This original contribution to the ethical and political significance of philosophy addresses a number of major themes—identity, violence, the erotic, freedom, responsibility, religious belief, globalization—and critically engages with the work of Kierkegaard, Wittgenstein, Heidegger, Derrida, and Levinas. It promotes a unique blend of deconstructive critique and a certain English skepticism, leading to the affirmation of a negative capability—a patience and vigilance in the face of both human folly and philosophy's own homegrown pathologies. The author argues for the extension of our sense of openness and responsibility to animal life, and indeed life in general, and not just to the human.
Looking for a whizzpoppingly wonderful collection of plays for your whole class? Want some ready-made, delumptious lesson plans to accompany them? Biffsquiggled at the thought of how to stage these pieces? Well, look no further because this is a scrumdiddlyumptious selection of David Wood's plays; paired with all the information and materials you need to use them in class or on stage, edited by Paul Bateson, an experienced primary-level drama teacher. The plays create worlds that trigger children's imaginations as well as entertain them, make them think as well as make them laugh, and open their minds to new ideas and the power of storytelling through theatre. Plays included are: The Gingerbread Man The See-Saw Tree The BFG Save the Human Mother Goose's Golden Christmas This book also contains a new foreword by David Wood.
In Time After Time, David Wood accepts, without pessimism, the broad postmodern idea of the end of time. Wood exposes the rich, stratified, and non-linear textures of temporal complexity that characterize our world. Time includes breakdowns, repetitions, memories, and narratives that confuse a clear and open understanding of what it means to occupy time and space. In these thoughtful and powerful essays, Wood engages Kierkegaard, Nietzsche, Heidegger, and Derrida to demonstrate how repetition can preserve sameness and how creativity can interrupt time. Wood's original thinking about time charts a course through the breakdown in our trust in history and progress and poses a daring and productive way of doing phenomenology and deconstruction.
Double rethinking" seeks to rethink time in terms of our experience of it and attempts to rethink our selves in terms of the results of that initial rethinking. This book undertakes a critical reformulation of the project through discussions of Derrida, Nietzsche, Husserl and Heidegger.
*Winner of the 2017 Dayton Literary Peace Prize* From Pulitzer Prize-winning journalist David Wood, a battlefield view of moral injury, the signature wound of America's 21st century wars. Most Americans are now familiar with Post Traumatic Stress Disorder (PTSD) and its prevalence among troops. In this groundbreaking new book, David Wood examines the far more pervasive yet less understood experience of those we send to war: moral injury, the violation of our fundamental values of right and wrong that so often occurs in the impossible moral dilemmas of modern conflict. Featuring portraits of combat veterans and leading mental health researchers, along with Wood's personal observations of war and the young Americans deployed in Iraq and Afghanistan, What Have We Done offers an unflinching look at war and those who volunteer for it: the thrill and pride of service and, too often, the scars of moral injury. Impeccably researched and deeply personal, What Have We Done is a compassionate, finely drawn study of modern war and those caught up in it. It is a call to acknowledge our newest generation of veterans by listening intently to them and absorbing their stories; and, as new wars approach, to ponder the inevitable human costs of putting American "boots on the ground.
