From its inception more than half a century ago and for decades afterward, the Central Intelligence Agency was deeply shrouded in secrecy, with little or no real oversight by Congress—or so many Americans believe. David M. Barrett reveals, however, that during the agency’s first fifteen years, Congress often monitored the CIA’s actions and plans, sometimes aggressively. Drawing on a wealth of newly declassified documents, research at some two dozen archives, and interviews with former officials, Barrett provides an unprecedented and often colorful account of relations between American spymasters and Capitol Hill. He chronicles the CIA’s dealings with senior legislators who were haunted by memories of our intelligence failure at Pearl Harbor and yet riddled with fears that such an organization might morph into an American Gestapo. He focuses in particular on the efforts of Congress to monitor, finance, and control the agency’s activities from the creation of the national security state in 1947 through the planning for the ill-fated Bay of Pigs invasion in 1961. Along the way, Barrett highlights how Congress criticized the agency for failing to predict the first Soviet atomic test, the startling appearance of Sputnik over American air space, and the overthrow of Iraq’s pro-American government in 1958. He also explores how Congress viewed the CIA’s handling of Senator McCarthy’s charges of communist infiltration, the crisis created by the downing of a U-2 spy plane, and President Eisenhower’s complaint that Congress meddled too much in CIA matters. Ironically, as Barrett shows, Congress itself often pushed the agency to expand its covert operations against other nations. The CIA and Congress provides a much-needed historical perspective for current debates in Congress and beyond concerning the agency’s recent failures and ultimate fate. In our post-9/11 era, it shows that anxieties over the challenges to democracy posed by our intelligence communities have been with us from the very beginning.
It was still light so I decided to venture out into the garden. I had never walked out of an argument before, and certainly not one at such an early stage. I think we were both quite pig headed, and my pride had taken an instant punch to the kidney. I didnt expect Rachel to follow me outside, and I certainly didnt want her to. I had slighted her suggestion, and she had taken it badly. I knew I should have stayed, talked it through and made her see my side of things. I should have told her that I would do this film, and if the future didnt work out as I hoped then I would consider her proposal. Hell, as an accountant she would set the business up for me and keep all the books. All I would have to do was do up shitty old houses. Most of it was all cosmetic anyway, a lick of paint here, a new carpet there, a few light fittings and stuff. All done on the cheap, supermarket goods made to look expensive. People would pay more for the houses giving me more profit. Once they moved in they could take all my crappy fittings out if they wanted to, it wouldnt bother me in the slightest. I had the skill for it, and that was one of the most important factors in her proposal. The one thing I didnt have just now was the will to do it, and that made one bitch of a difference. I walked down the path at the front of the house. I marvelled at my own work as I passed by, the grass was neatly cut, and was growing in neat strips, making it look like a professionally cut soccer pitch or tennis court. The gravel driveway was well laid and even. There were a couple of stone sculptures at either end of the drive. In fact they werent stone at all, but a kind of outdoor material made to look like stone. They were weighted down with sand and looked pretty authentic. I figured that if my movie was a success and I got other roles soon I would invest in some real stone ones. I wandered right down to the end of the drive, where our land meets the main road. When I say main road, I dont mean a major carriageway, it was actually a B-road which led towards the M1. There wasnt a lot of traffic around at the best of times, although tonight was unusually silent. I couldnt even hear the usual dull and distant roar of the traffic from the motorway as a thousand souls passed in the near vicinity of my life. Tonight there seemed to be nobody about, not even in the distance. It was just the night for a perfect murder. Why that thought entered my head I was unsure, it just suddenly popped in there and refused to budge. It was disturbing that I should have such an idea so easy, but there it was. I could kill Rachel, and then there would be no reason why I couldnt do whatever I wanted. I could act forever, I could paint houses forever, whatever the fuck I wanted to do. With her out of the way there would be nothing to stop me except my own ambition. I couldnt quite believe I was having these thoughts. I know that everyone is prone to the occasional lapse in normal behaviour, but it usually passes in a moment or two. It also leads to intense remorse that the thought ever occurred. Not in this case though. The thought of digging a grave right here and now, and luring Rachel here, throwing her into the newly dug hole and covering it with earth. She would scream for a while, but there would be nobody to hear her. I would keep filling the hole with earth, and then the screaming would stop. She would be gone forever. I would report her missing, and she would never be found. I would be looked at with sympathy, and my career would skyrocket because of it. I would be the hero who came back from the brink to relaunch a successful acting career. I would marry a supermodel, but not before a string of torrid but highly sexually charged relationships had taken place. I had a peculiar sensation of dj vu, as if this wasnt exactly a new thought, or indeed a new experience for me. I did
