Killing Times begins with the deceptively simple observation—made by Jacques Derrida in his seminars on the topic—that the death penalty mechanically interrupts mortal time by preempting the typical mortal experience of not knowing at what precise moment we will die. Through a broader examination of what constitutes mortal temporality, David Wills proposes that the so-called machinery of death summoned by the death penalty works by exploiting, or perverting, the machinery of time that is already attached to human existence. Time, Wills argues, functions for us in general as a prosthetic technology, but the application of the death penalty represents a new level of prosthetic intervention into what constitutes the human. Killing Times traces the logic of the death penalty across a range of sites. Starting with the legal cases whereby American courts have struggled to articulate what methods of execution constitute “cruel and unusual punishment,” Wills goes on to show the ways that technologies of death have themselves evolved in conjunction with ideas of cruelty and instantaneity, from the development of the guillotine and the trap door for hanging, through the firing squad and the electric chair, through today’s controversies surrounding lethal injection. Responding to the legal system’s repeated recourse to storytelling—prosecutors’ and politicians’ endless recounting of the horrors of crimes—Wills gives a careful eye to the narrative, even fictive spaces that surround crime and punishment. Many of the controversies surrounding capital punishment, Wills argues, revolve around the complex temporality of the death penalty: how its instant works in conjunction with forms of suspension, or extension of time; how its seeming correlation between egregious crime and painless execution is complicated by a number of different discourses. By pinpointing the temporal technology that marks the death penalty, Wills is able to show capital punishment’s expansive reach, tracing the ways it has come to govern not only executions within the judicial system, but also the opposed but linked categories of the suicide bombing and drone warfare. In discussing the temporal technology of death, Wills elaborates the workings both of the terrorist who produces a simultaneity of crime and “punishment” that bypasses judicial process, and of the security state, in whose remote-control killings the time-space coordinates of “justice” are compressed and at the same time disappear into the black hole of secrecy. Grounded in a deep ethical and political commitment to death penalty abolition, Wills’s engaging and powerfully argued book pushes the question of capital punishment beyond the confines of legal argument to show how the technology of capital punishment defines and appropriates the instant of death and reconfigures the whole of human mortality.
An overview of the era and showcases the It girls and designers who defined the decade, with lavishly illustrated profiles of Jane Birkin, Jean Shrimpton, Catherine Deneuve, Mary Quant, Sharon Tate, and many more.Sixties counter-culture led to a revolution in fashion so profound that its contemporary influence remains unparalleled. For the first time in history women dominated the zeitgeist; never before has this monumental time in fashion been so richly documented. Switched On provides an overview of the era and showcases the 'It girls' and designers who defined the decade.250 iconic photos are accompanied by lavishly illustrated profiles of Jane Birkin, Jean Shrimpton, Catherine Deneuve, Mary Quant, Sharon Tate, Twiggy, and many more.Contributing photographers include Bert Stern, Milton Greene, Horst P. Horst, Terry O'Neill, Franco Rubartelli, David Hurn, Pierluigi Praturlon, Gianni Penati, Bud Fraker, David Montgomery, Patrick Lichfield, Henry Clarke, Arnaud de Rosnay, Slim Aarons, Arthur Evans, Jean-Marie Perier, Mark Shaw.
An evocative, glamorous look at the golden years of Las Vegas, captured in more than 125 lush color and black-and-white photographs. "I love that town. No clocks. No locks. No restrictions."--Marlene Dietrich The playground in the desert built by the mob and transformed by Howard Hughes, the "fabulous, extraordinary madhouse," that is Las Vegas, Nevada, has long been regarded as the Entertainment Capital of the World. During the post-war boom years, no place was as fascinating as Vegas. Distinguished by millions of colorful neon lights, the sounds of rhumba music, and the clink of silver dollars, Vegas was a recreational colony for Hollywood's most glamorous and a dream destination for thousands of ordinary Americans. Vegas Gold vividly showcases the glitz, glamour, and charm of Sin City's golden years, from the 1950s to the 1980s. An adoring ode to this ultimate adult playground, it celebrates the best of old Las Vegas--the Sands Hotel, the Stardust, Fremont Street, the Golden Nugget, the Riviera Hotel, the Desert Inn, and the Horseshoe--and its legendary headliners, including Frank Sinatra, Marlene Dietrich, Elvis Presley, Liberace, Ann-Margret, Sammy Davis Jr., Eartha Kitt, Noel Coward, and of course, the gorgeous Vegas showgirls. Framed by quotes and short essays that profile the marquee names that made Las Vegas the ultimate destination, the legendary years of this magical city live on in all their glory in Vegas Gold.
