The RSA is finally eliminated. Looking to the future, President Sherman founds an elite squad of soldiers—the Hunters—who he will use for strategic missions as part of restoring the stability of the country. Their first mission will take them to the heart of a city ravaged by Morningstar…but not everyone agrees with Sherman’s vision for the future. Threatened by new enemies on all sides, will Sherman and his allies be able to survive long enough to see the Hunters succeed on their inaugural mission? Or will dissident factions looking to release the deadly Morningstar Strain back out into the world succeed where others have failed, and bring humanity back to its knees?
We’re not out of chocolate yet! Get your refill with Spicy Chocolate– more adventures with the Alcott family! Lila Mae, Madge, Dorothea, Bambi and Amelia croon over the sleeping babies. Baby strollers crowd the breakfast area. Dorothea’s twins are 30 minutes older than Bambi’s baby – that’s all I’m saying about that. The visit is interrupted by the arrival of a taxi. Lila Mae and Amelia investigate, peeking through the kitchen French door. A young Hispanic woman in her late twenties stands on the stoop popping her gum. One hand rests on the handle of a piece of rolling luggage, the other at the hip of her skin-hugging bright floral print skirt with ruffles at the hem. The stretchy material barely covers her thigh in the front, and dips to the ankles in the back. The outrageous ensemble is topped with a polka-dot halter tied behind her neck and back, plunging in the front. The girl’s face is perfectly made up with beautifully arched eyebrows and penciled lips. Amelia opens the door and Chiquita, one of Uncle Tito’s nieces, barges in talking up a storm. She tells them she’s there to train for Amelia’s job. She rolls right through to the kitchen where Madge and Dorothea unashamedly gawk at the sexy vixen. Everyone is all flustered. Why did Uncle Tito send Chiquita without notice? Was Amelia going to quit? Lila Mae is freaked out, but not as much as Amelia, whose only thought is “am I dying or getting fired?” And who’s this chubby-cheeked, middle-aged, cigar-smokingDougie Vey character that Dr. Victor Tic’s daughter shows up with, all glam and glitter,after being gone for nearly a year? Victor and wife Jeffie Ann had a falling-out with Luna over gambling debts. The four romantics of Bitter Chocolatego out to dinner. They are seen exiting the Bentley by a gang of thugs. After they get out of the restaurant, the thugs try to rob them. Guess which one of our friends goes into his Shaolin Kung Fu routine? Another remembers some boxing moves. The thugs drop “like flies” to the sidewalk. Pecos and the widow are still a couple. He runs the numbers for multiple wedding dates. No, Pecos doesn’t take bets at the track, he’s a numerology pro. Scooter the cat disappears. Louie is sad. Then Qxxxx shows up and becomes Louie’s best friend. (No, you’re not getting that name.) There’s more love blooming. Uncle Tito is smitten. Jingo has stars in his eyes. Expect company from Las Vegas. And you guessed it – someone is going to be broken hearted when their love interest is knocked off.
True evil is rarely obvious. It is quiet, patient. Insidious. Awaiting the perfect moment to strike. Joy Malone finally knows who she is, where she comes from and how to live in two worlds at once. And now she can introduce her family and friends to her mysterious boyfriend, Indelible Ink. But when Ink's twin sister, Invisible Inq, calls in a favor, Joy must accept a dangerous mission to find a forgotten door between worlds—a door hiding a secret that some will kill to keep. Unseen enemies, treasonous magic and an unthinkable betrayal threaten both the Twixt and human worlds as Joy races to expose an ancient conspiracy and unleash the unalterable truth—some secrets cannot remain secret forever.
