Attracting passionate fans primarily among African American listeners in the South, southern soul draws on such diverse influences as the blues, 1960s-era deep soul, contemporary R & B, neosoul, rap, hip-hop, and gospel. Aggressively danceable, lyrically evocative, and fervidly emotional, southern soul songs often portray unabashedly carnal themes, and audiences delight in the performer-audience interaction and communal solidarity at live performances. Examining the history and development of southern soul from its modern roots in the 1960s and 1970s, David Whiteis highlights some of southern soul's most popular and important entertainers and provides first-hand accounts from the clubs, show lounges, festivals, and other local venues where these performers work. Profiles of veteran artists such as Denise LaSalle, the late J. Blackfoot, Latimore, and Bobby Rush--as well as contemporary artists T. K. Soul, Ms. Jody, Sweet Angel, Willie Clayton, and Sir Charles Jones--touch on issues of faith and sensuality, artistic identity and stereotyping, trickster antics, and future directions of the genre. These revealing discussions, drawing on extensive new interviews, also acknowledge the challenges of striving for mainstream popularity while still retaining the cultural and regional identity of the music and maintaining artistic ownership and control in the age of digital dissemination.
First published in 2014. With the shift from film to digital, a new view of the future of cinematography has emerged. Today's successful cinematographer must be equal parts artist, technician, and business-person. The cinematographer needs to master the arts of lighting, composition, framing and other aesthetic considerations, as well as the technology of digital cameras, recorders, and workflows, and must know how to choose the right tools (within their budget) to get the job done. David Stump's Digital Cinematography focusses primarily on the tools and technology of the trade, looking at how digital cameras work, the ramifications of choosing one camera versus another, and how those choices help creative cinematographers to tell a story. This book empowers you to both correctly choose the right camera and workflow for your project from today's incredibly varied options, as well as understand the ins and outs of implementing those options. Stump sheds a light on the confusing advantages and disadvantages of shooting theatrical features using digital technology and what it can or can't do. Topics covered include: * Detailed coverage of Arriflex, Blackmagic, Canon, Ikonoskop, Panasonic, Panavision, Phantom, Red, Silicon Imaging, Sony, and Weisscam digital motion picture cameras * Coverage of a wide variety of lenses, including Angenieux, Canon, Cooke, Fujinon, Hawk, Leica, Panavision, Red, Schneider, Sony, UniqOptics, Vantage, and Zeiss * Coverage of recorders, displays, and look management tools * Exposure theory tips - learn how to correctly expose digital cameras * Focusing tips - learn how to focus digital cameras correctly * Checklists to help design digital workflows * Practical tips on preparation - prepare for shooting a digital motion picture like a professional * Camera set-up and operation, color management, digital intermediates, 3D stereo cinematography, future trends, and much more If you aspire to be a successful cinematographer in this new digital age, or if you already are a working cinematographer in need of a resource to help you stay on top of your game, this is a must-read book.
The central argument of Chromophobia is that a chromophobic impulse - a fear of corruption or contamination through color - lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge color, either by making it the property of some "foreign body" - the oriental, the feminine, the infantile, the vulgar, or the pathological - or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic. Chromophobia has been a cultural phenomenon since ancient Greek times; this book is concerned with forms of resistance to it. Writers have tended to look no further than the end of the nineteenth century. David Batchelor seeks to go beyond the limits of earlier studies, analyzing the motivations behind chromophobia and considering the work of writers and artists who have been prepared to look at color as a positive value. Exploring a wide range of imagery including Melville's "great white whale", Huxley's reflections on mescaline, and Le Corbusier's "journey to the East", Batchelor also discusses the use of color in Pop, Minimal, and more recent art.
Thisness Presentism outlines and defends a novel version of presentism, the view that only present entities exist and what is present really changes, a view of time that captures a real and objective difference between what is past, present, and future, and which offers a model of reality that is dynamic and mutable, rather than static and immutable. The book advances a new defence of presentism by developing a novel ontology of thisness, combining insights about the nature of essence, the metaphysics of propositions, and the relationship between true propositions and the elements of reality that make them true, alongside insights about time itself. It shows how, by accepting an ontology of thisness, presentists can respond to a number of pressing challenges to presentism, including claims that presentism cannot account for true propositions about the past, and that it is inconsistent with the reality of temporal passage and the openness of the future. This is one of the only book-length defences of presentism. It will be of interest to students and scholars working on the debate about presentism in the philosophy of time, as well as those interested in the metaphysics of propositions and truth-making, more generally.