Prosthesis is an experiment in critical writing that both analyzes and performs certain questions about the body as an "artificial" construction. The book deals with the mechanical (e.g., a mechanical prosthesis like a father's artificial leg) in that most humanistic of discourses, the artistic - in order to demonstrate to what extent a supposedly natural creation relies on artificial devices of various kinds. It is distinguished from a thematics of the prosthetic in literature by its complex articulation with accounts of the amputee father's discomfort, slipping back and forth between an apparently constative and a more obviously performative mode, in and out of fiction and autobiography. Cutting across the terrains occupied traditionally by the history of medicine, film studies, art history, philosophy, psychoanalysis, literary theory, and fiction, it finds an artistic or cultural pretext for each of its expositions - a line from Virgil, a painting by Conder, a theory by Freud, a film by Greenaway, a text by Derrida, novels by Roussel or Gibson, a sixteenth-century rhetoric - that connects thematically or theoretically with the question of prosthesis.
In this highly original book David Wills rethinks not only our nature before all technology but also what we understand to be technology. Rather than considering the human being as something natural that then develops technology, Wills argues, we should instead imagine an originary imbrication of nature and machine that begins with a dorsal turn-a turn that takes place behind our back, outside our field of vision. With subtle and insightful readings, Wills pursues this sense of what lies behind our idea of the human by rescuing Heidegger’s thinking from a reductionist dismissal of technology, examining different angles on Lvinas’s face-to-face relation, and tracing a politics of friendship and sexuality in Derrida and Sade. He also analyzes versions of exile in Joyce’s rewriting of Homer and Broch’s rewriting of Virgil and discusses how Freud and Rimbaud exemplify the rhetoric of soil and blood that underlies every attempt to draw lines between nations and discriminate between peoples. In closing, Wills demonstrates the political force of rhetoric in a sophisticated analysis of Nietzsche’s oft-quoted declaration that “God is dead.” Forward motion, Wills ultimately reveals, is an ideology through which we have favored the front-what can be seen-over the aspects of the human and technology that lie behind the back and in the spine-what can be sensed otherwise-and shows that this preference has had profound environmental, political, sexual, and ethical consequences. David Wills is professor of French and English at the University of Albany (SUNY). He is the author of Prosthesis and Matchbook: Essays in Deconstruction as well as the translator of works by Jacques Derrida, including The Gift of Death.
Matchbook consists of nine essays written around, or in response to, work published by Jacques Derrida since 1980. The focal point of the essays is the "Envois," which forms part of Derrida's Post Card. Particular attention is paid to how that text articulates with the ethical and political emphases of Derrida's more recent work, but also to its autobiographical conceit. The "incendiary" reference of the book's title underscores deconstruction's engagement with questions of reading: relations between (slow) reading and the speed of technology, and the political effects of an internationalized deconstruction in a globalized culture. It is in terms of what deconstruction can have us think about the speed of technology and technologies of reading that Derrida's work has made one of its most important contributions to philosophy and literary and cultural studies. The book concentrates on that as proof of the continued relevance of such work.