Some things are permanent. Indelible. And they cannot be changed back. Joy Malone learns this the night she sees a stranger with all-black eyes across a crowded room—right before the mystery boy tries to cut out her eye. Instead, the wound accidentally marks her as property of Indelible Ink, and this dangerous mistake thrusts Joy into an incomprehensible world—a world of monsters at the window, glowing girls on the doorstep and a life that will never be the same. Now, Joy must pretend to be Ink's chosen one—his helper, his love, his something for the foreseeable future…and failure to be convincing means a painful death for them both. Swept into a world of monsters, illusion, immortal honor and revenge, Joy discovers that sometimes, there are no mistakes. Somewhere between reality and myth lies…
Annotation Attitudes towards crime, criminals, and rehabilitation have shifted considerably, yet the idea that there is a causal link between drug adiction and crime prevails.
Lila Mae and the girls are busy planning Bernie’s 93rd birthday party. For an old geezer, it doesn’t appear that he is slowing down anytime soon. Expect Bambi to clobber him a time or two, and for Chewie to keep him in line. The chocolate factory has Pearl Hicks making the news, and you’ll meet Miranda Shoo, artist extraordinaire! While things are all lovey-dovey with several of our favorite people, there’s a mighty unrest among the clan—a lot of flux with old jobs and businesses. Risks are weighed and taken. Henry walks in on an unethical situation with a client and her soon-to-be ex-husband’s attorney. He has harsh words with his law firm over the incident. One of his law partners ends up dead. All fingers point to Henry. This is the second time the Divine household has been subjected to a murder investigation. Dorothea and Joseph are strung out on raw nerves with the accusations, all the while with the twins teething and screaming in stereo. And speaking of Joseph, he’s about to make some major changes… after he recovers. Chance has to tiptoe through the murder investigation, or move to a temporary location until Henry’s name is cleared. Help comes in from the most peculiar and unexpected sources, which has Chance, Stacy, and Uncle Tito raising their eyebrows to their hairlines. Bambi has a string of luck no one ever expected, thanks to Jimmy Ray Chaline. There’s one thing the Alcott family stands for: solidarity! They will sort this murder
In this insightful biography, dance historian Dawn Lille traces the life of Alfredo Corvino from his roots as a quiet, athletic boy in Montevideo, Uruguay, through his international performing career with some of the greatest companies of the 20th century to his long and fruitful years as a beloved teacher and ballet master. By weaving together interviews with Corvino s colleagues, students, and family with archival material from the Juilliard School, the Metropolitan Opera Ballet as well as the Corvino family, Lille has created a touching portrait of this wise, fun-loving and enigmatic man. Setting Corvino s own story within the context of the social, political, and artistic events of his time, Lille vividly explores the many forces and challenges that shaped this artist and educator. More than 40 photos, many never before published, illustrate the various stages of Corvino s life. Discussions with and commentary from his daughters Andra and Ernesta elucidate his teaching theory and basic exercises. Photographs with line drawing overlays by functional anatomy teacher and former Corvino student, Irene Dowd illustrate the equipoise of Corvino s approach to classical ballet technique. A foreword by Dominique Mercy, leading dancer with Tanztheater Wuppertal reveals the great gift Corvino gave to dancers and dance lovers everywhere through his life work.
Let the weather take the lead and never be bored again! Paint in the rain, send kites soaring in the wind, build ice orbs, and become a snowflake scientist—let the wonders of nature inspire your next adventure. Don't mourn a rainy day; instead, use it as a leaping-off point for outdoor adventures! The weather around us offers a perfect starting point for exploring the wonders of nature. The engaging science experiments and open-ended art activities in this book aim to give children ages four to eight a basic understanding of the science behind the weather that they experience each day, while also encouraging creativity, questioning, and a spirit of curiosity—perfect for budding naturalists. Full of accessible information about weather science and the way things work, this hands-on guide to exploring the natural world will inspire a sense of wonder and adventure—no matter what the day brings.
