How do you tell the key of a piece—without looking at a score? How do you know when a musical work ended before an audience applauds or a radio announcer returns on air? Was there, in fact, a ‘breakdown of tonality’ in the nineteenth and twentieth centuries? These questions and others are the focus of David Wulstan’s Listen Again: A New History of Music. He also shows where the nuove musiche of the early Baroque era came from and what the two critical but unlinked chords in the middle of Bach’s Brandenburg Concerto No. III signify. Previous literature in music does not properly address these questions and innumerable others. In Listen Again, Wulstan illustrates how music from Bach to Bartók was far less "revolutionary" than customarily imagined and that the "inversionist" doctrine of Rameau and kindred acoustical misconceptions, courtesy of Heinrich Schenker and other analysts, solve fewer problems than their purveyor claim. In Listen Again, Wulstan takes to task early theorists, who were mostly clerics who ignored non-ecclesiastical music, and their modern equivalents, who consider only the blinding white of the written or printed score, whilst ignoring music as heard and interpreted by the ear and brain. Instead, Wulstan enquires into the musical activities of the common folk to addressing key issues that early and modern theorists have regularly overlooked. The book will appeal anyone who has dismissed "harmony," "theory" and the like as alien, in effect, to practical music. Readers will find in Listen Again that the true history of music has far more practical relevance for performers than the aridity of music theory coursework, demonstrating by example how this work a book about music, not, as in the case of so much theoretical work, a "book about books.
What is Gregorian chant, and where does it come from? What purpose does it serve, and how did it take on the form and features which make it instantly recognizable? Designed to guide students through this key topic, this book answers these questions and many more. David Hiley describes the church services in which chant is performed, takes the reader through the church year, explains what Latin texts were used, and, taking Worcester Cathedral as an example, describes the buildings in which it was sung. The history of chant is traced from its beginnings in the early centuries of Christianity, through the Middle Ages, the revisions in the sixteenth and seventeenth centuries, and the restoration in the nineteenth and twentieth. Using numerous music examples, the book shows how chants are made and how they were notated. An indispensable guide for all those interested in the fascinating world of Gregorian chant.
The History Of England From The Invasion Of Julius Cæsar To The End Of The Reign Of James The Second The History of England (1754–61) is David Hume's great work on the history of England, which he wrote in instalments while he was librarian to the Faculty of Advocates in Edinburgh. It was published in six volumes in 1754, 1756, 1759, and 1761. The first publication of his History was greeted with outrage by all political factions, but it became a best-seller, finally giving him the financial independence he had long sought. Both the British Library and the Cambridge University Library, as well as Hume's own library, still list him as "David Hume, the historian."Hume's History spanned "from the invasion of Julius Caesar to the Revolution of 1688" and went through over 100 editions. Many considered it the standard history of England in its day.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
The History of England, Volume 1" was penned in the 18th century by renowned philosopher and historian David Hume. It provides a thorough history of England's contributions to politics, culture, and the arts. His understanding of the past changed significantly as a result of the Enlightenment. Hume's viewpoint is based on reason, historical observation, and an understanding of the effect of human nature. In "The History of England, Vol. 1," Hume covers a wide range of fascinating subjects. The author talks about a lot of historical eras, like the Anglo-Saxons, the Normans, and the Plantagenets, as well as the Roman invasion. The work by Hume is accurate and thorough in its assessment of key historical personalities, events, and governmental systems. Because it is understandable to people of all reading abilities, offers intelligent criticism, and recounts history as it actually happened, his work is well-liked.
Far more than a dry hagiographical account of the lives of saints, this entertaining and authoritative dictionary breathes life into its subjects and is as browsable as it is informative. First published in 1978, the Oxford Dictionary of Saints offers more than 1,700 fascinating and informative entries covering the lives, cults, and artistic associations of saints from around the world, from the famous to the obscure, the rich to the poor, and the academic to the uneducated. From all walks of life and from all periods of history and from around the world, the wide varieties of personalities and achievements of the canonized are reflected. An updated introduction explains the steps towards becoming a saint, the processes of beatification and canonization. This revised fifth edition includes appendices containing five maps of pilgrimage sites, a list of saints' patronages and iconographical emblems, and a calendar of principal feasts, as well as a new appendix on pilgrimages.
