David and Alfred Smart were the Chicago-based founders of Esquire magazine, launched in 1933. One of the first men's fashion magazines, Esquire was also distinguished by the high quality of its literary and editorial features: the first issue included pieces by Ernest Hemingway and Jon Dos Passos, and Dashiell Hammett. The Smart brothers' other ventures included Coronet Films, the nation's leading producer of educational and training films during the Cold War era—many of which are now cult favorites. This fully illustrated biography chronicles their lives and innovations in the film and magazine publishing business.
The Smart Museum's Classical collection began developing in the 1890s and now consists of approximately eight hundred pieces, including large-scale statuary and floor mosaics, vases, figurines, coins, lamps, and other utensils. The first extensive study of the Smart's collection, this catalogue presents a selection of the museum's antiquities and provides a historiographical introduction that traces the formation of the collection in relationship to the pedagogical ideas of the University of Chicago. Serving as a factual and functional guide, this catalogue serves classicists and art historians, as well as the museum's many visitors.
A scholar's desk, a warlord's castle, a pope's altar, the mouth of a volcano: in the minds of early modern Europeans, all evoked memories of ancient times, from Egyptian pharaohs to Roman emperors. The essays in this catalog explore the influence of antiquity on a broad spectrum of artistic production in Europe, from the sixteenth through eighteenth centuries. They include investigations of proto-scientific imagery, Ovidian myth, allegorical devices, the papal banquet, and the growing importance of Greece to understandings of the ancient world. Together, these essays reveal much about the continual remaking of the antique in the visual culture of Europe.
Five Great Features and Benefits offered ONLY by The Unofficial Guide: Information that's candid, critical, and totally objective ; Hotels reviewed and ranked for value and quality--plus secrets for getting the lowest possible rate ; More than 70 restaurants reviewed and profiled, with listings for dozens more ; A complete guide to Chicago's sights--museums, architecture, ethnic neighborhoods, and more ; The inside story on shopping--where to get the best for less, on and off the Magnificent Mile.
This is the first volume of the catalogue raisonne of the work of Mark Rothko, the abstract artist. It documents Rothko's entire output of paintings on canvas and panel, reproducing all the works in colour. An introductory text investigates the essential features of Rothko's art.
How digital networks are transforming art and architecture Art as we know it is dramatically changing, but popular and critical responses lag behind. In this trenchant illustrated essay, David Joselit describes how art and architecture are being transformed in the age of Google. Under the dual pressures of digital technology, which allows images to be reformatted and disseminated effortlessly, and the exponential acceleration of cultural exchange enabled by globalization, artists and architects are emphasizing networks as never before. Some of the most interesting contemporary work in both fields is now based on visualizing patterns of dissemination after objects and structures are produced, and after they enter into, and even establish, diverse networks. Behaving like human search engines, artists and architects sort, capture, and reformat existing content. Works of art crystallize out of populations of images, and buildings emerge out of the dynamics of the circulation patterns they will house. Examining the work of architectural firms such as OMA, Reiser + Umemoto, and Foreign Office, as well as the art of Matthew Barney, Ai Weiwei, Sherrie Levine, and many others, After Art provides a compelling and original theory of art and architecture in the age of global networks.
This book examines the antiwar work of one American artist in relation to the cultural history of the Cold War. The study provides new and detailed information on this important artist, while also contributing to the study of masculinity, dissent, art, violence, and war in the last half of the twentieth century. The study clearly reveals that artists' protests against American foreign policy began well before the official U.S. entry in the Vietnam War, and that not all combat veterans looked back fondly on their experience of the Good War. Finally, in drawing attention to the challenges of being a man in a hostile world, Westermann's art enters into a much broader consideration of gender long before this issue became topical in contemporary art. director of the American Studies Program at Rhodes College in Tennessee.
Plains Indian biographic rock art can be “read” by those knowledgeable in its lexicon. Presented is a lexicon of imagery, conventions, and symbols used by Plains Indians to communicate their warfare and social narratives. The reader is introduced to Plains Indian “warrior” art in all media, biographic art as picture writing is explained, and the lexicon is described, providing a pictographic “dictionary,” and explains conventions and connotations. Finally, it illustrates four key examples of how these narratives are read by the observer. Familiarity with the lexicon will enable interested scholars and laypersons to understand what are otherwise enigmatic rock art drawings found from Calgary, Alberta through ten U.S. states, and into the Mexican state of Coahuila.
Determined to create a completely integrated environment, Wright designed not only buildings, but furnishings, fixtures, appliances, decorative items and more. Noted architectural and design authority David Hanks has provided an informative, insightful text, along with over 200 line drawings and photos. 219 black-and-white illus. 24 in full color. New preface by the author.
David Brown argues for the importance of experience of God as mediated through place in all its variety. He explores the various ways in which such experiences once formed an essential element in making religion integral to human life, and argues for their reinstatement at the centre of theological discussions about the existence of God. In effect, the discussion continues the theme of Brown's two much-praised earlier volumes, Tradition and Imagination and Discipleshipand Imagination, in its advocacy of the need for Christian theology to take much more seriously its relationship with the various wider cultures in which it has been set. In its challenge to conventional philosophy of religion, the book will be of interest to theologians and philosophers, and also to historiansof art and culture generally.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.