Medical studies have consistently shown that patients benefit from therapy dog visits. One recent study of 59 adults showed that following a therapy dog visit their energy levels increased, respiratory rated calmed significantly and pain scores decreased by over 20 percent. Mood scores improved by over 60 percent with the patients feeling less tense, anxious, angry, tied depressed and dejected. Now in "The Power of Wagging Tails," Dr. Dawn Marcus showcases the wide range of research that shows the therapeutic and healing power of people of all ages and with a wide range of health conditions. These research findings are brought to life through the personal stories of healing from dog owners across the United States and Canada. She shows you how to unleash the healing power of your own dog, describes how to effectively add a dog to the home of someone with a chronic condition, explains how the family dog can help with chronic health conditions, and teaches how to train a companion dog to be a certified therapy dog to help others. "The Power of Wagging Tails" is of interest to dog owners, people wondering how to help family and friends coping with chronic illnesses, and individuals considering training their dogs
The characters you loved in Hot Chocolate are back with more escapades of life in Houston’s wealthy River Oaks. Be sure to check out the new family tree. Lila Mae is in a tizzy over the Chocolate Ball, a huge event that benefits Off the Streets, that rescues homeless dogs and cats. If it weren’t for Julian Gillespie of Event Is King, the Chocolate Ball would have melted. Bernie, the Alcott sisters’ 92-year old father, decides he wants his Bentley back. Joseph’s cousin Chewie is hired as Bernie’s new chauffeur. Bambi is so happy to finally be expecting a child. However, Dorothea is at war with the world over being pregnant at 55. No one is exempt, especially Henry, her husband who she now refers to as “Mr. Responsible”. Suzanne and Gray show up on Zoe and Walter’s doorstep. She’s left Paul and wants Walter to handle the divorce. Cissy has dumped Georgio, the tattoo artist, to Madge’s delight. Mage wants a pedigreed husband for her granddaughter and Roger Bainsworth III, has just the right family background. Amelia makes a grocery run. When she returns home, her kitchen door is slightly ajar. She toes the door open. Three things catch her attention: a new vase of flowers, her marble rolling pin covered with blood… and a dead body on her kitchen floor. Amelia freezes – is there a murderer still in the house? She hurries outside. She slips back inside and snaps a picture. Then she calls Detective Chance Walker, Lila Mae and finally… 9-1-1. Once again, Tilly is questioned. She wants to know why everyone thinks she runs around killing people! Dorothea is happy that no one is pointing the finger at her. Louie and Scooter’s truce ended in a bad way. * Bernie and Chewie get into a situation that requires Chance bailing them out of jail. * Uncle Tito psychically investigates the murder and helps Amelia overcome her fears. * Loved ones are accused of the murder and the family wrings their hands. Secrets are no longer safe; the family has more shocks to deal with than the San Andreas fault line! One thing stands firm: the Alcott clan puts family first no matter what the outcome of any situation.
Undergrad text for general-education courses helps students fulfill fine arts credits. This text will help students form a connection to and appreciation for dance as both an art form and a lifetime physical activity, no matter their primary course of study or eventual career path"--
Since Jesus told us to be perfect, and Vatican Council II emphasized a universal call to holiness for all Christians, how do we learn to do that? One great way is to learn from and pray with the saints of the Catholic Church. We can follow in the footsteps of the ordinary Catholic men and women who fought the good fight to be holy until the end of their lives – and won that fight. The saints have been the inspiration of faithful Catholics for hundreds of years because they show us what it looks like to follow Jesus Christ despite countless challenges and obstacles. This unique book contains short biographies of multiple saints for every day of the year, including an intercessory prayer to each saint. This helps the reader to learn about, and pray with, the numerous saints of the Church, "the communion of saints" whose personalities and challenges often resonate with our own. This collection also provides wonderful resource information to learn more about individual saints, inspiring quotes from saints, and detailed explanations of Catholic terms that often befuddle us. The saints in this collection come from every period in his- tory, countries, age ranges, and vocations. They show us that holiness truly is a path open to all who seek to follow Jesus Christ. By reading about the lives of the saints each day, we can learn how to apply their life lessons to our own daily challenges. By praying daily for their help, we can ask for their spiritual help and wisdom – and point ourselves toward Heaven, where we hope to spend eternity with God.