A thoroughly revised and updated edition of the leading textbook on government and business policy, presenting the key principles underlying sound regulatory and antitrust policy. Regulation and antitrust are key elements of government policy. This new edition of the leading textbook on government and business policy explains how the latest theoretical and empirical economic tools can be employed to analyze pressing regulatory and antitrust issues. The book departs from the common emphasis on institutions, focusing instead on the relevant underlying economic issues, using state-of-the-art analysis to assess the appropriate design of regulatory and antitrust policy. Extensive case studies illustrate fundamental principles and provide insight on key issues in regulation and antitrust policy. This fifth edition has been thoroughly revised and updated, reflecting both the latest developments in economic analysis and recent economic events. The text examines regulatory practices through the end of the Obama and beginning of the Trump administrations. New material includes coverage of global competition and the activities of the European Commission; recent mergers, including Comcast-NBC Universal; antitrust in the new economy, including investigations into Microsoft and Google; the financial crisis of 2007–2008 and the Dodd-Frank Act; the FDA approval process; climate change policies; and behavioral economics as a tool for designing regulatory strategies.
As politicians and the media perpetuate the stereotype of the "common criminal," crimes committed by the powerful remain for the most part invisible, or are reframed as a "bad decision" or a "rare mistake." This is a topic that remains marginalized within the field of criminology and criminal justice, yet crimes of the powerful cause more harm, perpetuate more inequalities, and result in more victimization than street crimes. Crimes of the Powerful: An introduction is the first textbook to bring together and show the symbiotic relationships between the related fields of state crime, white-collar crime, corporate crime, financial crime, organized crime, and environmental crime. Dawn L. Rothe and David Kauzlarich introduce the many types of crimes, methodological issues associated with research, theoretical relevance, and issues surrounding regulations and social controls for crimes of the powerful. Themes covered include: media, culture, and the Hollywoodization of crimes of the powerful; theoretical understanding and the study of the crimes of the powerful; a typology of crimes of the powerful with examples and case studies; victims of the crimes of the powerful; the regulation and resistance of elite crime. An ideal introductory text for both undergraduate and postgraduate students taking modules on the crimes of the powerful, white-collar crime, state crime, and green criminology, this text includes chapter summaries, activities and discussion questions, and lists of additional resources including films, websites, and additional readings.
The Business of Media presents the critical, yet careful, analysis of the rapidly changing media industry that students need in order to get behind the headlines and understand our increasingly media-saturated society. The writing is clear and jargon-free, accessible to undergraduates without requiring a background in economics.
Classic American Popular Song: The Second Half-Century, 1950-2000 addresses the question: What happened to American popular song after 1950? There are numerous books available on the so-called Golden Age of popular song, but none that follow the development of popular song styles in the second half of the 20th century. While 1950 is seen as the end of an era, the tap of popular song creation hardly ran dry after that date. Many of the classic songwriters continued to work through the following decades: Porter was active until 1958; Rodgers until the later 1970s; Arlen until 1976. Some of the greatest lyricists of the classic era continued to do outstanding and successful work: Johnny Mercer and Dorothy Fields, for example, continued to produce lyrics through the early '70s. These works could be explained as simply the Golden Age's last stand, a refusal of major figures to give in to a new reality. But then, how can we explain the outstanding careers of Frank Loesser, Cy Coleman, Jerry Herman, Jerry Bock and Sheldon Harnick, Fred Kander and John Ebb, Jule Styne, Alan Jay Lerner and Frederick Loewe, and several other major figures? Where did Stephen Sondheim come from? For anyone interested in the development of American popular song -- and its survival -- this book will make fascinating reading.
