Building on her fundamental texts The Art of Acting and The Art of Speech, Dawn Langman shows how the great dramas of Western heritage illuminate the evolution of human consciousness – from the past and into the future – thus providing a context in which actors can consciously evolve their art. Having laid her foundation by exploring the Eleusis Mysteries – the seed point of Western drama – she moves to the end of the nineteenth century, when drama and performance practice prepared for its next great evolutionary leap. She explores the connection of this leap to the evolutionary threshold facing human beings at the end of what occult history calls Kali Yuga. Weaving back and forth between future, past and present – guided by the great cyclic themes of human soul and spiritual development – Langman shows how the inspiration of our greatest artists springs from a source of knowing that encompasses the high calling of the human being to mature beyond its biological inheritance, and to become a conscious co-creator with the macrocosmic powers that serve the evolution of the universe. In doing so, she clarifies the specific function drama has in our contemporary development within the spectrum of the arts. ‘Building on the first two books of this extraordinary series, Langman’s meta-historical analysis of drama lays the foundation for her ongoing explorations into an art of acting that takes fully into account the multidimensional nature of the human being. Here, she masterfully contextualizes the 20th century contributions of Rudolf Steiner and Michael Chekhov within the broad trajectory of the Western dramatic and theatrical tradition’. – Dr Diane Caracciolo, Associate Professor of Educational Theatre, Adelphi University, USA 'Mapping a meta-history of Western Drama, Langman unfolds a pathway for “future” actors and those who seek an understanding of the metaphysical in theatre. This work will inspire anyone interested in the psychic and spiritual evolution of human consciousness.’ – Dr Jane Gilmer, freelance theatre practitioner based in New Zealand, teaching internationally
Building on the metahistorical exploration of drama that was the subject of Tongues of Flame, Dawn Langman explores the practical pathways through which the art of acting can evolve beyond the ‘body and soul’ paradigm still broadly accepted in contemporary culture. Through the integration of Rudolf Steiner’s research in the arts of speech and eurythmy, and together with Michael Chekhov’s acting techniques, Langman raises the spiritual dimension of the human being from that vague sensing which many actors intuit – but which has, however, little bearing on their practice – into a precise methodology. In this second volume in her series on ‘The Actor of the Future’, she offers performance artists a clear pathway ahead, enabling them to develop their work out of spiritual insight and consciousness.
In this third volume in The Actor of the Future series, Dawn Langman continues to explore the integration of Steiner’s research into speech, drama and eurythmy with Michael Chekhov’s acting methodology. Her advanced applications of all the basic processes allow the art of the actor and speaker to evolve beyond the ‘soul and body’ paradigm – still broadly accepted in contemporary culture – to include dimensions of the spirit. The book contains a seminal analysis of comedy and tragedy, showing how an understanding of their esoteric roots – sprung from the Eleusis mysteries of ancient Greece – deepen our appreciation and our ability to implement the practical suggestions made by Steiner and Chekhov to differentiate the fundamental styles. A comprehensive exploration of the vowels in relation to planetary beings lays the foundation for many layers of artistic deepening and application. ‘Dawn Langman gifts us with yet another magnificent contribution to her book series developing an integrated acting technique based on the indications of Rudolf Steiner and Michael Chekhov, in which actors become the work of art. Venturing even further into the deeper alchemical mysteries of the work, Langman leads us into an imagination of future theatre that includes a genuine experience of the I AM, the origin of comedy and tragedy, Dante’s Paradiso as example of how we can experience the planetary spheres in word and gesture, and much more, inspiring the unfoldment of actors of the future.’ – Dr Jane Gilmer, actress and teacher, author of The Alchemical Actor (2021) and former Assistant Professor of Drama, VPA, National Institute of Education, Singapore ‘In this present volume, Dawn Langman continues her in-depth exploration of the integration of Michael Chekhov’s system of psycho-physical awareness with Rudolf Steiner’s indications for creative speech and eurythmy. In so doing, she genuinely models both teachers’ emphasis on experimentation and exploration absent the dogmatism sometimes associated with such work. The careful, conscious communication of her own advanced exercises created to develop this new methodology will be most effective when worked in conjunction with her previous books, The Art of Acting, The Art of Speech and The Actor of the Future, Vols. 1 & 2. Taken as a whole, Langman reveals the degree of empathy and responsiveness possible not only between human beings, but with all the manifold community of beings “between earth and heaven.”’ – Dr Diane Carracciolo, Associate Professor of Educational Theatre, Adelphi University, USA