Some things lie beneath the surface. Invisible. With the power to change everything. Joy Malone wants it all—power, freedom and the boyfriend who loves her. Yet when an unstoppable assassin is hired to kill her, Joy learns that being the girl with the Sight comes with a price that might be too high to pay. Love will be tested, lives will be threatened, and everyone Joy knows and cares about will be affected by her decision to stand by Ink or to leave the Twixt forever. Her choice is balanced on a scalpel's edge and the consequences will be more life-altering than anyone can guess.
In the first scholarly biography of Minister Farrakhan, leader of the controversial religious movement, the Nation of Islam (NOI), Dawn-Marie Gibson challenges popular portrayals of Farrakhan in American media. Placing Farrakhan's life and leadership in historical context, she traces his evolution from a fiery Black Nationalist in 1960s Harlem to a respected leader in sections of the USA and abroad, and uncovers Farrakhan's work in rebuilding the NOI's reputation following Malcolm X's assassination. Archival material includes FBI's files on the NOI and its leaders, Farrakhan's writings in the Muhammad Speaks and The Final Call newspapers, and lectures and interviews from the late 1970s to the present day. Excerpts from first-hand interviews from NOI officials, pastors, imams, and community groups provide important insights into Farrakhan's religious life.
Manufacturing Guilt, 2nd edition, updates the cases presented in the first edition and includes two new chapters: one concerning the case of James Driskell and another regarding Dr. Charles Smith, whose role in forensic pathology evidence led to several wrongful convictions. In this new edition, the authors demonstrate that the same factors at play in the criminalization of the powerless and marginalized are found in cases of wrongful conviction. Contrary to popular belief, wrongful convictions are not due simply to “unintended errors,” but rather are too often the result of the deliberate actions of those working in the criminal justice system. Using Canadian cases of miscarriages of justice, the authors argue that understanding wrongful convictions and how to prevent them is incomplete outside the broader societal context in which they occur, particularly regarding racial and social inequality.
Hot Chocolate by Dawn Greenfield Ireland is a cozy mystery. Meet the middle-aged, eccentric Alcott sisters: Madge, Lila Mae and Dorothea, heiresses to the Alcott Chocolate fortune and mavens of Houston’s elite River Oaks. Madge ambushes Lila Mae with Dorothea’s manipulative plea: she can’t care for Bernie, their 92-year old father, any longer. Lila Mae explodes in a hissy fit—she had warned Dorothea years ago that they should put Bernie in an assisted living center. Robert, Lila Mae’s astrologer, warns of impending problems and he’s rarely wrong. The sisters call a meeting with Walter Branson, their solicitor. They discuss Bernie’s nurse Bambi Chaline, a blonde bombshell who looks more like a hooker than a nurse. The sisters fear that Bambi has her sights on being the next Mrs. Alcott and the need to separate her from their father is at critical mass. Arrangements are made for Bernie to be transferred over to Lake Sides Assisted Living Center in the Uptown Galleria area and a severance package is drawn up for Bambi. Out from under the ever-watchful eye of Dorothea, Bernie takes to the Lake Sides social scene like a butterfly to sugar-water. He’s the best dressed senior and chases the nurses relentlessly. He may be 92, but he’s a handful. Jimmy Ray Chaline, Bambi’s bowling alley husband, is enraged that Bambi was let go. He hires ambulance chaser Mark Slade to file a lawsuit for wrongful termination. Bambi had been more than satisfied with her bonus, letters of recommendation and praise from the Alcott clan. She does not want to sue her former employer and the Alcott chocolate empire. Jimmy Ray’s eyes dazzle as Mark Slade convinces him that the court will award Bambi millions. The judge dismisses the suit as frivolous and it is thrown out of court further fueling Jimmy Ray’s rage. He’s shocked when the callous attorney demands his bill be paid upon receipt. When Jimmy Ray fails to return home from the bowling alley that night, a series of events unfold that shocks the entire Alcott family and their extended members. Who killed Jimmy Ray Chaline? Was it Bambi, his innocent looking wife? Could it have been Tilly, Walter Branson’s half-looped niece who had a mysterious relationship with
What’s love when the world is at your fingertips? Crosse Point, Virginia’s most notorious residents come together in a race for love, money, and lust while doing every dirty trick in the book to win at all costs. The allure of power and respect turns personal and professional relationships into bartering tools for the next big score. Erin Powell, slick talking sales guru. Devyn McAllister, the vivacious and vilified vixen, and transitioning basketball star Nikki Brown throw caution to the wind to satisfy the needs they lack in Everything I Miss At Home, the sexy and thrilling debut novel from the author Dawn. This page turning sexy corporate thriller in a soap opera on the steroids that somehow feels like real life. As the players succeed in making their wildest dreams come true, reality returns with a vengeance in a karmatic tornado that simultaneously spares and destroys. C’est La Vie.