Do our lives have meaning? Should we create more people? Is death bad? Should we commit suicide? Would it be better to be immortal? Should we be optimistic or pessimistic? Since Life, Death, and Meaning: Key Philosophical Readings on the Big Questions first appeared, David Benatar's distinctive anthology designed to introduce students to the key existential questions of philosophy has won a devoted following among users in a variety of upper-level and even introductory courses. While many philosophers in the 'continental tradition'_those known as 'existentialists'_have engaged these issues at length and often with great popular appeal, English-speaking philosophers have had relatively little to say on these important questions. Yet, the methodology they bring to philosophical questions can, and occasionally has, been applied usefully to 'existential' questions. This volume draws together a representative sample of primarily English-speaking philosophers' reflections on life's big questions, divided into six sections, covering (1) the meaning of life, (2) creating people, (3) death, (4) suicide, (5) immortality, and (6) optimism and pessimism. These key readings are supplemented with helpful introductions, study questions, and suggestions for further reading, making the material accessible and interesting for students. In short, the book provides a singular introduction to the way that philosophy has dealt with the big questions of life that we are all tempted to ask.
This developmentally sound, research-based, practical text speaks directly to preservice elementary mathematics students about the multitude of ways they can help their future students learn to see the power, beauty, necessity, and usefulness of mathematics in the world.Part 1 deals with guiding principles that permeate the text, while Parts 2-11 deal with the specific NCTM Standards for grades K-6. Teaching K-6 Mathematics: *is aligned with the current NCTM Curriculum and Evaluation Standards for School Mathematics; *integrates content and methodology; *emphasizes use of technology as a teaching/learning tool; *stresses problem solving; *provides basic information on current research in mathematics education; *focuses on identification of error patterns and analysis; *uses a down-to-earth, friendly writing style that engages the student rather than prescribing what to do; and *includes many activities and exercises, including games, tricks, and amusements that can be used in the classroom to increase student interest in mathematics. Features: *Technology is integral throughout the text. Students are expected to perform Internet searches, investigate new sites appropriate for elementary students, sample new software that could be used in the classroom, and develop ways to blend calculators into the curriculum. *Manipulatives are considered essential for students to learn elementary mathematics concepts. Cuisenaire rods, base 10- blocks, chips, number lines, and geoboards are all part of the manipulative landscape that is created in this text. *Careful attention is given to blending rote work, developmental activities, fun, application, technology, manipulatives, assessment, and planning, so that prospective teachers become accustomed to using varied approaches and decision making as a curriculum is determined. *Tricks, Activities, and Games (TAG) provide a wealth of ideas to attract students to learning mathematics.
How to Beat Your Kids at Chess is a book that truly starts at the beginning, with the most basic idea of all: the straight line. This book offers clear explanations, opportunities to practice each concept before moving on, and a systematic progression of ideas. If you... - have always wanted to learn to play chess, this is the book to get you started. - are a chess parent who wants to understand what your child is leaning, this is the book for you. - are a teacher or other adult with little chess knowledge, suddenly in charge of a chess program, then this is the book that will become your bible. - are an adult looking for something to keep your brain active, this book will open the door to exciting and complete brain stimulation. - have been daunted by the complexity of chess, think you don't have the patience for the game, or suffer some other fear that keeps you from trying, this book will allay all your anxieties.
A social theorist's perspective on how private governance of corporations is weakening the basic institutions of democratic civil societies, especially as demonstrated in the wave of hostile takeovers in the 1980s. Focuses on when and how the courts mediate the consequences of corporate governance in the US, as well as their counterparts in Europe and Japan, examining the connection between specialized literature of corporate law with literature of civil society. Sciulli (sociology, Texas AandM U.) attempts to draw an alternative to legal conservatives' rhetoric of corporate contract as well as to liberals' corporate social responsibility. c. Book News Inc.