This book will be invaluable to teachers, acting students and practitioners alike. Langman’s inspired methods, fed by some 45 years of teaching and practice, ensure the highest outcomes for the integration of voice, speech and language as a central ingredient of the actor’s craft. She is the most unique and brilliant master teacher in this area I have ever encountered.’ – Rosalba Clemente, Head of Acting, Drama Centre, Flinders University ‘A rite de passage – working with Langman’s book is an initiation into the practice of “Future Theatre”.’ – Dr Jane Gilmer, Assistant Professor of Drama, VPA, National Institute of Education, Singapore A remarkable achievement that communicates a lifetime of teaching artistry with grace and depth, and, most significantly, reveals the profound spiritual impulses at the heart of Michael Chekhov’s original impulse. A gift for the generations.’ – Dr Diane Caracciolo, Associate Professor of Educational Theatre, Adelphi University Over the past decades there has been a resurgence of interest in Chekhov’s acting technique. The original publishers of his fundamental text, To the Actor, removed most of the author’s references to Rudolf Steiner, but recent studies acknowledge Chekhov’s personal interest in anthroposophy as the source of his artistic inspiration. Dawn Langman explores the fundamentals of Chekhov’s psycho-physical technique and the metaphysical principles on which it is based. She examines this technique in relation to the specific challenges and gifts provided by the actor’s constitution of body, soul and spirit, and in the context of the canon of great poetic and dramatic texts – illuminated by Steiner’s insights into humanity’s evolving consciousness. The Art of Acting lays the foundation for the second and third books in her series, in which Langman explores Rudolf Steiner’s art of speech and its integration with Michael Chekhov’s methodology. Together, these books offer a contemporary, spiritually-enlivened path of development for the actor, in which the combined insights of Steiner and Chekhov lead to new possibilities for the performing arts.
‘The Art of Speech offers to the English language a systematic, in-depth and thoroughly readable exploration of Rudolf Steiner’s original exercises. Langman’s contribution, developed over decades of research, performance and teaching, is filled with relevance for today’s speech artists. The powerful spiritual inspirations that stand behind the spoken word are infused throughout, giving this book its wings.’ – Dr Diane Caracciolo, Associate Professor of Educational Theatre, Adelphi University ‘Langman’s seminal work leads the artist through a portal to an experience of the heart and the genius of speech as “the activity of divine creative beings”.’ – Dr Jane Gilmer, Assistant Professor of Drama, VPA, National Institute of Education, Singapore ‘A prodigious work, intriguing, enlightening and passionate – and the co-ordination with Chekhov invaluable… Those fortunate enough to see Dawn’s solo performances of King Lear and Kaspar Hauser know that this book is the fruit of living and loving experience.’ – Sophia Walsh, pioneer teacher and artist of Speech Formation in the English language, Dornach, Switzerland The Art of Speech presents a dynamic path of practice leading to an experience of the Word as a living, healing and creative power. Helping to deliver Western intellectual speech from what Artaud described as ‘shrivelled throats’ and ‘monstrous talking abstractions’, Langman brings to life the spiritual realities out of which a true Art of Speech arises. Inspired by Rudolf Steiner and pioneered initially in the German language by Marie Steiner, this artform is illuminated here through the genius of the English language. Langman builds a bridge between mainstream research into the intrinsic nature of Speech, and the levels of spiritual cognition that led to Rudolf Steiner’s insights. Speech and language can no longer be reduced to an arbitrary collection of abstract symbols, she asserts. This book will inspire those working with these disciplines as practitioners (both artistic and therapeutic) as well as those who wish to understand their significance in human evolution, both past and future. Following her first book The Art of Acting, this volume completes a foundation of understanding for an exploration – in the conclusion of Langman’s trilogy – of an integrated art of speech and acting. Grounded in the spiritual reality of the human being, Langman presents a systematic methodology with which to explore Rudolf Steiner’s Speech and Drama Course.
