Abstracts of US citizen photo identification cards issued to native Virgin Islanders between 21 May and 9 Oct 1918, which allowed them to travel and bypass formal immigration procedures. Found in the National Archives in College Park, Maryland, in RG55/PI126, entry #35, box 1.
The Westford Knight is a mysterious, controversial stone carving in Massachusetts. Some believe it is an effigy of a 14th century knight, evidence of an early European visit to the New World by Henry Sinclair, the Earl of Orkney and Lord of Roslin. In 1954, an archaeologist encountered the carving, long known to locals and ascribed a variety of origin stories, and proposed it to be a remnant of the Sinclair expedition. The story of the Westford Knight is a mix of history, archaeology, sociology, and Knights Templar lore. This work unravels the threads of the Knight's history, separating fact from fantasy. This revised edition includes a new foreword and four new chapters which add context to the myth-building that has surrounded the Westford Knight and artifacts like it.
Discover the stories behind the songs THE LIFE OF A SONG contains the stories of 100 songs exploring each song's biography and how they took on a new life following their release. Packed with intriguing factoids, these bite-sized essays will delight music fans and send you scurrying back to listen to the songs in all their beauty and mystery. Who knew that Paul McCartney originally referred to Yesterday as 'Scrambled Eggs' because he couldn't think of any lyrics for his heart-breaking tune? Or that Patti LaBelle didn't know what 'Voulez-vous coucher avec moi ce soir?' actually meant? These and countless other back stories fill this book. Each 600-word piece gives a mini-biography of a single song, from its earliest form through the various covers and changes, often morphing from one genre to another, always focusing on the 'biography' of the song itself while including the many famous artists who have performed or recorded it. This book collects 100 of the best pieces from the highly successful The Life of a Song columns from the FT Weekend every Saturday. Inside you'll find rock, pop, folk, jazz and more. Each piece is pithy, sparkily written, knowledgeable, entertaining, full of anecdotes and surprises. They combine deep musical knowledge with the vivid background of the performers and musicians, and of course the often intriguing social and political background against which the songs were created.
(Amadeus). The Official Guide to Steinway Pianos is a compendium from the archives of renowned piano maker Steinway & Sons to encompass for the first time reference material and details from 16 decades of Steinway piano making in New York. Thirty years of research and compilation by authors Roy F. Kehl and David R. Kirkland bring to light with thorough precision the production history of Steinway pianos. A "family tree" of Steinway production history provides in-depth, complete historical listings of every model produced and their characteristic details, with first/last serial numbers and production dates, individual scale studies for major models, highlights of important changes and events in Steinway piano production by serial number and date, a gallery of Steinway decalcomania by years, a table of Steinway patents, and tables of historic Steinway steel wire sizes. The Guide is an indispensable tool for piano technicians and dealers who need to determine the relationship of a particular Steinway piano within the historical framework of the company's overall production, as well as a means to help identify, establish the provenance of, and verify and preserve the originality of any given Steinway piano. Through compilation of pinpoint information, the Guide offers an accurate and fascinating resume of Steinway & Sons' ongoing production history.
Just as World War I introduced Americans to Europe, making an indelible impression on thousands of farmboys who were changed forever “after they saw Paree,” so World War II was the beginning of America’s encounter with the East – an encounter whose effects are still being felt and absorbed. No single place was more symbolic of this initial encounter than Hawaii, the target of the first unforgettable Japanese attack on American forces, and, as the forward base and staging area for all military operations in the Pacific, the “first strange place” for close to a million soldiers, sailors, and marines on their way to the horrors of war. But as Beth Bailey and David Farber show in this evocative and timely book, Hawaii was also the first strange place on another kind of journey, toward the new American society that began to emerge in the postwar era. Unlike the largely rigid and static social order of prewar America, this was to be a highly mobile and volatile society of mixed racial and cultural influences, one above all in which women and minorities would increasingly demand and receive equal status. With consummate skill and sensitivity, Bailey and Farber show how these unprecedented changes were tested and explored in the highly charged environment of wartime Hawaii. Most of the hundreds of thousands of men and women whom war brought to Hawaii were expecting a Hollywood image of “paradise.” What they found instead was vastly different: a complex crucible in which radically diverse elements – social, racial, sexual – were mingled and transmuted in the heat and strain of war. Drawing on the rich and largely untapped reservoir of documents, diaries, memoirs, and interviews with men and women who were there, the authors vividly recreate the dense, lush, atmosphere of wartime Hawaii – an atmosphere that combined the familiar and exotic in a mixture that prefigured the special strangeness of American society today.