They reject the correspondence theory, insist truth is anemic, and advance an "anti-theory" of truth that is essentially a collection of platitudes: "Snow is white" is true if and only if snow is white; "Grass is green" is true if and only if grass is green. According to disquotationalists, the only profound insight about truth is that it lacks profundity. David contrasts the correspondence theory with disquotationalism and then develops the latter position in rich detail - more than has been available in previous literature - to show its faults.
This volume draws together work by David Wiggins on topics to do with language, meaning, truth, and the limit of semantic analysis, from 1980 to 2020. Each chapter draws upon previously published material, but that material has been revised, sometimes significantly, for republication here. Opening with a selective account of a century's work in the philosophy of meaning, from Frege and Wittgenstein to the late twentieth century, the book engages first with the nuts and bolts of sentence-construction: predicates and the copula, quantifiers, names, existence treated as a second-level predicate, and adverbial modification. The following five chapters then treat of definition and (as dreamt of by Leibniz and others) the terminus of semantic analysis; the idea of natural languages as real things with a history; the idea of truth conceived as correlative with inquiry (C. S. Peirce) and, finally, the properties we look for in truth itself—the marks, as Frege or Leibniz might have said, of the concept true.
WHAT DOES IT MEAN TO BE WHITE IN AMERICA? BREAKING THE WHITE CODE OF SILENCE, A COLLECTION OF PERSONAL NARRATIVES, is a 680-page groundbreaking collection of 82 personal narratives that reflects a vibrant range of stories from white Americans who speak frankly and openly about race. In answering the question, some may offer viewpoints one may not necessarily agree with, but nevertheless, it is clear that each contributor is committed to answering it as honestly as possible. WHAT DOES IT MEAN TO BE WHITE IN AMERICA? provides an invaluable starting point that includes numerous references and further readings for those who seek a deeper understanding of race in America.
In the context of debates about truth, nihilism is the view that nothing is true. This is a very striking and (at first) implausible thesis, which is perhaps why it is seldom discussed. Truth without Truths applies nihilism to the philosophical debates on truth and paradox, and explores how a nihilist approach to truth is a serious contender. David Liggins demonstrates that a strong case for nihilism about truth is available. The main grounds for taking nihilism on truth seriously are the solutions it provides to a wide range of paradoxes involving truth, and its epistemological superiority to theories that posit truths. The discussion considers a wider range of paradoxes than usual-including the truth-teller paradox and other paradoxes of underdetermination. Liggins shows how the debate over truth and paradox can be advanced by drawing on metaphysical debates about realism and anti-realism. Truth without Truths is also a challenge to deflationism. Deflationists provide an austere, metaphysically lightweight account of truth. But there is one posit that all contemporary deflationists make: they posit truths. By showing that we can well do without truths, Liggins argues that deflationism is actually too lavish a position. Liggins's preferred form of alethic nihilism includes a Ramseyan analysis of the concept of truth, which uses quantification into sentence position, conceived of as non-objectual and non-substitutional. This book is part of a wider movement exploring the implications of admitting forms of non-objectual, non-substitutional quantification-sometimes called 'higher-order metaphysics'.
This unconventional cultural history explores the lifecycle of the radical historical Jesus, a construct created by the freethinkers, feminists, socialists and anarchists who used the findings of biblical criticism to mount a serious challenge to the authority of elite liberal divines during the Gilded Age and Progressive Era.
Based on two new studies, "American Grace" examines the impact of religion on American life and explores how that impact has changed in the last half-century.
Written by some of the leading criminologists in the country, this new title is a 'one-stop shop' for those who teach, study or are interested in criminology and the criminal justice systems of the UK.
Since its first publication in 1950, The Right Way to Play Chess has taught chess to generations of beginners, taking them to the standard expected of good club players. It gives full details of exactly how to play the game, explains basic theory and includes many examples of play.There are separate chapters on the openings, middle and end games, plus a chapter of master games which illustrate how styles of play have changed over the years. Fully revised and updated by chess expert Richard James, a new chapter shows how to encourage and teach children to play the game.