In 1669, thirty-eight freemen of the New Haven Colony signed a covenant to form a new plantation amongst the rolling hills and valleys east of the Quinnipiac River. With the official incorporation established the following year, Wallingford grew from a 17th-century colonial farming village into a thriving and diverse community. It was witness to the Revolutionary War and a pioneer in the Industrial Revolution, and it produced leaders in religion, arts, and politics. Robert Wallace and Samuel Simpson, who introduced silver manufacturing, and Moses Y. Beach, founder of the Associated Press, called Wallingford home. Their philanthropy helped expand schools, churches, and public services. Although the original footprint of the colonists has changed over the centuries, a stroll through the town reveals its richly preserved history. Impressive architectural styles line the streets, from 17th-century saltbox homes to Beaux-Arts mansions and Gothic Revival churches. Center Street Cemetery holds the final resting place of Wallingford's early settlers, and many of their names have left an indelible legacy.
A Christmas caper Santa isn't coming to town…or is he? A mysterious copycat Santa is making the rounds in a small town in northern Canada. Hotshot L.A. reporter Mike O'Brian, banished to this wilderness by a disgruntled boss, figures he can nail the story within a week. Or he could, if Claudia Paquette would cooperate. She seems to know more about this pseudo-Santa than she's letting on. In fact, Mike almost has the impression that she doesn't want Santa unbearded. But that makes no sense. Claudia has as much at stake in this story as he does. The future of her newspaper depends on it. Still, the idea of moving in with her and her eccentric oversize mutt for the duration of his exile is rather appealing. He could keep an eye on her. And since she's just about the best-looking woman he's ever seen, it's actually a very pleasant prospect…. Praise for Dawn Stewardson's Sully's Kids: "A fabulous love story. Dawn Stewardson once again delights us with an irresistible hero and an irrepressible heroine as she makes us laugh and cry in this touching romance." —Romantic Times
The United Nations Convention on the Rights of the Child was incorporated into international law in 1989. Since its adoption, it has been ratified by nearly all member nations. An outline of the basic rights of all persons under the age of 18, the Convention has various implications and its importance cannot be contested. This collection focuses on children's rights as defined by the U.N. Convention, and their relevance in both national and international contexts. The contributors discuss the Convention from different disciplinary perspectives, but are united in the belief that it is a tool to be utilized and contextualized by individuals, institutions, and communities. If there is a single conviction to be found throughout Children's Rights it is that the rights of the child are far too important to be left to states alone to provide and protect. To paint a detailed picture of the subject as a whole, the volume looks at situations in which the basic rights of children are often denied such as violent social conflict, parental abandonment, and social inequality. Consisting of thirteen essays by prominent scholars, it is an in-depth and interdisciplinary exploration of the significance of children's rights, and a tremendous resource for those working with children and youth in institutional and educational settings.