A biography of America’s greatest all-around athlete that “goes beyond the myth and into the guts of Thorpe’s life, using extensive research, historical nuance, and bittersweet honesty” (Los Angeles Times), by the bestselling author of the classic biography When Pride Still Mattered. Jim Thorpe rose to world fame as a mythic talent who excelled at every sport. Most famously, he won gold medals in the decathlon and pentathlon at the 1912 Stockholm Olympics. A member of the Sac and Fox Nation, he was an All-American football player at the Carlisle Indian School, the star of the first class of the Pro Football Hall of Fame, and played major league baseball for John McGraw’s New York Giants. Even in a golden age of sports celebrities, he was one of a kind. But despite his awesome talent, Thorpe’s life was a struggle against the odds. At Carlisle, he faced the racist assimilationist philosophy “Kill the Indian, Save the Man.” His gold medals were unfairly rescinded because he had played minor league baseball, and his supposed allies turned away from him when their own reputations were at risk. His later life was troubled by alcohol, broken marriages, and financial distress. He roamed from state to state and took bit parts in Hollywood, but even the film of his own life failed to improve his fortunes. But for all his travails, Thorpe survived, determined to shape his own destiny, his perseverance becoming another mark of his mythic stature. Path Lit by Lightning “[reveals] Thorpe as a man in full, whose life was characterized by both soaring triumph and grievous loss” (The Wall Street Journal).
As film students and younger fans experience "Big Hollywood Sound" in Imax presentations and digital theaters, many are also discovering action and adventure movies made well before they were born. There is a legacy to be enjoyed in the sound of these films: Blockbuster movies of the ‘80’s, and ‘90’s are notable for the extraordinarily dramatic impact of their sound mixing, and the way in which it could immerse audiences in a surrounding space. During this period, a small group of sound professionals in Hollywood wrote and published a critical journal about the craftsmanship, new technology, and changing aesthetics that excited conversation in their community. Their work has been edited and compiled here for the first time. David Stone is a sound editor, a veteran of roughly 100 Hollywood feature films, such as Gremlins, Top Gun, Die Hard, Speed, and Ocean’s 11. He was a Supervising Sound Editor for projects as varied as Predator, Edward Scissorhands, Beauty and the Beast, Batman Returns, City Slickers 2, and Dolores Claiborne. He has collected Golden Reel awards for Best Sound Editing five times, and won the 1992 Academy Award® for best Sound Effects Editing, for his supervising work on Bram Stoker’s Dracula. In 2015, he received a Lifetime Achievement Award from the San Luis Obispo Jewish Film Festival in California. Stone is now a Professor and former Chair of Sound Design at Savannah College of Art and Design. Between 1989 and 1994, he was the editor of Moviesound Newsletter, which was published by Vanessa Ament. Dr. Vanessa Theme Ament is the author of The Foley Grail, and a contributor to Sound: Dialogue, Music, and Effects (the Silver Screen Series). She is on the steering committee for Cinesonika, an international film festival and conference. A veteran Foley artist, sound editor, and voice actor from Los Angeles, she also writes and sings jazz, and is a member of the American Federation of Musicians, SAG-AFTRA, Actors Equity, and the Editors Guild. She worked on Die Hard, sex, lies, and videotape, Platoon, Predator, Edward Scissorhands, Beauty and the Beast, Noises Off, and A Goofy Movie, and many other films. Dr. Ament received her Ph.D. in Communication, in the area of Moving Image Studies, from Georgia State University in Atlanta, and is presently the Edmund F. and Virginia B. Ball Endowed Chair Professor of Telecommunications, at Ball State University in Muncie, Indiana.
Scott analyses how the internet has revolutionised communications and promotions. Told with many compelling case studies and real-world examples, this is a practical guide to the new reality of PR and marketing.