A powerful tale of the Pacific Northwest in the 1950s, reminiscent of To Kill a Mockingbird. Courtroom drama, love story, and war novel, this is the epic tale of a young Japanese-American and the man on trial for killing the man she loves.
Become an expert chef with this textbook which covers all the advanced preparation, cooking and finishing techniques you need to succeed in the professional kitchen. Part of the bestselling Practical Cookery series and matched to the NVQ and VRQ Diplomas, this new edition has been fully updated to include recipes that incorporate modern culinary trends and up-to-date techniques. It contains all of the underpinning knowledge you need for whichever Level 3 course you are completing. In addition, catering colleges from across the UK have contributed regional recipes which will be of interest to Level 3 and master chefs alike. - Put your knowledge into practice with 400 specially selected, easy-to-follow recipes complete with colourful photographs - Master important skills with dozens of step-by-step sequences which guide you through advanced techniques - Get hints, information and valuable advice on working in a professional kitchen from real chefs - Test yourself with questions at the end of each chapter and refine your reflection technique with special sections on identifying results and conducting independent research - Access industry-standard videos on your smartphone, tablet or computer with QR codes embedded in the text
In all the ancient spiritual texts water is depicted as the Source of all Creation from which everything else came into existence. All over the world, in our forefathers' traditions and rituals water is associated with the Primordial substance that has the power to heal, give us strength, and take away the sins. At the same time, modern scientific discoveries proved that our ancestors' beliefs, traditions, and rituals are a legacy and not some simple bet-time stories. Learn how your Emotions, Thoughts, and Intentions are influencing your Life, carried by the life-giving substance we call Water. “This book covers a world of topics about water, from different religious texts, the chemistry and physics of H2O, studies over the past century on observations of fresh water, homeopathy, crystal structure, and different vibrations and forms of water, and back to religion. I learned so much.” (Amazon customer review) “A thorough, well-researched discussion of the significance of water--not only as a fundamental element of our biology and the structure of our planet and the universe--but also its metaphysical, philosophical, and theological importance historically and cross-culturally.” (Amazon customer review)
Redesigned and completely rewritten for Elements 11, this book starts you at the basics of photomontage with selection techniques, layers and transformations; leading up to full-length projects for creating magazine covers, fantasy scenes, poster artwork and much, much more.
Many philosophers assume that to be a responsible agent is to be an apt target of responses like blame and praise. But what do these responses consist of, precisely? And do they really belong together, simply negative and positive symmetrical counterparts of each other? While there has been a lot of philosophical work on the nature of blame over the past 15 years--yielding multiple conflicting theories--there has been little on the nature of praise. Indeed, those few who have investigated praise--including both philosophers and psychologists--have concluded that it is quite different in some respects than blame, and that the two in fact may not be symmetrical counterparts at all. In this book, David Shoemaker offers the first detailed deep-dive into the complicated nature of blame and praise, teasing out their many varieties while defending a general symmetry between them. The book provides a thorough normative grounding for the many types and modes of blame and praise, albeit one that never appeals to desert or the metaphysics of free will. The volume draws from moral philosophy, moral psychology, the philosophy and psychology of humor, the psychology of personality disorders, and experimental economics. The many original contributions in the book include: the presentation and defense of a new functionalist theory of the entire interpersonal blame and praise system; the revelation of a heretofore unrecognized kind of blame; a discussion of how the capacities and impairments of narcissists tell an important story about the symmetrical structure of the blame/praise system; an investigation into the blame/praise emotions and their aptness conditions; an exploration into the key differences between other-blame and self-blame; and an argument drawn from economic games for why desert is unnecessary to render apt the ways in which blame sometimes sanctions.
Body Knowledge: A Path to Wholeness provides a critical exposition of the philosophy of Michael Polanyi, a twentieth century Hungarian scientist and philosopher. Professor Long focuses on Polanyi’s controversial multi-disciplinary work that charts a new vision of knowledge, the knower, knowledge seekers, and the philosophical foundations of science. Long integrates Polanyi’s work into contemporary philosophical and scientific discussions about consciousness, knowledge, and the role of the knower-as-person. Polanyi’s pioneering work restores the wholeness of body, mind, and spirit.
