David Weston has spent a lifetime acting in Shakespeare’s plays, and has been directed by the likes of Sir Peter Hall, Trevor Nunn and Michael Croft. Chosen as Ian McKellen’s understudy in the RSC’s King Lear, David toured the world and recorded his experiences in his diary, which became the award-winning Covering McKellen: An Understudy’s Tale, called ‘Salty, evocative and informative’ by the Daily Mail. It went on to win the prestigious S.T.R. Theatre Book of the Year Prize for 2011. In Covering Shakespeare Weston goes even further, tracing his sixty-two year association with the Bard. He has appeared in twenty-nine of the thirty-seven plays, many several times, and has worked with all the major companies to the outmost limits of the Fringe, from Hollywood to Hong Kong, with the great, the mediocre and the forgotten. He has stories and reminiscences about them all, as well as advice for young actors written in his inimitable style. The book also contains a synopsis of each play and table outlining the total number of lines per character in each of Shakespeare’s plays, rediscovered from an 1889 edition of Evenings with Shakespeare: A Handbook to the Study of His Works. Shortlisted for the Sheridan Morley Prize for Theatre Biography 2015
Looks at SETI's validity as a research programme and examines recent attempts to contact other intelligent life forms. Also assesses theories on the origin of life on Earth, discoveries of former solar planets and proposals for space colonies.
A Complete Collection of the Social Satires, French Adaptations, Pantomimes, Christmas and Musical Plays, Preludes, Interludes, and Burlesques, to which are Added the Alterations and Adaptations of the Plays of Shakespeare and Other Dramatists from the Sixteenth to the Eighteenth Centuries
A Complete Collection of the Social Satires, French Adaptations, Pantomimes, Christmas and Musical Plays, Preludes, Interludes, and Burlesques, to which are Added the Alterations and Adaptations of the Plays of Shakespeare and Other Dramatists from the Sixteenth to the Eighteenth Centuries
David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Garrick in well edited texts, with commentary and notes. The two volumes of Garrick's own plays published together here include the twenty-two plays of the Garrick canon attributable to him. Garrick's claim to serious consideration as a playwright rests upon these plays, written between 1740 and 1775.They are not all masterpieces, but their inclusion here, arranged in chronological order, will enable the stage historian to assess Garrick's progress as a dramatist. Contents: Cymon. A Dramatic Romance, 1767; Linco's Travels. An Interlude, 1767; A Peep Behind the Curtain; or, The New Rehearsal, 1767; The Jubilee, 1769; The Institution of the Garter; or, Arthur's Roundtable Restored, 1771; The Irish Widow, 1772; A Christmas Tale. A New Dramatic Entertainment, 1773; The Meeting of the Company; or, Bayes's Art of Acting, 1774; Bon Ton; or, High Life above Stairs, 1775; May-Day; or, The Little Gipsy, 1775; and The Theatrical Candidates, 1775.
David Lindsay, researching old records to learn details of the life of his ancestor, Richard More, soon found himself in the position of the Sorcerer's Apprentice-wherever he looked for one item, ten more appeared. What he found illuminated not only More's own life but painted a clear and satisfying picture of the way the First Comers, Saints and Strangers alike, set off for the new land, suffered the voyage on the Mayflower, and put down their roots to thrive on our continent's northeastern shore. From the story, Richard emerges as a man of questionable morals, much enterprise, and a good deal of old-fashioned pluck, a combination that could get him into trouble-and often did. He lived to father several children, to see, near the end of his life, a friend executed as a witch in Salem, and to be read out of the church for unseemly behavior. Mayflower Bastard lets readers see history in a new light by turning an important episode into a personal experience.
Northampton, the county town of Northamptonshire, is rich in transport history. 1880 saw several tram routes commence operation within the Northampton Borough, being operated by the Northampton Street Tramway Company. After this, public transport in the town began to develop. The tram network being electrified in 1901. The 1910s saw a number of independent bus operators begin to link Northampton with the surrounding villages, introducing motor bus operation into the town. Over the years, Northampton has been home to numerous independent bus and coach operators. Two major operators also served the town, Northampton Corporation Transport (later Northampton Transport and First Northampton) and United Counties / Stagecoach Midlands. Northampton’s Trams and Buses explores the development of the tram network within Northampton, as well as exploring how bus services in the Northampton, Wootton, Hardingstone and Moulton areas of Northamptonshire have developed from the early 1900s to 2021.
This book will delve into how the Tudors exerted their control over their empire and domains, stretching from the Old War to the colonies of the New. The Tudors remain one of Britain’s most fascinating royal dynasties. Their thirst for control surged due to the family’s paranoid obsession about being interlopers who were never destined to be monarchs. Throughout the sixteenth century, the Tudors added more and more territories to their portfolio, but this growth came at a bloody cost. Each monarch attempted to expand their control of the kingdom: Henry VII consolidated his authority across the realm, Henry VIII had visions of a French empire, and Elizabeth I oversaw the travels and travails of the seadogs in the New World. This book will delve into how the Tudors exerted their control over their empire and domains, stretching from the north of England, Wales, Ireland, Cornwall, all the way to European possessions, as well as fresh colonies in the New World. It utilizes contemporary sources with further engagement in wider historical debate to provide an accessible introduction into this era for readers.
The first modern edition and translation of the writings of the Neo-Latin poet Elizabeth Jane Weston (c. 1581-1612). Sheds new light on the possibilities of artistic self-representation available to women at the end of the 16th century.
The remarkable breadth of C. S. Lewis's (1898–1963) work is nearly as legendary as the fantastical tales he so inventively crafted. A variety of themes emerge in his literary output, which spans the genres of nonfiction, fantasy, science fiction, and children's literature, but much of the scholarship examining his work focuses on religion or philosophy. Overshadowed are Lewis's views on nature and his concern for environmental stewardship, which are present in most of his work. In Narnia and the Fields of Arbol: The Environmental Vision of C. S. Lewis, authors Matthew Dickerson and David O'Hara illuminate this important yet overlooked aspect of the author's visionary work. Dickerson and O'Hara go beyond traditional theological discussions of Lewis's writing to investigate themes of sustainability, stewardship of natural resources, and humanity's relationship to wilderness. The authors examine the environmental and ecological underpinnings of Lewis's work by exploring his best-known works of fantasy, including the seven books of the Chronicles of Narnia and the three novels collectively referred to as the Space Trilogy. Taken together, these works reveal Lewis's enduring environmental concerns, and Dickerson and O'Hara offer a new understanding of his pioneering style of fiction. An avid outdoorsman, Lewis deftly combined an active imagination with a deep appreciation for the natural world. Narnia and the Fields of Arbol, the first book-length work on the subject, explores the marriage of Lewis's environmental passion with his skill as a novelist and finds the author's legacy to have as much in common with the agrarian environmentalism of Wendell Berry as it does with the fantasy of J. R. R. Tolkien. In an era of increasing concern about deforestation, climate change, and other environmental issues, Lewis's work remains as pertinent as ever. The widespread adaption of his work in film lends credence to the author's staying power as an influential voice in both fantastical fiction and environmental literature. With Narnia and the Fields of Arbol, Dickerson and O'Hara have written a timely work of scholarship that offers a fresh perspective on one of the most celebrated authors in literary history.
Here are displayed over 120 of David Weston's finest paintings providing a complete range of this versatile painter's work - from stirring portrayals of the Cornish Coast, to dramatic Northern cityscapes, and from cosy Cotswold village scenes to bleak Cumbrian farms.
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