Also Available: Orchestral Music Online This fourth edition of the highly acclaimed, classic sourcebook for planning orchestral programs and organizing rehearsals has been expanded and revised to feature 42% more compositions over the third edition, with clearer entries and a more useful system of appendixes. Compositions cover the standard repertoire for American orchestra. Features from the previous edition that have changed and new additions include: · Larger physical format (8.5 x 11 vs. 5.5 x 8.5) · Expanded to 6400 entries and almost 900 composers (only 4200 in 3rd Ed.) · Merged with the American Symphony Orchestra League's OLIS (Orchestra Library Information Service) · Enhanced specific information on woodwind & brass doublings · Lists of required percussion equipment for many works · New, more intuitive format for instrumentation · More contents notes and durations of individual movements · Composers' citizenship, birth and death dates and places, integrated into the listings · Listings of useful websites for orchestra professionals
Savage Systems examines the emergence of the concepts of "religion"and "religions" on colonial frontiers. The book offers a detailed analysis of the ways in which European travelers, missionaries, settlers, and government agents, as well as indigenous Africans, engaged in the comparison of alternative religious ways of life as one dimension of intercultural contact. Focusing primarily on ninteenth-century frontier relations, David Chidester demonstrates that the terms and conditions for comparison--including a discrouse about "otherness" that were established during this period still remains. A volume in the series Studies in Religion and Culture
This book highlights 50 of the most important entertainers in contemporary country music, providing a brief biography of each artist with special emphasis on experiences that influenced their musical careers. The artists are divided into five categories: "The New Traditionalists" (artists such as George Strait, Reba McEntire, and Clint Black who established the mainstream country sound in the 1980s); "Alternative Country" (artists such as Steve Earle and Bela Fleck who made country music on their own terms); "Groups" (ensemble acts such as Alabama, the Dixie Chicks, and Rascal Flatts that have carried on the traditions of the Carter Family and other prominent groups of the 1920s and 1930s); "Country-Pop" (artists such as Garth Brooks and Shania Twain who firmly established the "countrypolitan" sound as the cash cow of Nashville); and "New Country" (the next generation of country-pop artists, with particular attention paid to international megastars such as Keith Urban, and teen sensations, including LeAnn Rimes and Taylor Swift).
True histories of western outlaws Jesse James and Butch Cassidy are paired in the classic Desperate Men. James D. Horan, the first researcher to be granted access to the long-sealed files of the Pinkerton National Detective Agency, was able to show in graphic and unsentimental detail the bloody desperation of the James-Younger gang and the Wild Bunch. Horan reveals the insecure, bitter Jesse James behind the bandit’s mask. His death ended a sixteen-year reign of terror in the Middle Border, but farther to the west Butch Cassidy, the Sundance Kid, and their cohorts soon loomed on the outlaw trail. Their criminal careers and intimate lives are tracked in this revised, enlarged edition of Desperate Men.
An actor, a vaudevillian, and a dramatist before he became a filmmaker, D. W. Griffith used the resources of theatre to great purpose and to great ends. In pioneering the quintessentially modern medium of film from the 1890s to the 1930s, he drew from older, more broadly appealing stage forms of melodrama, comedy, vaudeville, and variety. In Stagestruck Filmmaker, David Mayer brings Griffith’s process vividly to life, offering detailed and valuable insights into the racial, ethnic, class, and gender issues of these transitional decades. Combining the raw materials of theatre, circus, minstrelsy, and dance with the newer visual codes of motion pictures, Griffith became the first acknowledged artist of American film. Birth of a Nation in particular demonstrates the degree to which he was influenced by the racist justifications and distorting interpretations of the Civil War and the Reconstruction era. Moving through the major phases of Griffith’s career in chapters organized around key films or groups of films, Mayer provides a mesmerizing account of the American stage and cinema in the final years of the nineteenth century and the first three decades of the twentieth century. Griffith’s relationship to the theatre was intricate, complex, and enduring. Long recognized as the dominant creative figure of American motion pictures, throughout twenty-six years of making more than five hundred films he pillaged, adapted, reshaped, revitalized, preserved, and extolled. By historicizing his representations of race, ethnicity, and otherness, Mayer places Griffith within an overall template of American life in the years when film rivaled and then surpassed the theatre in popularity.
Butler (1894-1979) directed over a hundred theatrical and television films, and such popular TV shows as Wagon Train and Leave it to Beaver. In this oral history, he reflects on his life and work.
For nearly a century, New York's famous "Tin Pan Alley" was the center of popular music publishing in this country. It was where songwriting became a profession, and songs were made-to-order for the biggest stars. Selling popular music to a mass audience from coast-to-coast involved the greatest entertainment media of the day, from minstrelsy to Broadway, to vaudeville, dance palaces, radio, and motion pictures. Successful songwriting became an art, with a host of men and women becoming famous by writing famous songs.
