From life in the streets and love in the alleys to fame in the spotlight and an untimely death—raw, biting, and brilliant selections from the personal journals of one of the most uniquely creative artists of the late twentieth century When his life ended at age thirty-seven—a casualty of the AIDS epidemic that took so many before their time—David Wojnarowicz had long since established himself as one of America’s most vital artists and activists. In the Shadow of the American Dream is a stunning collection of riveting and revealing chapters from Wojnarowicz’s extensive personal diaries—thirty volumes’ worth of memories and lucid observations, some bitter, some sweet—that the author began writing when he was seventeen and continued until his death two decades later. Here is a brilliant chronicle of an artist’s emergence—a young man’s still achingly fresh memories of his unhappy adolescence and his glorious discovery of self. Wojnarowicz recalls his life on Manhattan’s Lower East Side with no shame or regret, and shares his hitchhiking journeys across the country. He talks of art and love and sex—embracing who he is fully and accepting his heartbreaking fate without pathos—while providing fascinating glimpses into the vibrant and colorful New York art scene and poignant views of life and death among the AIDS community. At once frightening and courageous, joyous and disturbing, enlightening and honest, In the Shadow of the American Dream is a treasured addition to the enduring literary legacy of David Wojnarowicz and a true testament to his unique brilliance.
From life in the streets and love in the alleys to fame in the spotlight and an untimely death—raw, biting, and brilliant selections from the personal journals of one of the most uniquely creative artists of the late twentieth century When his life ended at age thirty-seven—a casualty of the AIDS epidemic that took so many before their time—David Wojnarowicz had long since established himself as one of America’s most vital artists and activists. In the Shadow of the American Dream is a stunning collection of riveting and revealing chapters from Wojnarowicz’s extensive personal diaries—thirty volumes’ worth of memories and lucid observations, some bitter, some sweet—that the author began writing when he was seventeen and continued until his death two decades later. Here is a brilliant chronicle of an artist’s emergence—a young man’s still achingly fresh memories of his unhappy adolescence and his glorious discovery of self. Wojnarowicz recalls his life on Manhattan’s Lower East Side with no shame or regret, and shares his hitchhiking journeys across the country. He talks of art and love and sex—embracing who he is fully and accepting his heartbreaking fate without pathos—while providing fascinating glimpses into the vibrant and colorful New York art scene and poignant views of life and death among the AIDS community. At once frightening and courageous, joyous and disturbing, enlightening and honest, In the Shadow of the American Dream is a treasured addition to the enduring literary legacy of David Wojnarowicz and a true testament to his unique brilliance.
This scholarly work looks at the issue of politics and performance in America today with particular attention paid to performances produced by activists, the NEA Four, and "Miss Saigon".
This is that rare book which both informs and entertains. It is scholarly and sprightly - an unusual combination for any book, let alone one treating of the law. Lawyers and laymen alike can read it with profit and amusement. I hope many do, for it deserves a wide audience. The Honorable Arthur J. Goldberg (1908-1990), United States Supreme Court, The New York Herald Tribune A superb piece of writing, lucid, witty, meticulous in scholarship and unfailingly interesting. Robert R. Kirsch, Los Angeles Times We now have a full-scale study of our legal language that is written with an extraordinary awareness for vacuous words and phrases and an astounding amount of research into their history and usage.... This book has a practical value to every lawyer who drafts a document, a pleading, or even a letter. It is a great plea to bring the law up to date by awakening us to the empty verbalisms in which we think we are housing our thoughts.... It is a rare book that has value for all lawyers, despite the tendency of publishers and reviewers to make this claim with great frequency. Here, however, is a rarity. No lawyer could fail to learn many facts of surprising interest. But beyond this, 'The Language of the Law' presents a subtle challenge to the American Bar, a stimulus to improve our work and our profession by sharpening the product of our minds. If we meet this challenge head-on, we can perform a far more fundamental and genuine service to our clients, the public, and to ourselves than any other area of improvement, including court reform, can possibly offer. Ray D. Henson, American Bar Association Journal It should be compulsory reading for lawyers and judges; for a layman it is learning and entertainment of high order. The Honorable Matthew O. Tobriner (d. 1982), Associate Justice, Supreme Court of California, San Francisco Chronicle ...[B]rilliant and discursive treatise, concisely and urbanely presented,...a remarkable stimulus, recommended highly to the general reader as well as the wordy professional. Hugo Sonnenschein, Jr., Chicago Daily News