In the age of video, nearly every film ever made is available on video somewhere. The only problem is finding it. This guide lists, both title and producer, nearly 3000 animated films, the sources of their video copies, with the sources' telephone, fax numbers, postal address, and e-mail. Included are many hard-to-find films. This is the only source of information you will need to track it down. An added bonus is a listing of more than 200 films that have won major prizes at animation festivals and/or placed on animation polls.
He became a movie star playing The Man With No Name, and today his name is known around the world. Measured by longevity, productivity, and profits, Clint Eastwood is the most successful actor-director-producer in American film history. This book examines the major elements of his career, focusing primarily on his work as a director but also exploring the evolution of his acting style, his long association with screen violence, his interest in jazz, and the political views – sometimes hotly controversial – reflected in his films and public statements. Especially fascinating is the pivotal question that divides critics and moviegoers to this day: is Eastwood a capable director with a photogenic face, a modest acting talent, and a flair for marketing his image? Or is he a true cinematic auteur with a distinctive vision of America's history, traditions, and values? From A Fistful of Dollars and Dirty Harry to Million Dollar Baby and beyond, The Cinema of Clint Eastwood takes a close-up look at one of the screen's most influential and charismatic stars.
Spring 2012 saw the return to creative and critical success of Joss Whedon, with the release of both his horror flick The Cabin in the Woods and the box-office sensation, Marvel's The Avengers. After establishing himself as a premier cult creator, the man who gave us great television with Buffy the Vampire Slayer, Angel, Firefly, Dollhouse and web series Dr Horrible's Sing-along Blog, as well as comic books including Fray and Astonishing X-Men, finally became the filmmaker he'd long dreamed of being. Drawing on a wide variety of sources and making use of psychologist Howard Gruber's insights into the nature of the creative process, Joss, A Creative Portrait offers the first intellectual biography of Whedon, tracking his career arc from activated fan boy to film studies major, third generation television writer, successful script doctor, innovative television auteur, beloved cult icon, sought-after collaborator, and major filmmaker with Marvel's The Avengers. Film and television scholar and Whedon expert David Lavery traces Whedon's multi-faceted magic from its source - the early influences of parents and teachers, comics, books, movies, collaborators - to its artistic incarnation.
This book remains the most in-depth large-scale introductory text on ethics as applied to tourism, examining the deep theoretical aspects of how human nature applies to tourism. It explores theory from a number of different disciplines, provides an overview of work on moral reasoning and development, and weaves together theory with real-world tourism ethics problems and issues. The new edition of this landmark volume has been reworked and updated to take into account important works published since the first edition, including more than 100 new references on ethics and tourism ethics, and to engage more with 20th century theorists in philosophy. It continues to be an important text for students and researchers in tourism, recreation and leisure studies, geography, environmental studies and business.
A political adviser to the formidably intellectual Foreign Secretary Tony Crosland and to Prime Minister Jim Callaghan, and a senior journalist at The Times and The Economist, David Lipsey has been close to the heart of government for more than four decades. Providing a unique perspective on a period of great economic and political upheaval, In the Corridors of Power details such flashpoints as the 1976-77 IMF crisis, which saw Britain under a divided government hovering on the edge of national bankruptcy, and reveals why Jim Callaghan ducked an election in 1978 - and led Labour to disastrous defeat in 1979. But Lipsey is no one-dimensional policy nerd. Here we see a man who moves easily from the rarefied atmosphere at the core of government to the more down-to-earth pleasures of the greyhound track and the racecourse betting ring, while his enthusiasm for harness racing is such that he has regularly competed in the sport. It is often said that the very best political books come from those who observe from behind the scenes, rather than from the politicians in the front line. Here is a classic of the genre.
In Light as Experience and Imagination from Medieval to Modern Times, David S. Herrstrom synthesizes and interprets the experience of light as revealed in a wide range of art and literature from medieval to modern times. The true subject of the book is making sense of the individual’s relationship with light, rather than the investigation of light’s essential nature, while telling the story of light “seducing” individuals from the Middle Ages to our modern times. Consequently, it is not concerned with the “progress” of scientific inquiries into the physical properties and behavior of light (optical science), but rather with subjective reactions as reflected in art, architecture, and literature. Instead of its evolution, this book celebrates the complexity of our relation to light’s character. No individual experience of light being “truer” than any other.
