In this third volume in The Actor of the Future series, Dawn Langman continues to explore the integration of Steiner’s research into speech, drama and eurythmy with Michael Chekhov’s acting methodology. Her advanced applications of all the basic processes allow the art of the actor and speaker to evolve beyond the ‘soul and body’ paradigm – still broadly accepted in contemporary culture – to include dimensions of the spirit. The book contains a seminal analysis of comedy and tragedy, showing how an understanding of their esoteric roots – sprung from the Eleusis mysteries of ancient Greece – deepen our appreciation and our ability to implement the practical suggestions made by Steiner and Chekhov to differentiate the fundamental styles. A comprehensive exploration of the vowels in relation to planetary beings lays the foundation for many layers of artistic deepening and application. ‘Dawn Langman gifts us with yet another magnificent contribution to her book series developing an integrated acting technique based on the indications of Rudolf Steiner and Michael Chekhov, in which actors become the work of art. Venturing even further into the deeper alchemical mysteries of the work, Langman leads us into an imagination of future theatre that includes a genuine experience of the I AM, the origin of comedy and tragedy, Dante’s Paradiso as example of how we can experience the planetary spheres in word and gesture, and much more, inspiring the unfoldment of actors of the future.’ – Dr Jane Gilmer, actress and teacher, author of The Alchemical Actor (2021) and former Assistant Professor of Drama, VPA, National Institute of Education, Singapore ‘In this present volume, Dawn Langman continues her in-depth exploration of the integration of Michael Chekhov’s system of psycho-physical awareness with Rudolf Steiner’s indications for creative speech and eurythmy. In so doing, she genuinely models both teachers’ emphasis on experimentation and exploration absent the dogmatism sometimes associated with such work. The careful, conscious communication of her own advanced exercises created to develop this new methodology will be most effective when worked in conjunction with her previous books, The Art of Acting, The Art of Speech and The Actor of the Future, Vols. 1 & 2. Taken as a whole, Langman reveals the degree of empathy and responsiveness possible not only between human beings, but with all the manifold community of beings “between earth and heaven.”’ – Dr Diane Carracciolo, Associate Professor of Educational Theatre, Adelphi University, USA
‘The Art of Speech offers to the English language a systematic, in-depth and thoroughly readable exploration of Rudolf Steiner’s original exercises. Langman’s contribution, developed over decades of research, performance and teaching, is filled with relevance for today’s speech artists. The powerful spiritual inspirations that stand behind the spoken word are infused throughout, giving this book its wings.’ – Dr Diane Caracciolo, Associate Professor of Educational Theatre, Adelphi University ‘Langman’s seminal work leads the artist through a portal to an experience of the heart and the genius of speech as “the activity of divine creative beings”.’ – Dr Jane Gilmer, Assistant Professor of Drama, VPA, National Institute of Education, Singapore ‘A prodigious work, intriguing, enlightening and passionate – and the co-ordination with Chekhov invaluable… Those fortunate enough to see Dawn’s solo performances of King Lear and Kaspar Hauser know that this book is the fruit of living and loving experience.’ – Sophia Walsh, pioneer teacher and artist of Speech Formation in the English language, Dornach, Switzerland The Art of Speech presents a dynamic path of practice leading to an experience of the Word as a living, healing and creative power. Helping to deliver Western intellectual speech from what Artaud described as ‘shrivelled throats’ and ‘monstrous talking abstractions’, Langman brings to life the spiritual realities out of which a true Art of Speech arises. Inspired by Rudolf Steiner and pioneered initially in the German language by Marie Steiner, this artform is illuminated here through the genius of the English language. Langman builds a bridge between mainstream research into the intrinsic nature of Speech, and the levels of spiritual cognition that led to Rudolf Steiner’s insights. Speech and language can no longer be reduced to an arbitrary collection of abstract symbols, she asserts. This book will inspire those working with these disciplines as practitioners (both artistic and therapeutic) as well as those who wish to understand their significance in human evolution, both past and future. Following her first book The Art of Acting, this volume completes a foundation of understanding for an exploration – in the conclusion of Langman’s trilogy – of an integrated art of speech and acting. Grounded in the spiritual reality of the human being, Langman presents a systematic methodology with which to explore Rudolf Steiner’s Speech and Drama Course.
Molly Jackson has lived a quiet life in the small town of Petacow since the tragic death of her husband, Tony, six years ago. While digging up a dead tree in her back yard, she and her dog, Annie, discover a small skeletal hand attached to the roots of the tree. She feels helpless as the hand is alive and terrorizes her. She can't tell anyone about it, due to the mental breakdown she suffered several years ago. Who will believe her without proof? Her only option is to capture it. After trapping it, her terror soon turns to curiosity and even empathy for the little hand. With the help of her younger brother, Marcus and a new love interest, Nicholas Hunter, a local police officer, they uncover a grisly secret.