An original and highly accessible collection of essays which is based on a huge range of historical sources to reveal the realities of mens' lives in the Middle Ages. It covers an impressive geographical range - including essays on Italy, France, Germany and Byzantium - and will span the entire medieval period, from the fourth to the fifteenth century. The collection is divided into four main sections: attaining masculinity; lay men and churchmen: sources of tension; sexuality and the construction of masculinity; and written relationships and social reality. The contributors are: Dawn Hadley, Jenny Moore, William M. Aird, Jeremy Goldberg, Matthew Bennet, Janet Nelson, Conrad Leyser, Robert Swanson, Patricia Cullum, Ross Balzaretti, Shaun Tougher, Julian Haseldine, Marianne Ailes and Mark Chinca.
Further and Higher Education in the UK has expanded greatly in recent years, bringing into education large numbers of young people who present teachers with new challenges. At the same time, there is an immense pressure to improve the quality of learning and teaching, and to encourage students to be active participants in the process. This book is aimed at teachers, aspiring teachers and other professionals in upper secondary schools, further education colleges and universities who wish to increase learner motivation and to create opportunities for greater learner autonomy. It will: * relate learning theory to practice * provide practical help for teachers to understand how they tend to interact with students * suggest how they may build a repertoire of teaching styles that foster sharing of responsibility with learners for more effective learning.
This book examines why, when, how and where the scenic stage began in England. Little has been written about the development of theatrical scenery and how it was used in England in the seventeenth century, and what is known about the response to this innovation is fragmentary and uncertain. Unlike in Italy and France where scenery had been in use since the sixteenth century, the general public in England did not see plays presented against a painted location until Sir William Davenant presented The Siege of Rhodes at Lincoln's Inn Fields in 1661. Painted landscapes or seascapes, perspective views of cities or palaces, lighting effects, gods or goddesses flying down on to the stage in a chariot, all these had only been seen before on the masque stage at court or in the occasional private play performance. This study argues that Sir William Davenant (1606-1668) was involved almost from the beginning of the process and that his influence continued after his death; that, although painted scenery as such would undoubtedly have appeared on the public stage after 1660, it would not have been in the same way, for Davenant made particular positive contributions which brought about certain changes in both the presentation and reception of plays which would not have happened as they did without his work and influence. This is new work which uses dramaturgical and scenographical analysis of selected plays and masques, against known theatrical history, to discover how the staging of painted settings was organised from c1605 to c1700. This kind of investigation into the links between masque staging and the staging of plays has not been done in quite this way before. The study begins with Davenant's involvement with Inigo Jones and John Webb. It analyses the staging of the court masques and discusses what Davenant took from this and how he used the information. It suggests that the move towards verisimilitude in the drama on the scenic stage was due in part to Davenant's imaginative use of certain of the physical components of masque staging in presentations by the Duke's Company. It argues that he encouraged dramatists to integrate the scenery into their plots, particularly to provide for disclosures and discoveries, in ways not possible before. How, in so doing, he implicitly changed the stage conventions of time and place which audiences had accepted from the platform stage. It also argues that the parallel development of operatic spectacle derived mainly from the use by Killgrew and the King's Company of the techniques for engineering the spectacular effects of the transformation scenes of the masque stage to embellish the heroic drama by Dryden and others. It suggests that the two staging methods combined in the later seventeenth century to give more sophisticated ways of using the scenery and thus involved the scenic stage with the dialogue and the action in all genres, but that such experimentation ended when financial and commercial considerations made it no longer viable. Nevertheless it concludes that, by the eighteenth century, theatre practitioners had learnt to use the stage craft and mechanical techniques of the masque stage to integrate the visual with the aural aspects of a production, and that dramatists, once concerned solely with the aural expression of their theme, had become playwrights who allowed for the visual elements in their texts. Over fifty illustrations exemplify the discussion. This is an important book in the history of theatre, essential background for the staging of the court masque, and for the scenography of the Restoration theatre.