Wills, Trusts, and Estates: The Essentials (“Essentials”) offers a sleek and slender presentation of wealth transfer law for an introductory law school course. Written by widely recognized scholars in the field, this text comprehensively yet concisely covers the core legal principles that are tested on the bar exam and essential to a trusts and estates practice. For a fresh perspective, Essentials incorporates current events, lively cases, and engaging examples. It also enables students to maximize out-of-class preparation time by delivering information efficiently in a streamlined and straightforward way. Each chapter contains: (1) clearly explained summaries of each doctrine, (2) explanatory narration accompanying all relevant statutory authority, (3) thoroughly edited judicial opinions followed by analytical questions and answers, and (4) realistic problem sets designed for classroom instruction that illustrate and apply each concept. New to the Second Edition: Additional core topics, including: federal constitutional law and racial discrimination in testamentary gifts; survival and wrongful death actions; forgery; tortious interference with an inheritance expectancy; electronic and do-it-yourself wills; tax apportionment clauses; waiver of spousal elective share by agreement; revocation of insurance beneficiary designations; directed trusts; and the Tax Cuts and Jobs Act of 2017. New cases, including recent decisions by the United States Supreme Court, and new statutes, including uniform acts on electronic wills and directed trusts. New selection of meaningful secondary sources, including relevant empirical scholarship drawn from our own research and other prominent scholars. Professors and students will benefit from: A text that makes a challenging course accessible, lively, and interactive. It is concise yet comprehensive, and adaptable for two, three, and four credit courses. An emphasis on the development of problem-solving skills by presenting problem sets that allow students to apply newly learned legal doctrine in realistic scenarios, mostly based on litigated cases. Many problem sets are as detail-rich as the cases, which facilitates in-depth discussion of doctrinal nuance. Legal doctrine explained up front and in plain English. According to student feedback, the inclusion of plain English doctrinal summaries often obviates the need for students to purchase a study supplement. For professors, this format provides a baseline on which to build a livelier and sophisticated classroom discussion of the cases and problem sets. The questions and answers following the judicial decisions that encourage student self-assessment. Accompanying family tree diagrams in the textbook (and on the PowerPoint teaching slides) in addition to most judicial opinions, thereby allowing students to quickly ascertain the facts of each case and focus on the application of law.
Inanimation is the third book by author David Wills to analyze the technology of the human. In Prosthesis, Wills traced our human attachment to external objects back to a necessity within the body itself. In Dorsality, he explored how technology is understood to function behind or before the human. Inanimation proceeds by taking literally the idea of inanimate or inorganic forms of life. Starting from a seemingly naïve question about what it means to say texts “live on” or have a “life of their own,” Inanimation develops a new theory of the inanimate. Inanimation offers a fresh account of what life is and the ethical and political consequences that follow from this conception. Inspired by Walter Benjamin’s observation that “the idea of life and afterlife in works of art should be regarded with an entirely unmetaphorical objectivity,” the book challenges the coherence and limitations of “what lives,” arguing that there is no clear opposition between a live animate and dead inanimate. Wills identifies three major forms of inorganic life: autobiography, translation, and resonance. Informed by Jacques Derrida and Gilles Deleuze, he explores these forms through wide-ranging case studies. He brings his panoptic vision to bear on thinkers (Descartes, Freud, Derrida, Benjamin, Carl Schmitt, Jean-Luc Nancy, Roland Barthes), writers and poets (Hélène Cixous, Paul Celan, William Carlos Williams, Ernst Jünger, James Joyce, Georges Bataille), and visual artists (Jean-François Millet, Jean-Luc Godard, Paul Klee). With panache and gusto, Wills discovers life-forms well beyond textual remainders and translations, in such disparate “places” as the act of thinking, the death drive, poetic blank space, recorded bird songs, the technology of warfare, and the heart stopped by love.
A stunning photographic compilation showcasing Audrey Hepburn’s iconic career in the 1950s—the decade that solidified her place as one of the world’s greatest stars in film and fashion. Devoted to her most influential decade, Audrey: The 50s brings together in one volume the allure and elegance that made Audrey Hepburn the most iconic figure in modern fashion history. Photographed during the early days of her career, both on the sets of Roman Holiday, Sabrina, Funny Face, and other classic films, and in fashion photo shoots by top photographers who adored and immortalized her, these beautiful black-and-white and color images radiate with Audrey’s waifish charm, ethereal beauty, and effortless style. Renowned author, curator and photographic preservationist David Wills has carefully selected this collection of two hundred museum-quality photos that capture Audrey in her prime as never before. Audrey: The 50s displays this star at her brightest, and brings her legacy into perfect focus. Among the highlights: Rare and classic images digitally restored from vintage photographic prints, original studio negatives and transparencies. Never-before-seen publicity photos, scene stills and work shots from the sets of Roman Holiday, Sabrina, Funny Face, Love in the Afternoon, and The Nun’s Story. Previously unpublished "posed candids" of Audrey at home. Beautifully restored advertisements, fan magazine layouts, international film posters and lobby cards. Quotes from photographers, directors, and costars, including William Holden, Gregory Peck, Fred Astaire, Billy Wilder, King Vidor, William Wyler, Edith Head, Hubert de Givenchy, Richard Avedon, Cecil Beaton, and Audrey herself.