Medieval bridges are startling achievements of civil engineering, which prove the importance of road transport and the sophistication of the medieval economy. The Bridges of Medieval England rewrites their history, offering new insights into many aspects of the subject. It has profound implications for our understanding of pre-industrial economy and society, challenging accepted accounts of the development of medieval trade and communications and showing continuities from the Anglo-Saxon period to the eve of the Industrial Revolution.
Wordsmiths and Warriors explores the heritage of English through the places in Britain that shaped it. It unites the warriors, whose invasions transformed the language, with the poets, scholars, reformers, and others who helped create its character. The book relates a real journey. David and Hilary Crystal drove thousands of miles to produce this fascinating combination of English-language history and travelogue, from locations in south-east Kent to the Scottish lowlands, and from south-west Wales to the East Anglian coast. David provides the descriptions and linguistic associations, Hilary the full-colour photographs. They include a guide for anyone wanting to follow in their footsteps but arrange the book to reflect the chronology of the language. This starts with the Anglo-Saxon arrivals in Kent and in the places that show the earliest evidence of English. It ends in London with the latest apps for grammar. In between are intimate encounters with the places associated with such writers as Chaucer, Shakespeare, and Wordsworth; the biblical Wycliffe and Tyndale; the dictionary compilers Cawdrey, Johnson, and Murray; dialect writers, elocutionists, and grammarians, and a host of other personalities. Among the book's many joys are the diverse places that allow warriors such as Byrhtnoth and King Alfred to share pages with wordsmiths like Robert Burns and Tim Bobbin, and the unexpected discoveries that enliven every stage of the authors' epic journey.
Cathedrals are awe-inspiring buildings. Most are grand medieval structures, while others appear simple and unpretentious – yet all were designed to reflect the glory of God and have a profound impact on us. As trailblazers of architectural development, each cathedral has distinct individual features – such as the powerful Norman Romanesque west towers of Durham, the unique octagonal tower at Ely, and the daring late Gothic finery and spaciousness at Gloucester. In this lavishly illustrated guide to cathedrals from Bangor to York, with profiles of Roman Catholic and Scottish cathedrals, David Pepin outlines the evolution of architectural style, each building's key features, and the ongoing story of daily worship, wide-ranging ministry, conservation, the new work of craftspeople, and the increasing numbers of pilgrims and visitors.
Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.
Today pollution-free transport is high on the political agenda yet it is sometimes forgotten that electric vehicles ran on the streets of London from the early 1900s until 1962. This book tells the story of that period and describes both the vehicles themselves and the effect they had on the development of the suburbs. Local historian David Berguer has endeavoured to paint a picture of what life was like in the capital during this golden age, travelling and working on the trams and trolleybuses, and includes material based on newspaper reports, council and official minutes and oral histories from those involved. With many previously unpublished photographs and detail on the vehicles and routes themselves, there is even a chapter on the colourful pirate buses which competed against trams in the 1920s.Full of local interest and insights into daily life on north London trams and trolleybuses, this celebration of the glory days of electric street traction in the suburbs of North London is bound to capture the imagination of both transport and local historians alike.
This book was originally published in 1940 and was quickly recognised as a scholarly classic and masterpiece of historical literature. It covers the period from about 940, when St Dunstan inaugurated the monastic reform by becoming abbot of Glastonbury, to the early thirteenth century.
David Hume or David Home was a Scottish philosopher, historian, economist, and essayist, who is best known today for his highly influential system of radical philosophical empiricism, skepticism, and naturalism.
