You only have a short time, so why not grab a short story? A collection of writers and stories, and you enjoying a moment to yourself. Romance, mystery, sci-fi, adventure, non-fiction, comedy. crime, fantasy, personal essays, and ghost stories are all in here, waiting to take you far away from your pressures and stress. Read about others. Laugh and chill with these nine terrific writers. From murder to ghosts, gardens to grannies, Covid to travel, there is much to keep you entertained and interested. Take a break with Caroline Munro and family in England, Greece, Georgia, Chicago, New York and finally Minnesota. Follow Sarah Bromage around the world, Sybil Swanson on her faith journey, and David Zander on his path to old age and retirement. Look for strong characters, complex plots, perfect descriptions, and scenes. Join us for a good read.
With more than 130 photos, this authoritative book has the straight scoop on the record-breaking achievements in every major sport. Want to know who did what, where, when, and how? More than just a book of statistics, these are the in-depth stories behind over 400 sports records, all told with the edge-of-your-seat excitement that brings you right into the action.
Customs and culture can gradually change our attitude and thoughts on vocabulary. What do people intend to communicate or what exactly is it they are feeling. As individuals we have achieved things in our lives for which we can be proud. Maybe it is a degree or a promotion at work. Possibly a sacrifice in our time or money that was a totally unselfish gift to the community. Whatever, each of us may have our own list of events or accomplishments for which we can be proud. Pride is a part of who we are or who we want to become. In today's culture saying that you are proud of someone or taking pride in their accomplishments is given as the highest form of praise. You are honored to have the opportunity or occasion to pass along your very highest compliments. The word originally meant a person was arrogant, haughty, capable of mocking God and creating a relationship with God that displeased him. So, which is it? Are we motivated to understand that the original definition has fallen into disuse and words and attitudes just presented more properly express what is really going on, how we really feel? Or is there something else at work here? Does it matter one way or the other? It all seems harmless. Is the bible only casually interested in pride and humility? In the pages to come there will be stories to tell, observations to make and lessons available to apply to our own lives. Hopefully, the stories will be entertaining, the observations will be insightful and enlightening and the lessons challenging. But more than entertaining the stories need to be accurate and truthful, and more than insightful they need to give us understanding and discernment. Welcome to a guide to understanding Wrongful Assumption of Position. W. David Ballew was born in Oklahoma City on July 5, 1944, the son of E. Ray Ballew and Faye Hadley. He married Sara Duncan on March 25, 1967, and together they have three children Mitchell, Meredith, and Sarah. They have eight grandchildren: Luke, Zander, Benjamin, Eli, Liam, Hadley, Piper and Scout. Dr. Ballew has had an extensive career as an electrical engineer in design, manufacturing, teaching, and consulting. He holds a B.S.E.E., M.S.E.E. and an earned doctorate all in electrical engineering. Prior to this book all other publications have been in the technical arena.
Walker Evans (1903-1975) is one of the most important photographers of the twentieth century and has influenced contemporary art beyond his medium until today. In 1938 the Museum of Modern Art in New York dedicated its first ever solo photography exhibition to Evans's work, and he has shaped America's image of itself particularly through his photographs of the Great Depression. The publication Walker Evans: Labor Anonymous is the first in-depth investigation into a series of the same name, which Evans published in Fortune magazine in 1946. On a Saturday afternoon in Detroit, Evans positioned himself with his Rolleiflex camera on the sidewalk and photographed pedestrians, mostly laborers, in his characteristically clear and unadorned way - an aesthetic he described as the "documentary style". As in his earlier series, e.g. in the famous Subway Portraits from the New York underground, his subjects were often unaware they were being photographed, but some of the pedestrians also looked straight into the camera. Representing much more than a simple typology, this photographic series does not offer a preconceived image of humankind or class, but - as foreshadowed in its ambiguous title - encourages critical reflection on such concepts. This publication anchors the series in Evans's oeuvre and presents a selection of more than fifty photographs from the series along with contact sheets, drafts for an unpublished text, notes, and letters from the Walker Evans Archive at the Metropolitan Museum of Art, New York"--
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