Poetics and Justice in America, Japan, and Taiwan shows how entitlements are implicated in all areas of life—human and nonhuman—that poetry reaches. Through a creative adaptation of Badiou’s philosophical framing, this book argues that poetry matters as a form of media particularly suited to integrating diverse fields of knowledge and attention in newspapers, Tweets, and performance as well as volumes of poetry. Recasting intertextuality as more relational than referential, the author argues for the importance of poetry in realizing how social change and ecological justice are bound up in our orientations of affiliation. Each chapter focuses on particular sets of problems engaged by poets in different contexts to various ends in Japan, the US, and Taiwan. Some chapters explore the subtle implications of openly provocative styles, while others question the muted poetic intimations of injustices that are left standing unchanged in the name of aesthetics. Poets and performance artists featured include Amiri Baraka, John Ashbery, Tawara Machi, Rodrigo Toscano, Hung Hung, and John Cage. The author argues for examining poetic expressions in terms of what discursive fusions and affiliations they embody beyond the intimation of good intentions or ironic passing over.
This book aims to explore precisely how modern Japanese poetry has remained central to public life in both Japan and its former colony of Taiwan. Though classical Japanese poetry has captivated the imagination of Asian studies scholars, little research has been conducted to explore its role in public life as a discourse influential in defining both the modern Japanese empire and contemporary postcolonial negotiations of identity. This book shows how highly visible poetry in regular newspaper columns and blogs have in various historical situations in Japan and colonial Taiwan contested as well as promoted diverse colonial imaginaries. This poetry reflects both contemporary life and traditional poetics with few counterpoints in Western media. Methodologically, this book offers a defense of the public influence of poetry, each chapter enlisting a wide range of social and media theorists from Japan, Europe, and North America to explore specific historical moments in an original recasting of intertextuality as a vital feature of active inter-evental material engagements. In this book, rather than recite a standard survey of literary movements and key poets, the approach taken is to examine uses of poetry shown not only to support colonialism and imperialism, emerging objectionable forms of exploitation as well as the destruction of ecologies (including old-growth forests in Taiwan and the Fukushima Disaster), but also to present a medium of resistance, a minor literature for registering protest, forming transnational affiliations, and promoting grass-roots democracy. The book is based on years of research and fieldwork partially in conjunction with the production of a documentary film, Horizons of the Rising Sun: Postcolonial Nostalgia and Politics in the Taiwan Tanka Association Today (2017).
This book offers the first introduction to a major Japanese philosophical movement through the interests and arguments of its founder, Nishida Kitaro (1870-1945), his successor, Tanabe Hajime (1885-1962), and student-turned-critic, Tosaka Jun (1900-1945). Focusing on their contributions to thinking about place, space, and dialectics, this concise introduction brings these influential thinkers to life by connecting their work to issues still debated in the philosophy of science and physics today. Beginning with an overview of the reception of quantum physics and relativity theory in Japan and concluding with an account of the direct relevance of the Kyoto School to the development of world philosophy in a posthuman age, each clearly-written chapter engages historical contexts and includes: · Carefully-chosen excerpts and original translations of Nishida, Tanabe, and Tosaka · Focus boxes explaining complex concepts and problems of contextualization · A timeline, glossary and index · Further reading lists featuring relevant and significant articles and books in English This introduction is an ideal starting point for students and lecturers looking to become better acquainted with three central Japanese philosophers and learn why their work impacts our current thinking about science.