During the last century, writers as diverse as William Golding, Henry Miller, Lawrence Durrell, Evelyn Waugh, Virginia Woolf, and Laurie Lee, were captivated by Greece. They were joined in their production of travel accounts by hundreds of lesser-known authors. This book exposes how the responses of travellers were conditioned by much more than their own opinions and personalities. The British education system, classical scholarship, and the heroism demonstrated by the Greeks during the Nazi invasion of their country, all contributed to shaping travel narratives. The author analyses the way in which all of the major archaeological sites were described—including the Athenian Acropolis, Delphi, Olympia, Heinrich Schliemann’s Mycenae, and Sir Arthur Evans’ Knossos in Crete. The representation of the modern Greek people, particularly in the period after the Second World War, is also explored at length. Viewed as relics of the past, the Greeks in literature were given the qualities and appearance of their ancestors. David Wills shows how in the hands of twentieth century travel writers, Greece became less a modern country, and more a mirror of antiquity. This book is essential reading for all who are interested in the history of travel and tourism, reception of the classical past, and recent Greek history.
Marco is a bitter and frustrated loner, convinced of his untapped potential. He begins to document what he hopes will be looked on in later years as the memoirs of a self conquering, meteoric rise to unspecified fame and renown. However, through an act of immediate redemption, he comes to be involved with the distressing life of an elderly man from his estate. These unfortunate circumstances are contrasted by the beginning of a relationship, which had brought a new lease of happiness into his usual dreary existence. As events unfold, Marco tries to keep both situations from disaster.
The author of the acclaimed photo compilations Vegas Gold, Hollywood in Kodachrome, Marilyn Monroe: Metamorphosis, and Audrey: The 60s, now presents a glamorous and nostalgic celebration of summer at the beach, captured in 150 stunning vintage photographs featuring beloved female celebrities, models, and starlets from the 1930s through the 1970s. Renowned independent curator and photographic preservationist David Wills commemorates the allure and joy of the sun, the sand, the ocean, and the fashions of endless summer with this sizzling collection. Hollywood Beach Beauties includes more than one-hundred vibrant color images of some of Hollywood’s most timeless stars lounging and playing at one of the most iconic settings: the beach. Hollywood Beach Beauties highlights the sexy, carefree attitude of the summer, the elegant seaside couture, and the enchanting and alluring beauty of the female form. Included here are candid and stylish photographs featuring stars of yesterday such as Elizabeth Taylor, Rita Hayworth, Audrey Hepburn, Marilyn Monroe, Brigitte Bardot, Sharon Tate, Raquel Welch, Sophia Loren, Dorothy Dandridge, and Nancy Sinatra. A treasure trove for classic movie mavens, vintage photography enthusiasts, and pop culture aficionados, this stunning theme-driven compendium taps into nostalgia for the joys of summer and captures the dazzling beauty of the seaside and some of the most stylish stars of the big screen in a fresh, unique, and captivating way.
It won't happen to me. I'm too busy to worry about a living will. My family will know what to do. No one wants to plan for death or incapacitating illness. But, as the emotional legal battle in the Terri Schiavo case made all too clear, people of all ages need to document and communicate clear decisions about the final details of their lives while they are healthy and have time to fully consider their own values and preferences. Here, Drs. David Doukas and William Reichel help individuals make decisions and communicate their wishes to health care providers and family members and other loved ones. Drs. Doukas and Reichel use a question-and-answer format to guide readers through the process—emphasizing the crucial connection between values and treatment preferences. They explain advance directives and the health care decision-making process, including the values history, family covenants, proxies, and proxy negation. The appendix includes resources and Web links for learning about advance directive requirements and obtaining legal forms in all fifty states. This practical guide helps people navigate the important but often intimidating process of thinking about, and planning for, an uncertain future.