America the beautiful has become America the bizarre. REVISED AND EXPANDED EDITION! "A must-read if you really want to understand the world we live in and where it's headed." – SEAN HANNITY "David Kupelian's The Snapping of the American Mind chronicles the decline and fall of America and shows that it is no accident, but rather a direct result of progressive misrule?an eye-opening, scary and galvanizing book." – DINESH D'SOUZA "David Kupelian has once again given us a must-read in these times of political turbulence and cultural insanity." – PAUL KENGOR America the beautiful has become America the bizarre. Government promotes shockingly deranged policies while purposely turning citizens against each other, Christians are prosecuted as criminals, children "transition" to the opposite sex, crime skyrockets and 130 million Americans depend on mind-altering substances just to get through life. Turbocharged by the Obama presidency and continuing into the present day, long-coalescing forces of the political and cultural Left are bringing about their much-heralded "fundamental transformation of America." That much everyone knows. But this revolution is also causing a fundamental transformation of Americans in profoundly negative ways. In The Snapping of the American Mind, veteran journalist and bestselling author David Kupelian shows how the progressive Left which today dominates America's key institutions, from the news and entertainment media, to Big Tech, to education, to government itself is accomplishing much more than just enlarging government, redistributing wealth, and de-Christianizing the culture. With the Left's wild celebration of sexual anarchy, its intimidating culture of political correctness, and its incomprehension of the fundamental sacredness of human life, it is also, whether intentionally or not, promoting widespread dependency, debauchery, family breakdown, crime, corruption, addiction, despair, and suicide. Surveying this growing chaos in American society, Kupelian exposes both the utopian revolutionaries and their extraordinary methods that have turned America's most cherished values literally upside down to the point that madness is celebrated and normality demonized.
Before his death from AIDS in 1992, David Wojnarowicz became known in the 1980s as an outspoken AIDS activist, anticensorship advocate, artist, and writer. Written as short monologues, each of these powerful, early works of autobiographical fiction is spoken in the voice of a character he stumbles upon during travels throughout America.
A readerʼs guide is provided to assist readers in locating entries on related topics. It classifies entries into 14 general categories: Causes, Cities, Demography and Characteristics, Health issues, History, Housing, Legal issues, Advocacy and policy, Lifestyle issues, Organizations, Perceptions of homelessness, Populations, Research, Service systems and settings, World perspectives and issues.
David Kupelian, veteran journalist and bestselling author of The Marketing of Evil, probes the millennia-old questions of evil—what it is, how it works, and why it so routinely and effortlessly ruins our lives—once again demonstrating his uncanny knack for demystifying complex, elusive, and intimidating subjects with fresh insights into the hidden mechanisms of seduction, corruption, religion, and power politics. Analyzing today’s most electrifying news stories and hot-button topics, Kupelian explores such profoundly troubling questions as Why are big lies more believable than little ones? How does terrorism really work? Why do so many celebrities who “have it all” end up self-destructing? Why are boys doing worse in school today than girls? Why do we treat the problems of anger and depression with drugs? . . . and much more. Fortunately, once we really understand “how evil works”—both in our own lives and in the world at large—evil loses much of its power and the way out becomes more clear.
Playwright and actor David Greenspan has been a leading figure in Manhattan's downtown performance scene for over twenty years. His numerous accolades include a Guggenheim fellowship and four Obie Awards for his acting and writing, and most recently a fifth Obie for Sustained Achievement. Tony Kushner once declared Greenspan "probably all-around the most talented theater artist of my generation," and the New York Times has called his performances "irresistible." The Myopia and Other Playsbrings together five of Greenspan's most important works, accompanied by a critical introduction and new interview with the playwright. Greenspan's work---often semiautobiographical, always psychologically intense---deals with issues of memory, family, doubt, and sexuality. The plays in this collection take particular interest in the motivations for erotic and aesthetic expression, forces inextricably linked in Greenspan's world. Critic and scholar Marc Robinson's informative introduction and lively interview with Greenspan further increase the collection's appeal to lovers of inventive playwriting, as well as students and scholars in the fields of Performance Studies, English, American Studies, and LGBT Studies.
The meanings of "a hustler" or "a hustle" can be interpreted in many ways, but in gay urban society, the norm is young men providing sexual services to "customers" in exchange for money or other kinds of compensation such as gifts or intoxicants to their "boys." While it's easy for many to dismiss such individuals as scum of the streets (as with female prostitutes), hustlers often come from troubled backgrounds, and it's crucial that we not dehumanize them. As dartboards for the ills of contemporary society (poverty, racism/sexism, homophobia/transphobia, sexual/substance/physical abuse, mental illness, HIV/STDs, etc), young men and women that turn to the streets, alleys, cheap hotels and the Internet for survival are reflections and manifestations of a greater societal collapse. In the pages of Hustler Rave XXX, Latino poets David Caleb Acevedo and Charlie Vázquez present portrait character studies of very human urban hustlers that seek to answer our strange sense of fascination with these young men.