The Law & Order: Special Victims Unit Unofficial Companion is a comprehensive guide covering the first 10 seasons and includes a synopsis and an objective analysis for each episode, as well as commentaries or recollections from the people involved in crafting the one-hour tale. It goes after the heart of SVU through interviews with actors, writers, producers, casting agents, location scouts and others. The authors peek behind the scenes of the bicoastal operation, observing the progress of an entire episode shot in New York City and a script fine-tuned in Los Angeles. The book provides fascinating insight, delighting SVU devotees who love on-screen and backstage trivia. In addition, creator Dick Wolf offers readers a gripping foreword to the book.
With contributions from authors around the globe, Research Handbook of Entrepreneurial Exit explores this most important phenomenon in the entrepreneurial journey. This book presents a comprehensive review of the current issues in entrepreneurial exits
Savor four chilling tales of lust and longing Valley of Nightmares by Jane Godman—It's 1938, and war is looming as Lilly Divine leaves London for life as a governess in a crumbling mansion. Her employer, Gethin Taran, a man as remote and compelling as the mountains encirlcling his home, soon has Lilly intrigued and enthralled. But there is danger as well as passion in the valley, and its ghostly source begins to stalk Lilly's nightmares…. His to Possess by Delores Fossen—Haunted by erotic memories that are not her own, Olivia is shaken to her core. She and enigmatic Lucian Wilde discover they're hosts to the souls of two lovers murdered decades before. Time passes, but passion and the desire for vengeance endures. The Girl in Blue by Barbara J. Hancock—Trinity Chadwick once helped Samuel Creed cheat death. That long-ago kiss of life kindled an obsession both sensual and macabre. When Trinity, plagued by misfortune, returns to her hometown, Samuel is already there. Is he watching over her…or awaiting some dark chance? The Ghosts of Cragera Bay by Dawn Brown—Declan James is the reluctant heir to a crumbling Welsh estate with a deadly history. He'll never sell Stonecliff with a parapsychologist poking around fueling ghostly rumors. But his truce with beautiful Dr. Carly Evans is destined to end in bloodshed. Mood, mystery…romance that makes you shiver.
***Although this book is part of a series, it CAN be read as a standalone*** Sometimes silence speaks the only truth. Ryder Hawkley swallows his words the way he swallows his guilt. A life-altering tragedy keeps him locked away in a silent prison—a self-imposed punishment for a horrific mistake. His reputation… Freak. Weirdo. Alexis Honeycutt arrives at college craving one thing—independence. Now, away from home and free from her family's overprotection, she attends a party with friends that will ultimately change her life. The moment she spots Ryder Hawkley sitting across the room, Alexis is intrigued. Dangerous. They whisper. The intensity shimmering from Ryder’s haunting eyes beckons her, but Alexis vows to stay away from him. Only, she can’t seem to get Ryder’s unnervingly quiet stare out of her head. Ryder is determined to ignore Alexis’s contagious smile the instant she strolls into the room. Despite his efforts, he is drawn to her and finds himself questioning everything he’d been holding on to for the past two years. ***This book is intended for readers 17+ due to some language and mature themes.
An alphabetical listing of plays that have been banned throughout history with a short synopsis and reason for banning as well as profiles of the playwrights and other resource material.
Julie's dad is in trouble and she's going to help him out… Nine-year-old Julie Nicholson is in turmoil. Someone has murdered her aunt Rachel's boyfriend and the police suspect her aunt. Even worse, an extortionist is breathing down her dad's neck, threatening to supply the police with proof that Rachel—his very own sister—committed the crime. Julie is hoping her new neighbor, Anne Barrett, who now writes children's mystery stories but used to be a private detective, can put her deductive powers to work and home in on the real murderer. Julie's father, Chase Nicholson, is hoping the same thing. But before he knows it, Chase also wants his attractive new neighbor to home in on him!
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