and masques that were explicitly composed for girls, and, in some cases, by them. Contradicting previous scholarly assumptions about the early modern stage as male-dominated, this evidence reveals girls' participation in medieval religious drama, Tudor civic pageants and royal entries, Elizabethan country house entertainments, and Stuart court and household masques. This book situates its historical study of the girl actor within the wider contexts of 'girl culture', including girls as singers, translators and authors. By examining the impact of the girl actor on constructions of girlhood in the work of Shakespeare whose girl characters register and evoke the power of the performing girl Girl Culture in the Middle Ages and Renaissance argues that girls' dramatic, musical and literary performances actively shaped medieval and early modern culture. It shows how the active presence and participation of girls shaped medieval and Renaissance culture, and it reveals how some of its best-known literary and dramatic texts address, represent, and reflect upon girl children, not as an imagined ideal, but as a lived reality.
Deanne Stillman's American Confidential takes the familiar and makes it new - makes it thrilling. You won't believe this story; it resonates with deep American echoes." - Darin Strauss, author of Chang & Eng On the 60th anniversary of the JFK assassination, a critically acclaimed writer presents an astonishing new account of one of the 20th century's most notorious assassins, Lee Harvey Oswald—and the mother who raised him . . . Was Lee Harvey Oswald—as he himself claimed—a patsy? A hired gunman? In this startling account, Deanne Stillman suggests that there was indeed a conspiracy behind the assassination of John F. Kennedy—that of Oswald and his mother, Marguerite, who were locked in a desperate pursuit of fame and recognition. It was a struggle that would erupt on November 22, 1963, with Kennedy’s murder—after which the assassin joined the roster of infamous immortals, while his mother spent the rest of her life seeking the media limelight. American Confidential is a mother-son noir tale that plays out across the Wild West of mid-twentieth century America, delving into Oswald’s nomadic boyhood, and the world of his restless and disillusioned mother, who passed along a legacy of class resentment and a clamorous need to matter. In this new and surprising investigation into the short, troubled life of the ordinary man who would take down an American king, Deanne Stillman also presents a fascinating portrait of Oswald as a predecessor of the many violent young men and boys of America today, who take selfies with their rifles, and have come to define a new era of brutality. Following in the tradition of Joan Didion and Charles Bowden, and continuing her celebrated exploration of America’s shadowlands, Stillman recounts a haunting tale of the promise and failure of the American dream. It held Oswald in its grip until the very end. “Some day,” he once told his wife, “I’d like to have a son. Maybe he’ll grow up to be president.”
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