The Wizard of Oz FAQ is a fact-filled celebration of the beloved 1939 fantasy masterpiece starring Judy Garland. It's all here – from L. Frank Baum and his Oz novels to the complete background story of the movie's conception, development, and shoot, with special attention given to the little-known parade of uncredited directors, casting difficulties, and on-set accidents and gaffes, as well as more than 75 sidebars devoted to key cast members, directors, and other behind-the-scenes personnel. You'll find a wealth of fun facts: How MGM overworked Judy Garland before, during, and after Oz; why director Victor Fleming had his hands full with the Cowardly Lion and Dorothy's other friends; what it was about Toto that really bothered Judy; the physical horrors of filming in Technicolor; the racial Oz gag that was scripted but never shot; when the Wicked Witch was going to be beautiful; why The Wizard of Oz owes a lot to silent-screen star Mary Pickford; the story of deleted scenes, and a full two weeks of shooting that had to be scrapped; why MGM star Mickey Rooney was part of the movie's traveling publicity blitz; how the Wicked Witch was literally blown off her broomstick one day; the place where lions, tigers, and bears really do live together; singers you hear but never see; the day MGM fired Judy Garland; and much more. Just follow the yellow brick road!
In 2015, FIFA-the multibillion dollar governing body of the world's most-loved sport-was brought down by allegations of industrial-scale bribes, kickbacks, money laundering, racketeering and tax evasion. Beginning with early morning raids in Zurich and the indictment of twenty-seven executives by the US Department of Justice, the rottenness at the core of FIFA seemed to extend throughout all of soccer, from the decision to send the 2018 and 2022 World Cups to Russia and Qatar to lesser known cases of embezzlement from Trinidad to South Africa. David Conn writes the definitive account of FIFA's rise and fall, covering in great detail the corruption allegations and the series of scandals that continued to shake the public's trust in the organization. The Fall of the House of FIFA situates FIFA's unraveling amidst revealing human portraits of soccer legends such as Michel Platini and Franz Beckenbauer and features an exclusive interview with former president Sepp Blatter. Even as he chronicles the biggest sport scandal of all time, Conn infuses the book with a passionate love of the game, delivering an irresistible read.
A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.
In a society saturated by mass media, from newspapers and magazines, television and radio, to digital video projects and the Internet, iPods and TiVo, most students possess a great deal of media knowledge and experience before they ever enter the classroom. What they often lack, however, is a broader framework for understanding the relationship between media and society. Media/Society: Industries, Images, and Audiences provides that context and helps students develop skills for critically evaluating both conventional wisdom and onee(tm)s own assumptions about the social role of the media. Previous editions of Media/Society introduced thousands of students to a sociologically informed analysis of the media process. The Fourth Edition builds on this success with new material on students as producers (e.g., YouTube), revised Internet resources, the latest data on the media industry, new examples from the independent media sector, and updated discussions of media policy, online media, and independent media. Media/Society is unique among media texts in that it offers: e A sociological approach that examines overarching relationships between the various components of the media process - the industry, its products, audiences, technology - and the broader social world e An integrated study of mass media that looks at media technologies, collective influences, and connections between mass media issues that are often treated as separate e An examination of how economic and political constraints affect the media and how audiences actively construct their own interpretations of media messages
In October 2001, an unlikely gathering of musicians calling itself the MuzikMafia took place at the Pub of Love in Nashville, Tennessee. "We had all been beat up pretty good by the 'industry' and we told ourselves, if nothing else, we might as well be playing muzik," explains Big Kenny of Big and Rich. For the next year and a half, the MuzikMafia performed each week and garnered an ever-growing, dedicated fan base. Five years, several national tours, six Grammy nominations, and eleven million sold albums later, the MuzikMafia now includes a family of artists including founding members Big and Rich, Jon Nicholson, and Cory Gierman along with Gretchen Wilson, Cowboy Troy, James Otto, Shannon Lawson, Damien Horne (Mista D), Two-Foot Fred, Rachel Kice, and several more in development. This book explores how a set of shared beliefs created a bond that transformed the MuzikMafia into a popular music phenomenon. David B. Pruett examines the artists' coalition from the inside perspective he gained in five years of working with them. Looking at all aspects of the collective, MuzikMafia documents the problems encountered along the ascent, including business difficulties, tensions among members, disagreements with record labels, and miscalculations artists inevitably made before the MuzikMafia unofficially dissolved in 2008. A final section examines hope for the future: the birth of Mafia Nation in 2009.