A comprehensive account of every major war and battle fought in the Americas, this revised edition of the award-winning Wars of the Americas offers up-to-date scholarship on the conflicts that have shaped a hemisphere. When it was first published in 1998, Wars of the Americas: A Chronology of Armed Conflict in the Western Hemisphere was the only major reference focused exclusively on warfare in all its forms in North, Central, and South America over the past five centuries. Now this acclaimed resource returns in a dramatically expanded new edition. For its second edition, Wars of the Americas has been doubled in size to two full volumes: the first covers all wars and major battles from the earliest Spanish conquests through the 18th-century colonial rivalries that gripped the hemisphere. The second volume covers covers the American Revolutionary War and all subsequent conflicts up to the present. In addition to exhaustive updating throughout and a deeper focus on the historical context of each conflict, the new edition includes new coverage of the present-day drug cartel wars, international terrorism, and the ever-evolving relationships between the United States and the nations of Latin America.
Introduction : Meiji modernization revisited -- Tradition and modernization -- Iron machines and brick buildings : the material culture of silk reeling -- Smelting for civilization : technical choice and the modernization of the Iron industry -- Bunmei kaika to gijutsu : technology's role in 'civilization and enlightenment' -- Conclusion : from technological determinism to techno-imperialism.
Los Angeles has nourished a dazzling array of independent cinemas: avant-garde and art cinema, ethnic and industrial films, pornography, documentaries, and many other far-flung corners of film culture. This glorious panoramic history of film production outside the commercial studio system reconfigures Los Angeles, rather than New York, as the true center of avant-garde cinema in the United States. As he brilliantly delineates the cultural perimeter of the film business from the earliest days of cinema to the contemporary scene, David James argues that avant-garde and minority filmmaking in Los Angeles has in fact been the prototypical attempt to create emancipatory and progressive culture. Drawing from urban history and geography, local news reporting, and a wide range of film criticism, James gives astute analyzes of scores of films—many of which are to found only in archives. He also looks at some of the most innovative moments in Hollywood, revealing the full extent of the cross-fertilization the occurred between the studio system and films created outside it. Throughout, he demonstrates that Los Angeles has been in the aesthetic and social vanguard in all cinematic periods—from the Socialist cinemas of the early teens and 1930s; to the personal cinemas of psychic self-investigation in the 1940s; to attempts in the 1960s to revitalize the industry with the counterculture’s utopian visions; and to the 1970s, when African Americans, Asian Americans, Latinos, women, gays, and lesbians worked to create cinemas of their own. James takes us up to the 1990s and beyond to explore new forms of art cinema that are now transforming the representation of Southern California’s geography.
Once consigned almost exclusively to Saturday morning fare for young viewers, television animation has evolved over the last several decades as a programming form to be reckoned with. While many animated shows continue to entertain tots, the form also reaches a much wider audience, engaging viewers of all ages. Whether aimed at toddlers, teens, or adults, animated shows reflect an evolving expression of sophisticated wit, adult humor, and a variety of artistic techniques and styles. The Encyclopedia of American Animated Television Series encompasses animated programs broadcast in the United States and Canada since 1948. From early cartoon series like Crusader Rabbit, Rocky and His Friends, and The Flintstones to 21st century stalwarts like The Simpsons, South Park, and Spongebob Squarepants, the wide range of shows can be found in this volume. Series from many networks—such as Comedy Central, the Disney Channel, Nickleodeon, and Cartoon Network— are included, representing both the diversity of programming and the broad spectrum of viewership. Each entry includes a list of cast and characters, credit information, a brief synopsis of the series, and a critical analysis. Additional details include network information and broadcast history. The volume also features one hundred images and an introduction containing an historical overview of animated programming since the inception of television. Highlighting an extensive array of shows from Animaniacs and Archer to The X-Men and Yogi Bear, The Encyclopedia of American Animated Television Series is an essential resource for anyone interested in the history and evolution of this constantly expanding art form.
For the first time, music legend and humanitarian activist Dionne Warwick reflects on 50 years in showbusiness and the lessons she has learned from being an artist, a mother and a global icon. From her rise to superstardom to raising millions of dollars for AIDS research, she gives readers a glimpse into her dazzling, inspiring life. 'If you think you can do it, you can do it' was the advice she got from her grandfather as a young girl - words she has never forgotten. Like her music and humanitarian work, her story is guaranteed to give hope and inspiration to people across the world.