The rose is undoubtedly the most popular garden flower in the world. When settlers came from the Northern Hemisphere to Australia and New Zealand they brought their treasured roses with them. Roses Down Under follows the way roses may have been introduced into both countries where they not indigenous. In each country enthusiastic gardeners and Rosarians such as Alister Clark and Ron Bell in Australia and Ken Nobbs and Sam McGredy in New Zealand were inspired to develop their own varieties. There is a chapter dealing with the complexities of hybridisation, going through the process step by step, so the reader can follow in their footsteps. Various rose breeders from both countries, both professional and amateur, are listed, together with numerous photographs of their significant varieties. These illustrate the differences, as well as the similarities, of roses produced in Australia and New Zealand since the days of the first settlers. The Victoria State Rose Garden at Werribee, outside Melbourne, has been chosen to represent the large number of rose gardens in Australia, with many photographs illustrating the diverse collection of roses growing there. In New Zealand, the Trevor Griffiths Rose Garden in Timaru was chosen because of the comprehensive nature of roses planted in that very interesting garden. The final chapter asks where roses will be in the future. Will varieties produced in each country be similar, or very different? One thing is sure. They will always be, for gardeners, the Queen of Flowers.
The Queen ‘neath the Hedge came from nowhere, from out of reed and nightshade. Aged just 22, she conquered two countries, Britain and the Other Realm – home of the mysterious Umbra. She bound the realms together, so that 400 years after her death, every Briton is still mortally bound to an Umbra – every injury, any death inflicts them both – but her treaty is unravelling. Georgian London is preparing for war with France, but its salons and ballrooms are haunted by a different rumour: ‘She’s coming back.’ Everyone will try to stop her but no-one is sure who, or where, or what she is. Arthur knows Amorrie - his Umbra - will be the death of him. He doesn’t know why she is hunted in both realms. Slip inside the most captivating fantasy since ‘Strange and Norrell’.
In December 1950, the worst riots Singapore has ever seen shut down the town for days, killing 18 people and wounding 173. Racial and religious tension had been simmering for months over the custody battle for wartime waif Maria Hertogh between her Malay Muslim foster mother and her Dutch-Catholic biological parents. In May 1950, Eurasian Annie Collins, following this case and filled with hope, returns to Singapore seeking her own lost baby Maria. As the time bomb ticks and Annie unravels the threads of her quest into increasingly dangerous territory, she finds strange recollections intruding, ones that have nothing to do with her own memories of her wartime experiences: disturbing visions and dreams which force her to doubt not just her past life, but her whole idea of who she truly is and even to question the search itself. Finding Maria is at once a mother’s quest for her child, an unravelling mystery and a journey into suppressed memory and the nature of self-delusion.
During his invasion of Creek Indian territory in 1813, future U.S. president Andrew Jackson discovered a Creek infant orphaned by his troops. Moved by an “unusual sympathy,” Jackson sent the child to be adopted into his Tennessee plantation household. Through the stories of nearly a dozen white adopters, adopted Indian children, and their Native parents, Dawn Peterson opens a window onto the forgotten history of adoption in early nineteenth-century America. Indians in the Family shows the important role that adoption played in efforts to subdue Native peoples in the name of nation-building. As the United States aggressively expanded into Indian territories between 1790 and 1830, government officials stressed the importance of assimilating Native peoples into what they styled the United States’ “national family.” White households who adopted Indians—especially slaveholding Southern planters influenced by leaders such as Jackson—saw themselves as part of this expansionist project. They hoped to inculcate in their young charges U.S. attitudes toward private property, patriarchal family, and racial hierarchy. U.S. whites were not the only ones driving this process. Choctaw, Creek, and Chickasaw families sought to place their sons in white households, to be educated in the ways of U.S. governance and political economy. But there were unintended consequences for all concerned. As adults, these adopted Indians used their educations to thwart U.S. federal claims to their homelands, setting the stage for the political struggles that would culminate in the Indian Removal Act of 1830.
Natalie DeAngelo lost everything the day her two young sons were killed in a school shooting. Desperate to find relief from her unspeakable loss, she volunteers as a veterinarian on an elephant sanctuary in Thailand, but soon realizes she may be in over her head. Battling the memories that torment her day and night, Natalie must find a way to heal an angry, injured elephant named Sophie. Through love, acceptance, and gentle care, Natalie and Sophie heal together, finding new ways to enjoy life again.