The events of September 11, 2001 brought terrorism to the forefront, but Al-Qaeda is not the first group to try using political violence against the United States to make Washington change its policies. In the 1980s terrorism was rampant; from Latin America to Europe and the Middle East, a host of groups demanded changes in American foreign policy and were willing to bomb, assassinate, kidnap, and hijack to pressure the government to act. The First War on Terrorism examines the response of the Reagan Administration to the political violence it confronted during the 1980s. David Wills takes the reader inside the negotiations over how to respond to terrorist acts and shows how the Reagan Administration's decision making process was a crucial obstacle to formulating a consistent and effective terrorism policy. Compelling and enlightening, The First War on Terrorism serves as a powerful guide to what should be emulated, and avoided, from America's previous battles with shady foes.
Brighouse has been designed to help practitioners draft wills in clear succinct English. It supplies precedents covering the full range of situations met in daily practice helping practitioners create reliable sophisticated documents. Both full precedent documents are supplied and a range of alternative and supplementary precedent clauses for inclusion and building up into a will document. The work has been fully updated to reflect recent legislation, including the Civil Partnership Act 2004, the Gender Recognition Act 2004, the Mental Capacity Act 2005 and the Finance Act 2006. It also reflects further developments in respect of the pre-owned assets regime, stamp duty land tax, and other changes resulting from the trust modernisation project. It supplies practical drafting advice alongside clear precedents and provides both general and specific wills in plain modern English. All the precedents can easily be adapted to suit various situations.
Originally published in 1941 and written in an attempt to dispute the popular assumption at the time that a ‘bit of discipline’ is what is needed for the correction of young men who show delinquent tendencies, this book is much more than that. Basically an account of a kind of voluntary Borstal Institution of which the author was head from 1936 to 1940, its interest on reissue in 1967 lay in the fact that it contained the germinal ideas of most of the day’s newest methods in penal treatment, not just as ideas, but in practice. Here is the therapeutic community in embryo, here are the beginnings of group therapy, of inmate participation in treatment, of therapy through relationships. None of them are mentioned by name – the names had not been invented; but anyone who wanted to understand the trends in the treatment of delinquent and maladjusted people at the time would find it all here in simple untechnical English. The book is also an account of an enthralling experience, exciting and interesting in itself, apart from any social significance. Just before the camp started, Alec Paterson said to David Wills, ‘Do you really think you can run a place of this kind without the use of punishment?’ Wills said he didn’t know, but looked forward to trying. Readers of this book may judge for themselves how far he succeeded. A particularly interesting feature of this edition is the account of the subsequent lives of the many boys who were at Hawkspur.
This Trusts and Estates casebook provides the fundamentals in an accessible and straightforward manner. Designed with particular attention toward new professors and those looking for a shorter book that covers all the crucial aspects of trusts and estates practice"--
Peter Brunette and David Wills extend the work of Jacques Derrida into a new realm--with rewarding consequences. Although Derrida has never addressed film theory directly in his writings, Brunette and Wills argue that the ideas he has developed in his critique of the logocentric foundations of Western thought, especially his notion of "Writing," can be usefully applied to film theory and analysis. They maintain that such an application might even begin to shift film from its traditional position within the visual arts to a new place in the media and information sciences. This book also supplies a fascinating introduction to Derrida for the general reader. The authors begin by explaining, in political terms, why film theorists have neglected Derrida's work. Next they offer a Derridean critique of the assumptions of contemporary film studies. Then, drawing on his recently translated The Truth in Painting as well as on other, relatively unknown texts such as Droit de regards, they discuss his ideas in relation to the cinema and present two film analyses--of Truffaut's The Bride Wore Black and of Lynch's Blue Velvet--that attempt to demonstrate the notion of an "anagrammatical," radical reading practice. Finally, they focus on Derrida's neglected book, The Post Card, and situate cinema in terms of a new definition of the technological. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