Is death inevitable? Until now, the history of mankind has been marked by this fatal fact. Religions, borders and progress are born from an ancient fear of death, comfort from this fear man often found only in religious paradigms. But according to José Luis Cordeiro and David Wood, the incontrovertible fact of death is no longer an absolute certainty - science and technology are preparing to tear down the final frontier: that of immortality. This accessible book provides insight into recent exponential advances in artificial intelligence, tissue regeneration, stem cell treatment, organ printing, cryopreservation, and genetic therapies that, for the first time in human history, offer a realistic chance to solve the problem of the aging of the human body. In this book, Cordeiro and Wood not only present all the major developments, initiatives, and ideas for eternal life, they also show why there are a number of good arguments for seeing death for what it is: the last undefeated disease. Enter any drugstore or bookstore, and we confronted with a mountain of nonsense concerning the aging process. Society seems obsessed with aging. That is why The Death of Death is such a refreshing delight, able to cut through the hype and reveal a balanced, authoritative, and lucid discussion of this controversial topic. It summarizes the astonishing breakthroughs made recently in revealing how science may one day conquer the aging process. Michio Kaku, theoretical physicist and author of The God Equation: The Quest for a Theory of Everything We are entering a Fantastic Voyage into life extension, crossing different bridges that will take us to indefinite life spans. The Death of Death explains clearly how we might soon reach longevity escape velocity and live long enough to live forever. Ray Kurzweil, co-author of Fantastic Voyage: Live Long Enough to Live Forever and co-founder of Singularity University The Death of Death is a truly revolutionary book. This is a visionary book that confronts us with the terrible reality of aging, and its authors are friends and connoisseurs of the subject. I believe that the authoritative and exhaustive description of this crusade that José and David make in this excellent book will accelerate this process. Forward! Aubrey de Grey, founder of LEV (Longevity Escape Velocity) Foundation and co-author of Ending Aging
Collected essays by a leading philosopher situating the question of the animal in the broader context of a relational ontology There is a revolution under way in our thinking about animals and, indeed, life in general, particularly in the West. The very words man, animal, and life have turned into flimsy conceptual husks—impediments to thinking about the issues in which they are embroiled. David Wood was a founding member of the early 1970s Oxford Group of philosophers promoting animal rights; he also directed Ecology Action (UK). Thinking Plant Animal Human is the first collection of this major philosopher’s influential essays on “animals,” bringing together his many discussions of nonhuman life, including the classic “Thinking with Cats.” Exploring our connections with cats, goats, and sand crabs, Thinking Plant Animal Human introduces the idea of “kinnibalism” (the eating of mammals is eating our own kin), reflects on the idea of homo sapiens, and explores the place of animals both in art and in children’s stories. Finally, and with a special focus on trees, the book delves into remarkable contemporary efforts to rescue plants from philosophical neglect and to rethink and reevaluate their status. Repeatedly bubbling to the surface is the remarkable strangeness of other forms of life, a strangeness that extends to the human. Wood shows that the best way of resisting simplistic classification is to attend to our manifold relationships with other living beings. It is not anthropocentric to focus on such relationships; they cast light in complex ways on the living communities of which we are part, and exploring them recoils profoundly on our understanding of ourselves.
This is the first book to address formulaic language directly and provide a foundation of knowledge for graduates and researchers in early stages of study of this important language phenomenon. It is also suitable for students of linguistics, applied linguistics, and language teacher education. The information that currently exists is scattered throughout articles and book chapters across a range of subfields of linguistics and applied linguistics. Over the past few decades there has been a steadily increasing interest and research focus on the phenomenon of formulaic language in the fields of linguistics and applied linguistics. Slowly, a consistent definition has emerged, centring around the idea that formulaic sequences are multi-word units with specific meanings or functions, and some evidence points to their being processed mentally as wholes. Researchers from diverse backgrounds have identified the nature and roles of formulaic sequences in language acquisition and production, in the construction of text and discourse, in spoken and written language, and in language teaching. The increasing volume, diversity, and complexity of the state of knowledge about this emerging area of study is marshalled by this intelligent and well-written book.
This book brings together the letters David Wood has written over the past eighteen years to the Community of the Three Hours, a network of people who have committed themselves to the hidden task of silent prayer for the peace of the world for some or all of the hours between twelve and three each Friday.To engage in this kind of prayer is to enter dark territory where indeed all words fail, where all one can do it to watch and wait. It is a call to be faithful to the commitment and not to expect to see tangible results.As David Scott writes in his Foreword: 'Believers experience an entry into darkness, a cloud of unknowing which is a test of faith... References to this tradition of prayer are taken from The Cloud of Unknowing, Henry Vaughan's poems, and Meister Eckhart's writings.' But the most powerful references are to contemporary experiences of darkness: Nelson Mandela's, Bosnia, the Shoah, the Twin Towers, and the film Trainspotting. Complementing the letters are contributions from Robert Gallagher, Anna Briggs, Doug Constable, and Stephen Brown.
If there is anyone who should be the children's playwright laureate it is David Wood' (Evening Standard) The Owl and the Pussycat Went to See - '... the funniest, prettiest and most melodious children's show I have ever seen' (Guardian); The BFG - 'Any child not delighted by the BFG must have a head filled with squashed flies, and deserves to be fed for a year on disgustatious snozzcumbers' (Guardian); The Plotters of Cabbage Patch Corner - 'A milestone in children's entertainment' (Theatre Review); Save the Human - 'A first-rate show, it's colourful, entertaining and thought-provoking' (Sunderland Echo)
In Thinking After Heidegger, David Wood takes up the challenge posed by Heidegger - that after the end of philosophy we need to learn to think. But what if we read Heidegger with the same respectful irreverence that he brought to reading the Greeks, Kant, Hegel, Husserl and the others? For Wood, it is Derrida's engagements with Heidegger that set the standard here – enacting a repetition through transformation and displacement. But Wood is not content to crown the new king. Instead he sets up a many-sided conversation between Heidegger, Hegel, Adorno, Nietzsche, Blanchot, Kierkegaard, Derrida and others. Derrida and deconstruction are first critically addressed and then drawn into the fundamental project of philosophical renewal, or renewal as philosophy. The book begins by rewriting Heidegger's inaugural lecture, 'What is Metaphysics?' and ends with an extended analysis of the performativity of his extraordinary Beitrage. Thinking after Heidegger will be a valuable text for scholars and students of contemporary philosophy, literature and cultural studies.
