Davide Gasparotto's Books

The Medici: Portraits and Politics 1512–1570

By: Keith Christiansen,Carlo Falciani,Andrea Bayer,Elizabeth Cropper,Davide Gasparotto,Sefy Hendler,Antonella Fenech Kroke,Tommaso Mozzati,Elizabeth Pilliod,Julia Siemon,Linda Wolk-Simon

Write a review Read reviews Take a Quiz Solve Book Puzzle

The Medici: Portraits and Politics 1512–1570

By: Keith Christiansen,Carlo Falciani,Andrea Bayer,Elizabeth Cropper,Davide Gasparotto,Sefy Hendler,Antonella Fenech Kroke,Tommaso Mozzati,Elizabeth Pilliod,Julia Siemon,Linda Wolk-Simon

Between 1512 and 1570, Florence underwent dramatic political transformations. As citizens jockeyed for prominence, portraits became an essential means not only of recording a likeness but also of conveying a sitter’s character, social position, and cultural ambitions. This fascinating book explores the ways that painters (including Jacopo Pontormo, Agnolo Bronzino, and Francesco Salviati), sculptors (such as Benvenuto Cellini), and artists in other media endowed their works with an erudite and self-consciously stylish character that made Florentine portraiture distinctive. The Medici family had ruled Florence without interruption between 1434 and 1494. Following their return to power in 1512, Cosimo I de’ Medici, who became the second Duke of Florence in 1537, demonstrated a particularly shrewd ability to wield culture as a political tool in order to transform Florence into a dynastic duchy and give Florentine art the central position it has held ever since. Featuring more than ninety remarkable paintings, sculptures, works on paper, and medals, this volume is written by a team of leading international authors and presents a sweeping, penetrating exploration of a crucial and vibrant period in Italian art.

Average ratings

N/A

Write a review

Solve jigsaw puzzle

Age

Page Count

332

Publisher

Metropolitan Museum of Art

Published Date

ISBN 10

1588397300

ISBN 13

9781588397300

Watteau at Work

"La Surprise"

By: Emily A. Beeny,Davide Gasparotto,Richard Rand

Write a review Read reviews Take a Quiz Solve Book Puzzle

Watteau at Work

"La Surprise"

By: Emily A. Beeny,Davide Gasparotto,Richard Rand

Marking the three hundredth anniversary of Jean Antoine Watteau’s death, this publication takes a close, revealing look at his recently rediscovered painting La Surprise. The painting La Surprise by Jean Antoine Watteau (1684–1721) belongs to a new genre of painting invented by the artist himself—the fête galante. These works, which show graceful open-air gatherings filled with scenes of courtship, music and dance, strolling lovers, and actors, do not so much tell a story as set a mood: one of playful, wistful, nostalgic reverie. Esteemed by collectors in Watteau's day as a work that showed the artist at the height of his skill and success, La Surprise vanished from public view in 1848, not to reemerge for more than a century and a half. Acquired by the Getty Museum in 2017, it has never before been the subject of a dedicated publication. Marking the three hundredth anniversary of Watteau's death, this book considers La Surprise within the context of the artist's oeuvre and discusses the surprising history of collecting Watteau in Los Angeles. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from November 23, 2021, to February 20, 2022.

Average ratings

N/A

Write a review

Solve jigsaw puzzle

Age

Page Count

Publisher

Getty Publications

Published Date

ISBN 10

1606067354

ISBN 13

9781606067352

Masterpieces of Painting

J. Paul Getty Musuem

By: Davide Gasparotto, Scott Allan,Peter Björn Kerbe,Anne T. Woollett

Write a review Read reviews Take a Quiz Solve Book Puzzle

Masterpieces of Painting

J. Paul Getty Musuem

By: Davide Gasparotto, Scott Allan,Peter Björn Kerbe,Anne T. Woollett

This lavishly illustrated coffee-table book features more than one hundred paintings from the J. Paul Getty Museum’s extraordinary collection “I am convinced that the true collector does not acquire objects of art for himself alone. His is no selfish drive or desire to have and hold a painting, a sculpture, or a fine example of antique furniture so that only he may see and enjoy it. Appreciating the beauty of the object, he is willing and even eager to have others share his pleasure.” —J. Paul Getty, The Joys of Collecting, 1965 Rooted in a passion for the Italian Renaissance as well as Dutch and Flemish Baroque works, the original collection of J. Paul Getty (1892–1976) has been transformed over four decades to include seminal pieces by celebrated masters such as Masaccio, Titian, Parmigianino, Cranach, El Greco, Rubens, van Dyck, Rembrandt, Poussin, Canaletto, Fragonard, Turner, Manet, Degas, Renoir, Monet, van Gogh, Cézanne, and Ensor. Masterpiece Paintings in the J. Paul Getty Museum surveys more than one hundred of the most exquisite and significant paintings displayed in the museum’s famed, daylight-suffused galleries. Vibrant full-color illustrations and engaging descriptions of these masterworks reveal their fascinating histories and cultural, social, and religious meanings. Sure to enchant and edify all art lovers, this book is a spellbinding tour through the history of Western painting.

Average ratings

N/A

Write a review

Solve jigsaw puzzle

Age

Page Count

148

Publisher

Getty Publications

Published Date

ISBN 10

1606065793

ISBN 13

9781606065792

Giovanni Bellini

Landscapes of Faith in Renaissance Venice

By: Davide Gasparotto

Write a review Read reviews Take a Quiz Solve Book Puzzle

Giovanni Bellini

Landscapes of Faith in Renaissance Venice

By: Davide Gasparotto

Praised by Albrecht Dürer as being “the best in painting,” Giovanni Bellini (ca. 1430– 1516) is unquestionably the supreme Venetian painter of the quattrocento and one of the greatest Italian artists of all time. His landscapes assume a prominence unseen in Western art since classical antiquity. Drawing from a selection of masterpieces that span Bellini's long and successful career, this exhibition catalogue focuses on the main function of landscape in his oeuvre: to enhance the meditational nature of paintings intended for the private devotion of intellectually sophisticated, elite patrons. The subtle doctrinal content of Bellini’s work—the isolated crucifix in a landscape, the “sacred conversation,” the image of Saint Jerome in the wilderness—is always infused with his instinct for natural representation, resulting in extremely personal interpretations of religious subjects immersed in landscapes where the real and the symbolic are inextricably intertwined. This volume includes a biography of the artist, essays by leading authorities in the field explicating the themes of the J. Paul Getty Museum’s exhibition, and detailed discussions and glorious reproductions of the twelve works in the show, including their history and provenance, function, iconography, chronology, and style.

Average ratings

N/A