There have been many Marilyn Monroe photo books—but nothing like this. Curator and photographic preservationist David Wills has amassed one of the world's largest independent archives of original Marilyn Monroe photographs. Now, in Marilyn Monroe: Metamorphosis, he has gathered spectacular, museum-quality work from Marilyn's key photographers—Richard Avedon, George Barris, Cecil Beaton, Bernard of Hollywood, Andre de Dienes, Elliott Erwitt, Milton Greene, Philippe Halsman, Tom Kelley, Douglas Kirkland, Willy Rizzo, Sam Shaw, and many others—to create this dazzling portfolio of images from every period of Marilyn Monroe's adult life, from her wedding day in 1942 till just weeks before her death two decades later. Marilyn Monroe: Metamorphosis pays homage to her continually evolving style and extraordinary beauty. Among the highlights: Previously unseen Kodachrome, dye transfer, and Carbro prints of Norma Jeane from her modeling career. Classic portraits and pinups in luscious full color, digitally restored from the original transparencies. Never-before-seen photos from the sets of The Seven Year Itch, Some Like It Hot, The Misfits, and Something's Got to Give. Rare candid of Marilyn with Marlon Brando, Clark Gable, Humphrey Bogart, Lauren Bacall, Ronald and Nancy Reagan, Queen Elizabeth II, Joe DiMaggio, Arthur Miller, and others. Previously unpublished photos by Richard Avedon, George Barris, Cecil Beaton, David Conover, Elliott Erwitt, John Florea, Tom Kelley, Richard C. Miller, Frank Powolny, Willy Rizzo, Zinn Arthur, and many others. Pairing more than two hundred first-generation photos with reflections on Marilyn from her friends, work associates, and admirers—and including her last interview, in which she reflects on her life and fame—Marilyn Monroe: Metamorphosiss is an unforgettable showcase of the actress's transformation from an unknown factory worker to one of the most recognized faces in history.
The late David Wills spent a lifetime in the service of the so-called delinquent, the misfit, the maladjusted. He was the first Englishman to train as a psychiatric social worker and was well known for his books The Hawkspur Experiment, The Barns Experiment, etc. Originally published in 1970, this book describes another experiment with a hostel for boys leaving schools for maladjusted children and lacking any settled home from which to enter the community. It demonstrates once again David Wills’s conviction that the offender wants to be ‘good’ and will be helped by affection rather than by punishment. Yet it is obvious that the work was full of stress and that only people with some of the attributes of archangels could respond to the boys’ needs and remain in control of the situation. The book demonstrates the extent of deprivation suffered by such young people and that no ordinary hostels or lodgings will do if they are to be set upon a less turbulent course of life, leading to truly adult independence. It added greatly to our understanding of the personalities, experience of life and needs of maladjusted boys in their ‘teens at the time, although the lessons drawn from it were disturbing in relation both to prevention and treatment. The penetration of David Wills’s assessment is beyond doubt and (as Dame Eileen Younghusband concludes in her Foreword) his book will give a great deal to those ‘trying in various capacities to help boys and girls who otherwise would grow into adulthood permanently handicapped emotionally and socially’. This book is a re-issue originally published in 1970. The language used is a reflection of its era and no offence is meant by the Publishers to any reader by this re-publication.
The third edition of this work has been updated to take into account the most significant cases and legislation, including the Law Reform (Succession) Act 1995 and the implication of the Finance Act 1996. The precedents have been extended to reflect changing needs, and the material on tax planning has been extended to asssist the practitioner. In addition, the concept of the living will is examined.
Many of you, regardless of your feelings on the matter, will eventually be appointed as executor of your parents’, spouse’s, or another’s estate. Just calling an attorney isn’t enough. Settling a decedent’s estate may require the combined expertise of accountants, appraisers, auctioneers, realtors, bankers, brokers, insurance companies, a myriad of bureaucrats, and, yes, even lawyers. Where do you start? How do you empty a house crammed with a lifetime’s worth of knick-knacks, bad art, and unopened mail? How do you deal with long-lost relatives who think you’re taking too long or charging too much? And how do you oversee those professionals who know so much more than you about the process? The Essential Executor’s Handbook not only explains the steps involved in settling an estate, but it shows you how to get all these professionals to do the work for you. You will learn everything you need to know about the basic laws and procedures involved; all the legal definitions you could possibly want; and why each professional is necessary, what they do, what they charge, and where to find them. No matter how little you know about law, accounting, and the rest, The Essential Executor’s Handbook will lead you by the hand through the settlement process.