A SUNDAY TIMES NUMBER ONE BESTSELLER ___________________________ The hilarious and heartwarming memoir from one of Britain's best-loved comedians and Women's Prize longlisted author, Dawn French. Dawn French is one of the greatest comedians of our time with a career that has spanned nearly four decades. Loved for her irreverent humour, Dawn has achieved massive mainstream success while continuing to push boundaries and challenge stereotypes. Here, she describes the journey that would eventually establish her as a perhaps unlikely, but nevertheless genuine, national treasure. As part of the much loved duo French and Saunders, Dawn helped create a repertoire of brilliantly observed characters, impersonating everything from Madonna and Harry Potter to The Exorcist. Dawn's iconic role in the Vicar of Dibley showcased not only her talent but also her ability to take a controversial and topical issue and make it mainstream - and very funny. From her early years as an RAF child and her flat-sharing antics with Jennifer Saunders, to her outspoken views on sizism and her marriage to Lenny Henry, Dear Fatty chronicles the extraordinary and hilarious rise of a complex, dynamic and unstoppable woman.
From the author of The Summer Prince, a novel that's John Grisham's The Pelican Brief meets Michael Crichton's The Andromeda Strain set at an elite Washington D.C. prep school. Emily Bird was raised not to ask questions. She has perfect hair, the perfect boyfriend, and a perfect Ivy-League future. But a chance meeting with Roosevelt David, a homeland security agent, at a party for Washington DC's elite leads to Bird waking up in a hospital, days later, with no memory of the end of the night.Meanwhile, the world has fallen apart: A deadly flu virus is sweeping the nation, forcing quarantines, curfews, even martial law. And Roosevelt is certain that Bird knows something. Something about the virus--something about her parents' top secret scientific work--something she shouldn't know.The only one Bird can trust is Coffee, a quiet, outsider genius who deals drugs to their classmates and is a firm believer in conspiracy theories. And he believes in Bird. But as Bird and Coffee dig deeper into what really happened that night, Bird finds that she might know more than she remembers. And what she knows could unleash the biggest government scandal in US history.
In BURMA BANYAN, A Daughter’s Odyssey, the reader is invited on an intimate set of travels as the author overcomes qualms about returning to Burma after a life span. Memories of Dawnie, her child self, besiege her. These memories are not set in the peaceful, civilized atmosphere of Dehra Dun, nestled in the hills north of Delhi, the setting of her notable first memoir–Jackals’ Wedding, A Memoir of a Childhood in British India–but in remote areas of northern Burma and in Mandalay, the capital of “Upper Burmah,” in an unstable atmosphere and generally unsafe surroundings. The Burma sojourn of the author’s immediate family following Japanese occupation during World War II begins with a replay of their last days in India, continuing the compelling true story within a family story. Counterpoint with modern-day travels, the author once again revisits a long-locked past to probe the truth of romanticized early life. She reveals how she and her sister coped with expectations and warnings and absorbed the fears and insecurity of their parents in the aftermath of war to compound their own secret worries, how they became adept at assessing their grownups’ mood swings, and chameleonic in adapting themselves accordingly. Entertaining stories of the generations before, ancestors who settled in India and Burma from faraway lands, flow naturally as the daughters’ parents, Pansy and William, return to live for a time in the country of their birth. Their resulting storm-and-sun relationship, the nucleus of the symbolic “jackals’ wedding,” continues as such in BURMA BANYAN. Kawahara’s odyssey, which completes in an unexpected way, also takes readers from Hawai`i to the British Isles, and forays to Australia and New Zealand in search of “lost” family members. The search for a missing father–and a home–is the taproot of these journeys.
Love Always Wins and Breaks through all Barriers, even Death. All the characters portray a responsibility in helping to create this book to show that Love is so much more potent than Evil. Dawn witnessed the power of Love, which changed her life forever. She waited in awe as the power of Love broke all dimensions as it came through to her humble bedroom to visit her. Nothing is impossible in Love; even the death of our physical bodies can never stop it.
The year is 1862. Prospectors swarm over the Sierra Nevada, hunting for gold, desperadoes roam the range, and the Indians are on the warpath. Dr. Henry Lockhart is so busy setting broken bones that he hasn't any time for women. Just as well. There's hardly a woman worth thinking about in the entire Nevada Territory. Then Erica James appears out of nowhere. Erica is different. She wears running shoes, totes around a contraption she calls a 'video camera,' and says she's from the future. From 1989, to be exact.
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