As playwright, composer and director, Mr Wood has given children a self respecting art form" (The Times) The Gingerbread Man - 'The perfect children's play, with lots of superbly silly jokes and foot-tapping songs ... a magnificent epic of comic disarray' (Time Out); The See-Saw Tree - 'We are made to feel at once that the theatre is something immediate and involving' (Times); The Ideal Gnome Expedition - 'David Wood has surely scored again ... yet another gently entertaining excursion into a fantasy world where eminently sensible values prevail' (Daily Telegraph); Mother Goose's Golden Christmas - 'I cannot recommend this pantomime highly enough ... an enchanting blend of mirth and music that captivates the hearts of mums, dads and kids' (Romford Observer)
Habit rules our lives. And yet climate change and the catastrophic future it portends, makes it clear that we cannot go on like this. Our habits are integral to narratives of the good life, to social norms and expectations, as well as to economic reality. Such shared shapes are vital. Yet while many of our individual habits seem perfectly reasonable, when aggregated together they spell disaster. Beyond consumerism, other forms of life and patterns of dwelling are clearly possible. But how can we get there from here? Who precisely is the ‘we’ that our habits have created, and who else might we be? Philosophy is about emancipation—from illusions, myths, and oppression. In Reoccupy Earth, the noted philosopher David Wood shows how an approach to philosophy attuned to our ecological existence can suspend the taken-for-granted and open up alternative forms of earthly dwelling. Sharing the earth, as we do, raises fundamental questions about space and time, place and history, territory and embodiment—questions that philosophy cannot directly answer but can help us to frame and to work out for ourselves. Deconstruction exposes all manner of exclusion, violence to the other, and silent subordination. Phenomenology and Whitehead’s process philosophy offer further resources for an ecological imagination. Bringing an uncommon lucidity, directness, and even practicality to sophisticated philosophical questions, Wood plots experiential pathways that disrupt our habitual existence and challenge our everyday complacency. In walking us through a range of reversals, transformations, and estrangements that thinking ecologically demands of us, Wood shows how living responsibly with the earth means affirming the ways in which we are vulnerable, receptive, and dependent, and the need for solidarity all round. If we take seriously values like truth, justice, and compassion we must be willing to contemplate that the threat we pose to the earth might demand our own species’ demise. Yet we have the capacity to live responsibly. In an unfashionable but spirited defense of an enlightened anthropocentrism, Wood argues that to deserve the privileges of Reason we must demonstrably deploy it through collective sustainable agency. Only in this way can we reinhabit the earth.