Originally published in 1945, this is a concise account of the remarkable experiment with boys carried out by the author of The Hawkspur Experiment. The war put this latter experiment into abeyance, but gave its author an opportunity to practice his principles on a group of younger difficult boys. Aged from eight to fourteen, these boys were the "throw-outs" of the Evacuation Scheme, but before the Barns experiment had been long in operation troublesome boys were being evacuated not primarily to escape bombs, but in order that they might have the treatment that Barns provided. Barns was a Hostel-school initiated by the Society of Friends, where lawless boys made their own laws, and where the principle instrument in their reformation was not punishment but affection. So successful were the unconventional methods here described that sceptics were convinced, and Barns has now achieved a permanent place in the field of "the therapy of the dis-social." Today it would be described as a therapeutic community and is one of the earliest experiments of its kind that raised awareness and paved the way for further research in this area.
Wills, Trusts, and Estates: The Essentials (“Essentials”) offers a sleek and slender presentation of wealth transfer law for an introductory law school course. Written by widely recognized scholars in the field, this text comprehensively yet concisely covers the core legal principles that are tested on the bar exam and essential to a trusts and estates practice. For a fresh perspective, Essentials incorporates current events, lively cases, and engaging examples. It also enables students to maximize out-of-class preparation time by delivering information efficiently in a streamlined and straightforward way. Each chapter contains: (1) clearly explained summaries of each doctrine, (2) explanatory narration accompanying all relevant statutory authority, (3) thoroughly edited judicial opinions followed by analytical questions and answers, and (4) realistic problem sets designed for classroom instruction that illustrate and apply each concept. New to the Second Edition: Additional core topics, including: federal constitutional law and racial discrimination in testamentary gifts; survival and wrongful death actions; forgery; tortious interference with an inheritance expectancy; electronic and do-it-yourself wills; tax apportionment clauses; waiver of spousal elective share by agreement; revocation of insurance beneficiary designations; directed trusts; and the Tax Cuts and Jobs Act of 2017. New cases, including recent decisions by the United States Supreme Court, and new statutes, including uniform acts on electronic wills and directed trusts. New selection of meaningful secondary sources, including relevant empirical scholarship drawn from our own research and other prominent scholars. Professors and students will benefit from: A text that makes a challenging course accessible, lively, and interactive. It is concise yet comprehensive, and adaptable for two, three, and four credit courses. An emphasis on the development of problem-solving skills by presenting problem sets that allow students to apply newly learned legal doctrine in realistic scenarios, mostly based on litigated cases. Many problem sets are as detail-rich as the cases, which facilitates in-depth discussion of doctrinal nuance. Legal doctrine explained up front and in plain English. According to student feedback, the inclusion of plain English doctrinal summaries often obviates the need for students to purchase a study supplement. For professors, this format provides a baseline on which to build a livelier and sophisticated classroom discussion of the cases and problem sets. The questions and answers following the judicial decisions that encourage student self-assessment. Accompanying family tree diagrams in the textbook (and on the PowerPoint teaching slides) in addition to most judicial opinions, thereby allowing students to quickly ascertain the facts of each case and focus on the application of law.
Readers say it best: "This book covers all aspects of estate settlement in a complete and thorough manner.", "The book is written in easy-to-understand terms, with lots of good practical advice.", "I actually bought it to place in my file cabinet along with my Trust documents, Living Will and other documents", "We liked it so much, I bought this book for a friend who was handling a new estate." Acting as the executor, representative, or administrator of an estate is a complicated and time-consuming task, not only in an administrative sense but often in an emotional sense as well. The Executor’s Handbook, Fourth Edition is a comprehensive guide for readers who need help understanding the basics of the procedures that settle an estate. In practical and straightforward language, it covers all aspects of estate administration, including funeral arrangements, organ donation, administering probate, dealing with the deceased's assets and liabilities, and personal representative's compensation. You will understand not only your responsibilities but the responsibilities of those who will be assisting you. Tables of state income tax rates, intestacy laws, and state-by-state probate requirements are also included, and a glossary, index, and list of recommended works complete this handbook.
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