When Dawn Singleton's teenage daughter suffered two gymnastic accidents, she had no idea that this crisis would lead her on a path not only to help her daughter to heal, but to transform her own life's calling. The Power of the Entangled Hierarchy is the inspiring, powerful testimony of Dawn’s experience learning to use quantum biofeedback, particularly the Indigo biofeedback technology. Dawn’s in-depth discussion of quantum biofeedback includes her daughter’s case history and course of treatment, as well as enlightening and insightful information about quantum technology and the ways in which modern medicine repeatedly fails patients with traumatic brain injury, who are frequently misdiagnosed with psychiatric or emotional disorders. Offering hope for miracles, Dawn’s remarkable book is a gift to anyone who is searching for a new, different, integrated path to healing.
Building on the metahistorical exploration of drama that was the subject of Tongues of Flame, Dawn Langman explores the practical pathways through which the art of acting can evolve beyond the ‘body and soul’ paradigm still broadly accepted in contemporary culture. Through the integration of Rudolf Steiner’s research in the arts of speech and eurythmy, and together with Michael Chekhov’s acting techniques, Langman raises the spiritual dimension of the human being from that vague sensing which many actors intuit – but which has, however, little bearing on their practice – into a precise methodology. In this second volume in her series on ‘The Actor of the Future’, she offers performance artists a clear pathway ahead, enabling them to develop their work out of spiritual insight and consciousness.
This book addresses immensely consequential crimes in the world today that, to date, have been almost wholly neglected by students of crime and criminal justice: crimes of globalization. This term refers to the hugely harmful consequences of the policies and practices of international financial institutions – principally in the global South. A case is made for characterizing these policies and practices specifically as crime. Although there is now a substantial criminological literature on transnational crimes, crimes of states and state-corporate crimes, crimes of globalization intersect with, but are not synonymous with, these crimes. Identifying specific reasons why students of crime and criminal justice should have an interest in this topic, this text also identifies underlying assumptions, defines key terms, and situates crimes of globalization within the criminological enterprise. The authors also define crimes of globalization and review the literature to date on the topic; review the current forms of crimes of globalization; outline an integrated theory of crimes of globalization; and identify the challenges of controlling the international financial institutions that perpetrate crimes of globalization, including the role of an emerging Global Justice Movement. The authors of this book have published widely on white collar crime, crimes of states, state-corporate crime and related topics. This book will be essential reading for academics and students of crime and criminal justice who, the authors argue, need to attend to emerging forms of crime that arise specifically out of the conditions of globalization in our increasingly globalized, rapidly changing world.
Confidently utilize the rapidly growing selection of pharmaceuticals used to treat small animals. Small Animal Pharmacology and Therapeutics, 2nd Edition helps you understand both the therapeutic uses of common pharmaceuticals and the pharmacology behind them, giving you all of the information you need to design and modify dosing regimens, identify factors that cause drugs to fail, and anticipate adverse drug reactions. Comprehensive approach emphasizes the use of drugs for prevention as well as treatment. Clear, consistent organization makes it easy to find the information you need when you need it. Dosage tables help you find essential pharmaceutical information at a glance. Pharmacogenetics chapter helps you understand how to use this emerging science to find the right dose for each patient, optimizing efficiency and minimizing toxicity. Routes of administration and sample pharmaceutical calculations provide fast, efficient access to comprehensive drug administration all in one inclusive resource. Multiple chapters on Antimicrobial Drugs and Antimicrobial Therapy highlight the impact of antimicrobial resistance on current practice.
Recommended for viewing on a colour tablet. The Bird Atlas 2007–2011 is the definitive statement on breeding and winter bird distributions in Britain and Ireland.