This surprising true story of Vermont’s collusion with the British “may be the best American Revolutionary War era book to come out in years” (Military Review). This riveting work of political and military history provides an account of the three-way relationship between Ethan Allen, the Republic of Vermont (1777–1791), and the British in Canada during the American Revolution. Ethan Allen was a prime mover in the establishment of the Republic, then led the fight to maintain its independence from the “predatory states” of New Hampshire, New York, and Massachusetts; from the American Continental Congress; and from British attacks on the new state. In order to defend Vermont’s independence, Ethan Allen even went so far as engaging in secret, unlawful negotiations with the British in Canada, aimed at turning Vermont into a “separate Government under the Crown.” The attempts of the Allen family to maintain Vermont’s independence from its neighbors were unsuccessful: Vermont became the fourteenth state in 1791. A Few Lawless Vagabonds is the first systematic attempt, using archival sources, to show that the Allens were utterly serious in their aim to turn Vermont into a Crown colony, a project which came close to success in late 1781. The portrait of Ethan Allen that emerges in this book is not of a warrior hero of the American Revolution but of a successful Vermont nationalist who is justly celebrated as the principal founder of the State of Vermont—a rare combination of patriot and betrayer of the public trust.
Allison Davis (1902–83), a preeminent black scholar and social science pioneer, is perhaps best known for his groundbreaking investigations into inequality, Jim Crow America, and the cultural biases of intelligence testing. Davis, one of America’s first black anthropologists and the first tenured African American professor at a predominantly white university, produced work that had tangible and lasting effects on public policy, including contributions to Brown v. Board of Education, the federal Head Start program, and school testing practices. Yet Davis remains largely absent from the historical record. For someone who generated such an extensive body of work this marginalization is particularly surprising. But it is also revelatory. In The Lost Black Scholar, David A. Varel tells Davis’s compelling story, showing how a combination of institutional racism, disciplinary eclecticism, and iconoclastic thinking effectively sidelined him as an intellectual. A close look at Davis’s career sheds light not only on the racial politics of the academy but also the costs of being an innovator outside of the mainstream. Equally important, Varel argues that Davis exemplifies how black scholars led the way in advancing American social thought. Even though he was rarely acknowledged for it, Davis refuted scientific racism and laid bare the environmental roots of human difference more deftly than most of his white peers, by pushing social science in bold new directions. Varel shows how Davis effectively helped to lay the groundwork for the civil rights movement.
Entertainment spending is soaring worldwide, driven by new technologies, new platforms, new business models, and unrelenting demand amongst seven billion consumers. That means entertainment marketing opportunities are soaring, too. But this business is more complex and competitive than ever–and it’s changing at breakneck speed. Now, two leading practitioners show how to transform content into profits today and tomorrow…in The Definitive Guidce to Entertainment Marketing . ¿ Marketing Metrics: The Definitive Guide to Measuring Marketing Performance, Second Edition , is the definitive guide to today’s most valuable marketing metrics. In this thoroughly updated and significantly expanded book, four leading marketing researchers show exactly how to choose the right metrics for every challenge and expand their treatment of social marketing, web metrics, and brand equity. They also give readers new systems for organizing marketing metrics into models and dashboards that translate numbers into management insight.
This third thrilling espionage novel in the exciting CI series finds special agent David DeLuca up against those responsible for mass suffering in the war-torn African country of Niger.