In the early 1970s, Sir Maurice Oldfield of the British Secret Service, MI6, embarked upon a decade-long campaign to derail the political career of Charles Haughey. The English spymaster believed Haughey was a Provisional IRA godfather, therefore, a threat to Britain. Oldfield was assisted by unscrupulous British agents and by a shadowy group of conspirators inside the Irish state's security apparatus, all sharing his distrust of Haughey. Escaping scrutiny for their actions until now, Enemy of the Crown examines more than a dozen instances of their activities. Oldfield was conspiratorial by nature and lacked a moral compass. Involved in regime change plots and torture in the Middle East, in the Republic of Ireland he engaged with convicted criminals as agent provocateurs as well as the exploitation of pedophile rings in Northern Ireland. He and his spies engaged in dirty tricks as they ran vicious smear campaigns in Ireland, Britain and the US. MI6 and IRD intrigues were deployed to impede Haughey's bid to secure a position on Fianna Fáil's front bench and any return to respectability. London's hateful drive against Haughey saw no let-up after Fianna Fáil's triumphal return to power in 1977 which saw them win a large majority of seats in the Dáil. When Haughey sought a place at Cabinet, Oldfield and his spies devised more dirty tricks to impede him. While Haughey was suspicious of MI6 interference, he had no inkling of the full extent of London's clandestine efforts to destroy him. By circulating lurid stories about him, they played a major part in trying to prevent him succeed Jack Lynch as Taoiseach in 1979. This book attempts to shed light on some of the anti-Haughey conspiracies which took place during the period of the late 1960s right through to the early 1980s.
Over the last 20 years, the concept of 'economic' activity has come to seem inseparable from psychological, semiotic and ideological experiences. In fact, the notion of the 'economy' as a discrete area of life seems increasingly implausible. This returns us to the situation of Shakespeare's England, where the financial had yet to be differentiated from other forms of representation. This book shows how concepts and concerns that were until recently considered purely economic affected the entire range of sixteenth and seventeenth century life. Using the work of such critics as Jean-Christophe Agnew, Douglas Bruster, Hugh Grady and many others, Shakespeare and Economic Theory traces economic literary criticism to its cultural and historical roots, and discusses its main practitioners. Providing new readings of Timon of Athens, King Lear, The Winter's Tale, The Merchant of Venice, Measure for Measure, Julius Caesar, Macbeth and The Tempest, David Hawkes shows how it can reveal previously unappreciated qualities of Shakespeare's work.
This book explores the concept of incongruent film music, challenging the idea that this label only describes music that is inappropriate or misfitting for a film’s images and narrative. Defining incongruence as a lack of shared properties in the audiovisual relationship, this study examines various types of incongruence between a film and its music and considers the active role that it can play in the construction of a film’s meaning and influencing audience response. Synthesising findings from research in the psychology of music in multimedia, as well as from ideas sourced in semiotics, film music, and poststructuralist theory, this interdisciplinary book provides a holistic perspective that reflects the complexity of moments of film-music incongruence. With case studies including well-known films such as Gladiator and The Shawshank Redemption, this book combines scene analysis and empirical audience reception tests to emphasise the subjectivity, context-dependency, and multi-dimensionality inherent in identifying and interpreting incongruent film music.
In New England today there are megalithic stones, stone chambers and structures, carvings and petroglyphs, even an unidentified skeleton in armor that defy easy explanation. From Maine to Massachusetts, this work examines various unexplained historical remains in New England, exploring not only the layout and dimensions of such sites--some reminiscent of Stonehenge with their huge stones, astronomical alignments and undiscovered purposes--but also the history and possible explanations for their existence. Theories regarding Norse, Phoenician, Irish, Celtic and Native American origins are presented here in an impartial and logical manner. Sites discussed include Dighton Rock in Berkley, Massachusetts; Newport Tower in Newport, Rhode Island; the Bellows Falls Petroglyphs in Bellows Falls, Vermont; and Mystery Hill in North Salem, New Hampshire (also known as America's Stonehenge), with expanded coverage new to this edition. An appendix provides information regarding sites open to the public.