This volume sheds light on the pride of the region - the great medieval churches of York Minster, the Minster and St Mary at Beverley, and Holy Trinity, Hull but also on less well known architectural pleasures of town and county. Outstanding Victorian village churches, including masterpieces by Street & Pearson, are as rewarding as the major country houses of Burton Agnes, Burton Constable and Sledmere. The countryside offes a wide range of monuments, from the beautifully sited ruins of Kirkham Priory to the spectacular Humber Bridge. Farmhouses and cottages of the Wolds, picturesque estate villages and chapels, and industrial structures are all brought into focus. A large section is devoted to York and includes a survey of the historic buildings of the city centre from the Roman period onwards. This is complemented by a detailed exploration of York's eighteenth and nineteenth-century suburbs. Equal care has been applied to the descriptions of Beverley, with its attractive townscape, and the port of Hull, where unexpected highlights include seventeenth-century merchant houses, Georgian almshouses, ornate Victorian pubs, and grand Edwardian public buildings.
As a distinctive and attractive musical repertory, the hundred-odd English carols of the fifteenth century have always had a ready audience. But some of the key viewpoints about them date back to the late 1920s, when Richard L. Greene first defined the poetic form; and little has been published about them since the burst of activity around 1950, when a new manuscript was found and when John Stevens published his still definitive edition of all the music, both giving rise to substantial publications by major scholars in both music and literature. This book offers a new survey of the repertory with a firmer focus on the form and its history. Fresh examination of the manuscripts and of the styles of the music they contain leads to new proposals about their dates, origins and purposes. Placing them in the context of the massive growth of scholarly research on other fifteenth-century music over the past fifty years gives rise to several fresh angles on the music.
The Scottish philosopher, historian and essayist David Hume is known especially for his philosophical empiricism and skepticism. Hume conceived philosophy as the inductive, experimental science of human nature, building on the epistemology of the English philosopher John Locke, which enabled him to explore how the mind acquires knowledge. This comprehensive eBook presents Hume’s complete works, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Hume’s life and works * Concise introductions to the novels and other texts * All the essays and treatises, with individual contents tables * Includes rare essays appearing for the first time in digital publishing * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Includes Hume’s letters * Features two biographies - discover Hume’s intriguing life * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Books A TREATISE OF HUMAN NATURE AN ABSTRACT OF A BOOK LATELY PUBLISHED ENTITLED A TREATISE OF HUMAN NATURE ETC. ESSAYS, MORAL, POLITICAL, AND LITERARY A LETTER FROM A GENTLEMAN TO HIS FRIEND IN EDINBURGH AN ENQUIRY CONCERNING HUMAN UNDERSTANDING A TRUE ACCOUNT OF THE BEHAVIOURS AND CONDUCT OF ARCHIBALD STEWART AN ENQUIRY CONCERNING THE PRINCIPLES OF MORALS LETTER TO THE AUTHOR OF THE DELINEATION OF THE NATURE AND OBLIGATION OF MORALITY SCOTTICISMS FOUR DISSERTATIONS THE HISTORY OF ENGLAND DIALOGUES CONCERNING NATURAL RELIGION The Autobiography MY OWN LIFE The Biographies LIFE AND CORRESPONDENCE OF DAVID HUME by John Hill Burton BRIEF BIOGRAPHY: DAVID HUME by John Malcolm Mitchell Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
Worcestershire is a county of contrasts, with one face turned to the modern buzz of Birmingham and the other turned towards the quiet rural landscape of the West Country. Its folk tales reflect this dichotomy, with some stories based in the fears and superstitions of village life, and others evolving from the strains and pressures of a new industrial reality. From battles of the Civil War to witchcraft trials, Worcestershire is steeped in history – and almost every village has some dark tale of magical events to tell. Ordinary folk from all walks of life mix with devils, ogres and ghosts. Even the holy community is not safe – vengeance, infidelity and murder loom large in the county’s religious history. Complemented by beautiful illustrations, Worcestershire Folk Tales is crammed with these myths, legends and mysterious yarns. David Phelps has worked as an oral storyteller since 2005, being much inspired by his grandmother’s tales of Worcestershire’s folklore. He is a member of both the Folklore Society and the Society for Storytelling, and is the author of Herefordshire Folk Tales and Haunted Hereford.
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