This is the first football history to chronicle year by year how playing rules developed the game. Football - a four-dimensional game of rushing, kicking, forward passing, and backward passing - has had more playing rule changes since its inception than any other sport. The Anatomy of a Game follows football rules from the game's European roots through its beginning in the United States to its position as the number-one spectator sport in the 1990s. Highlighted are details of the crisis years that changed the character of the game, with coaches and rules committee members the featured players. David M. Nelson, who served on the NCAA Rules Committee longer than Walter Camp, provides personal insight into all Rules Committee meetings since 1958, as well as an appendix - chronological and by rule - listing every change since 1876." "Ever since the first two human beings kicked, threw, or batted an object competitively, there have been playing rules. Games are mentioned in the Bible, and the Romans brought football's forerunner to Britain, from where it was exported to the United States. It was in the United States that college students decided to make their game rugby rather than soccer. Although the students invented United States football and made the first rules, their ruling power was eventually lost to the faculty, administrators, coaches, rules committees, and the NCAA." "Beginning as a brutal sport, football survived several crises before and after the turn of the century, eventually becoming respectable. The 1931 injury crisis split the high school and college rules and the same year the professionals went their own way, with rules largely based on spectator appeal." "Today the sport is a national treasure primarily because of its playing rules, over seven hundred in total, which make college football unique among the world's team sports. Moreover, football remains an American game, never having the same impact in other countries as do baseball and basketball." "Rules make the game, but people make the rules. Football survived the major crises that threatened the game because committee members adhered to the precepts that had governed football since its inception. The game began with an attempt to have a consistent code of justice, personal accountability, and equality. In some sense the playing rules are a type of moral precept that explains in the simplest terms what can and cannot be done. The Football Code, which first prefaced the rules in 1916, makes the game - more than any other sport - a moral one because it sets standards for coaching, playing, sportsmanship, and officiating."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Hit Man" is the story of Foster's triumphant four decades in the tumultuous music industry--with 45 Grammy nominations, four wins, and three Oscar nominations. 8 pages of b&w photographs.
Cricket was played in Virginia in 1710 and was enjoyed on Georgia plantations in 1737. Teams representing New York and Philadelphia faced each other as early as 1838. By 1865, Philadelphia was considered the best cricket-playing city in the United States, competing against Canadian, English and Australian teams from 1890 to 1920. This 30 year span was essential to the formation of America's sports identity--and by its end, while the sport of baseball drew increasing attention, the game of cricket moved from being the game of America's aristocrats to a safe haven for America's nonwhite immigrants who were excluded from baseball because of Jim Crow laws. Here, the game's unique multi-ethnic, religious and cultural tradition in the United States is fully explored. The author explains cricket's ties to the beginnings of baseball and covers the ways in which the game continues to play an important role in America's inner cities.
Don’t you deserve a little happiness? Ever wonder . . . Why is life so frustrating? Is happiness within my reach? Is it too late for me? Dr. David Jeremiah takes a look at history’s wisest and most successful man, King Solomon, and challenges readers to find what really matters in life. Solomon tested life’s haunting questions head-on. Tasted the fullness of life’s riches. But found his answers in the last place he thought to look. If you thought happiness was only an empty hope, maybe you’ve simply been looking in all the wrong places. In this book Dr. Jeremiah reveals the way to the happiness you have longed for, the never-dimming light of your fondest dreams.
In a music industry where one-hit wonders come and go, Prince, son of a black father and a white mother, is a long-running exception. With his monster guitar work, suggestive songs, and a fashion sense that is all his own, this biracial achiever has spent over thirty years as a pop culture icon. His albums Purple Rain, Sign "O" the Times, and Musicology set new standards for pop music showmanship. His work in filmmaking and multimedia proved him to be one of the more progressive artists in the business, all the while earning him millions of dollars and legions of avid fans. Yet Prince's prodigious talents have sometimes fallen victim to his excesses and obsessions. Explicit lyrics and squabbles with record executives are but two of the more controversial chapters in a long and rich career. Through it all, Prince has forged an extraordinary musical legacy and brought fans of all races together to enjoy his unique combination of rock, funk, and R&B. This new biography offers an in-depth look at a living legend and explores his genius through interviews as well as his timeless music.
PREPARE FOR JUDGEMENT! The world's greatest cult comic book star, Judge Dredd, is back on the beat in Mega-City One. Senior Judges from around the world are gathering to sign an important treaty and security in the city is tight. Notorious crime boss Jesus Bludd has evaded justice for decades, but now he's prepared to step out of the shadows for the first time and seize control of the Big Meg. For Dredd, it's a race against time before Bludd completely destroys the city. Fast-paced SF action with the uncompromising future lawman, Judge Dredd!
A revised and expanded edition of the music icon's definitive biography incorporates newly discovered personal writings, additional details on Hendrix's romantic relationships, and additional research into his creative life.