This book discusses three notable black queer twentieth century artists and how they turned to various media to work through their experiences living as queer black men.
This is a book about reading, drawing, and getting better--and what they have to do with one another. The British essayist, artist, and psychoanalyst Marion Milner (1900-1996) thought deeply about how reading, drawing, and getting better related to each other. The guiding question of Milner's life was of how people come to feel alive in, and feel creatively responsive to, their own lives. In pursuit of this, Milner explored fields as diverse as anthropology, folklore, education, literature, art, philosophy, mysticism, and psychology. She became one of the twentieth century's most extraordinary thinkers about creativity. David Russell shows that there is no writer quite like Milner and the rewards of reading her are immense. Key to all her writing is her search for creative practices of attention--of how we pay attention in the life we have. She helped to develop a kind of psychoanalysis in Britain that focussed on the ways people relate to their own lives and the lives of others. Milner was literary and artistic; she took herself as her subject. Her writing performs ways of responding associatively to the words and images she encountered. In the process, she found she was a quite different person than she had first thought. In the 1930s Milner invented a form for writing about reading: an original kind of diary book, which is structured by the experience of going back to, and rereading, past diaries. In her interplay of past and present selves, she finds new ways of looking at, and experiencing, the world.
The social practice of tact was an invention of the nineteenth century, a period when Britain was witnessing unprecedented urbanization, industrialization, and population growth. In an era when more and more people lived more closely than ever before with people they knew less and less about, tact was a new mode of feeling one’s way with others in complex modern conditions. In this book, David Russell traces how the essay genre came to exemplify this sensuous new ethic and aesthetic. Russell argues that the essay form provided the resources for the performance of tact in this period and analyzes its techniques in the writings of Charles Lamb, John Stuart Mill, Matthew Arnold, George Eliot, and Walter Pater. He shows how their essays offer grounds for a claim about the relationship among art, education, and human freedom—an “aesthetic liberalism”—not encompassed by traditional political philosophy or in literary criticism. For these writers, tact is not about codes of politeness but about making an art of ordinary encounters with people and objects and evoking the fullest potential in each new encounter. Russell demonstrates how their essays serve as a model for a critical handling of the world that is open to surprises, and from which egalitarian demands for new relationships are made. Offering fresh approaches to thinking about criticism, sociability, politics, and art, Tact concludes by following a legacy of essayistic tact to the practice of British psychoanalysts like D. W. Winnicott and Marion Milner.
With new surges of activity from religious, political, and military extremists, the destruction of images has become increasingly relevant on a global scale. A founder of the study of early modern and contemporary iconoclasm, David Freedberg has addressed this topic for five decades. His work has brought this subject to a central place in art history, critical to the understanding not only of art but of all images in society. This volume collects the most significant of Freedberg’s texts on iconoclasm and censorship, bringing five key works back into print alongside new assessments of contemporary iconoclasm in places ranging from the Near and Middle East to the United States, as well as a fresh survey of the entire subject. The writings in this compact volume explore the dynamics and history of iconoclasm, from the furious battles over images in the Reformation to government repression in modern South Africa, the American culture wars of the early 1990s, and today’s cancel culture. Freedberg combines fresh thinking with deep expertise to address the renewed significance of iconoclasm, its ideologies, and its impact. This volume also provides a supplement to Freedberg’s essay on idolatry and iconoclasm from his pathbreaking book, The Power of Images. Freedberg’s writings are of foundational importance to this discussion, and this volume will be a welcome resource for historians, museum professionals, international law specialists, preservationists, and students.
One of Entertainment Weekly's Top 10 Nonfiction Books of the Decade A definitive history of the successful battle to halt the AIDS epidemic, here is the incredible story of the grassroots activists whose work turned HIV from a mostly fatal infection to a manageable disease. Almost universally ignored, these men and women learned to become their own researchers, lobbyists, and drug smugglers, established their own newspapers and research journals, and went on to force reform in the nation’s disease-fighting agencies. From the creator of, and inspired by, the seminal documentary of the same name, How to Survive a Plague is an unparalleled insider’s account of a pivotal moment in the history of American civil rights.
The idea of public support for the arts is being challenged. Multiculturalism has been proposed as a worthy and necessary goal of public arts policy; whether or not it should be is explored for the first time in this book. Issues of cultural pluralism, the relations of art and culture, justice and affirmative action, and artistic value are presented as essential points of debate in making decisions concerning public support of the arts. This book will be of interest to professionals and teachers in the arts, public policy, arts management, and education. Its focus on multiculturalism and its analysis of basic concepts related to timely issues of public arts policy make it a unique contribution.
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