Buy a new version of this textbook and receive access to the Connected eBook with Study Center on CasebookConnect, including: lifetime access to the online ebook with highlight, annotation, and search capabilities; practice questions from your favorite study aids; an outline tool and other helpful resources. Connected eBooks provide what you need most to be successful in your law school classes. Learn more about Connected eBooks Cases, Problems, and Materials on Contracts is known for pioneering the problem method of law school teaching. A staple in classrooms for decades, it stands out from other texts in the scope of its coverage and its use of short, carefully-constructed Problems to expose students to new concepts, reinforce what they have just learned, and stimulate thought. The Eighth Edition, the first since the passing of Thomas Crandall and the addition of David Horton as co-author, is more accessible than ever. It introduces complicated issues with a clear narrative summary or explicit statement of black-letter law. The cases have been tightly edited for best effect. The book can also be easily adapted to fit various pedagogical needs. Although it starts with Agreement and moves to Consideration, it is also designed for teachers who prefer to begin with Consideration or Remedies. It can be used in courses that both include and exclude sales. Finally, because it is shorter than most other texts in this field, it works in 4-unit, 5-unit, and 6-unit courses. New to the Eighth Edition: Substantial input from a new co-author means that the book contains scores of new cases, Problems, and narrative introductions to issues. Each opinion has been streamlined to enhance readability. Where possible, applicable Restatement of Contracts and Uniform Commercial Code sections have been printed in the text, saving students the cost of buying separate supplements. Professors and students will benefit from: Coverage of the basics of Contracts Law in a format that allows greater exposure to the legal concepts through the many Problems that fill each chapter alongside the most illustrative cases on point Assessment multiple-choice questions at the end of each chapter that are meatier than such questions in most books, focusing not on the right answer so much as on what real attorneys must consider when confronted with the issues presented The entire books approach not just to teach rules of law but to train students to be lawyers faced with commercial issues. For example, Problems sometimes ask students whether they would be committing malpractice if they took a certain course of conduct, an issue very much on the mind of actual attorneys but seldom mentioned in law school classrooms.
While numerous classical dictionaries identify the figures and tales of Greek and Roman mythology, this reference book explains the allegorical significance attached to the myths by Medieval and Renaissance authors. Included are several hundred alphabetically arranged entries for the gods, goddesses, heroes, heroines, and places of classical myth a
Reduce the environmentally negative aspects of industrial agriculture with an ecologically sound philosophy! New Dimensions in Agroecology explores the latest developments in the emerging science of agroecology, focusing on how these new concepts and cutting-edge tools will help minimize the impact of agriculture on the environment and fos
A revealing look at Wall Street, the financial media, and financial regulators by David Einhorn, the President of Greenlight Capital Could 2008's credit crisis have been minimized or even avoided? In 2002, David Einhorn-one of the country's top investors-was asked at a charity investment conference to share his best investment advice. Short sell Allied Capital. At the time, Allied was a leader in the private financing industry. Einhorn claimed Allied was using questionable accounting practices to prop itself up. Sound familiar? At the time of the original version of Fooling Some of the People All of the Time: A Long Short Story the outcome of his advice was unknown. Now, the story is complete and we know Einhorn was right. In 2008, Einhorn advised the same conference to short sell Lehman Brothers. And had the market been more open to his warnings, yes, the market meltdown might have been avoided, or at least minimized. Details the gripping battle between Allied Capital and Einhorn's Greenlight Capital Illuminates how questionable company practices are maintained and, at times, even protected by Wall Street Describes the failings of investment banks, analysts, journalists, and government regulators Describes how many parts of the Allied Capital story were replayed in the debate over Lehman Brothers Fooling Some of the People All of the Time is an important call for effective government regulation, free speech, and fair play.
Excerpts from Thoreau's journals concerning civil disobedience, conscience, law, government, slavery, war, and economics. These passages are what Thoreau considered to be "the price of freedom" - his attempts to mine the richest vein of observations about human conscience and political philosophy, and to present what he found free from all censorship.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1959.
The best-known songs in the world are violent, sexist, and religious — so why do we celebrate national anthems when we should be rewriting them? “Fascinating and thoughtful ... showcases how anthems divide us even as they promise to bring communities together.” — MARK CLAGUE, author of O Say Can You Hear?: A Cultural Biography of The Star-Spangled Banner This fascinating popular history of national anthems begins in a London theatre in 1745 when the modern idea of anthems was born. They started out as triumphant expressions of national superiority by glorifying violence, claiming the support of God, and mostly ignoring women. David Pate has experienced the violent side of anthems firsthand: as a schoolboy in Scotland, he was caned for refusing to sing “God Save the Queen.” He says it’s time to dump lyrics about cutting throats, watering fields with blood, building walls with the bodies of enemies, and celebrating the sound of machine guns. The Worst Songs in the World looks at the origins of many of the world’s anthems, from the movie theme song that became China’s national anthem to the English tune used for “The Star-Spangled Banner.” This wide-ranging and deeply researched narrative combines politics, personalities, humour, and vivid storytelling to argue for better national songs.
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