INCARCERATION The word conjures up images of jail cells, steel bars, guards, chain gangs, prison stripes and more. In this anthology seventeen authors tell tales of possible future incarceration methods: Genetic Engineering to create a new breed of prison guards. Viral Engineering to create a medically induced coma that can be programmed for a specific length of time. Prisoners who volunteer to be human Guinea Pigs to receive early releases - if they survive. A "Fun House" that helps people to move past their prejudices and pre-conceived ideas of others. These and other forms of imprisonment are available for you to explore - from a safe distance - in these pages. Some are indictments of the system, with those who are not-guilty punished for something they didn't do. Some offer harsh punishments for what seems like only a minor infraction and others explore the human side of imprisonment in unique ways. Join us - we promise you'll be released at the end of each story. Featuring stories by: Rebecca McFarland Kyle, David Boop, Melodie Bolt, Dean Anthony Brink, Dawn M Sooy, A. L. Sirois, David B Riley, Lauren C Teffeau, Andrew M Seddon, Cheryl Toner, S. D. Matley, Catrin Sian Rutland, Frank Montellano, Gerry Griffiths, Liam Hogan, Lyn Godfrey, and R. Joseph Maas
This book offers the first introduction to a major Japanese philosophical movement through the interests and arguments of its founder, Nishida Kitaro (1870-1945), his successor, Tanabe Hajime (1885-1962), and student-turned-critic, Tosaka Jun (1900-1945). Focusing on their contributions to thinking about place, space, and dialectics, this concise introduction brings these influential thinkers to life by connecting their work to issues still debated in the philosophy of science and physics today. Beginning with an overview of the reception of quantum physics and relativity theory in Japan and concluding with an account of the direct relevance of the Kyoto School to the development of world philosophy in a posthuman age, each clearly-written chapter engages historical contexts and includes: · Carefully-chosen excerpts and original translations of Nishida, Tanabe, and Tosaka · Focus boxes explaining complex concepts and problems of contextualization · A timeline, glossary and index · Further reading lists featuring relevant and significant articles and books in English This introduction is an ideal starting point for students and lecturers looking to become better acquainted with three central Japanese philosophers and learn why their work impacts our current thinking about science.
Poetics and Justice in America, Japan, and Taiwan shows how entitlements are implicated in all areas of life—human and nonhuman—that poetry reaches. Through a creative adaptation of Badiou’s philosophical framing, this book argues that poetry matters as a form of media particularly suited to integrating diverse fields of knowledge and attention in newspapers, Tweets, and performance as well as volumes of poetry. Recasting intertextuality as more relational than referential, the author argues for the importance of poetry in realizing how social change and ecological justice are bound up in our orientations of affiliation. Each chapter focuses on particular sets of problems engaged by poets in different contexts to various ends in Japan, the US, and Taiwan. Some chapters explore the subtle implications of openly provocative styles, while others question the muted poetic intimations of injustices that are left standing unchanged in the name of aesthetics. Poets and performance artists featured include Amiri Baraka, John Ashbery, Tawara Machi, Rodrigo Toscano, Hung Hung, and John Cage. The author argues for examining poetic expressions in terms of what discursive fusions and affiliations they embody beyond the intimation of good intentions or ironic passing over.
This book aims to explore precisely how modern Japanese poetry has remained central to public life in both Japan and its former colony of Taiwan. Though classical Japanese poetry has captivated the imagination of Asian studies scholars, little research has been conducted to explore its role in public life as a discourse influential in defining both the modern Japanese empire and contemporary postcolonial negotiations of identity. This book shows how highly visible poetry in regular newspaper columns and blogs have in various historical situations in Japan and colonial Taiwan contested as well as promoted diverse colonial imaginaries. This poetry reflects both contemporary life and traditional poetics with few counterpoints in Western media. Methodologically, this book offers a defense of the public influence of poetry, each chapter enlisting a wide range of social and media theorists from Japan, Europe, and North America to explore specific historical moments in an original recasting of intertextuality as a vital feature of active inter-evental material engagements. In this book, rather than recite a standard survey of literary movements and key poets, the approach taken is to examine uses of poetry shown not only to support colonialism and imperialism, emerging objectionable forms of exploitation as well as the destruction of ecologies (including old-growth forests in Taiwan and the Fukushima Disaster), but also to present a medium of resistance, a minor literature for registering protest, forming transnational affiliations, and promoting grass-roots democracy. The book is based on years of research and fieldwork partially in conjunction with the production of a documentary film, Horizons of the Rising Sun: Postcolonial Nostalgia and Politics in the Taiwan Tanka Association Today (2017).
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