Filipino Americans have a long and rich history with and within the United States, and they are currently the second largest Asian group in the country. However, very little is known about how their historical and contemporary relationship with America may shape their psychological experiences. The most insidious psychological consequence of their historical and contemporary experiences is colonial mentality or internalized oppression. Some common manifestations of this phenomenon are described below: • Skin-whitening products are used often by Filipinos in the Philippines to make their skins lighter. Skin whitening clinics and businesses are popular in the Philippines as well. The "beautiful" people such as actors and other celebrities endorse these skin-whitening procedures. Children are told to stay away from the sun so they do not get "too dark." Many Filipinos also regard anything "imported" to be more special than anything "local" or made in the Philippines. • In the United States, many Filipino Americans make fun of "fresh-off-the-boats" (FOBs) or those who speak English with Filipino accents. Many Filipino Americans try to dilute their "Filipino-ness" by saying that they are mixed with some other races. Also, many Filipino Americans regard Filipinos in the Philippines, and pretty much everything about the Philippines, to be of "lower class" and those of the "third world." The historical and contemporary reasons for why Filipino -/ Americans display these attitudes, beliefs, and behaviors - often referred to as colonial mentality - are explored in Brown Skin, White Minds. This book is a peer-reviewed publication that integrates knowledge from multiple scholarly and scientific disciplines to identify the past and current catalysts for such self-denigrating attitudes and behaviors. It takes the reader from indigenous Tao culture, Spanish and American colonialism, colonial mentality or internalized oppression along with its implications on Kapwa, identity, and mental health, to decolonization in the clinical, community, and research settings. This book is intended for the entire community - teachers, researchers, students, and service providers interested in or who are working with Filipinos and Filipino Americans, or those who are interested in the psychological consequences of colonialism and oppression. This book may serve as a tool for remembering the past and as a tool for awakening to address the present.
Today’s successful cinematographer must be equal parts artist, technician, and business-person. The cinematographer needs to master the arts of lighting, composition, framing and other aesthetic considerations, as well as the technology of digital cameras, recorders, and workflows, and must know how to choose the right tools (within their budget) to get the job done. David Stump’s Digital Cinematography focuses on the tools and technology of the trade, looking at how digital cameras work, the ramifications of choosing one camera versus another, and how those choices help creative cinematographers to tell a story. This book empowers the reader to correctly choose the appropriate camera and workflow for their project from today’s incredibly varied options, as well as understand the ins and outs of implementing those options. Veteran ASC cinematographer David Stump has updated this edition with the latest technology for cameras, lenses, and recorders, as well as included a new section on future cinematographic trends. Ideal for advanced cinematography students as well as working professionals looking for a resource to stay on top of the latest trends, this book is a must read.
The last of the three trilogies authored by David Stacton (1923-68) was described by the author as 'an intermezzo designed to deal with sexual relations'. After Old Acquaintance (1962) and Sir William (1963) came Kaliyuga (1965), described by Stacton as 'the story of the relations of Siva and Kali, lightly told'. Its chief figures are Charlie and Denise, an American couple in Switzerland, prone to domestic spats. After one such set-to Charlie finds himself wishing men were gods, so to be spared the banality of life's cyclical little dramas. But he knows not of what he speaks or wants. In Hindu mythology the gods go round and round as we do, making the same mistakes - as Charlie and Denise will discover.
In Truth Without Paradox, David Johnson purports to solve several of the traditional problems of metaphysics, pertaining to truth, logic, similitude, morality, and God. In the first chapter, he argues (in three independent ways) against the general acceptability of the schema 'if p then it is true that p', claiming thereby to resolve the paradoxes of the liar and of the sorites. In the second chapter, he clarifies what was (and what was not) settled by Quine about "truth by convention." In the third chapter, he attempts to shed light on the obscure notion of "sameness," or "uniformity," especially in its application to inductive extrapolation and to the grue paradox. In the fourth chapter, he purports to solve the "Is/Ought" problem of moral philosophy. The fifth and final chapter, which will be of interest to philosophers of religion, contains what the author calls an historical proof of the existence of God, based on (among other things) a resolution of the lottery paradox.
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