Summary Linked Data presents the Linked Data model in plain, jargon-free language to Web developers. Avoiding the overly academic terminology of the Semantic Web, this new book presents practical techniques, using everyday tools like JavaScript and Python. About this Book The current Web is mostly a collection of linked documents useful for human consumption. The evolving Web includes data collections that may be identified and linked so that they can be consumed by automated processes. The W3C approach to this is Linked Data and it is already used by Google, Facebook, IBM, Oracle, and government agencies worldwide. Linked Data presents practical techniques for using Linked Data on the Web via familiar tools like JavaScript and Python. You'll work step-by-step through examples of increasing complexity as you explore foundational concepts such as HTTP URIs, the Resource Description Framework (RDF), and the SPARQL query language. Then you'll use various Linked Data document formats to create powerful Web applications and mashups. Written to be immediately useful to Web developers, this book requires no previous exposure to Linked Data or Semantic Web technologies. Purchase of the print book includes a free eBook in PDF, Kindle, and ePub formats from Manning Publications. What's Inside Finding and consuming Linked Data Using Linked Data in your applications Building Linked Data applications using standard Web techniques About the Authors David Wood is co-chair of the W3C's RDF Working Group. Marsha Zaidman served as CS chair at University of Mary Washington. Luke Ruth is a Linked Data developer on the Callimachus Project. Michael Hausenblas led the Linked Data Research Centre. Table of Contents PART 1 THE LINKED DATA WEB Introducing Linked Data RDF: the data model for Linked Consuming Linked Data PART 2 TAMING LINKED DATA Creating Linked Data with SPARQL—querying the Linked PART 3 LINKED DATA IN THE WILD Enhancing results from search RDF database fundamentals Datasets PART 4 PULLING IT ALL TOGETHER Callimachus: a Linked Data Publishing Linked Data—a recap The evolving Web
Most Americans are now familiar with PTSD (post-traumatic stress disorder) and its prevalence among troops. In this groundbreaking new book, David Wood examines the far more pervasive yet less understood experience of those we send to war: moral injury, the violation of our fundamental values of right and wrong that so often occurs in the impossible moral dilemmas of modern conflict. It is a call to listen intently to our newest generation of veterans, and to ponder the inevitable human costs of putting American "boots on the ground" as new wars approach, --
The new geological epoch we call the Anthropocene is not just a scientific classification. It marks a radical transformation in the background conditions of life on Earth, one taken for granted by much of who we are and what we hope for. Never before has a species possessed both a geological-scale grasp of the history of the Earth and a sober understanding of its own likely fate. Our situation forces us to confront questions both philosophical and of real practical urgency. We need to rethink who “we” are, what agency means today, how to deal with the passions stirred by our circumstances, whether our manner of dwelling on Earth is open to change, and, ultimately, “What is to be done?” Our future, that of our species, and of all the fellow travelers on the planet depend on it. The real-world consequences of climate change bring new significance to some very traditional philosophical questions about reason, agency, responsibility, community, and man’s place in nature. The focus is shifting from imagining and promoting the “good life” to the survival of the species. Deep Time, Dark Times challenges us to reimagine ourselves as a species, taking on a geological consciousness. Drawing promiscuously on the work of Nietzsche, Heidegger, Foucault, Derrida, Deleuze, and other contemporary French thinkers, as well as the science of climate change, David Wood reflects on the historical series of displacements and de-centerings of both the privilege of the Earth, and of the human, from Copernicus through Darwin and Freud to the declaration of the age of the Anthropocene. He argues for the need to develop a new temporal phronesis and to radically rethink who “we” are in respect to solidarity with other humans, and responsibility for the nonhuman stakeholders with which we share the planet. In these brief, lively chapters, Wood poses a range of questions centered on our individual and collective political agency. Might not human exceptionalism be reborn as a sort of hyperbolic responsibility rather than privilege?
Between 1959 and 2005, David Wood (‘the national children’s dramatist’) corresponded with his mentor, Frank Whitbourn, teacher, writer and theatre practitioner. Frank Exchanges opens with a letter from Whitbourn, praising a young Wood following a performance in one of his plays, and documents an almost fifty-year correspondence.
On July 16, 1918, Nicholas Romanov, the last Tsar of Russia, and his entire family were supposedly murdered by Russian Bolsheviks in the basement of a house in Yekaterinburg, Siberia. One year later, Alexander Kolchak, the Supreme Commander of the White Army, appointed a legal investigator to prove, beyond any doubt, that all members of the Romanov family had indeed been executed. The investigator's name was Nicholas Sokolov. The Russian Galatea is a story based on Sokolov's investigation. It takes place in Siberia, 1919 - with the Russian Revolution as its background. The major thesis is fiction but woven around true historical facts. It is a detective story about one courageous investigator's obsession with finding out what really happened to Russian Tsar Nicholas II and his family. It is also a story about Sokolov's deep relationship with the girl in a faded photograph. Is she alive or dead?
1539- In a remote Spanish outpost, one man holds the secret to the greatest treasure and deadliest secret in human history. Utah, Present Day- Cave paintings in a newly-discovered Indian site provide evidence that Christ visited the New World. Or do they? Dane Maddock returns in another unforgettable adventure! When Dane rescues beautiful archaeologist Jade Ihara, he joins her on asearch for the legendary Seven Cities of Cibola. Cibola takes the reader on a journey across the American southwest, where the ruins of the mysterious Anasazi hide deadly secrets, and foes lurk around every corner. Dane and his partner "Bones" Bonebrake must decipher clues from the fabled Copper Scroll, outwit their enemies, and be the first to unlock the secret of Cibola.
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