‘The Art of Speech offers to the English language a systematic, in-depth and thoroughly readable exploration of Rudolf Steiner’s original exercises. Langman’s contribution, developed over decades of research, performance and teaching, is filled with relevance for today’s speech artists. The powerful spiritual inspirations that stand behind the spoken word are infused throughout, giving this book its wings.’ – Dr Diane Caracciolo, Associate Professor of Educational Theatre, Adelphi University ‘Langman’s seminal work leads the artist through a portal to an experience of the heart and the genius of speech as “the activity of divine creative beings”.’ – Dr Jane Gilmer, Assistant Professor of Drama, VPA, National Institute of Education, Singapore ‘A prodigious work, intriguing, enlightening and passionate – and the co-ordination with Chekhov invaluable… Those fortunate enough to see Dawn’s solo performances of King Lear and Kaspar Hauser know that this book is the fruit of living and loving experience.’ – Sophia Walsh, pioneer teacher and artist of Speech Formation in the English language, Dornach, Switzerland The Art of Speech presents a dynamic path of practice leading to an experience of the Word as a living, healing and creative power. Helping to deliver Western intellectual speech from what Artaud described as ‘shrivelled throats’ and ‘monstrous talking abstractions’, Langman brings to life the spiritual realities out of which a true Art of Speech arises. Inspired by Rudolf Steiner and pioneered initially in the German language by Marie Steiner, this artform is illuminated here through the genius of the English language. Langman builds a bridge between mainstream research into the intrinsic nature of Speech, and the levels of spiritual cognition that led to Rudolf Steiner’s insights. Speech and language can no longer be reduced to an arbitrary collection of abstract symbols, she asserts. This book will inspire those working with these disciplines as practitioners (both artistic and therapeutic) as well as those who wish to understand their significance in human evolution, both past and future. Following her first book The Art of Acting, this volume completes a foundation of understanding for an exploration – in the conclusion of Langman’s trilogy – of an integrated art of speech and acting. Grounded in the spiritual reality of the human being, Langman presents a systematic methodology with which to explore Rudolf Steiner’s Speech and Drama Course.
Building on her fundamental texts The Art of Acting and The Art of Speech, Dawn Langman shows how the great dramas of Western heritage illuminate the evolution of human consciousness – from the past and into the future – thus providing a context in which actors can consciously evolve their art. Having laid her foundation by exploring the Eleusis Mysteries – the seed point of Western drama – she moves to the end of the nineteenth century, when drama and performance practice prepared for its next great evolutionary leap. She explores the connection of this leap to the evolutionary threshold facing human beings at the end of what occult history calls Kali Yuga. Weaving back and forth between future, past and present – guided by the great cyclic themes of human soul and spiritual development – Langman shows how the inspiration of our greatest artists springs from a source of knowing that encompasses the high calling of the human being to mature beyond its biological inheritance, and to become a conscious co-creator with the macrocosmic powers that serve the evolution of the universe. In doing so, she clarifies the specific function drama has in our contemporary development within the spectrum of the arts. ‘Building on the first two books of this extraordinary series, Langman’s meta-historical analysis of drama lays the foundation for her ongoing explorations into an art of acting that takes fully into account the multidimensional nature of the human being. Here, she masterfully contextualizes the 20th century contributions of Rudolf Steiner and Michael Chekhov within the broad trajectory of the Western dramatic and theatrical tradition’. – Dr Diane Caracciolo, Associate Professor of Educational Theatre, Adelphi University, USA 'Mapping a meta-history of Western Drama, Langman unfolds a pathway for “future” actors and those who seek an understanding of the metaphysical in theatre. This work will inspire anyone interested in the psychic and spiritual evolution of human consciousness.’ – Dr Jane Gilmer, freelance theatre practitioner based in New Zealand, teaching internationally
The year is 1862. Prospectors swarm over the Sierra Nevada, hunting for gold, desperadoes roam the range, and the Indians are on the warpath. Dr. Henry Lockhart is so busy setting broken bones that he hasn't any time for women. Just as well. There's hardly a woman worth thinking about in the entire Nevada Territory. Then Erica James appears out of nowhere. Erica is different. She wears running shoes, totes around a contraption she calls a 'video camera,' and says she's from the future. From 1989, to be exact.
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