32-Red" & "Berlin by Christmas"combine to become"The Enigmatic Mr Phelps" The sequel to the late 1990's set "32-Red", brings Oscar Phelps into the new century with a certain gusto and a very personal mission to be relentlessly pursued. "32-Red" and the previously unpublished "Berlin by Christmas" provide in combination for the delivery of a Vintage Story of Elaborate Subterfuge, Contemporary Murder, Moot Conscience and Guiltless Precision. Woven amidst a Rich Tapestry of Traditional Values and Delicious Amorality. Oscar Phelps is a little older, a little wiser, but still constantly in search... This International Thriller follows the exploits of "32-Red"'s Fraudster, Psychopath, Manipulator, Impresario, Raconteur, Wit, Killer and Friend as he continues relentless pursuit of the song of life. Oscar has survived into the third millennium with enhanced knowledge, decorum and wit. His business "associations" take him now to the Raffles city of Singapore, experiencing the antiquities of Venice, the zest of Hong Kong, the last great bastion of the Empire. To Budapest, Paris, London, Nice, San Francisco, Niagara, Tokyo, Australia and a rejuvenated Berlin. Oscar has a new nemesis, a new "Buffalo" Bertram Keelan to contend with. This time, a more worthy, more dangerous and ultimately more personal adversary. Recently widowed, Oscar finds himself seeking to avenge the death of his wife Lori. Killed by a mis-directed act of aggression from an unlikely assailant. Oscar begins his quest with the help of friends on whom he can rely. Plotting his objectives, without conscience, limit or boundary. Oscar the anti-hero, the "Dear, Dear Boy" will not allow anyone or anything to stop him as he flushes out his prey. With loyal Bostonian henchman Trent Alexis in tow, Oscar moves from within his shroud of sadness, stridently, purposefully, full of guile, with The Wisdom to Remember and the Courage to effect Change.
The Beach Boys have been rolling, like the tide their great songs evoke, for more than thirty years, reaching professional peaks and tragic personal depths. In this electrifying account Steven Gaines reveals the gothic tale of violence, addiction, greed, genius, madness, and rock 'n' roll behind the wholesome, surf-and-sun image. Through candid interviews with close friends, family, and the Beach Boys themselves, Heroes and Villains portrays and evaluates all those who propelled the California myth, and the group who sang about it, into worldwide prominence: Murry Wilson, the corrosive father who abused them as children and exploited them as adults; Dennis Wilson, who explored every avenue of excess (including welcoming the entire Manson family into his home) to his inevitable self-destruction; the Wilsons' cousin, frontman Mike Love, whose devotion to Eastern religion could not quell his violent temper; the wives (more than ten), mistresses, managers, and producers who consumed huge pieces of the "musical pie"; and of course, the band's artistic center, Brian Wilson, the mentally fragile musical genius who achieved so much and then so little. With dozens of photos, Heroes and Villains recounts the bitter saga of the American dream realized and distorted and the music that survived.
From Herman Melville’s claim that “failure is the true test of greatness” to Henry Adams’s self-identification with the “mortifying failure in [his] long education” and William Faulkner’s eagerness to be judged by his “splendid failure to do the impossible,” the rhetoric of failure has served as a master trope of modernist American literary expression. David Ball’s magisterial study addresses the fundamental questions of language, meaning, and authority that run counter to well-rehearsed claims of American innocence and positivity, beginning with the American Renaissance and extending into modernist and contemporary literature. The rhetoric of failure was used at various times to engage artistic ambition, the arrival of advanced capitalism, and a rapidly changing culture, not to mention sheer exhaustion. False Starts locates a lively narrative running through American literature that consequently queries assumptions about the development of modernism in the United States.
In today's global recession, strong management of firms and organizations are of the utmost importance. Best-selling Economics of Strategy focuses on the key economic concepts students must master in order to develop a sound business strategy. Bringing economic theory and strategic analysis to life in an engaging and uniquely modern way, Besanko et al. have collaborated for over 15 years to build an introductory business course that combines basic concepts from economic theory of the firm and industrial organization with ideas from modern strategy literature. The newly revised 5th edition offers more real-world applications to make materials studied in undergraduate Managerial Economics, Business Strategy, and Industrial Organization courses relevant. Armed with general principles, today's students—tomorrow's future managers—will be prepared to adjust their firms' business strategies to the demands of the ever-changing environment.
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